<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-4780133993864114166</id><updated>2012-01-26T14:25:01.392-08:00</updated><title type='text'>英國風 The Island Race</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://ukislandrace.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://ukislandrace.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default?start-index=101&amp;max-results=100'/><author><name>hanching chung</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>943</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-4780133993864114166.post-8509825860364566709</id><published>2012-01-26T14:24:00.000-08:00</published><updated>2012-01-26T14:25:01.408-08:00</updated><title type='text'>Struggling pupils don't catch up, data shows</title><content type='html'>&lt;h1 class="story-header"&gt;Struggling pupils don't catch up, data shows&lt;/h1&gt;                                  &lt;div class="has-icon-comment dna-comment-count-simple"&gt;&lt;a href="http://www.bbc.co.uk/news/education-16721884#dna-comments"&gt;Comments &lt;span class="dna-comment-count-number"&gt;(778)&lt;/span&gt; &lt;span class="gvl3-icon gvl3-icon-comment"&gt;&lt;/span&gt;&lt;/a&gt; &lt;/div&gt;                                    &lt;span class="byline"&gt;               &lt;span class="byline-name"&gt;By Hannah Richardson and Katherine Sellgren&lt;/span&gt;     &lt;span class="byline-title"&gt;BBC News &lt;/span&gt;    &lt;/span&gt;                    &lt;div class="caption body-width"&gt;   &lt;img src="http://news.bbcimg.co.uk/media/images/58115000/jpg/_58115307_124363445.jpg" alt="Pupils wait in a playground" height="261" width="464" /&gt;      &lt;span style="width:464px;"&gt;This year's tables feature far more data than in previous years&lt;/span&gt;   &lt;/div&gt; &lt;div class="embedded-hyper"&gt;  &lt;a class="hidden" href="http://www.bbc.co.uk/news/education-16721884#story_continues_1"&gt;Continue reading the main story&lt;/a&gt;             &lt;div class="hyperpuff"&gt;                                                      &lt;h2&gt;&lt;a href="http://www.bbc.co.uk/news/education-11950098"&gt;School league tables&lt;/a&gt;&lt;/h2&gt;               &lt;ul&gt;&lt;li&gt;  &lt;a class="story" rel="published-1327591735067" href="http://www.bbc.co.uk/news/education-16741765"&gt;Two grammars top league tables &lt;/a&gt;    &lt;/li&gt;&lt;li&gt;  &lt;a class="story" rel="published-1327570333390" href="http://www.bbc.co.uk/news/education-16729387"&gt;Best GCSE results&lt;/a&gt;    &lt;/li&gt;&lt;li&gt;  &lt;a class="story" rel="published-1327570371801" href="http://www.bbc.co.uk/news/education-16729490"&gt;Lowest GCSE results&lt;/a&gt;    &lt;/li&gt;&lt;li&gt;  &lt;a class="story" rel="published-1327570435212" href="http://www.bbc.co.uk/news/education-16730017"&gt;Regional picture: GCSE results &lt;/a&gt;    &lt;/li&gt;&lt;/ul&gt;                               &lt;/div&gt;   &lt;/div&gt;                      &lt;p class="introduction" id="story_continues_1"&gt;Just  one in 15 (6.5%) pupils starting secondary school in England "behind"  for their age goes on to get five good GCSEs including English and  maths, official data shows. &lt;/p&gt;         &lt;p&gt;The government data published as part of secondary school  league tables suggests the majority of schools are failing struggling  pupils.&lt;/p&gt;         &lt;p&gt;Nationally 58.2% of pupils reach the five good GCSEs benchmark.&lt;/p&gt;         &lt;p&gt;Minister Nick Gibb said schools which let pupils down would be tackled. &lt;/p&gt;         &lt;p&gt;The Department for Education data covers England's more than  5,000 secondary schools with more than 200 pieces of information being  published for each one - almost four times as much as last year.&lt;/p&gt;         &lt;p&gt;Much of the information is broken down by pupil type, with  scores offered for low, medium and high-attaining pupils, and those from  disadvantaged backgrounds as well as non-disadvantaged.&lt;/p&gt;         &lt;p&gt;As expected, those from disadvantaged backgrounds (classed as  those on free school meals or in local authority care) do less well. &lt;/p&gt;   &lt;a class="hidden" href="http://www.bbc.co.uk/news/education-16721884#story_continues_2"&gt;Continue reading the main story&lt;/a&gt;   &lt;div class="story-feature wide lt-overflow-vis"&gt;  &lt;div id="slt-nav-wrapper"&gt;    &lt;div style="visibility: visible;" id="school-tables-finder-ks4" class="school-tables-finder"&gt;    &lt;h2 class="strapline special-24"&gt;&lt;a href="http://www.bbc.co.uk/news/education-11950098"&gt;England league tables&lt;/a&gt;&lt;/h2&gt;    &lt;form class="school-tables-level-chooser"&gt;&lt;fieldset&gt;&lt;input value="4" name="stage" id="ks4-form-select-ks4" type="radio"&gt;&lt;label for="id="&gt;Secondary schools&lt;/label&gt;&lt;input value="2" name="stage" id="ks4-form-select-ks2" type="radio"&gt;&lt;label for="id="&gt;Primary schools&lt;/label&gt;&lt;/fieldset&gt;&lt;/form&gt;    &lt;h3 class="description special-16"&gt;Compare schools in your area&lt;/h3&gt;        &lt;form id="school-tables-finder-postcode-search-ks4" method="post" action="http://www.bbc.co.uk/cgi-perl/whereilive/server/bouncer_api.pl"&gt;          &lt;fieldset&gt;      &lt;label for="school-tables-finder-search-ks4-1" class="optional"&gt;Enter full postcode&lt;/label&gt;      &lt;input name="loc" id="school-tables-finder-search-ks4-1" class="text" type="text"&gt;           &lt;/fieldset&gt;    &lt;/form&gt;     &lt;form id="school-tables-finder-select-ks4" method="post" action="http://www.bbc.co.uk/cgi-bin/openurl.pl"&gt;     &lt;fieldset&gt;      &lt;div class="lt-hidden-wrapper"&gt;      &lt;/div&gt;      &lt;label tabindex="0" for="school-tables-finder-select-ks4-1" class="required"&gt;Select a local authority&lt;/label&gt;                  &lt;/fieldset&gt;    &lt;/form&gt;   &lt;/div&gt;                    &lt;/div&gt; &lt;/div&gt;       &lt;p id="story_continues_2"&gt;Only a third (34%) of these children  achieve the government's benchmark of five GCSEs  - or equivalent  qualifications - graded A* to C, including English and maths.&lt;/p&gt;         &lt;p&gt;In 909 schools, not one low-attaining pupil (those who did  not reach Level 4 at the end of primary school) reached this threshold.&lt;/p&gt;         &lt;p&gt;At the other end of the spectrum, 95% of pupils who started  school "ahead" for their age (achieving Level 5 at the end of primary  school)  got five good GCSEs,  including English and maths.&lt;/p&gt;         &lt;p&gt;And of those who started school at the expected level for  their age, (Level 4 at the end of primary school) some 45.6% failed to  progress to five good GCSEs.&lt;/p&gt;         &lt;p&gt;Overall, 58.2% of pupils in England's state schools got five  good GCSEs including English and maths (including equivalent  qualifications). &lt;/p&gt;   &lt;span class="cross-head"&gt;'One chance'&lt;/span&gt;        &lt;p&gt;When these qualifications, such as BTecs and NVQs, are excluded, 52.4% of pupils gained five good GCSEs. &lt;/p&gt;         &lt;p&gt;The performance data also shows what proportion of pupils get the English Baccalaureate. &lt;/p&gt;         &lt;p&gt;This new measure, introduced in 2010, is the proportion of  pupils achieving A*-C passes in English, maths, two science subjects, a  modern or ancient language, and either history or geography. &lt;/p&gt;         &lt;p&gt;Nationally across all pupils, just 15.4% got the wrap-around  qualification, but most pupils would have made their GCSE choices before  Education Secretary Michael Gove announced he was introducing this  certificate of achievement.&lt;/p&gt;         &lt;p&gt;Pupils with low prior attainment also performed poorly in the  English Bacc, with just 0.3% gaining the wrap-around qualification.&lt;/p&gt;         &lt;p&gt;Sevenoaks School, a private school in Kent, tops the English Bacc tables, with 99% of pupils meeting this benchmark.&lt;/p&gt;            &lt;div class="videoInStoryB"&gt;     &lt;div id="emp-16746106-47155" class="emp"&gt;&lt;img class="holding" src="http://news.bbcimg.co.uk/media/images/58118000/jpg/_58118908_jex_1302003_de11-1.jpg" height="252px" width="448px" /&gt;&lt;div class="warning"&gt;&lt;p&gt;&lt;strong&gt;Cannot play media.&lt;/strong&gt; You do not have the correct version of the flash player. &lt;a href="http://www.adobe.com/shockwave/download/download.cgi?P1_Prod_Version=ShockwaveFlash"&gt;Download the correct version&lt;/a&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;                                &lt;div id="bbccom_companion_16746106" class="  bbccom-advert bbccom_visibility_hidden bbccom_companion"&gt;    &lt;/div&gt;                                               &lt;p class="caption"&gt;Brian Lightman: "Government needs to spend less time blaming schools"&lt;/p&gt;            &lt;/div&gt;         &lt;p&gt;Schools Minister Nick Gibb said: "Today's figures reveal a  shocking waste of talent in many schools across the country. All too  often, pupils from disadvantaged backgrounds aren't given the same  opportunities as their peers. &lt;/p&gt;         &lt;p&gt;"But there are great examples of schools achieving the best  for their disadvantaged pupils. If they can get it right, then so can  all schools."&lt;/p&gt;         &lt;p&gt;The government says its data shows there are 107 secondary  schools below the floor standard of 35% of pupils getting five good  GCSEs, including English and maths. &lt;/p&gt;   &lt;span class="cross-head"&gt;Top performers&lt;/span&gt;        &lt;p&gt;Mr Gibb added: "Children only have one chance at education.  These tables show which schools are letting children down. We will not  hesitate to tackle underperformance in any school, including academies. &lt;/p&gt;         &lt;p&gt;"Heads should be striving to make improvements year on year, and we will not let schools coast with mediocre performance."&lt;/p&gt;         &lt;p&gt;Shadow education secretary Stephen Twigg said that while many  pupils, especially those from disadvantaged backgrounds are not  achieving their potential, the government is promoting pet projects over  real need.   &lt;/p&gt;         &lt;p&gt;"The government needs to focus on the 3Rs as well," he added. &lt;/p&gt;   &lt;div class="story-feature wide "&gt;  &lt;a class="hidden" href="http://www.bbc.co.uk/news/education-16721884#story_continues_3"&gt;Continue reading the main story&lt;/a&gt;  &lt;h2&gt;HEADLINE SCORES&lt;/h2&gt;         &lt;ul&gt;&lt;li&gt; National average for five good GCSEs: 58.2% of pupils&lt;/li&gt;&lt;li&gt; National average for English Baccalaureate: 15.4%&lt;/li&gt;&lt;li&gt; Best GCSE performance: Lawrence Sheriff Grammar School, Rugby&lt;/li&gt;&lt;li&gt; Worst GCSE performance: St Aldhelm's Academy, Poole&lt;/li&gt;&lt;li&gt; Best A-level performance: Colchester Royal Grammar School, Essex&lt;/li&gt;&lt;li&gt; Best performing local authority: Sutton, London&lt;/li&gt;&lt;li&gt; Worst performing local authority: Knowsley, Merseyside&lt;/li&gt;&lt;/ul&gt;    &lt;/div&gt;      &lt;p id="story_continues_3"&gt;NUT general secretary Christine  Blower said the social inequalities with which children start school,  widen as they progress through their education. &lt;/p&gt;         &lt;p&gt;"Instead of focusing on changing school structures and on the  pointless naming and shaming of schools, the Government should be  ensuring that all schools have the resources and support they need for  all pupils to reach their full potential."&lt;/p&gt;         &lt;p&gt;In total, 158 schools see 100% of pupils getting five GCSEs A*-C or equivalent, including maths and English.&lt;/p&gt;         &lt;p&gt;When the average point score per pupil is used to rank these  top performers schools, Lawrence Sheriff Grammar School in Rugby comes  top.&lt;/p&gt;         &lt;p&gt;Head teacher Dr Peter Kent said much of the school's success  was down to Key Stage 4 being spread over three years rather than the  traditional two.  &lt;/p&gt;         &lt;p&gt;"This gives departments a chance to deliver a very  personalised curriculum and we all respond well to something that's been  tailored to our individual needs," he said.&lt;/p&gt;         &lt;p&gt;The poorest performing school was St Aldhelm's Academy in  Poole, Dorset, where just 3% of pupils got five GCSEs A*-C or  equivalent, including maths and English.&lt;/p&gt;         &lt;p&gt;Principal Cheryl Heron, who took over in September 2010, said  the results were "disappointing but not unexpected".  It would take  time to change and transform pupils' learning experiences, she added.&lt;/p&gt;   &lt;span class="cross-head"&gt;'Focus'&lt;/span&gt;        &lt;p&gt;At sixth form level, the Colchester Royal Grammar School in  Essex comes out as the best performer, with an average point score per  pupil of over  1,477 - this is the equivalent of over four A*s and one A  grade at A-level.&lt;/p&gt;         &lt;p&gt;The best performing county was Sutton in London, where 74.7%  of pupils got the government benchmark of five GCSEs, including maths  and English. The worst was Knowsley, Merseyside, where 40.8% of pupils  reached this level. A Knowsley spokesman said its schools were improving  year after year.&lt;/p&gt;   &lt;div class="caption body-width"&gt;   &lt;img src="http://news.bbcimg.co.uk/media/images/58114000/gif/_58114177_schooleague464.gif" alt="Map showing school performance" height="473" width="464" /&gt;    &lt;/div&gt;                       &lt;a href="http://www.bbc.co.uk/news/education-16721884#dna-comments"&gt;Your comments &lt;span class="dna-comment-count-number"&gt;(778)&lt;/span&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4780133993864114166-8509825860364566709?l=ukislandrace.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ukislandrace.blogspot.com/feeds/8509825860364566709/comments/default' title='張貼意見'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4780133993864114166&amp;postID=8509825860364566709' title='0 個意見'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/8509825860364566709'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/8509825860364566709'/><link rel='alternate' type='text/html' href='http://ukislandrace.blogspot.com/2012/01/struggling-pupils-dont-catch-up-data.html' title='Struggling pupils don&apos;t catch up, data shows'/><author><name>hanching chung</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4780133993864114166.post-3229836356800709723</id><published>2012-01-26T13:43:00.000-08:00</published><updated>2012-01-26T13:44:00.915-08:00</updated><title type='text'>R.B.S. Slashes Bonus for Chief Executive</title><content type='html'>&lt;span style="font-size:100%;"&gt;&lt;span style="margin:0pt;font-size:15px;font-weight:bold;text-align:left"&gt;R.B.S. Slashes Bonus for Chief Executive&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:15px;margin:0pt;color:rgb(0,0,0)"&gt;Royal Bank of  Scotland announced on Thursday that it would pay its chief executive,  Stephen Hester, an all-stock bonus of £963,000, or $1.5 million, less  than half what he received last year. The bank, which is 82 percent  owned by British taxpayers, had come under pressure from the country's  prime minister, David Cameron, to rein in bonuses for top executives.&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4780133993864114166-3229836356800709723?l=ukislandrace.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ukislandrace.blogspot.com/feeds/3229836356800709723/comments/default' title='張貼意見'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4780133993864114166&amp;postID=3229836356800709723' title='0 個意見'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/3229836356800709723'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/3229836356800709723'/><link rel='alternate' type='text/html' href='http://ukislandrace.blogspot.com/2012/01/rbs-slashes-bonus-for-chief-executive.html' title='R.B.S. Slashes Bonus for Chief Executive'/><author><name>hanching chung</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4780133993864114166.post-250915441462273909</id><published>2012-01-22T05:28:00.000-08:00</published><updated>2012-01-22T05:38:18.551-08:00</updated><title type='text'>Canterbury</title><content type='html'>&lt;span class="pronAll"&gt;&lt;br /&gt;Canterbury&lt;br /&gt;(&lt;span class="pointer"  style="color:blue;"&gt;&lt;span class="pron"&gt;kăn&lt;span style="font-size:15px;"&gt;'&lt;/span&gt;tər-bĕr&lt;span style="font-weight:normal"&gt;'&lt;/span&gt;ē, -brē, -tə-&lt;/span&gt;&lt;/span&gt;) &lt;span style="cursor:pointer"&gt;&lt;img src="http://content.answcdn.com/main/content/img/pron.gif" alt="pronunciation" width="20px" align="middle" border="0" height="18px" /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;p&gt;  A borough of southeast England on the Stour River east-southeast of  London. Canterbury Cathedral (11th-16th century) is the seat of the  archbishop and primate of the Anglican Communion. Built on the site of  an abbey founded by Saint Augustine c. 600, it was the scene of the  murder of Thomas à Becket (1170). Population: 43,500.&lt;/p&gt;&lt;div style="overflow: hidden; color: rgb(0, 0, 0); background-color: rgb(255, 255, 255); text-align: left; text-decoration: none; border: medium none;"&gt;Canterbury   &lt;a rel="nofollow" href="http://en.wikipedia.org/wiki/File:River_Stour_in_Canterbury,_England_-_May_08.jpg" class="image" target="AnswersQueryWindow"&gt;&lt;img alt="River Stour in Canterbury, England - May 08.jpg" src="http://wpcontent.answcdn.com/wikipedia/commons/thumb/a/a4/River_Stour_in_Canterbury%2C_England_-_May_08.jpg/240px-River_Stour_in_Canterbury%2C_England_-_May_08.jpg" width="240" height="160" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;small&gt;Canterbury lies on the &lt;a href="http://www.answers.com/topic/river-stour-kent" class="ilnk" target="_top"&gt;Great Stour&lt;/a&gt; river&lt;/small&gt;    &lt;center&gt; &lt;div class="center"&gt; &lt;div style="width:240px; float: none; clear: both; margin-left: auto; margin-right: auto"&gt; &lt;div&gt; &lt;div style="position: relative;"&gt;&lt;a rel="nofollow" href="http://en.wikipedia.org/wiki/File:Kent_UK_location_map.svg" class="image" target="AnswersQueryWindow" title="Canterbury is located in Kent"&gt;&lt;img alt="Canterbury is located in Kent" src="http://wpcontent.answcdn.com/wikipedia/commons/thumb/f/fd/Kent_UK_location_map.svg/240px-Kent_UK_location_map.svg.png" width="240" height="168" /&gt;&lt;/a&gt; &lt;div style="position: absolute; z-index: 2; top: 38.3%; left: 73.8%; height: 0; width: 0; margin: 0; padding: 0;"&gt; &lt;div style="position: relative; text-align: center; left: -3px; top: -3px; width: 6px; font-size: 6px;"&gt;&lt;img alt="" src="http://wpcontent.answcdn.com/wikipedia/en/thumb/0/0c/Red_pog.svg/6px-Red_pog.svg.png" width="6" height="6" /&gt;&lt;/div&gt; &lt;div  style=" line-height: 110%; z-index:90; position: relative; top: -1.5em; width: 6em; left: 0.5em; text-align: left;font-size:%;"&gt;&lt;span style="padding: 1px;"&gt;Canterbury&lt;/span&gt;&lt;/div&gt; &lt;/div&gt; &lt;/div&gt;  &lt;/div&gt; &lt;/div&gt; &lt;/div&gt;&lt;br /&gt;&lt;i&gt;&lt;small&gt;&lt;img alt="" src="http://wpcontent.answcdn.com/wikipedia/en/thumb/0/0c/Red_pog.svg/6px-Red_pog.svg.png" width="6" height="6" /&gt; Canterbury shown within &lt;a href="http://www.answers.com/topic/kent" class="ilnk" target="_top"&gt;Kent&lt;/a&gt;&lt;/small&gt;&lt;/i&gt;&lt;/center&gt;&lt;br /&gt;Read more: &lt;a style="color: #003399;" href="http://www.answers.com/topic/canterbury#ixzz1kC42ahXE"&gt;http://www.answers.com/topic/canterbury#ixzz1kC42ahXE&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;h1 class="ch01"&gt; &lt;b&gt;pri・mate&lt;/b&gt; &lt;/h1&gt;  &lt;div class="flbox"&gt;&lt;br /&gt;&lt;img src="http://dictionary.goo.ne.jp/img/clear.gif" alt="" width="24" height="1" /&gt;&lt;img src="http://dictionary.goo.ne.jp/dictionary/img/ex/ej_je/e1073.gif" alt="" width="8" align="absmiddle" border="0" height="16" /&gt;&lt;img src="http://dictionary.goo.ne.jp/dictionary/img/ex/ej_je/e1019.gif" alt="" width="8" align="absmiddle" border="0" height="16" /&gt;&lt;img src="http://dictionary.goo.ne.jp/dictionary/img/ex/ej_je/e101b.gif" alt="" width="8" align="absmiddle" border="0" height="16" /&gt;&lt;img src="http://dictionary.goo.ne.jp/dictionary/img/ex/ej_je/e1047.gif" alt="" width="8" align="absmiddle" border="0" height="16" /&gt;&lt;img src="http://dictionary.goo.ne.jp/dictionary/img/ex/ej_je/e1013.gif" alt="" width="8" align="absmiddle" border="0" height="16" /&gt;&lt;img src="http://dictionary.goo.ne.jp/dictionary/img/ex/ej_je/e1017.gif" alt="" width="8" align="absmiddle" border="0" height="16" /&gt;&lt;img src="http://dictionary.goo.ne.jp/dictionary/img/ex/ej_je/e100f.gif" alt="" width="8" align="absmiddle" border="0" height="16" /&gt;&lt;img src="http://dictionary.goo.ne.jp/dictionary/img/ex/ej_je/e1013.gif" alt="" width="8" align="absmiddle" border="0" height="16" /&gt;&lt;img src="http://dictionary.goo.ne.jp/dictionary/img/ex/ej_je/e1003.gif" alt="" width="8" align="absmiddle" border="0" height="16" /&gt;&lt;img src="http://dictionary.goo.ne.jp/dictionary/img/ex/ej_je/e1074.gif" alt="" width="8" align="absmiddle" border="0" height="16" /&gt;   &lt;img src="http://dictionary.goo.ne.jp/dictionary/img/mp3.gif" hspace="5" /&gt;  &lt;img src="http://dictionary.goo.ne.jp/dictionary/img/wav.gif" hspace="5" /&gt;&lt;a href="http://dictionary.goo.ne.jp/voice/p/02061462.wav"&gt;&lt;img src="http://dictionary.goo.ne.jp/dictionary/img/voice.gif" alt="" width="23" border="0" height="12" /&gt;&lt;/a&gt; &lt;/div&gt; &lt;div class="mainlst"&gt; ━━ &lt;i&gt;n.&lt;/i&gt; 首席司教, 大主教; 【動】霊長類の動物.&lt;br /&gt;&lt;img src="http://dictionary.goo.ne.jp/dictionary/img/seiku.gif" alt="" width="9" height="10" /&gt; &lt;span style="color:#009900;"&gt;&lt;b&gt;Primate of All England&lt;/b&gt;&lt;/span&gt;　Canterburyの大主教.&lt;br /&gt;&lt;img src="http://dictionary.goo.ne.jp/dictionary/img/seiku.gif" alt="" width="9" height="10" /&gt; &lt;span style="color:#009900;"&gt;&lt;b&gt;Primate of England&lt;/b&gt;&lt;/span&gt;　Yorkの大主教.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a rel="nofollow" href="http://www.answers.com/topic/archbishop-of-canterbury" class="headerLink" target="_self"&gt;&lt;b&gt;Archbishop&lt;/b&gt; of &lt;b&gt;Canterbury&lt;/b&gt; - Information from Answers.com&lt;/a&gt;&lt;br /&gt;&lt;b&gt;The Archbishop of Canterbury&lt;/b&gt; is the senior bishop and principal leader of the&lt;br /&gt; Church of England, the symbolic head of the worldwide Anglican Communion,&lt;br /&gt; and &lt;b&gt;...&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4780133993864114166-250915441462273909?l=ukislandrace.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ukislandrace.blogspot.com/feeds/250915441462273909/comments/default' title='張貼意見'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4780133993864114166&amp;postID=250915441462273909' title='0 個意見'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/250915441462273909'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/250915441462273909'/><link rel='alternate' type='text/html' href='http://ukislandrace.blogspot.com/2012/01/canterbury.html' title='Canterbury'/><author><name>hanching chung</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4780133993864114166.post-3008333781365789341</id><published>2012-01-22T00:04:00.001-08:00</published><updated>2012-01-22T00:44:38.106-08:00</updated><title type='text'>This is London from dawn till night</title><content type='html'>&lt;h3 class="post-title entry-title"&gt; This is London from dawn till night ( 1953photo books of the world) &lt;/h3&gt; &lt;div class="post-header"&gt;  &lt;/div&gt;  此舊書找不到出版年代 原來是1953&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://hcshakespeare.blogspot.com/2012/01/shropshire-lad-lxii-alfred-edward.html"&gt;A SHROPSHIRE LAD: LXII (Alfred Edward Housman )&lt;/a&gt;&lt;br /&gt;&lt;div class="section sansserif"&gt;                 &lt;h1 class="edition"&gt;                     &lt;strong&gt;This is London from dawn till night.&lt;/strong&gt;                &lt;br /&gt;&lt;span style="font-weight: normal;font-size:85%;" &gt;114 photos. by Cas Oorthuys. Text by Neville Braybrooke.                 &lt;/span&gt;&lt;/h1&gt;                 &lt;h4 class="publisher"&gt;                     Published                     &lt;strong&gt;1953&lt;/strong&gt;                      by                     &lt;a href="http://openlibrary.org/publishers/B._Cassirer;_distributed_by_Faber_&amp;amp;_Faber,_London" title="Show for other books from B. Cassirer; distributed by Faber &amp;amp; Faber, London"&gt;B. Cassirer; distributed by Faber &amp;amp; Faber, London&lt;/a&gt;                     in                      &lt;a href="http://openlibrary.org/search/subjects?q=Oxford" title="Search for subjects about Oxford"&gt;Oxford&lt;/a&gt;                     &lt;span class="adjust"&gt;.&lt;/span&gt;                  &lt;br /&gt;Written in &lt;a href="http://openlibrary.org/languages/eng"&gt;English&lt;/a&gt;.                 &lt;/h4&gt;              &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4780133993864114166-3008333781365789341?l=ukislandrace.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ukislandrace.blogspot.com/feeds/3008333781365789341/comments/default' title='張貼意見'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4780133993864114166&amp;postID=3008333781365789341' title='0 個意見'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/3008333781365789341'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/3008333781365789341'/><link rel='alternate' type='text/html' href='http://ukislandrace.blogspot.com/2012/01/this-is-london-from-dawn-till-night.html' title='This is London from dawn till night'/><author><name>hanching chung</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4780133993864114166.post-7981621775978219151</id><published>2012-01-21T16:57:00.000-08:00</published><updated>2012-01-21T17:01:45.935-08:00</updated><title type='text'>Creativity Culture &amp; Education</title><content type='html'>&lt;table class="ts std"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td colspan="2" valign="top"&gt;&lt;h3 class="r"&gt;&lt;a href="http://scholar.google.com.tw/scholar?q=creativity+culture+and+education+england&amp;amp;hl=en&amp;amp;as_sdt=0&amp;amp;as_vis=1&amp;amp;oi=scholart"&gt;Scholarly articles for &lt;b&gt;creativity culture and education england&lt;/b&gt;&lt;/a&gt;&lt;/h3&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td valign="top"&gt;&lt;div&gt;&lt;a href="http://scholar.google.com.tw/scholar_url?hl=en&amp;amp;q=http://isb.sagepub.com/content/11/3/11.short&amp;amp;sa=X&amp;amp;scisig=AAGBfm2ZJ3Jz_vwyDy7k9pAEnuf-09ayOw&amp;amp;oi=scholarr"&gt;Enterprise &lt;b&gt;culture &lt;/b&gt;and &lt;b&gt;education&lt;/b&gt;&lt;/a&gt;&lt;span class="f"&gt; - &lt;cite&gt;Gibb&lt;/cite&gt; - Cited by 308&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://scholar.google.com.tw/scholar_url?hl=en&amp;amp;q=http://www.google.com/books%3Fhl%3Den%26lr%3D%26id%3DeJJY8d26ktkC%26oi%3Dfnd%26pg%3DPR5%26dq%3Dcreativity%2Bculture%2Band%2Beducation%2Bengland%26ots%3D6Xh55hlquo%26sig%3DXOHH3t4xOgXW7eMy0lD7h-AxY2w&amp;amp;sa=X&amp;amp;scisig=AAGBfm3IKMzHtQWT_5tpXdpSU4625Flm8w&amp;amp;oi=scholarr"&gt;&lt;b&gt;Creativity &lt;/b&gt;in &lt;b&gt;education&lt;/b&gt;&lt;/a&gt;&lt;span class="f"&gt; - &lt;cite&gt;Craft&lt;/cite&gt; - Cited by 75&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://scholar.google.com.tw/scholar_url?hl=en&amp;amp;q=http://www.tandfonline.com/doi/abs/10.1111/1467-8527.t01-1-00229&amp;amp;sa=X&amp;amp;scisig=AAGBfm1ao9TYekf9m9O2j0VfdMhBE9Ny1w&amp;amp;oi=scholarr"&gt;The limits to &lt;b&gt;creativity &lt;/b&gt;in &lt;b&gt;education&lt;/b&gt;: Dilemmas for the  …&lt;/a&gt;&lt;span class="f"&gt; - &lt;cite&gt;Craft&lt;/cite&gt; - Cited by 88&lt;/span&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;         &lt;h2 class="hd"&gt;Search Results&lt;/h2&gt;     &lt;div class="vsc"&gt;&lt;h3 class="r"&gt;&lt;a href="http://www.creativitycultureeducation.org/" class="l"&gt;Home - &lt;em&gt;Creativity Culture&lt;/em&gt; &amp;amp; &lt;em&gt;Education&lt;/em&gt;&lt;/a&gt;&lt;/h3&gt;&lt;div class="s"&gt;&lt;div class="f kv"&gt;&lt;cite&gt;www.&lt;b&gt;creativitycultureeducation&lt;/b&gt;.org/&lt;/cite&gt;&lt;span class="gl"&gt; - &lt;a href="http://webcache.googleusercontent.com/search?q=cache:PBWoT6-rPeEJ:www.creativitycultureeducation.org/+creativity+culture+and+education+england&amp;amp;cd=1&amp;amp;hl=en&amp;amp;ct=clnk&amp;amp;gl=tw"&gt;Cached&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;span class="st"&gt;We promote the value of the arts, &lt;em&gt;creative&lt;/em&gt; learning and &lt;em&gt;cultural&lt;/em&gt; opportunities by &lt;b&gt;...&lt;/b&gt; &lt;em&gt;UK&lt;/em&gt; schoolchildren risks being stifled by the Government's &lt;em&gt;education&lt;/em&gt; policies, &lt;b&gt;...&lt;/b&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;table class="nrgt" cellpadding="0" cellspacing="0"&gt;&lt;tbody&gt;&lt;tr class="mslg"&gt;&lt;td style="vertical-align:top"&gt;&lt;div class="sld vsc"&gt;&lt;span class="tl"&gt;&lt;h3 class="r"&gt;&lt;a href="http://www.creativitycultureeducation.org/about-us/work-for-us/" class="l"&gt;Jobs&lt;/a&gt;&lt;/h3&gt;&lt;/span&gt;&lt;div class="s"&gt;&lt;div class="st" style="width:220px;overflow:hidden"&gt;Maths Comes Alive at Highfield. Highfield Maths Week; two &lt;b&gt;...&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;td style="vertical-align:top"&gt;&lt;div class="sld vsc"&gt;&lt;span class="tl"&gt;&lt;h3 class="r"&gt;&lt;a href="http://www.creativitycultureeducation.org/data/files/cce-brochure-33.pdf" class="l"&gt;Imagine the possibilities…&lt;/a&gt;&lt;/h3&gt;&lt;/span&gt;&lt;div class="s"&gt;&lt;div class="st" style="width:220px;overflow:hidden"&gt;&lt;b&gt;Creativity&lt;/b&gt;, &lt;b&gt;Culture and Education&lt;/b&gt; (London office). 34 Bow Street &lt;b&gt;...&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr class="mslg"&gt;&lt;td style="vertical-align:top"&gt;&lt;div class="sld vsc"&gt;&lt;span class="tl"&gt;&lt;h3 class="r"&gt;&lt;a href="http://www.creativitycultureeducation.org/about-us/" class="l"&gt;About us&lt;/a&gt;&lt;/h3&gt;&lt;/span&gt;&lt;div class="s"&gt;&lt;div class="st" style="width:220px;overflow:hidden"&gt;&lt;b&gt;Creativity&lt;/b&gt;, &lt;b&gt;Culture and Education&lt;/b&gt; (CCE) is about making a &lt;b&gt;...&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;td style="vertical-align:top"&gt;&lt;div class="sld vsc"&gt;&lt;span class="tl"&gt;&lt;h3 class="r"&gt;&lt;a href="http://www.creativitycultureeducation.org/news/arts-council-england-funding-settlement-reaction-from-creativity-culture-and-education-cce,407,AR.html" class="l"&gt;Arts Council England funding &lt;b&gt;...&lt;/b&gt;&lt;/a&gt;&lt;/h3&gt;&lt;/span&gt;&lt;div class="s"&gt;&lt;div class="st" style="width:220px;overflow:hidden"&gt;Commenting on Arts Council &lt;b&gt;England's&lt;/b&gt; funding settlement to &lt;b&gt;...&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr class="mslg"&gt;&lt;td style="vertical-align:top"&gt;&lt;div class="sld vsc"&gt;&lt;span class="tl"&gt;&lt;h3 class="r"&gt;&lt;a href="http://www.creativitycultureeducation.org/media-centre/" class="l"&gt;Media Centre&lt;/a&gt;&lt;/h3&gt;&lt;/span&gt;&lt;div class="s"&gt;&lt;div class="st" style="width:220px;overflow:hidden"&gt;Commenting on Arts Council &lt;b&gt;England's&lt;/b&gt; funding settlement to &lt;b&gt;...&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;td style="vertical-align:top"&gt;&lt;div class="sld vsc"&gt;&lt;span class="tl"&gt;&lt;h3 class="r"&gt;&lt;a href="http://www.creativitycultureeducation.org/consultancy/" class="l"&gt;Consultancy&lt;/a&gt;&lt;/h3&gt;&lt;/span&gt;&lt;div class="s"&gt;&lt;div class="st" style="width:220px;overflow:hidden"&gt;&lt;b&gt;Creativity&lt;/b&gt;, &lt;b&gt;Culture and Education&lt;/b&gt; offers a national and &lt;b&gt;...&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td colspan="2" style="padding-left:6px;vertical-align:top"&gt;&lt;div class="mrf"&gt;&lt;a class="fl" href="http://www.google.com.tw/search?hl=en&amp;amp;rlz=1G1ASUS_ZH-TWTW371&amp;amp;q=+site:creativitycultureeducation.org+creativity+culture+and+education+england&amp;amp;sa=X&amp;amp;ei=Vl4bT5fqCsifiQeiwuCXCw&amp;amp;ved=0CEoQrAM"&gt;More results from creativitycultureeducation.org »&lt;/a&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;br /&gt;&lt;p&gt;二○一一年底，世界教育研究學會在台灣中山大學舉辦的年會論壇中，特別以創造力和想像力為主題，揭櫫未來學習最重要的兩個核心。論壇也特別邀請英國 創意、文化與教育中心（ＣＣＥ，Creativity Culture and Education）的執行長保羅．寇拉（Paul  Collard），來分享英國正在進行的學習革命。&lt;/p&gt;&lt;p&gt;英國政府投入兩千九百萬英鎊的預算（約台幣十四億元），支持由ＣＣＥ主導的創造力教育計畫。目前為止，全英國已經有八千個該中心和學校合作的創造力教育計畫，涵蓋了近一百萬個英國青少年。&lt;/p&gt;&lt;p&gt;ＣＣＥ也和澳洲和韓國政府合作，提供創造力教育的經驗和顧問。&lt;/p&gt;&lt;p&gt;在台灣，創造力教育常常被當做是資優教育的一個重點；但在英國，卻是補救教學的新主流。&lt;/p&gt;&lt;p&gt;《親子天下》特別專訪寇拉，不僅是談「創造力」，而是重新檢視學習的內涵，與學校教育的優先順序。&lt;/p&gt;&lt;div class="dpMain" id="content"&gt;                  &lt;div class="cp" id="cp"&gt;&lt;p&gt;保羅‧寇拉（Paul Collard）小檔案&lt;/p&gt;&lt;p&gt;現職：英國創意、文化與教育中心執行長&lt;/p&gt;&lt;p&gt;經歷：擅長透過文化和創意活動推動社會和經濟的變革。有25年在藝術領域相關工作經驗。曾任英國當代藝術中心總經理。&lt;/p&gt;&lt;p&gt;*   *   *&lt;/p&gt;&lt;p&gt;這一代的孩子和父母輩不同。他們的未來，沒有太多已經準備好的工作等著他們畢業後來應徵。他們必須在離開學校後，自己創造工作。更諷刺的是，很多父母和師長現在積極幫孩子準備的工作能力，可能等到他們二十五歲時，工作已經消失了。&lt;/p&gt;&lt;p&gt;這樣的轉變，讓教育系統變得很困難。因為工作根本還沒有被發明。老師和父母無從預測，更不知該如何幫孩子準備。&lt;/p&gt;&lt;p&gt;也因此我們應該重新思考教育的核心，也是最重要的目的，就是發展孩子創造的能力。讓他們未來有能力發明新工作，因為未來的世界不需要「找工作」的人，但需要「創造工作」的人。&lt;/p&gt;&lt;p&gt;ＣＣＥ 一直努力的方向就是希望，不管在校內或是校外的學習過程中，可以釋放孩子的創意，讓他們感受到成功的經驗。我們在各式各樣的計畫中看到，要激發孩子的學習 動機，有幾個非常重要的關鍵：讓孩子感受到知識和生活的關聯性、讓他們得以主導、參與學習的過程（engaged）、發現學習的樂趣、進而建立自信。&lt;/p&gt;&lt;div class="dpMain" id="content"&gt;                  &lt;div class="cp" id="cp"&gt;&lt;p&gt;看看ＯＥＣＤ（經濟合作與發展組織）的國際學生評量計畫（ＰＩＳＡ）分析。學校花了很多的心力教科學，希望培育很多科學家。但是，從ＰＩＳＡ的研究中看到，很多科學成績很好的國家，學生對於科學知識的興趣卻很低。又日本和韓國的學生，科學能力排名不錯，但自信卻是倒數。&lt;/p&gt;&lt;p&gt;韓國和日本的學生覺得自己很笨，因為若不是這麼笨，就不必上這麼多課、補這麼多習。ＰＩＳＡ也做了科學評量成績和青少年自殺率的關聯分析，同樣看到日本、韓國和芬蘭這三個科學評量優等生，卻都是青少年高自殺率的國家。&lt;/p&gt;&lt;p&gt;看到這裡，做為父母的我們，是否應該思考：我們希望培養科學家，但是到頭來，卻是強迫孩子學習「過去」的知識。不但無法為未來做準備，而且還讓孩子不快樂、剝奪了他們的自信。&lt;/p&gt;&lt;p&gt;我相信，創造力的學習是一種真正的學習。舉例來說，當我們教科學的時候，常常是先跟孩子說明公式和原理是什麼。然後，做幾個實驗來證明這個公式和原理的正確性。想當然耳，孩子會覺得這樣的學習非常無聊。&lt;/p&gt;&lt;p&gt;但是，創意教學或是創造力的學習，則是反過來。先讓孩子做實驗，讓他們在實驗的過程中，「發現」、「歸納」出原則和原理，然後再讓他們印證標準答案。也就是說創造力教育的核心就是「讓學生主導」。&lt;/p&gt;&lt;p&gt;&lt;strong&gt;把「學」的責任交給孩子&lt;/strong&gt;&lt;/p&gt;&lt;div class="dpMain" id="content"&gt;                  &lt;div class="cp" id="cp"&gt;&lt;p&gt;要釋放創造力，關鍵就是父母和老師要把責任轉嫁給子女，不要把「教」的責任攬在身上；而應該把「學」的責任放給孩子。創造出一個空間，在這空間裡，孩子有自由學習和犯錯的機會。這樣孩子才可能釋放創造力。&lt;/p&gt;&lt;p&gt;ＣＣＥ的成立是為了解決孩子學習上的問題，但我們不是透過傳統的方式——把學校教過的，再教一遍的「補救教學」。我們採取的方式，是透過藝術的活動，把傳統學習轉化成以學生為主體的學習。&lt;/p&gt;&lt;p&gt;例 如，去年有一個在小學的補救教學計畫。這個小學位在經濟弱勢的地區，很多家庭都是隔代教養，學生普遍的學習動機低落。我們說服學校老師把預備興建教室的計 畫，整個交給學生主導。小學生的思考很天馬行空、很抽象。一開始，他們希望新的教室是一座海灘或是城堡……後來的共識是決定買一台小飛機改造成教室。分配 下去，不同年級的學生有不同的責任，高年級要負責跟當地政府申請，讓飛機教室符合法規，他們要填寫很多的表格和撰寫公文。要買飛機時，大家上網搜尋，最後 在eBay買了一台小飛機。&lt;/p&gt;&lt;p&gt;飛機買來以後，需要重新裝潢，飛機的裝潢非常專業，小朋友也在網路上找到一位專業設計師。他們寫信給設計師，說 明自己是一群小學生，正在設計新的學校教室。後來這位設計師願意免費幫他們設計。這間小飛機教室，最後成為地理教室，因為可以隨時「飛到」他們上課的地 點，下課時再飛回家。&lt;/p&gt;&lt;div class="cp" id="cp"&gt;&lt;p&gt;這個新教室計畫的起點，是識字計畫，目的是要改善學生低落的識字能力。&lt;/p&gt;&lt;p&gt;&lt;strong&gt;父母需要觀念革命&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;過程中，學生必須填很多的計畫表格。但是他們一點也不以為苦。而且你會發現，平常學校的學習，孩子回家根本不會告訴父母。但是當學習變有趣的時候，他們回家就會滔滔不絕。&lt;/p&gt;&lt;p&gt;這個計畫的第二個重要目的，是讓孩子有夢想的勇氣。我們看到許多創業家，他們的成功不在於有很棒的點子，而在於有信心把狂野想法付之實踐的勇氣。這些孩子在過程中，肯定了自己有能力實踐想法，他們永遠不會忘記這樣的經驗。&lt;/p&gt;&lt;p&gt;我 們的做法不是增加學校的授課時數，或是改變課程，重點在於改變教法。譬如，有一所中學的學生，科學成績非常糟糕。我們協助學生把學習的課題，編寫成一個劇 本。學生在過程中，討論基因問題的種種道德和價值選擇的不同觀點。他們發現這不僅是科學問題，更是道德和法律交織的複雜議題。課程中，各種角度反覆思辯， 這群放牛班學生，有了機會理解科學和生活的關聯，更啟發了好奇心。後來學生學力測驗，在全國有非常優異的表現，證明了一旦孩子吸收知識，就可以學得更快。&lt;/p&gt;&lt;p&gt;許多亞洲國家的父母都是在考試制度中長大。但是，若我們誠實面對自己，問自己，求學過程中哪些課堂學習讓你印象深刻，甚至對現在的自己有很大的幫助？大概很少。而且成年後，回頭去看，很多學習根本只是浪費時間。&lt;/p&gt;&lt;/div&gt;                           &lt;div class="ar2"&gt;          &lt;br /&gt;&lt;/div&gt;                  &lt;p&gt;這一代父母和子女的鴻溝會愈來愈大。其實，我們需要針對父母推動一個很大的觀念革命運動。讓父母和教師理解，我們幫孩子準備的可能是一個即將結束的時代。我們必須重新思考，學習的意義和內涵。&lt;/p&gt;&lt;/div&gt;            &lt;/div&gt;&lt;p&gt;&lt;br /&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/p&gt;&lt;/div&gt;            &lt;/div&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;/div&gt;            &lt;/div&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4780133993864114166-7981621775978219151?l=ukislandrace.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ukislandrace.blogspot.com/feeds/7981621775978219151/comments/default' title='張貼意見'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4780133993864114166&amp;postID=7981621775978219151' title='0 個意見'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/7981621775978219151'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/7981621775978219151'/><link rel='alternate' type='text/html' href='http://ukislandrace.blogspot.com/2012/01/creativity-culture-education.html' title='Creativity Culture &amp; Education'/><author><name>hanching chung</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4780133993864114166.post-6565242100238014418</id><published>2012-01-20T07:55:00.000-08:00</published><updated>2012-01-20T07:57:02.414-08:00</updated><title type='text'>The Workers’ Educational Association (WEA)</title><content type='html'>&lt;span class="shw"&gt;Workers' Educational Association&lt;/span&gt; (WEA). Founded  in 1903 by Albert Mansbridge (1876-1952), a cashier at the Cooperative  Permanent Building Society, whose own formal education had ended at the  age of 14. Mansbridge considered that the University Extension movement,  established in 1878, had been largely taken over by the middle classes.  To remedy this, Mansbridge launched an Association to Promote the  Higher Education of Working Men, changing its name to the Workers'  Educational Association two years later. By the outbreak of the First  World War the movement had proved a success, with every university  providing tutors. But infiltration by the middle class persisted.&lt;div style="overflow: hidden; color: rgb(0, 0, 0); background-color: rgb(255, 255, 255); text-align: left; text-decoration: none; border: medium none;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;***&lt;br /&gt;&lt;a class="headerfooter libLink" href="http://www.answers.com/library/Wikipedia-cid-4873967" name="&amp;amp;lid=bc_DS_WP&amp;amp;lpos=bc_WP"&gt;Wikipedia&lt;/a&gt;         &lt;div&gt; &lt;/div&gt;  &lt;div id="wpcontent"&gt;   &lt;div id="wp_libra"&gt;&lt;p&gt;The &lt;b&gt;Workers’ Educational Association&lt;/b&gt; (WEA)  seeks to provide access to education and lifelong learning for adults  from all backgrounds, and in particular those who have previously missed  out on education. The &lt;b&gt;International Federation of Workers Education Associations&lt;/b&gt; (&lt;a rel="nofollow" href="http://www.ifwea.org/" class="external text" target="AnswersQueryWindow"&gt;IFWEA&lt;/a&gt;) has consultative status to &lt;a href="http://www.answers.com/topic/united-nations-educational-scientific-and-cultural-organization" class="ilnk" target="_top"&gt;UNESCO&lt;/a&gt;. Archbishop &lt;a href="http://www.answers.com/topic/william-temple-bishop" class="ilnk" target="_top"&gt;William Temple&lt;/a&gt; was a strong proponent of workers’ education.&lt;/p&gt; &lt;p&gt;&lt;a href="http://www.answers.com/topic/albert-mansbridge" class="ilnk" target="_top"&gt;Albert Mansbridge&lt;/a&gt; established &lt;i&gt;An Association to promote the Higher Education of Working Men&lt;/i&gt; in 1903 (renamed 'Workers Educational Association' in 1905).&lt;/p&gt; &lt;table id="toc" class="toc"&gt; &lt;tbody&gt;&lt;tr&gt; &lt;td&gt; &lt;div id="toctitle"&gt; &lt;span class="h2"&gt;Contents&lt;/span&gt; &lt;/div&gt; &lt;ul&gt;&lt;li class="toclevel-1 tocsection-1"&gt;&lt;a href="http://www.answers.com/topic/workers-educational-association#WEA_UK"&gt;&lt;span class="tocnumber"&gt;1&lt;/span&gt; &lt;span class="toctext"&gt;WEA UK&lt;/span&gt;&lt;/a&gt; &lt;ul&gt;&lt;li class="toclevel-2 tocsection-2"&gt;&lt;a href="http://www.answers.com/topic/workers-educational-association#WEA_London_Region"&gt;&lt;span class="tocnumber"&gt;1.1&lt;/span&gt; &lt;span class="toctext"&gt;WEA London Region&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt; &lt;/li&gt;&lt;li class="toclevel-1 tocsection-3"&gt;&lt;a href="http://www.answers.com/topic/workers-educational-association#WEA_Northern_Ireland"&gt;&lt;span class="tocnumber"&gt;2&lt;/span&gt; &lt;span class="toctext"&gt;WEA Northern Ireland&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="toclevel-1 tocsection-4"&gt;&lt;a href="http://www.answers.com/topic/workers-educational-association#Coleg_Harlech_WEA_.28North_Wales.29"&gt;&lt;span class="tocnumber"&gt;3&lt;/span&gt; &lt;span class="toctext"&gt;Coleg Harlech WEA (North Wales)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="toclevel-1 tocsection-5"&gt;&lt;a href="http://www.answers.com/topic/workers-educational-association#WEA_Australia"&gt;&lt;span class="tocnumber"&gt;4&lt;/span&gt; &lt;span class="toctext"&gt;WEA Australia&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="toclevel-1 tocsection-6"&gt;&lt;a href="http://www.answers.com/topic/workers-educational-association#See_also"&gt;&lt;span class="tocnumber"&gt;5&lt;/span&gt; &lt;span class="toctext"&gt;See also&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="toclevel-1 tocsection-7"&gt;&lt;a href="http://www.answers.com/topic/workers-educational-association#References"&gt;&lt;span class="tocnumber"&gt;6&lt;/span&gt; &lt;span class="toctext"&gt;References&lt;/span&gt;&lt;/a&gt; &lt;ul&gt;&lt;li class="toclevel-2 tocsection-8"&gt;&lt;a href="http://www.answers.com/topic/workers-educational-association#UK"&gt;&lt;span class="tocnumber"&gt;6.1&lt;/span&gt; &lt;span class="toctext"&gt;UK&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="toclevel-2 tocsection-9"&gt;&lt;a href="http://www.answers.com/topic/workers-educational-association#Australia"&gt;&lt;span class="tocnumber"&gt;6.2&lt;/span&gt; &lt;span class="toctext"&gt;Australia&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt; &lt;/li&gt;&lt;li class="toclevel-1 tocsection-10"&gt;&lt;a href="http://www.answers.com/topic/workers-educational-association#External_links"&gt;&lt;span class="tocnumber"&gt;7&lt;/span&gt; &lt;span class="toctext"&gt;External links&lt;/span&gt;&lt;/a&gt; &lt;ul&gt;&lt;li class="toclevel-2 tocsection-11"&gt;&lt;a href="http://www.answers.com/topic/workers-educational-association#Australia_2"&gt;&lt;span class="tocnumber"&gt;7.1&lt;/span&gt; &lt;span class="toctext"&gt;Australia&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="toclevel-2 tocsection-12"&gt;&lt;a href="http://www.answers.com/topic/workers-educational-association#UK_2"&gt;&lt;span class="tocnumber"&gt;7.2&lt;/span&gt; &lt;span class="toctext"&gt;UK&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="toclevel-2 tocsection-13"&gt;&lt;a href="http://www.answers.com/topic/workers-educational-association#International"&gt;&lt;span class="tocnumber"&gt;7.3&lt;/span&gt; &lt;span class="toctext"&gt;International&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt; &lt;/li&gt;&lt;/ul&gt; &lt;/td&gt; &lt;/tr&gt; &lt;/tbody&gt;&lt;/table&gt; &lt;h2&gt; &lt;span class="mw-headline" id="WEA_UK"&gt;WEA UK&lt;/span&gt;&lt;/h2&gt; &lt;p&gt;The WEA is divided into nine regions in England (each matching a  Government Office region), a Scottish Association and over 500 local  branches. It creates and delivers about 14,000 courses each year in  response to local need across England and Scotland, often in partnership  with community groups and local charities. These courses provide  learning opportunities for around 85,000 people per year, taught by over  2,500 professional tutors (most of whom work for the WEA part-time).  These figures make the WEA the largest voluntary sector provider of  adult education in Britain.&lt;/p&gt; &lt;p&gt;The WEA is a national charity and is supported by the Government  through funding from the Skills Funding Agency in England, and in  Scotland by the Scottish Executive and Local Authorities. It also  receives fees from learners on many of its courses and is often  successful in funding bids from government, lottery and other sources  for educational projects in local communities around the country.&lt;/p&gt; &lt;p&gt;There are also Workers' Educational Associations in Northern Ireland  and in North and South Wales. Since 1992/3, these have been entirely  separate organisations from the WEA National Association, which now  operates only in England and Scotland.&lt;/p&gt; &lt;h3&gt; &lt;span class="mw-headline" id="WEA_London_Region"&gt;WEA London Region&lt;/span&gt;&lt;/h3&gt; &lt;p&gt;It runs a wide range of local &lt;a rel="nofollow" href="http://www.london.wea.org.uk/" class="external text" target="AnswersQueryWindow"&gt;courses&lt;/a&gt;  all over London, from Basic Skills to Beethoven; from Community  Interpreting to Contemporary Literature; from Digital Media to Dance;  from E-learning and Egyptology to English as a Second Language, and from  Health and Safety to Helping in Schools.&lt;/p&gt; &lt;p&gt;These courses all share its common values:&lt;/p&gt; &lt;ul&gt;&lt;li&gt;Creating equality and opportunity, and challenging discrimination&lt;/li&gt;&lt;li&gt;Believing in people, communities and their potential to change through education&lt;/li&gt;&lt;li&gt;Putting the learner at the centre of everything we do&lt;/li&gt;&lt;/ul&gt; &lt;p&gt;See some of its work at &lt;a rel="nofollow" href="http://www.online.wea.org.uk/course/view.php?id=4" class="external text" target="AnswersQueryWindow"&gt;Galleryonline&lt;/a&gt; or try an online course for free at its &lt;a rel="nofollow" href="http://www.wealondononline.org.uk/" class="external text" target="AnswersQueryWindow"&gt;Learning Online&lt;/a&gt; Moodle site.&lt;/p&gt; &lt;p&gt;&lt;a rel="nofollow" href="http://www.london.wea.org.uk/" class="external text" target="AnswersQueryWindow"&gt;London Region Website&lt;/a&gt;&lt;/p&gt; &lt;h2&gt; &lt;span class="mw-headline" id="WEA_Northern_Ireland"&gt;WEA Northern Ireland&lt;/span&gt;&lt;/h2&gt; &lt;p&gt;The Workers’ Educational Association NI provides adult education in  community and workplace settings. Its title is somewhat misleading as it  provides education for all types of people and in particular tries to  reach out to those who missed out on learning first time round. It works  mainly with those over 18.&lt;/p&gt; &lt;p&gt;Some background ...&lt;/p&gt; &lt;ul&gt;&lt;li&gt;It was set up in Belfast in 1910 and part of a wider network of WEAs, the first of which started in England in 1903.&lt;/li&gt;&lt;li&gt;Today it operates across Northern Ireland and in the Border Counties  in the Republic. It has around 6,500 learners in any given year.&lt;/li&gt;&lt;/ul&gt; &lt;p&gt;Its courses are organized mainly in venues such as community halls,  arts centres and training rooms in workplaces. In fact it can pretty  much set up a course wherever and whenever a community group, voluntary  organization, union or employer needs it.&lt;/p&gt; &lt;p&gt;The WEANI’s Vision is a prosperous, creative and cohesive society  where everyone is a learner. Its Mission is to make learning  irresistible.&lt;/p&gt; &lt;p&gt;Its values are:&lt;/p&gt; &lt;ul&gt;&lt;li&gt;When it comes to learning no-one should be left behind&lt;/li&gt;&lt;li&gt;People learn best and create most when they are open to difference&lt;/li&gt;&lt;li&gt;Working collaboratively is second nature to the WEA&lt;/li&gt;&lt;li&gt;Everyone receives a quality of service&lt;/li&gt;&lt;li&gt;Actively listening to learners is core to its business&lt;/li&gt;&lt;li&gt;Innovation and risk taking are essential&lt;/li&gt;&lt;/ul&gt; &lt;p&gt;The WEANI's Vision, Mission and Values have shaped its Strategic Plan  ‘Irresistible Learning’ which sets out its objectives up to 2013.&lt;/p&gt; &lt;p&gt;visit &lt;a rel="nofollow" href="http://www.wea-ni.com/" class="external text" target="AnswersQueryWindow"&gt;www.wea-ni.com&lt;/a&gt; for more info.&lt;/p&gt; &lt;h2&gt; &lt;span class="mw-headline" id="Coleg_Harlech_WEA_.28North_Wales.29"&gt;Coleg Harlech WEA (North Wales)&lt;/span&gt;&lt;/h2&gt; &lt;p&gt;Workers' Educational Association (North Wales) was established in  1925 as the North Wales District of the Workers' Educational  Association. On 1 April 1993 it became a separate charity in response to  the new funding arrangements for further education in Wales, under the  Further and Higher Education Act 1992 and on 1 August 2001 it merged  with Coleg Harlech - a campus-based institution which shares the WEA's  'second chance' ethos - to form &lt;a href="http://www.answers.com/topic/coleg-harlech-workers-educational-association-north-wales" class="ilnk" target="_top"&gt;Coleg Harlech Workers' Educational Association (North Wales)&lt;/a&gt;. The WEA in Wales is supported by DELLS (formerly ELWa), the funding arm of the Welsh Assembly Government.&lt;/p&gt; &lt;h2&gt; &lt;span class="mw-headline" id="WEA_Australia"&gt;WEA Australia&lt;/span&gt;&lt;/h2&gt; &lt;p&gt;The WEA was established in &lt;a href="http://www.answers.com/topic/new-south-wales" class="ilnk" target="_top"&gt;New South Wales&lt;/a&gt;  in 1913. Early work was patterned on the WEA in the UK. However, given  the different demographic arrangements in Australia, and in the absence  of other adult education providers, the WEA in Australia became a  general adult education agency. In the 1980s a range of other training  providers started offering adult education and the WEA’s role has  changed. The WEA has many clubs and societies including the &lt;a href="http://www.answers.com/topic/wea-film-study-group" class="ilnk" target="_top"&gt;WEA Film Study Group&lt;/a&gt;.&lt;/p&gt; &lt;h2&gt; &lt;span class="mw-headline" id="See_also"&gt;See also&lt;/span&gt;&lt;/h2&gt; &lt;ul&gt;&lt;li&gt;&lt;a href="http://www.answers.com/topic/adult-education" class="ilnk" target="_top"&gt;Adult education&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="http://www.answers.com/topic/community-college" class="ilnk" target="_top"&gt;Community college&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="http://www.answers.com/topic/continuing-education" class="ilnk" target="_top"&gt;Continuing education&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="http://www.answers.com/topic/lifelong-learning" class="ilnk" target="_top"&gt;Lifelong learning&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="http://www.answers.com/topic/vocational-education" class="ilnk" target="_top"&gt;Vocational education&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt; &lt;h2&gt; &lt;span class="mw-headline" id="References"&gt;References&lt;/span&gt;&lt;/h2&gt; &lt;h3&gt; &lt;span class="mw-headline" id="UK"&gt;UK&lt;/span&gt;&lt;/h3&gt; &lt;p&gt;&lt;a href="http://www.answers.com/topic/lawrence-goldman" class="ilnk" target="_top"&gt;Lawrence Goldman&lt;/a&gt;, past President of the former Thames and Solent District WEA, has written:&lt;/p&gt; &lt;ul&gt;&lt;li&gt;&lt;i&gt;Dons and Workers: Oxford and Adult Education Since 1850&lt;/i&gt; (Oxford: Clarendon Press, 1995)&lt;/li&gt;&lt;li&gt;'Intellectuals and the English Working Class 1870-1945: The Case of Adult Education', &lt;i&gt;History of Education&lt;/i&gt; 29:4 (1999), 281-300&lt;/li&gt;&lt;li&gt;'Education as Politics: University Adult Education in England since 1870', &lt;i&gt;Oxford Review of Education&lt;/i&gt; 25:1-2 (1999), 89-101&lt;/li&gt;&lt;/ul&gt; &lt;h3&gt; &lt;span class="mw-headline" id="Australia"&gt;Australia&lt;/span&gt;&lt;/h3&gt; &lt;ul&gt;&lt;li&gt;&lt;span class="citation book"&gt;Darryl Dymock (2001). &lt;i&gt;A Special and Distinctive Role in Adult Education&lt;/i&gt;. Sydney: Allen &amp;amp; Unwin. &lt;a href="http://www.answers.com/topic/international-standard-book-number" class="ilnk" target="_top"&gt;ISBN&lt;/a&gt; &lt;a rel="nofollow" href="http://en.wikipedia.org/wiki/Special:BookSources/1-86508-567-7" target="AnswersQueryWindow" title="Special:BookSources/1-86508-567-7"&gt;1-86508-567-7&lt;/a&gt;.&lt;/span&gt;&lt;span class="Z3988" title="ctx_ver=Z39.88-2004&amp;amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&amp;amp;rft.genre=book&amp;amp;rft.btitle=A+Special+and+Distinctive+Role+in+Adult+Education&amp;amp;rft.aulast=Darryl+Dymock&amp;amp;rft.au=Darryl+Dymock&amp;amp;rft.date=2001&amp;amp;rft.pub=Sydney%3A+Allen+%26+Unwin&amp;amp;rft.isbn=1-86508-567-7&amp;amp;rfr_id=info:sid/en.wikipedia.org:Workers%27_Educational_Association"&gt;&lt;/span&gt;&lt;/li&gt;&lt;/ul&gt; &lt;h2&gt; &lt;span class="mw-headline" id="External_links"&gt;External links&lt;/span&gt;&lt;/h2&gt; &lt;h3&gt; &lt;span class="mw-headline" id="Australia_2"&gt;Australia&lt;/span&gt;&lt;/h3&gt; &lt;ul&gt;&lt;li&gt;&lt;a rel="nofollow" href="http://www.weasydney.nsw.edu.au/" class="external text" target="AnswersQueryWindow"&gt;WEA Sydney&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a rel="nofollow" href="http://www.wea-sa.com.au/" class="external text" target="AnswersQueryWindow"&gt;Workers' Educational Association of South Australia Incorporated&lt;/a&gt; (WEA South Australia) Adult Education for Lifelong Learning&lt;/li&gt;&lt;li&gt;&lt;a rel="nofollow" href="http://www.weahunter.com.au/" class="external text" target="AnswersQueryWindow"&gt;WEA Hunter Adult Education and Training&lt;/a&gt;, Newcastle, NSW&lt;/li&gt;&lt;li&gt;&lt;a rel="nofollow" href="http://www.weaillawarra.com.au/" class="external text" target="AnswersQueryWindow"&gt;WEA Illawarra&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt; &lt;h3&gt; &lt;span class="mw-headline" id="UK_2"&gt;UK&lt;/span&gt;&lt;/h3&gt; &lt;ul&gt;&lt;li&gt;&lt;a rel="nofollow" href="http://www.wea.org.uk/" class="external text" target="AnswersQueryWindow"&gt;WEA website&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a rel="nofollow" href="http://www.wea-ni.com/" class="external text" target="AnswersQueryWindow"&gt;WEA Northern Ireland&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a rel="nofollow" href="http://www.harlech.ac.uk/en/" class="external text" target="AnswersQueryWindow"&gt;Coleg Harlech WEA (N)&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt; &lt;h3&gt; &lt;span class="mw-headline" id="International"&gt;International&lt;/span&gt;&lt;/h3&gt; &lt;ul&gt;&lt;li&gt;&lt;a rel="nofollow" href="http://www.web.net/icae" class="external text" target="AnswersQueryWindow"&gt;The International Council for Adult Education&lt;/a&gt; (ICAE)&lt;/li&gt;&lt;li&gt;&lt;a rel="nofollow" href="http://www.ifwea.org/" class="external text" target="AnswersQueryWindow"&gt;IFWEA&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;      &lt;/div&gt; &lt;/div&gt;&lt;div style="overflow: hidden; color: rgb(0, 0, 0); background-color: rgb(255, 255, 255); text-align: left; text-decoration: none; border: medium none;"&gt;&lt;br /&gt;Read more: &lt;a style="color: #003399;" href="http://www.answers.com/topic/workers-educational-association#ixzz1k0xmQ6aF"&gt;http://www.answers.com/topic/workers-educational-association#ixzz1k0xmQ6aF&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4780133993864114166-6565242100238014418?l=ukislandrace.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ukislandrace.blogspot.com/feeds/6565242100238014418/comments/default' title='張貼意見'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4780133993864114166&amp;postID=6565242100238014418' title='0 個意見'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/6565242100238014418'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/6565242100238014418'/><link rel='alternate' type='text/html' href='http://ukislandrace.blogspot.com/2012/01/workers-educational-association-wea.html' title='The Workers’ Educational Association (WEA)'/><author><name>hanching chung</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4780133993864114166.post-3493934852002127248</id><published>2012-01-19T13:50:00.001-08:00</published><updated>2012-01-19T13:52:56.505-08:00</updated><title type='text'>To Sir, With Regret/Occupy London to Appeal Ruling Against Campsite</title><content type='html'>To Sir, With Regret&lt;br /&gt;The  British government may strip Frederick A. Goodwin of his knighthood  because of his role as chief executive in the failure of the Royal Bank  of Scotland, which had to be bailed out by the government.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;             Occupy London to Appeal Ruling Against Campsite&lt;br /&gt;The  move comes after a court sided with city authorities, who had called on  the protestors to leave the colorful campsite that encircles the  entrance to St. Paul's Cathedral, located in the heart of London's  financial district.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4780133993864114166-3493934852002127248?l=ukislandrace.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ukislandrace.blogspot.com/feeds/3493934852002127248/comments/default' title='張貼意見'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4780133993864114166&amp;postID=3493934852002127248' title='0 個意見'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/3493934852002127248'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/3493934852002127248'/><link rel='alternate' type='text/html' href='http://ukislandrace.blogspot.com/2012/01/to-sir-with-regret.html' title='To Sir, With Regret/Occupy London to Appeal Ruling Against Campsite'/><author><name>hanching chung</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4780133993864114166.post-8783195823367068542</id><published>2012-01-19T05:11:00.001-08:00</published><updated>2012-01-19T05:17:35.991-08:00</updated><title type='text'>Out of the crisis - lessons from British car manufacturing</title><content type='html'>&lt;div class="asset-header"&gt;&lt;a style="color: rgb(17, 17, 204);" href="http://www.google.com/url?sa=X&amp;amp;q=http://blogs.birminghampost.net/business/2012/01/out-of-the-crisis---lessons-fr.html&amp;amp;ct=ga&amp;amp;cad=CAEQAhgAIAAoATAAOABAgpne-ARIAVgBYgJlbg&amp;amp;cd=K179m44NGGU&amp;amp;usg=AFQjCNHPXl4uptcHSj9qbeGe6vSysK6Wfw" target="_blank"&gt;Out of the crisis - lessons from British car manufacturing&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:-1;"&gt;&lt;a style="text-decoration: none; color: rgb(119, 119, 119);"&gt;The Birmingham Post&lt;/a&gt;&lt;br /&gt;&lt;b&gt;...&lt;/b&gt; were taught by two American statisticians who went there to assist in post-war development of industry Dr. &lt;b&gt;W&lt;/b&gt;. &lt;b&gt;Edwards Deming&lt;/b&gt; and Dr. Joseph Juran. &lt;b&gt;...&lt;/b&gt;&lt;/span&gt;&lt;h1 class="asset-name"&gt;&lt;/h1&gt;&lt;/div&gt;&lt;blockquote&gt;&lt;div class="asset-header"&gt;&lt;h1 class="asset-name"&gt;&lt;br /&gt;&lt;/h1&gt;&lt;h1 class="asset-name"&gt;&lt;span style="font-size:100%;"&gt;Out of the crisis - lessons from British car manufacturing  &lt;/span&gt;&lt;/h1&gt;         &lt;div class="asset-meta"&gt;           By &lt;a href="http://blogs.birminghampost.net/business/dr_steven_mccabe/"&gt;Dr Steven McCabe&lt;/a&gt; on Jan 18, 12 09:53 AM  &lt;a href="http://blogs.birminghampost.net/business/automotive.html"&gt; in Automotive&lt;/a&gt; &lt;/div&gt;         &lt;/div&gt;     &lt;div class="asset-content"&gt;          &lt;div class="asset-body"&gt;             &lt;p&gt;Today's unemployment figures give us all cause for  concern and there is certainly little to be currently optimistic about.  For those of us who have been around for a while and can remember the  1970s we know that even in the bleakest of times there is always hope of  change. The trouble is, there is a great deal to fear. Our economy is  'flat-lining' and the historically low period of phenomenally low  interest rates has simply kept things from getting worse. We can only  hope that events in Greece do not lead to another spectacular crisis of  finance which will impact on all of us and, of course, make recovery  even harder. &lt;/p&gt;  &lt;p&gt;So, what can realistically be done to create the success our economy  desperately needs to achieve an export-led recovery? Surprisingly we can  look for inspiration to a sector once written off as displaying all of  the characteristics that seemed to epitomise everything that was wrong  with British industry. Once again we are back to the 1970s when car  manufacturing, or the frequent lack of, regularly made the news  headlines.  &lt;/p&gt;  &lt;p&gt;British car manufacturing has a rich tradition. When I was a child in  the 1970s every household in Birmingham knew or was related to someone  who worked at factories making components or in the huge assembly plants  such as at the Austin plant in Longbridge where my dad worked in the  foundry. For many of my class mates working in the car industry was a  reasonable, if somewhat unexciting, prospect. Sadly, though, it was not a  sector that inspired pride. Indeed, for a great many it generated  feelings of contempt at what many saw as the worst of industrial  relations. For others it was like witnessing the protracted illness of a  once-loved relative. Longbridge was symbolic of just how bad things had  become; lack of investment made the factory look archaic and the  ability of management and workers to see eye-to-eye was, at best,  difficult because of shop stewards whose objective seemed to be anarchy.  Longbridge seemed to be a factory that was literally 'out of control'. &lt;/p&gt;  &lt;p&gt;As history was to demonstrate, despite the valiant efforts of workers  and some management (but certainly not the "Phoenix Four"), it was not  possible to ensure that mass car production could continue at  Longbridge. Nonetheless, there was a recognition that if you wish to  remain successful as a car producer you need to learn what the Japanese  had shown was possible; that you can make cars which customers perceive  to have 'quality' and will perform to extremely high standards. &lt;/p&gt;  &lt;p&gt;Everyone who has studied Japanese production learned that they place  great importance on constant innovation and development, obsession with  quality control and, crucially, the value of putting people at the heart  of the production system. Every student who learns the history of how  Japanese car producers achieved pre-eminence will discover the irony  that these principles were taught by two American statisticians who went  there to assist in post-war development of industry Dr. W. Edwards  Deming and Dr. Joseph Juran. The title of this blog is in homage to  Deming whose seminal book Out of the Crisis, published in 1982, stressed  the need for America industry to learn what he had taught the Japanese  thirty five years earlier. &lt;/p&gt;  &lt;p&gt;The fact that domestic car sales are declining is no surprise. The  current climate makes us fearful of what the immediate future holds.  However, other economies are doing much better. The 'BRIC' economies are  well known (Brazil, Russia, India and China). More recently there is  the emergence of what are referred to as the 'CIVETS' (Columbia,  Indonesia, Vietnam, Egypt, Turkey and South Africa). These provide  opportunities for those manufacturers able to produce goods, such as  cars, which are seen to be high value and data shows that this is the  case for large volume producers and the luxury marques such as Bentley  and Jaguar. &lt;/p&gt;  &lt;p&gt;It is notable that all top five car producers in Britain have  ownership outside of this country; BMW (who produce the Mini in Cowley),  Land Rover, Honda, Nissan and Toyota. Significantly the owners of these  companies, as well as the other smaller luxury produces, explicitly  recognise that whilst they cannot compete in terms of unit costs, if the  product is perceived to be superior by being designed and assembled by  highly skilled and committed workers, it is perfectly possible to not  just survive the current problems but to prosper. &lt;/p&gt;  &lt;p&gt;So what is needed? As an academic based at Birmingham City University  I make no apology for stressing the importance of education at every  level. The children we are teaching today need the skills and confidence  in their ability to be part of quest for innovation and creativity  which will be essential in the future. We need our business and  political leaders to continuously hammer home the message that our  manufacturers can be the best in the world. But manufacturers must be  supported in every way possible. If we can spend umpteen billions on a  new railway line then we can surely invest in research and development  and provide financial incentives to encourage the brightest and best to  be part of the manufacturing revolution. This is what will get us out of  recession; whatever happens elsewhere.&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;/blockquote&gt;&lt;div class="asset-content"&gt;&lt;div class="asset-body"&gt;&lt;p&gt;&lt;/p&gt;         &lt;/div&gt;       &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4780133993864114166-8783195823367068542?l=ukislandrace.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ukislandrace.blogspot.com/feeds/8783195823367068542/comments/default' title='張貼意見'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4780133993864114166&amp;postID=8783195823367068542' title='0 個意見'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/8783195823367068542'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/8783195823367068542'/><link rel='alternate' type='text/html' href='http://ukislandrace.blogspot.com/2012/01/out-of-crisis-lessons-from-british-car.html' title='Out of the crisis - lessons from British car manufacturing'/><author><name>hanching chung</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4780133993864114166.post-783515355589657739</id><published>2012-01-15T22:51:00.001-08:00</published><updated>2012-01-15T22:51:37.470-08:00</updated><title type='text'>The Whirling Sound of Planet Dickens</title><content type='html'>&lt;h6 class="kicker"&gt;Editorial | Sunday Observer&lt;/h6&gt; &lt;h1 class="articleHeadline"&gt;The Whirling Sound of Planet Dickens&lt;/h1&gt;     &lt;h6 class="byline"&gt;By VERLYN KLINKENBORG&lt;/h6&gt;  &lt;h6 class="dateline"&gt;Published: January 14, 2012    &lt;/h6&gt;  &lt;div id="articleToolsTop" class="articleTools"&gt; &lt;div class="box"&gt; &lt;div class="inset"&gt; &lt;ul id="toolsList" class="toolsList wrap"&gt;&lt;li id="facebook_item"&gt;            &lt;a id="facebook_button"&gt;                &lt;span&gt;Recommend&lt;/span&gt;            &lt;/a&gt;        &lt;/li&gt;&lt;li id="twitter_item"&gt;            &lt;a id="twitter_button"&gt;                &lt;span&gt;Twitter&lt;/span&gt;            &lt;/a&gt;        &lt;/li&gt;&lt;li id="linkedin_item"&gt;            &lt;a id="linkedin_button"&gt;Linkedin&lt;/a&gt;        &lt;/li&gt;&lt;li class="email"&gt;  &lt;a id="emailThis"&gt;Sign In to E-Mail&lt;/a&gt; &lt;/li&gt;&lt;li class="print"&gt; &lt;a href="http://www.nytimes.com/2012/01/15/opinion/sunday/the-whirling-sound-of-planet-dickens.html?pagewanted=print"&gt;Print&lt;/a&gt; &lt;/li&gt;&lt;li class="reprints"&gt;   &lt;form name="cccform" action="https://s100.copyright.com/CommonApp/LoadingApplication.jsp" target="_Icon"&gt;         &lt;/form&gt; &lt;a href="http://www.nytimes.com/2012/01/15/opinion/sunday/the-whirling-sound-of-planet-dickens.html#"&gt;Reprints&lt;/a&gt; &lt;/li&gt;&lt;li style="width: 168px;" class="closed last" id="shareMenu"&gt;&lt;a class="shareButton" href="http://www.nytimes.com/2012/01/15/opinion/sunday/the-whirling-sound-of-planet-dickens.html#"&gt;Share&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt; &lt;div class="articleToolsSponsor" id="Frame4A"&gt;&lt;a href="http://www.nytimes.com/adx/bin/adx_click.html?type=goto&amp;amp;opzn&amp;amp;page=www.nytimes.com/yr/mo/day/opinion&amp;amp;pos=Frame4A&amp;amp;sn2=f8475720/9aad5d74&amp;amp;sn1=6da6f146/b37534ad&amp;amp;camp=FSL2012_ArticleTools_120x60_1787487b_nyt5&amp;amp;ad=descend_120x60_GGNomNEW_jan6&amp;amp;goto=http%3A%2F%2Fwww%2Efoxsearchlight%2Ecom%2Fthedescendants" target="_blank"&gt; &lt;img src="http://graphics8.nytimes.com/adx/images/ADS/28/88/ad.288812/Desc_1-5_NYT120x60.gif" height="60" border="0" width="120" /&gt;&lt;/a&gt; &lt;/div&gt;        &lt;/div&gt; &lt;/div&gt; &lt;/div&gt; &lt;div class="articleBody"&gt;               &lt;p&gt; In death, Charles Dickens still keeps his greatest secret to himself —  the essence of his energy. None of the physical relics he left behind  betray it. The manuscripts of his novels — like “Our Mutual Friend” at  the Morgan Library — look no more fevered or hectic than the manuscripts  left behind by other novelists.        &lt;/p&gt;  &lt;/div&gt; &lt;div class="articleInline runaroundLeft"&gt;        &lt;div class="inlineImage module"&gt; &lt;div class="image"&gt; &lt;div class="icon enlargeThis"&gt;&lt;a&gt;Enlarge This Image&lt;/a&gt;&lt;/div&gt; &lt;a&gt; &lt;img src="http://graphics8.nytimes.com/images/2012/01/15/sunday-review/editorial1/editorial1-articleInline.jpg" alt="" height="251" width="190" /&gt; &lt;/a&gt; &lt;/div&gt; &lt;h6 class="credit"&gt;Rischgitz/Getty Images&lt;/h6&gt; &lt;p class="caption"&gt;Charles Dickens, from a negative by Herbert Watkins.                            &lt;/p&gt; &lt;/div&gt;    &lt;div class="columnGroup doubleRule"&gt;      &lt;h3 class="sectionHeader"&gt;Related&lt;/h3&gt; &lt;ul class="headlinesOnly multiline flush"&gt;&lt;li&gt;&lt;h6&gt;Times Topic: &lt;a href="http://topics.nytimes.com/top/reference/timestopics/people/d/charles_dickens/index.html"&gt;Charles Dickens&lt;/a&gt;&lt;/h6&gt;&lt;/li&gt;&lt;/ul&gt; &lt;/div&gt;    &lt;div class="inlineImage module"&gt; &lt;div class="image"&gt; &lt;div class="icon enlargeThis"&gt;&lt;a&gt;Enlarge This Image&lt;/a&gt;&lt;/div&gt; &lt;a&gt; &lt;img src="http://graphics8.nytimes.com/images/2012/01/15/sunday-review/editorial2/editorial2-articleInline.jpg" alt="" height="251" width="190" /&gt; &lt;/a&gt; &lt;/div&gt; &lt;h6 class="credit"&gt;Hulton Archive/Getty Images&lt;/h6&gt; &lt;p class="caption"&gt;Two memorable characters from Charles Dickens, Micawber and the young Copperfield.                            &lt;/p&gt; &lt;/div&gt;     &lt;/div&gt;   &lt;p&gt; The handwritten words on the page, round and legible in blue ink, are  the marks of a mind that has already settled itself to composition.         &lt;/p&gt;&lt;p&gt; Dickens, who was born 200 years ago, wrote a long shelf of novels, 14 in  all, not counting “The Mystery of Edwin Drood,” which lay half-finished  at his death. They sit plump and bursting with life, spilling over with  the chaos of existence itself. It’s easy to imagine writers working the  way Dickens’s prolific contemporary, Anthony Trollope, did — steadily,  routinely, knocking off his 2,000 words a day until, by the end of his  life, he had written 47 novels. But this is not how Dickens wrote.         &lt;/p&gt;&lt;p&gt; Find the tumultuous heart of your favorite Dickens novel, the place  where 19th-century London seems to be seething, smoking, overcrowded, in  a state of vulgar contradiction. Then imagine Dickens working in the  midst of it — a small, brisk figure rushing past you on a dark and dirty  street. He is lost in a kind of mental ventriloquism, calling up his  emotions and studying them. Every night he walked a dozen miles, without  which, he said, “I should just explode and perish.”        &lt;/p&gt;&lt;p&gt; Under the pseudonym Boz, he wrote, “There is nothing we enjoy more than a  little amateur vagrancy,” walking through London as though “the whole  were an unknown region to our wandering mind.” Yet there was nothing  remotely solitary about Dickens. One person who saw him in the highest  spirits at a family party wrote that he “happily sang two or three  songs, one the patter song, ‘The Dog’s Meat Man,’ and gave several  successful imitations of the most distinguished actors of the day.”         &lt;/p&gt;&lt;p&gt; It’s a wonder Dickens didn’t explode and perish long before his death in  1870, at age 58. Quite apart from the act of composing his novels, he  was a whirlwind, living a life that is nearly unmatched in its vigor. He  had one entire career as a magazine editor, another as an actor and  manager of theatrical productions, still another as a philanthropist and  social reformer. The record of his private engagements alone — dinners,  outings, peregrinations with his entourage of family and friends — is  exhausting to read. The novels stand out against the backdrop of  hundreds of other compositions, all of them written against tight  deadlines.        &lt;/p&gt;&lt;p&gt; Dickens’s energy, which he made no effort to husband until he was nearly  dead, was inexplicable. Call it metabolic if you like. Perhaps it was a  reaction to the uncertainties of his childhood and the shame of his  days as a child laborer, when he knew that as a precocious young  entertainer he was already a spectacle well worth observing.        &lt;/p&gt;&lt;p&gt; He was driven by gargantuan emotions, and the ferocious will needed to  keep them in check, to release them in the creation of characters he  loved more than some of his children. He could drive himself to  anguished tears while writing the death of Little Nell, in “The Old  Curiosity Shop.” And yet he could also coldly disown anyone who sided  with his wife, Catherine, when they separated, including his namesake  son.        &lt;/p&gt;&lt;p&gt; Even Dickens didn’t understand his energy. He grasped that there was a  wildness in him, and so did nearly everyone who knew him. When  Dostoevsky met Dickens in 1862 — a meeting that is hard to imagine —  Dickens explained that there were two people inside him, “one who feels  as he ought to feel and one who feels the opposite.”        &lt;/p&gt;&lt;p&gt; Out of these two people he constructed his universe of characters, good  and evil. Dostoevsky’s comment is laconic and ambiguous. “Only two  people?” he asked. Dickens’s public readings, which began in 1858, drew  tens of thousands of people in England and America. They came not only  to see the author himself but also the people who inhabited him —  Scrooge and Pickwick, Micawber and Mrs. Gamp.        &lt;/p&gt;&lt;p&gt; Those characters, and dozens more, still live with all their old  vitality. And though we feel the unevenness of Dickens’s novels more  plainly than when they were appearing in monthly parts, it’s easier now  to see that the unevenness in most of them is symptomatic of his  overpowering energy.        &lt;/p&gt;&lt;p&gt; The man himself was uneven and could not be beaten into consistency any  more than he could beat every one of his novels into perfection. The  fact is that Charles Dickens was as Dickensian as the most outrageous of  his characters, and he was happy to think so, too. Soon after the  publication of “A Christmas Carol” in 1843, he wrote of himself to a  close friend: “two and thirty years ago, the planet Dick appeared on the  horizon. To the great admiration, wonder and delight of all who live,  and the unspeakable happiness of mankind.” Planet Dickens feels as real  as it does to us because he stalked the world around him.        &lt;/p&gt; And when he finally settled at his desk, he was still driving himself  through a world of his own invention, peopled by characters waiting, as  he said, to come “ready made to the point of the pen.”&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4780133993864114166-783515355589657739?l=ukislandrace.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ukislandrace.blogspot.com/feeds/783515355589657739/comments/default' title='張貼意見'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4780133993864114166&amp;postID=783515355589657739' title='0 個意見'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/783515355589657739'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/783515355589657739'/><link rel='alternate' type='text/html' href='http://ukislandrace.blogspot.com/2012/01/whirling-sound-of-planet-dickens.html' title='The Whirling Sound of Planet Dickens'/><author><name>hanching chung</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4780133993864114166.post-2628059471311847018</id><published>2012-01-15T22:50:00.001-08:00</published><updated>2012-01-15T22:50:38.328-08:00</updated><title type='text'>Ronald William Fordham Searle</title><content type='html'>&lt;a href="http://hcpeople.blogspot.com/2012/01/ronald-william-fordham-searle.html"&gt;Ronald William Fordham Searle&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4780133993864114166-2628059471311847018?l=ukislandrace.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ukislandrace.blogspot.com/feeds/2628059471311847018/comments/default' title='張貼意見'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4780133993864114166&amp;postID=2628059471311847018' title='0 個意見'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/2628059471311847018'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/2628059471311847018'/><link rel='alternate' type='text/html' href='http://ukislandrace.blogspot.com/2012/01/ronald-william-fordham-searle.html' title='Ronald William Fordham Searle'/><author><name>hanching chung</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4780133993864114166.post-7562041924066044809</id><published>2012-01-14T15:01:00.000-08:00</published><updated>2012-01-14T15:03:55.594-08:00</updated><title type='text'>John Tillotson,</title><content type='html'>&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:worddocument&gt;   &lt;w:view&gt;Normal&lt;/w:View&gt;   &lt;w:zoom&gt;0&lt;/w:Zoom&gt;   &lt;w:punctuationkerning/&gt;   &lt;w:displayhorizontaldrawinggridevery&gt;0&lt;/w:DisplayHorizontalDrawingGridEvery&gt;   &lt;w:displayverticaldrawinggridevery&gt;2&lt;/w:DisplayVerticalDrawingGridEvery&gt;   &lt;w:compatibility&gt;    &lt;w:spaceforul/&gt;    &lt;w:balancesinglebytedoublebytewidth/&gt;    &lt;w:donotleavebackslashalone/&gt;    &lt;w:ultrailspace/&gt;    &lt;w:donotexpandshiftreturn/&gt;    &lt;w:adjustlineheightintable/&gt;    &lt;w:breakwrappedtables/&gt;    &lt;w:snaptogridincell/&gt;    &lt;w:wraptextwithpunct/&gt;    &lt;w:useasianbreakrules/&gt;    &lt;w:usefelayout/&gt;   &lt;/w:Compatibility&gt;   &lt;w:browserlevel&gt;MicrosoftInternetExplorer4&lt;/w:BrowserLevel&gt;  &lt;/w:WordDocument&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 10]&gt; &lt;style&gt;  /* Style Definitions */  table.MsoNormalTable  {mso-style-name:表格內文;  mso-tstyle-rowband-size:0;  mso-tstyle-colband-size:0;  mso-style-noshow:yes;  mso-style-parent:"";  mso-padding-alt:0cm 5.4pt 0cm 5.4pt;  mso-para-margin:0cm;  mso-para-margin-bottom:.0001pt;  mso-pagination:widow-orphan;  font-size:10.0pt;  font-family:"Times New Roman";  mso-fareast-font-family:"Times New Roman";} &lt;/style&gt; &lt;![endif]--&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family:&amp;quot;Times New Roman&amp;quot;"&gt;毛姆《觀點》&lt;/span&gt;&lt;span lang="EN-US"&gt;(&lt;i style="mso-bidi-font-style:normal"&gt;The Points of View &lt;/i&gt;by W. Somerset Maugham 1958) &lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family:&amp;quot;Times New Roman&amp;quot;"&gt;夏菁譯，上海：上海譯文，&lt;/span&gt;&lt;span lang="EN-US"&gt;2011&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="EN-US"&gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;"&gt;目錄&lt;/span&gt;&lt;span lang="EN-US"&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family:&amp;quot;Times New Roman&amp;quot;"&gt;詩人&lt;/span&gt;&lt;span lang="EN-US"&gt;(&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;"&gt;案：哥德&lt;/span&gt;&lt;span lang="EN-US"&gt;)&lt;/span&gt;&lt;span style="font-family: 新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family:&amp;quot;Times New Roman&amp;quot;"&gt;的三部小說&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family:&amp;quot;Times New Roman&amp;quot;"&gt;聖者&lt;/span&gt;&lt;span lang="EN-US"&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family:&amp;quot;Times New Roman&amp;quot;"&gt;散文與神學家蒂樂生&lt;/span&gt;&lt;span style="font-family:新細明體;mso-bidi-font-family:新細明體;mso-font-kerning:0pt" lang="EN-US"&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-family:新細明體;mso-bidi-font-family:新細明體; mso-font-kerning:0pt"&gt;短篇小說&lt;span lang="EN-US"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-family:新細明體;mso-bidi-font-family:新細明體; mso-font-kerning:0pt"&gt;三位 &lt;/span&gt;&lt;span lang="EN-US"&gt;(&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;"&gt;案：法國&lt;/span&gt;&lt;span lang="EN-US"&gt;)&lt;/span&gt;&lt;span style="font-family: 新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family:&amp;quot;Times New Roman&amp;quot;"&gt;日記體作家&lt;/span&gt;&lt;span style="font-family:新細明體;mso-bidi-font-family:新細明體;mso-font-kerning: 0pt" lang="EN-US"&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-family:新細明體;mso-bidi-font-family: 新細明體;mso-font-kerning:0pt" lang="EN-US"&gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-family:新細明體;mso-bidi-font-family:新細明體; mso-font-kerning:0pt"&gt;譯後記&lt;span lang="EN-US"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-family:新細明體;mso-bidi-font-family: 新細明體;mso-font-kerning:0pt" lang="EN-US"&gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-family:新細明體;mso-bidi-font-family:新細明體; mso-font-kerning:0pt"&gt;讀者從我對目錄的兩處案語，可知作者的文字範圍包括英&lt;/span&gt;&lt;span style="font-family: 新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family:&amp;quot;Times New Roman&amp;quot;"&gt;、&lt;/span&gt;&lt;span style="font-family:新細明體;mso-bidi-font-family:新細明體;mso-font-kerning:0pt"&gt;法&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;"&gt;、&lt;/span&gt;&lt;span style="font-family:新細明體;mso-bidi-font-family: 新細明體;mso-font-kerning:0pt"&gt;德文。當時書有也有些拉丁文。&lt;span lang="EN-US"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-family:新細明體;mso-bidi-font-family: 新細明體;mso-font-kerning:0pt" lang="EN-US"&gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-family:新細明體;mso-bidi-font-family: 新細明體;mso-font-kerning:0pt" lang="EN-US"&gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-family:新細明體;mso-bidi-font-family:新細明體; mso-font-kerning:0pt"&gt;這本書翻譯上有些&lt;span lang="EN-US"&gt;”疏忽” ，譬如說&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;"&gt;《散文與神學家蒂樂生》&lt;/span&gt;&lt;span lang="EN-US"&gt;(&lt;/span&gt;&lt;span style="font-family:新細明體;mso-bidi-font-family:新細明體;mso-font-kerning:0pt" lang="EN-US"&gt; &lt;/span&gt;&lt;span lang="EN-US"&gt;pp.&lt;/span&gt;&lt;span style="font-family:新細明體;mso-bidi-font-family: 新細明體;mso-font-kerning:0pt" lang="EN-US"&gt; 83-123)&lt;/span&gt;&lt;span lang="EN-US"&gt; &lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;"&gt;，傳主姓名的原文是&lt;/span&gt; &lt;span lang="EN-US"&gt;John Tillotson, 1630-1694&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;"&gt;。此君的講道文章以簡潔出名，一向是英國&lt;/span&gt;&lt;span lang="EN-US"&gt;18&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;"&gt;世紀以前的文章範本。現在類似《牛津英國文學伴讀》只用數十字介紹他&lt;/span&gt;&lt;span style="font-family:新細明體;mso-bidi-font-family:新細明體;mso-font-kerning:0pt"&gt;，而毛姆大發思古之幽情&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;"&gt;，介紹這英國文化史上常被忽略的人物之生平&lt;/span&gt;&lt;span lang="EN-US"&gt; (&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;"&gt;現在人對當初英國國教與天主教的衝突，可能已沒什麼興趣，不過這是&lt;/span&gt;&lt;span lang="EN-US"&gt;16-17&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;"&gt;世紀英國人的第一要事&lt;/span&gt;&lt;span lang="EN-US"&gt;)&lt;/span&gt;&lt;span style="font-family: 新細明體;"&gt;，相當有趣。&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;br /&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;br /&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;span class="shw"&gt;Quotes&lt;/span&gt;: &lt;br /&gt;&lt;br /&gt;      "&lt;i&gt;Though all afflictions are evils in themselves, yet they are good  for us, because they discover to us our disease and tend to our cure.&lt;/i&gt;"&lt;br /&gt;&lt;br /&gt;     "&lt;i&gt;The art of using deceit and cunning grow continually weaker and less effective to the user.&lt;/i&gt;"&lt;br /&gt;&lt;br /&gt;     "&lt;i&gt;The crafty person is always in danger; and when they think they walk in the dark, all their pretenses are transparent.&lt;/i&gt;"&lt;br /&gt;&lt;br /&gt;     "&lt;i&gt;To be able to bear provocation is an argument of great reason, and to forgive it of a great mind.&lt;/i&gt;"&lt;br /&gt;&lt;br /&gt;     "&lt;i&gt;Men expect that religion should cost them no pains, that happiness  should drop into their laps without any design and endeavor on their  part, and that, after they have done what they please while they live,  God should snatch them up to heaven when they die. But though the  commandments of God be not grievous, yet it is fit to let men know that  they are not thus easy.&lt;/i&gt;"&lt;br /&gt;&lt;br /&gt;     "&lt;i&gt;Ignorance and inconsideration are the two great causes of the ruin of mankind.&lt;/i&gt;"&lt;br /&gt;&lt;/p&gt;&lt;div style="overflow: hidden; color: rgb(0, 0, 0); background-color: rgb(255, 255, 255); text-align: left; text-decoration: none; border: medium none;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;p class="MsoNormal"&gt;&lt;b&gt;John Tillotson&lt;/b&gt; (October 1630 – 22 November 1694) was an &lt;a href="http://www.answers.com/topic/archbishop-of-canterbury" class="ilnk" target="_top"&gt;Archbishop of Canterbury&lt;/a&gt; (1691–1694).&lt;/p&gt;&lt;div style="overflow: hidden; color: rgb(0, 0, 0); background-color: rgb(255, 255, 255); text-align: left; text-decoration: none; border: medium none;"&gt;&lt;br /&gt;Read more: &lt;a style="color: #003399;" href="http://www.answers.com/topic/john-tillotson#ixzz1jTcAjlgB"&gt;http://www.answers.com/topic/john-tillotson#ixzz1jTcAjlgB&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;p class="MsoNormal"&gt;&lt;br /&gt;&lt;span style="font-family:新細明體;mso-bidi-font-family:新細明體;mso-font-kerning:0pt"&gt;&lt;span lang="EN-US"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4780133993864114166-7562041924066044809?l=ukislandrace.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ukislandrace.blogspot.com/feeds/7562041924066044809/comments/default' title='張貼意見'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4780133993864114166&amp;postID=7562041924066044809' title='0 個意見'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/7562041924066044809'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/7562041924066044809'/><link rel='alternate' type='text/html' href='http://ukislandrace.blogspot.com/2012/01/john-tillotson.html' title='John Tillotson,'/><author><name>hanching chung</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4780133993864114166.post-1573486806636106002</id><published>2012-01-14T15:00:00.001-08:00</published><updated>2012-01-14T15:00:46.119-08:00</updated><title type='text'>The Strand Magazine</title><content type='html'>&lt;a href="http://hcbooks.blogspot.com/2012/01/2000.html"&gt;董橋2000年前的書《跟中國的夢賽跑》等The Strand Magazine&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;table class="infobox hproduct" style="width:22em;" cellspacing="5"&gt;&lt;tbody&gt;&lt;tr class=""&gt;&lt;td colspan="2" class="" style="text-align:center;"&gt;&lt;a rel="nofollow" href="http://en.wikipedia.org/wiki/File:The_Strand_Magazine,_bound_volume_1894.JPG" class="image" target="AnswersQueryWindow"&gt;&lt;img alt="" src="http://wpcontent.answcdn.com/wikipedia/commons/thumb/c/c0/The_Strand_Magazine%2C_bound_volume_1894.JPG/220px-The_Strand_Magazine%2C_bound_volume_1894.JPG" height="303" width="220" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style=""&gt;Bound volume of The Strand Magazine for January–June 1894 featuring George Charles Haité's famous cover design&lt;/span&gt;&lt;/td&gt; &lt;/tr&gt; &lt;tr class=""&gt; &lt;th scope="row" style="text-align:left;"&gt;Frequency&lt;/th&gt; &lt;td class="" style=""&gt;Monthly&lt;/td&gt; &lt;/tr&gt; &lt;tr class=""&gt; &lt;th scope="row" style="text-align:left;"&gt;First issue&lt;/th&gt; &lt;td class="" style=""&gt;January 1891&lt;/td&gt; &lt;/tr&gt; &lt;tr class=""&gt; &lt;th scope="row" style="text-align:left;"&gt;Final issue&lt;br /&gt;— Number&lt;/th&gt; &lt;td class="" style=""&gt;March 1950&lt;br /&gt;711&lt;/td&gt; &lt;/tr&gt; &lt;tr class=""&gt; &lt;th scope="row" style="text-align:left;"&gt;Company&lt;/th&gt; &lt;td class="" style=""&gt;&lt;a href="http://www.answers.com/topic/george-newnes" class="ilnk" target="_top"&gt;George Newnes&lt;/a&gt; Ltd&lt;/td&gt; &lt;/tr&gt; &lt;tr class=""&gt; &lt;th scope="row" style="text-align:left;"&gt;Country&lt;/th&gt; &lt;td class="" style=""&gt;UK&lt;/td&gt; &lt;/tr&gt; &lt;tr class=""&gt; &lt;th scope="row" style="text-align:left;"&gt;Language&lt;/th&gt; &lt;td class="" style=""&gt;English&lt;/td&gt; &lt;/tr&gt; &lt;/tbody&gt;&lt;/table&gt; &lt;p&gt;&lt;i&gt;&lt;b&gt;The Strand Magazine&lt;/b&gt;&lt;/i&gt; was a monthly magazine composed of fictional &lt;/p&gt;&lt;br /&gt;Read more: &lt;a style="color: #003399;" href="http://www.answers.com/topic/strand-magazine#ixzz1jTayemlI"&gt;http://www.answers.com/topic/strand-magazine#ixzz1jTayemlI&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4780133993864114166-1573486806636106002?l=ukislandrace.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ukislandrace.blogspot.com/feeds/1573486806636106002/comments/default' title='張貼意見'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4780133993864114166&amp;postID=1573486806636106002' title='0 個意見'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/1573486806636106002'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/1573486806636106002'/><link rel='alternate' type='text/html' href='http://ukislandrace.blogspot.com/2012/01/strand-magazine.html' title='The Strand Magazine'/><author><name>hanching chung</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4780133993864114166.post-3220129736808857497</id><published>2012-01-13T01:54:00.001-08:00</published><updated>2012-01-13T01:54:29.427-08:00</updated><title type='text'>Nail your colours to the mast</title><content type='html'>&lt;div&gt; &lt;div style="padding-left:10px;padding-right:0px;padding-top:0px;text-indent:0px;letter-spacing:normal;font:medium Verdana,Arial,Helvetica,sans-serif;padding-bottom:10px;color:rgb(51,51,51);text-transform:none;white-space:normal;margin-top:10px;word-spacing:0px"&gt; &lt;h1 style="PADDING-BOTTOM:5px;BACKGROUND-COLOR:rgb(204,204,204);MARGIN-TOP:2px;PADDING-LEFT:5px;LETTER-SPACING:0.15em;PADDING-RIGHT:5px;FONT-FAMILY:Arial,Helvetica,sans-serif;COLOR:rgb(51,77,85);FONT-SIZE:19px;PADDING-TOP:5px"&gt;Nail  your colours to the mast&lt;/h1&gt;&lt;/div&gt; &lt;h3 style="padding-left:5pt;padding-right:2pt;padding-top:4pt;text-indent:0px;letter-spacing:0.1em;font:bold 14px Arial,Helvetica,sans-serif;padding-bottom:4px;color:rgb(51,77,85);text-transform:none;white-space:normal;margin-left:6px;margin-top:2px;word-spacing:0px"&gt;&lt;span style="font-family:Verdana;font-size:85%;"&gt;Meaning&lt;/span&gt;&lt;/h3&gt; &lt;p&gt;&lt;span style="font-size:85%;"&gt;To defiantly display one's opinions and  beliefs. Also, to show one's intention to hold on to those beliefs until the  end.&lt;/span&gt;&lt;/p&gt; &lt;h3 style="padding-left:5pt;padding-right:2pt;padding-top:4pt;text-indent:0px;letter-spacing:0.1em;font:bold 14px Arial,Helvetica,sans-serif;padding-bottom:4px;color:rgb(51,77,85);text-transform:none;white-space:normal;margin-left:6px;margin-top:2px;word-spacing:0px"&gt;&lt;span style="font-family:Verdana;font-size:85%;"&gt;Origin&lt;/span&gt;&lt;/h3&gt; &lt;p&gt;&lt;span style="font-size:85%;"&gt;In 17th century nautical battles colours  (flags) were struck (lowered) as a mark of submission. It was also the custom in  naval warfare to direct one's cannon fire at the opponent's ship's mast, thus  disabling it. If all of a ship's masts were broken the captain usually had no  alternative but to surrender. If the captain decided to fight on this was marked  by hoisting the colours on the remnants of the ship's rigging, i.e. by 'nailing  his colours to the mast'.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:85%;"&gt;It is correct to use the English spelling,  rather the the US 'nail one's colors to the mast', as the phrase originated in  England. It is generally agreed that the expression was coined in reference to  the exploits of the crew of the Venerable, at the Battle of Camperdown, a naval  engagement that was fought between English and Dutch ships as part of the French  Revolutionary Wars, in 1797.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:85%;"&gt;&lt;img style="PADDING-LEFT:6px;PADDING-RIGHT:6px;FLOAT:right" alt="Nail your colours to the mast" src="http://www.phrases.org.uk/images/nail-your-colours-to-the-mast.jpg" width="246" height="342" /&gt;The English fleet was led by the Venerable, the flagship of  Admiral Adam Duncan. The battle didn't initially go well for the English. The  mainmast of Duncan's vessel was struck and the admiral's blue squadronal  standard was brought down. This could have been interpreted by the rest of the  fleet as meaning that Duncan had surrendered. Step forward, horny-handed son of  the sea and subsequent national hero, Jack Crawford. Crawford climbed what was  left of the mast with the standard and nailed it back where it was visible to  the rest of the fleet. This act proved crucial in the battle and Duncan's forces  were eventually victorious. Some historians believe that the victory at  Camperdown proved to be the end of the dominance of the Dutch at sea and the  beginning of the period in which 'Britannia ruled the waves'. Crawford returned  home to Sunderland to a hero's welcome.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:85%;"&gt;The stalwart reputation of English seamen soon  became part of the national consciousness. An address to the House of Commons by  the playwright Richard Sheridan was reported in&lt;span&gt; &lt;/span&gt;&lt;em&gt;The Edinburgh Advertiser&lt;/em&gt;&lt;span&gt; &lt;/span&gt;in January 1801:&lt;/span&gt;&lt;/p&gt; &lt;blockquote style="text-indent:0px;letter-spacing:normal;color:rgb(51,51,51);font:medium Verdana,Arial,Helvetica,sans-serif;text-transform:none;white-space:normal;word-spacing:0px"&gt;   &lt;p&gt;&lt;span style="font-size:85%;"&gt;"I have no hesitation in saying that the    Maritime Law is the charter of our existence, the banner under which we all    should rally; it is the flag which, imitating the example of our gallant    seamen, we should nail to the mast of the nation, and go down with the vessel    rather than strike it!"&lt;/span&gt;&lt;/p&gt;&lt;/blockquote&gt; &lt;p&gt;&lt;span style="font-size:85%;"&gt;The first use of the precise expression 'nail  your colours to the mast' that I have found is from the English newspaper&lt;span&gt; &lt;/span&gt;&lt;em&gt;The Hereford Journal&lt;/em&gt;, August  1807. This reported a naval engagement between British and American ships in  which the US captain surrendered without a fight, much to the disgust of his  military superiors:&lt;/span&gt;&lt;/p&gt; &lt;blockquote style="text-indent:0px;letter-spacing:normal;color:rgb(51,51,51);font:medium Verdana,Arial,Helvetica,sans-serif;text-transform:none;white-space:normal;word-spacing:0px"&gt;   &lt;p&gt;&lt;span style="font-size:85%;"&gt;"You [&lt;em&gt;Commodore James Barron&lt;/em&gt;] ought    to have nailed your colours to the mast, and have fought whilst a timber    remained on your ship."&lt;/span&gt;&lt;/p&gt;&lt;/blockquote&gt; &lt;p&gt;&lt;span style="font-size:85%;"&gt;&lt;img style="PADDING-LEFT:6px;PADDING-RIGHT:6px;FLOAT:right" alt="Jack Crawford statue - nail your colours to the mast" src="http://www.phrases.org.uk/images/jack-crawford-statue.jpg" width="168" height="256" /&gt;Whether or not Jack Crawford was the first to 'nail his colours to  the mast' we can't be completely sure, but it does look highly likely. The  phrase wasn't known before his exploit and was widely used soon afterwards.  Despite his heroic status, Crawford died a pauper and a drunkard and was buried  in an unmarked grave. The local community raised a fund to erect a gravestone  and later a commemorative statue. If you do have any doubts about Jack's role in  linguistic history, it might be wise not to mention it in Sunderland.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:85%;"&gt;See also -&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;a style="COLOR:rgb(0,102,153)" href="http://www.phrases.org.uk/meanings/jack-phrases.html" target="_blank"&gt;&lt;span style="font-size:85%;"&gt;'Jack'  phrases&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:85%;"&gt;See also -&lt;span&gt; &lt;/span&gt;&lt;/span&gt;&lt;a style="COLOR:rgb(0,102,153)" href="http://www.phrases.org.uk/meanings/212350.html" target="_blank"&gt;&lt;span style="font-size:85%;"&gt;join the  colours&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;.&lt;/span&gt;&lt;/p&gt;&lt;/div&gt; &lt;div&gt; &lt;hr /&gt;  &lt;/div&gt; &lt;span style="font-family:Verdana;font-size:85%;"&gt;Make a donation the support this list at &lt;/span&gt;&lt;a href="http://www.phrases.org.uk/support.html" target="_blank"&gt;&lt;span style="font-family:Verdana;font-size:85%;"&gt;www.phrases.org.uk/support.&lt;wbr&gt;html&lt;/span&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4780133993864114166-3220129736808857497?l=ukislandrace.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ukislandrace.blogspot.com/feeds/3220129736808857497/comments/default' title='張貼意見'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4780133993864114166&amp;postID=3220129736808857497' title='0 個意見'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/3220129736808857497'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/3220129736808857497'/><link rel='alternate' type='text/html' href='http://ukislandrace.blogspot.com/2012/01/nail-your-colours-to-mast.html' title='Nail your colours to the mast'/><author><name>hanching chung</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4780133993864114166.post-5068931450862246266</id><published>2012-01-10T20:50:00.000-08:00</published><updated>2012-01-11T02:38:44.888-08:00</updated><title type='text'>Cameron throws Scots independence gauntlet/referendum mandate</title><content type='html'>&lt;h1 class="story-header"&gt;&lt;span style="font-size:100%;"&gt;Alex Salmond insists on independence referendum mandate&lt;/span&gt;&lt;/h1&gt;                                  &lt;div class="has-icon-comment dna-comment-count-simple"&gt;&lt;a href="http://www.bbc.co.uk/news/uk-politics-16499642#dna-comments"&gt;Comments &lt;span class="dna-comment-count-number"&gt;(487)&lt;/span&gt; &lt;span class="gvl3-icon gvl3-icon-comment"&gt;&lt;/span&gt;&lt;/a&gt; &lt;/div&gt;                           &lt;div class="caption body-narrow-width"&gt;   &lt;img src="http://news.bbcimg.co.uk/media/images/57814000/jpg/_57814977_013673144-1.jpg" alt="Alex Salmond and his Cabinet" width="304" height="171" /&gt;      &lt;span style="width:304px;"&gt;First Minister Alex Salmond met his ministers to discuss plans for a referendum consultation&lt;/span&gt;   &lt;/div&gt;  &lt;div class="story-feature related narrow"&gt;   &lt;a class="hidden" href="http://www.bbc.co.uk/news/uk-politics-16499642#story_continues_1"&gt;Continue reading the main story&lt;/a&gt;  &lt;h2&gt;Related Stories&lt;/h2&gt;   &lt;ul class="related-links-list"&gt;&lt;li&gt;&lt;a href="http://www.bbc.co.uk/news/uk-scotland-16478121"&gt;SNP plan 2014 independence vote&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="http://www.bbc.co.uk/news/uk-politics-16463961"&gt;PM denies 'dictating' Scots vote&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="http://www.bbc.co.uk/news/uk-politics-16473265"&gt;Q&amp;amp;A: Scottish referendum row&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;  &lt;/div&gt;                       &lt;p class="introduction" id="story_continues_1"&gt;Scotland's  First Minister Alex Salmond has said his government has a mandate to  hold a referendum on independence in the autumn of 2014.&lt;/p&gt;         &lt;p&gt;The UK government says Holyrood cannot legally go ahead without its authority.&lt;/p&gt;         &lt;p&gt;But Mr Salmond said UK PM David Cameron had "no mandate" to  set the rules and suggested he was doing so because he was "frightened"  he would lose.&lt;/p&gt;         &lt;p&gt;&lt;a href="http://www.bbc.co.uk/news/uk-politics-16499019" title="Salmond and Cameron in high stakes battle"&gt;The BBC's Nick Robinson says&lt;/a&gt; it could mean an historic Supreme Court struggle between Westminster and Holyrood.&lt;/p&gt;         &lt;p&gt;Mr Salmond said the 2014 date would allow people to make a "considered" decision on the country's future within the UK.&lt;/p&gt;   &lt;span class="cross-head"&gt;'Not right'&lt;/span&gt;        &lt;p&gt;He told BBC Radio 4's Today programme it was "not fair" to  suggest he was worried he would lose if the referendum had only two  options - to stay in the UK or leave it - which is the UK government's  preference.&lt;/p&gt;         &lt;p&gt;He denied wanting a "get out clause" and said there was a  "lot of opinion in Scotland" supporting a third option - increased  financial powers for the Scottish government, short of full  independence, known as "devo max". &lt;/p&gt;   &lt;div class="story-feature narrow"&gt;  &lt;a class="hidden" href="http://www.bbc.co.uk/news/uk-politics-16499642#story_continues_2"&gt;Continue reading the main story&lt;/a&gt; &lt;h2 class="quote"&gt;“&lt;span&gt;Start Quote&lt;/span&gt;&lt;/h2&gt; &lt;blockquote&gt;&lt;p class="first-child"&gt;I thought his intervention was almost Thatcher-esque in its nature”&lt;/p&gt;&lt;/blockquote&gt;   &lt;span class="quote-credit"&gt;Alex Salmond&lt;/span&gt;  &lt;span class="quote-credit-title"&gt;Scottish First Minister&lt;/span&gt;      &lt;ul class="links-list"&gt;&lt;li&gt;   &lt;a href="http://www.bbc.co.uk/news/uk-politics-16505835" class="quote-link"&gt;Nick Robinson: It's good to talk&lt;/a&gt;&lt;/li&gt;&lt;li&gt;   &lt;a href="http://www.bbc.co.uk/news/uk-scotland-16499070" class="quote-link"&gt;Brian Taylor: Why that date?&lt;/a&gt;&lt;/li&gt;&lt;li&gt;   &lt;a href="http://www.bbc.co.uk/news/uk-politics-16473265" class="quote-link"&gt;Q&amp;amp;A: Scottish referendum row&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;  &lt;/div&gt;      &lt;p id="story_continues_2"&gt;"I just don't think it's right  and proper at this stage, before people have had a consultation on the  referendum question or questions for the UK government to start ruling  that out." &lt;/p&gt;         &lt;p&gt;"Why should we be excluding what is a legitimate point of view across Scotland?"&lt;/p&gt;         &lt;p&gt;"Perhaps the Westminster politicians are trying to set the  ground rules, the timing, who votes, the questions because they are  frightened they will lose it?"&lt;/p&gt;         &lt;p&gt;In a row that could become a constitutional crisis, Mr Salmond has accused the UK government of adopting a belligerent attitude.&lt;/p&gt;   &lt;span class="cross-head"&gt;'Sooner not later'&lt;/span&gt;        &lt;p&gt;He said Mr Cameron's intervention had been "almost  Thatcher-esque": "The idea [was] that 'London knows best' and was really  operating in our best interests but wanted to set the ground rules for  our referendum, despite the fact he's got no mandate whatsoever for  doing so."&lt;/p&gt;   &lt;div class="story-feature wide "&gt;  &lt;a class="hidden" href="http://www.bbc.co.uk/news/uk-politics-16499642#story_continues_3"&gt;Continue reading the main story&lt;/a&gt;              &lt;div class="data-table-outer"&gt; &lt;table class="data-table"&gt;    &lt;colgroup&gt;    &lt;col width="50%"&gt;    &lt;col width="50%"&gt;  &lt;/colgroup&gt;                             &lt;thead&gt;     &lt;tr class="colheading"&gt;         &lt;th class="left"&gt;    SNP position      &lt;/th&gt;    &lt;th class="left"&gt;    Unionist position      &lt;/th&gt;   &lt;/tr&gt;                        &lt;/thead&gt;                 &lt;tbody&gt;     &lt;tr&gt;         &lt;td class="left"&gt;          &lt;p&gt;Wants the referendum in the autumn of 2014&lt;/p&gt;         &lt;/td&gt;    &lt;td class="left"&gt;          &lt;p&gt;Wants the referendum "sooner rather than later"&lt;/p&gt;         &lt;/td&gt;   &lt;/tr&gt;                 &lt;tr class="row2"&gt;         &lt;td class="left"&gt;          &lt;p&gt;Backs a "yes/no" ballot but is open minded on including a second "devo max" question&lt;/p&gt;         &lt;/td&gt;    &lt;td class="left"&gt;          &lt;p&gt;Wants a one question "yes/no" ballot&lt;/p&gt;         &lt;/td&gt;   &lt;/tr&gt;                 &lt;tr&gt;         &lt;td class="left"&gt;          &lt;p&gt;Wants 16 and 17-year-olds to be able to vote in the referendum&lt;/p&gt;         &lt;/td&gt;    &lt;td class="left"&gt;          &lt;p&gt;Backs the status quo with 18 and over able to vote&lt;/p&gt;         &lt;/td&gt;   &lt;/tr&gt;                 &lt;tr class="row2"&gt;         &lt;td class="left"&gt;          &lt;p&gt;Wants a special commission to conduct the referendum&lt;/p&gt;         &lt;/td&gt;    &lt;td class="left"&gt;          &lt;p&gt;Wants the Electoral Commission to oversee the vote&lt;/p&gt;         &lt;/td&gt;   &lt;/tr&gt; &lt;/tbody&gt; &lt;/table&gt; &lt;/div&gt;     &lt;ul class="links-list"&gt;&lt;li&gt;&lt;a href="http://www.bbc.co.uk/news/uk-northern-ireland-16479569"&gt;Mark Devenport: Poll posing issues for Northern Ireland&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;  &lt;/div&gt;      &lt;p id="story_continues_3"&gt;"The SNP won an overwhelming  majority on the promise that we would offer the people a referendum on  their own future, is it not entirely reasonable that that referendum ...  is made in Scotland and decided by the Scottish people?" &lt;/p&gt;         &lt;p&gt;Scottish Secretary Michael Moore says he hopes to work with the SNP government to resolve the dispute.&lt;/p&gt;         &lt;p&gt;He told MPs on Tuesday that there would be a consultation on how to hold a referendum.&lt;/p&gt;         &lt;p&gt;He has not stated when the coalition government would prefer a  referendum to be held, but said he would like it to be "sooner rather  than later".&lt;/p&gt;         &lt;p&gt;The government's "clear view" was that the power to hold a  referendum was "reserved" to Westminster under devolution laws passed in  1998 and that the Scottish government could not authorise a referendum  on its own.&lt;/p&gt;         &lt;p&gt;Scottish Labour leader Johann Lamont said Mr Salmond's  announcing the preferred date was a "panicked response from a panicked  first minister".&lt;/p&gt;         &lt;p&gt;Ruth Davidson, leader of the Scottish Conservatives, said the  "key issues" were what the referendum question would be and who would  oversee the vote.&lt;/p&gt;         &lt;p&gt;Under the Scottish government's timetable, a referendum bill  would be introduced at Holyrood in January 2013, it would be expected to  be passed by the autumn and gain Royal Assent later in 2013.&lt;/p&gt;         &lt;p&gt;Big differences also remain between the Scottish and UK  governments on the timing of the referendum, who would run it and on  whether 16 and 17-year-olds could vote.&lt;/p&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://newsletters.ftchinese.com/u.html?template_id=1261&amp;amp;report_id=12287&amp;amp;send_time=1326203839&amp;amp;userid=ft_news&amp;amp;email=hcsimonl@gmail.com&amp;amp;compainid=1261&amp;amp;subtask_id=12405&amp;amp;url=%7E20" style="FONT-WEIGHT:bold;TEXT-DECORATION:none;color:#4781aa" target="_blank"&gt;英国政府敦促苏格兰举行独立公投&lt;/a&gt; &lt;a href="http://newsletters.ftchinese.com/u.html?template_id=1261&amp;amp;report_id=12287&amp;amp;send_time=1326203839&amp;amp;userid=ft_news&amp;amp;email=hcsimonl@gmail.com&amp;amp;compainid=1261&amp;amp;subtask_id=12405&amp;amp;url=%7E21" style="font-size:12px;color:#9e2f50;text-decoration:none" target="_blank"&gt;英 &lt;/a&gt;&lt;br /&gt;首相卡梅伦坚持“要么走，要么留”，&lt;div&gt;&lt;wbr&gt;但苏格兰首席大臣寄望于第三种选择 &lt;/div&gt;&lt;h1 id="topictitle"&gt;&lt;div class="ebody"&gt;&lt;span style="font-size:100%;"&gt;Cameron throws Scots independence gauntlet&lt;/span&gt;&lt;/div&gt; &lt;/h1&gt; &lt;div class="byline"&gt;By Kiran Stacey,Andrew Bolger in London, in Edinburgh&lt;/div&gt;&lt;br /&gt;&lt;div class="ebody"&gt; &lt;p style="text-indent: 0pt;" class="dropcap"&gt;David Cameron, British  prime minister, has challenged Scotland’s first minister to hold a  referendum on independence, paving the way for a vote that could trigger  the collapse of the United Kingdom.&lt;/p&gt; &lt;p&gt;Mr Cameron will today offer Alex Salmond the power to hold a legally  binding vote on whether Scotland should remain part of the 305-year-old  union with England.&lt;/p&gt; &lt;p&gt;The prime minister said he wanted to offer two options: Scotland  remaining in the union, or leaving it. At the weekend he said: “Let’s  clear up the legal situation and then have a debate about how we bring  this to a conclusion. My view is that sooner rather than later would be  better.”&lt;/p&gt; &lt;p&gt;However, nationalists argue that limiting the choice to two options make a vote in favour of independence unlikely.&lt;/p&gt; &lt;p&gt;With  many in Scotland lukewarm to the idea, Mr Salmond wants more time to  make his case and wants to offer voters a third option: becoming  fiscally independent while remaining part of the UK.&lt;/p&gt; &lt;p&gt;The decision to offer a vote reflects the London government’s concern  about what some see as an unstoppable drift towards Scottish  independence.&lt;/p&gt; &lt;p&gt;Tony Blair, former prime minister, hoped to have halted the case for  independence when he devolved a significant amount of power to a  parliament in Edinburgh after he took power in 1997.&lt;/p&gt; &lt;p&gt;Yet since then the Scottish National party has grown in strength and  the government in London has now appointed George Osborne, chancellor  and a leading strategist, to head up a committee to look at the issue.&lt;/p&gt; &lt;p&gt;The government said Mr Osborne’s appointment showed how seriously it was taking the issue of Scottish independence.&lt;/p&gt; &lt;p&gt;The chancellor told his cabinet colleagues yesterday that he wanted a  quick and decisive referendum that would provide a clear Yes or No  answer.&lt;/p&gt;  &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4780133993864114166-5068931450862246266?l=ukislandrace.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ukislandrace.blogspot.com/feeds/5068931450862246266/comments/default' title='張貼意見'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4780133993864114166&amp;postID=5068931450862246266' title='0 個意見'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/5068931450862246266'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/5068931450862246266'/><link rel='alternate' type='text/html' href='http://ukislandrace.blogspot.com/2012/01/cameron-throws-scots-independence.html' title='Cameron throws Scots independence gauntlet/referendum mandate'/><author><name>hanching chung</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4780133993864114166.post-621641315349002226</id><published>2012-01-10T16:43:00.000-08:00</published><updated>2012-01-09T19:11:05.101-08:00</updated><title type='text'>The King's Speech/Sir John Milsom Rees</title><content type='html'>Amazon Properties房地產開發公司總經理查爾斯﹒古爾吉(Charles  Gourgey)說，這棟住宅原是英國皇家歌劇院喉科醫師約翰﹒裡斯爵士(Sir John Milsom  Rees)的住所和咨詢室。裡斯爵士曾為英國國王喬治六世的父親喬治五世進行過診治。喬治六世是電影《國王的演講》(The King’s  Speech)中的主人公。&lt;br /&gt;&lt;a style="color:#1111cc" href="http://www.google.com/url?sa=X&amp;amp;q=http://chinese.wsj.com/big5/20120109/PHO095730.asp%3Fsource%3DUpFeature&amp;amp;ct=ga&amp;amp;cad=CAEQAhgAIAAoATABOAFAhv6r-ARIAVAAWABiB3poLUhhbnQ&amp;amp;cd=4j-Y0HBvm7g&amp;amp;usg=AFQjCNGdv6U1eDFD7K8-kl5pZw3UxUremw" target="_blank"&gt;房產圖片：1.2億元的&lt;span style="color:#CC0033;"&gt;倫敦&lt;/span&gt;歷史宅邸&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div id="summary"&gt;這棟五居住宅位於倫敦市中心，附帶一套設備齊全的三居公寓，曾是英國國王喬治五世的喉科醫師的住宅，現經過現代化改造，要價折合人民幣約1.2億元。&lt;/div&gt; &lt;div id="share_button"&gt;&lt;span&gt;&lt;img src="http://chinese.wsj.com/slideshow/share_word.gif" /&gt;&lt;/span&gt;&lt;span&gt;&lt;a style="color: rgb(50, 50, 50); text-align: center; font-size: 12px;" title="分享到優士網"&gt;     &lt;/a&gt; &lt;/span&gt; &lt;/div&gt; &lt;div id="SlideAd_300x250"&gt; &lt;div id="ad300x250_bottom"&gt;     &lt;br /&gt;  &lt;/div&gt;   &lt;/div&gt; &lt;div style="overflow: hidden;" id="sliderBox" class="wrapper"&gt;&lt;ul&gt;&lt;li class="cloned"&gt;&lt;table&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td&gt;&lt;img src="http://chinese.wsj.com/pictures/photo/BJ20120109095730/08.jpg" alt="該房產要價1,250萬英鎊（折合人民幣約1.22億元），由倫敦Druce房地產公司代理出售。" /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div&gt;&lt;p&gt;該房產要價1,250萬英鎊（折合人民幣約1.22億元），由倫敦Druce房地產公司代理出售。&lt;br /&gt;&lt;a href="http://chinese.wsj.com/big5/realestate.asp?source=article" target="_blank" title=""&gt;&lt;/a&gt;&lt;/p&gt;&lt;samp&gt;Druce&lt;/samp&gt;&lt;/div&gt;&lt;/li&gt;&lt;li&gt;&lt;table&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td&gt;&lt;img src="http://chinese.wsj.com/pictures/photo/BJ20120109095730/01.jpg" alt="Amazon Properties房地產開發公司總經理查爾斯﹒古爾吉(Charles Gourgey)說，這棟住宅原是英國皇家歌劇院喉科醫師約翰﹒裡斯爵士(Sir John Milsom Rees)的住所和咨詢室。裡斯爵士曾為英國國王喬治六世的父親喬治五世進行過診治。喬治六世是電影《國王的演講》(The King’s Speech)中的主人公。" /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div&gt;&lt;p&gt;Amazon  Properties房地產開發公司總經理查爾斯﹒古爾吉(Charles  Gourgey)說，這棟住宅原是英國皇家歌劇院喉科醫師約翰﹒裡斯爵士(Sir John Milsom  Rees)的住所和咨詢室。裡斯爵士曾為英國國王喬治六世的父親喬治五世進行過診治。喬治六世是電影《國王的演講》(&lt;span style="font-style: italic;"&gt;The King’s  Speech)&lt;/span&gt;中的主人公。&lt;/p&gt;&lt;samp&gt;Druce&lt;/samp&gt;&lt;/div&gt;&lt;/li&gt;&lt;li&gt;&lt;table&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td&gt;&lt;img src="http://chinese.wsj.com/pictures/photo/BJ20120109095730/02.jpg" alt="古爾吉先生說：“我們都虔誠地珍視遺產。因為我們相信歷史會為一處房產增彩，而非妨害房產。但這處住宅同時具備了一個現代開發項目的所有優勢，擁有各種最新配件。”" /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div&gt;&lt;p&gt;古爾吉先生說：“我們都虔誠地珍視遺產。因為我們相信歷史會為一處房產增彩，而非妨害房產。但這處住宅同時具備了一個現代開發項目的所有優勢，擁有各種最新配件。”&lt;/p&gt;&lt;samp&gt;Druce&lt;/samp&gt;&lt;/div&gt;&lt;/li&gt;&lt;li&gt;&lt;table&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td&gt;&lt;img src="http://chinese.wsj.com/pictures/photo/BJ20120109095730/03.jpg" alt="他說，這棟建築曾被混合使用，由幾間醫療室和幾套公寓組成。“我們對它進行了翻修，將它恢復成一棟豪華住宅。”" /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div&gt;&lt;p&gt;他說，這棟建築曾被混合使用，由幾間醫療室和幾套公寓組成。“我們對它進行了翻修，將它恢復成一棟豪華住宅。”&lt;/p&gt;&lt;samp&gt;Druce&lt;/samp&gt;&lt;/div&gt;&lt;/li&gt;&lt;li&gt;&lt;table&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td&gt;&lt;img src="http://chinese.wsj.com/pictures/photo/BJ20120109095730/04.jpg" alt="這棟喬治五世時期的建築共四層。L形的主接待室位於第二層，地下室則有一個三居室的員工公寓，一個影音室和健身房。" /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div&gt;&lt;p&gt;這棟喬治五世時期的建築共四層。L形的主接待室位於第二層，地下室則有一個三居室的員工公寓，一個影音室和健身房。&lt;/p&gt;&lt;samp&gt;Druce&lt;/samp&gt;&lt;/div&gt;&lt;/li&gt;&lt;li&gt;&lt;table&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td&gt;&lt;img src="http://chinese.wsj.com/pictures/photo/BJ20120109095730/05.jpg" alt="這棟住宅中有五間臥室，其中四間帶步入式衣櫃、配套衛生間和更衣區。" /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div&gt;&lt;p&gt;這棟住宅中有五間臥室，其中四間帶步入式衣櫃、配套衛生間和更衣區。&lt;/p&gt;&lt;samp&gt;Druce&lt;/samp&gt;&lt;/div&gt;&lt;/li&gt;&lt;li&gt;&lt;table&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td&gt;&lt;img src="http://chinese.wsj.com/pictures/photo/BJ20120109095730/06.jpg" alt="主臥的配套衛生間中有一個圓形大浴缸。" /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div&gt;&lt;p&gt;主臥的配套衛生間中有一個圓形大浴缸。&lt;/p&gt;&lt;samp&gt;Druce&lt;/samp&gt;&lt;/div&gt;&lt;/li&gt;&lt;li&gt;&lt;table&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td&gt;&lt;img src="http://chinese.wsj.com/pictures/photo/BJ20120109095730/07.jpg" alt="該房產位於英國倫敦市中心的上溫坡街(Upper Wimpole St.)18號，毗鄰馬裡博恩大街(Marylebone High Street)和攝政公園。" /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div&gt;&lt;p&gt;該房產位於英國倫敦市中心的上溫坡街(Upper Wimpole St.)18號，毗鄰馬裡博恩大街(Marylebone High Street)和攝政公園。&lt;/p&gt;&lt;samp&gt;Druce&lt;/samp&gt;&lt;/div&gt;&lt;/li&gt;&lt;li&gt;&lt;table&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td&gt;&lt;img src="http://chinese.wsj.com/pictures/photo/BJ20120109095730/08.jpg" alt="該房產要價1,250萬英鎊（折合人民幣約1.22億元），由倫敦Druce房地產公司代理出售。" /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div&gt;&lt;p&gt;該房產要價1,250萬英鎊（折合人民幣約1.22億元），由倫敦Druce房地產公司代理出售。&lt;br /&gt;&lt;a href="http://chinese.wsj.com/big5/realestate.asp?source=article" target="_blank" title=""&gt;&lt;/a&gt;&lt;/p&gt;&lt;samp&gt;Druce&lt;/samp&gt;&lt;/div&gt;&lt;/li&gt;&lt;li class="cloned"&gt;&lt;table&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td&gt;&lt;img src="http://chinese.wsj.com/pictures/photo/BJ20120109095730/01.jpg" alt="Amazon Properties房地產開發公司總經理查爾斯﹒古爾吉(Charles Gourgey)說，這棟住宅原是英國皇家歌劇院喉科醫師約翰﹒裡斯爵士(Sir John Milsom Rees)的住所和咨詢室。裡斯爵士曾為英國國王喬治六世的父親喬治五世進行過診治。喬治六世是電影《國王的演講》(The King’s Speech)中的主人公。" /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div&gt;&lt;p&gt;Amazon  Properties房地產開發公司總經理查爾斯﹒古爾吉(Charles  Gourgey)說，這棟住宅原是英國皇家歌劇院喉科醫師約翰﹒裡斯爵士(Sir John Milsom  Rees)的住所和咨詢室。裡斯爵士曾為英國國王喬治六世的父親喬治五世進行過診治。喬治六世是電影《國王的演講》(The King’s  Speech)中的主人公。&lt;/p&gt;&lt;samp&gt;Druce&lt;/samp&gt;&lt;/div&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;a class="arrow2 forward2"&gt;&amp;gt;&lt;/a&gt;&lt;a class="arrow2 back2"&gt;&amp;lt;&lt;/a&gt;&lt;a class="arrow forward"&gt;&amp;gt;&lt;/a&gt;&lt;a class="arrow back"&gt;&amp;lt;&lt;/a&gt;&lt;div id="thumbNav2"&gt; &lt;a class="cur"&gt;1/8&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;1936年12月 邱吉爾 才是海軍部長&lt;br /&gt;&lt;br /&gt;On Dec. 26, 1941, Winston Churchill became the first British prime  minister to address a joint meeting of the United States Congress.&lt;br /&gt;&lt;br /&gt;12月12日 是大事日&lt;br /&gt;&lt;br /&gt;《王者之聲：宣戰時刻》（The King's Speech，片名中speech既解作演講，也解作說話能力，是雙關語）是2010年由湯姆·霍伯執導的英國傳記片。男主角柯林·佛斯獲得了包括第68屆金球獎最佳劇情片男主角、第83屆奧斯卡金像獎最佳男主角在內的許多表演獎。影片還在第83屆奧斯卡金像獎中獲得12項提名，並勇奪最佳影片、最佳原創劇本、最佳導演及最佳男主角四項大獎‎。&lt;br /&gt;&lt;br /&gt;&lt;p&gt;本片講述的是現任英國女王伊莉莎白二世的父親，喬治六世國王治療口吃的故事，根據英國歷史真實故事改編而成。&lt;/p&gt; &lt;p&gt;身為約克公爵的喬治，是英國王位第二繼承人，父親是國王喬治五世，兄長是王儲威爾斯親王愛德華。喬治從小有嚴重的口吃，為了應付演說而時有無力感，遂連同妻子尋找語言治療師來治療自己，最終找到了澳大利亞籍的萊恩尼爾·羅格（Lionel Logue），但卻又以齟齬與羅格決裂。&lt;/p&gt; &lt;p&gt;喬治五世去世後，王儲愛德華即位，但仍過著風花雪月的人生，不理睬因納粹德國崛起而岌岌可危的朝政，且堅持要與一個離過兩次婚的華麗思女士結婚，與離婚女子結婚，違背了英國國教與王室的繼承規定，首相鮑得溫於是令愛德華做出選擇，不願放棄美人的愛德華，選擇禪讓王位與喬治，退隱山林，稱「溫莎公爵」。&lt;/p&gt; &lt;p&gt;喬治本無心問鼎寶座，卻因兄長不負責任的退位，不得不加冕登基，是為喬治六世。喬治六世此時再次想到羅格，為了能順利發表各種演說，喬治六世辛苦經歷了一系列的語言訓練，不但與羅格成為好友，口吃也大為好轉。最後結局，是喬治六世向當時二次大戰中的英國人的一次著名戰時演說，其發表順利，聲調鏗鏘有力，鼓舞了全國軍民。&lt;/p&gt;&lt;br /&gt;&lt;br /&gt;http://en.wikipedia.org/wiki/The_King%27s_Speech&lt;br /&gt;&lt;br /&gt;&lt;div style="display:none; right:10px;" class="metadata topicon nopopups" id="good-star"&gt;&lt;a href="http://en.wikipedia.org/wiki/Wikipedia:Good_articles" title="This is a good article. Click here for more information."&gt;&lt;img alt="This is a good article. Click here for more information." src="http://upload.wikimedia.org/wikipedia/en/thumb/9/94/Symbol_support_vote.svg/15px-Symbol_support_vote.svg.png" width="15" height="15" /&gt;&lt;/a&gt;&lt;/div&gt; &lt;table class="infobox vevent" style="width:22em; font-size: 90%" cellspacing="5"&gt; &lt;tbody&gt;&lt;tr&gt; &lt;th colspan="2" class="summary" style="text-align:center; font-size:125%; font-weight:bold; font-size: 110%; font-style: italic"&gt;The King's Speech&lt;/th&gt; &lt;/tr&gt; &lt;tr class=""&gt; &lt;td colspan="2" class="" style="text-align:center;"&gt;&lt;a href="http://en.wikipedia.org/wiki/File:Kings_speech_ver3.jpg" class="image"&gt;&lt;img alt="A film poster showing two men framing a large, ornate window looking out onto London. Colin Firth, on the left, is wearing as naval uniform as King George VI. Geoffrey Rush, on the right, is wearing a suit and facing out the window, his back to the reader. The picture is overlaid with names and critical praise for the film." src="http://upload.wikimedia.org/wikipedia/en/thumb/a/a0/Kings_speech_ver3.jpg/220px-Kings_speech_ver3.jpg" width="220" height="165" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style=" line-height: 1.5em;font-size:95%;" &gt;Cinematic release poster&lt;/span&gt;&lt;/td&gt; &lt;/tr&gt; &lt;tr class=""&gt; &lt;th scope="row" style="text-align:left; white-space: nowrap"&gt;Directed by&lt;/th&gt; &lt;td class="description" style=""&gt;&lt;a href="http://en.wikipedia.org/wiki/Tom_Hooper_%28director%29" title="Tom Hooper (director)"&gt;Tom Hooper&lt;/a&gt;&lt;/td&gt; &lt;/tr&gt; &lt;tr class=""&gt; &lt;th scope="row" style="text-align:left; white-space: nowrap"&gt;Produced by&lt;/th&gt; &lt;td class="" style=""&gt; &lt;ul style="list-style: none none; line-height: inherit; margin: 0px;"&gt;&lt;li style=""&gt;Iain Canning&lt;/li&gt;&lt;li style=""&gt;Emile Sherman&lt;/li&gt;&lt;li style=""&gt;&lt;a href="http://en.wikipedia.org/wiki/Gareth_Unwin" title="Gareth Unwin"&gt;Gareth Unwin&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt; &lt;/td&gt; &lt;/tr&gt; &lt;tr class=""&gt; &lt;th scope="row" style="text-align:left; white-space: nowrap"&gt;Screenplay by&lt;/th&gt; &lt;td class="" style=""&gt;&lt;a href="http://en.wikipedia.org/wiki/David_Seidler" title="David Seidler"&gt;David Seidler&lt;/a&gt;&lt;/td&gt; &lt;/tr&gt; &lt;tr class=""&gt; &lt;th scope="row" style="text-align:left; white-space: nowrap"&gt;Starring&lt;/th&gt; &lt;td class="" style=""&gt; &lt;ul style="list-style: none none; line-height: inherit; margin: 0px;"&gt;&lt;li style=""&gt;&lt;a href="http://en.wikipedia.org/wiki/Colin_Firth" title="Colin Firth"&gt;Colin Firth&lt;/a&gt;&lt;/li&gt;&lt;li style=""&gt;&lt;a href="http://en.wikipedia.org/wiki/Geoffrey_Rush" title="Geoffrey Rush"&gt;Geoffrey Rush&lt;/a&gt;&lt;/li&gt;&lt;li style=""&gt;&lt;a href="http://en.wikipedia.org/wiki/Helena_Bonham_Carter" title="Helena Bonham Carter"&gt;Helena Bonham Carter&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt; &lt;/td&gt; &lt;/tr&gt; &lt;tr class=""&gt; &lt;th scope="row" style="text-align:left; white-space: nowrap"&gt;Music by&lt;/th&gt; &lt;td class="" style=""&gt;&lt;a href="http://en.wikipedia.org/wiki/Alexandre_Desplat" title="Alexandre Desplat"&gt;Alexandre Desplat&lt;/a&gt;&lt;/td&gt; &lt;/tr&gt; &lt;tr class=""&gt; &lt;th scope="row" style="text-align:left; white-space: nowrap"&gt;Cinematography&lt;/th&gt; &lt;td class="" style=""&gt;Danny Cohen, &lt;a href="http://en.wikipedia.org/wiki/British_Society_of_Cinematographers" title="British Society of Cinematographers"&gt;BSC&lt;/a&gt;&lt;/td&gt; &lt;/tr&gt; &lt;tr class=""&gt; &lt;th scope="row" style="text-align:left; white-space: nowrap"&gt;Editing by&lt;/th&gt; &lt;td class="" style=""&gt;&lt;a href="http://en.wikipedia.org/wiki/Tariq_Anwar_%28film_editor%29" title="Tariq Anwar (film editor)"&gt;Tariq Anwar&lt;/a&gt;&lt;/td&gt; &lt;/tr&gt; &lt;tr class=""&gt; &lt;th scope="row" style="text-align:left; white-space: nowrap"&gt;Studio&lt;/th&gt; &lt;td class="" style=""&gt; &lt;ul style="list-style: none none; line-height: inherit; margin: 0px;"&gt;&lt;li style=""&gt;&lt;a href="http://en.wikipedia.org/wiki/UK_Film_Council" title="UK Film Council"&gt;UK Film Council&lt;/a&gt;&lt;/li&gt;&lt;li style=""&gt;&lt;a href="http://en.wikipedia.org/wiki/See-Saw_Films" title="See-Saw Films"&gt;See-Saw Films&lt;/a&gt;&lt;/li&gt;&lt;li style=""&gt;&lt;a href="http://en.wikipedia.org/wiki/Bedlam_Productions" title="Bedlam Productions"&gt;Bedlam Productions&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt; &lt;/td&gt; &lt;/tr&gt; &lt;tr class=""&gt; &lt;th scope="row" style="text-align:left; white-space: nowrap"&gt;Distributed by&lt;/th&gt; &lt;td class="" style=""&gt;&lt;a href="http://en.wikipedia.org/wiki/The_Weinstein_Company" title="The Weinstein Company"&gt;The Weinstein Company&lt;/a&gt;&lt;/td&gt; &lt;/tr&gt; &lt;tr class=""&gt; &lt;th scope="row" style="text-align:left; white-space: nowrap"&gt;Release &lt;span class="nowrap"&gt;date(s)&lt;/span&gt;&lt;/th&gt; &lt;td class="" style=""&gt;6 September 2010 &lt;span class="nowrap"&gt;&lt;span style="font-size:79%;"&gt;(&lt;a href="http://en.wikipedia.org/wiki/Telluride_Film_Festival" title="Telluride Film Festival"&gt;Telluride Film Festival&lt;/a&gt;)&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;7 January 2011 &lt;span class="nowrap"&gt;&lt;span style="font-size:79%;"&gt;(United Kingdom)&lt;/span&gt;&lt;/span&gt;&lt;/td&gt; &lt;/tr&gt; &lt;tr class=""&gt; &lt;th scope="row" style="text-align:left; white-space: nowrap"&gt;Running time&lt;/th&gt; &lt;td class="" style=""&gt;118 minutes&lt;sup id="cite_ref-0" class="reference"&gt;&lt;a href="http://en.wikipedia.org/wiki/The_King%27s_Speech#cite_note-0"&gt;&lt;span&gt;[&lt;/span&gt;1&lt;span&gt;]&lt;/span&gt;&lt;/a&gt;&lt;/sup&gt;&lt;/td&gt; &lt;/tr&gt; &lt;tr class=""&gt; &lt;th scope="row" style="text-align:left; white-space: nowrap"&gt;Country&lt;/th&gt; &lt;td class="" style=""&gt;United Kingdom&lt;sup id="cite_ref-1" class="reference"&gt;&lt;a href="http://en.wikipedia.org/wiki/The_King%27s_Speech#cite_note-1"&gt;&lt;span&gt;[&lt;/span&gt;2&lt;span&gt;]&lt;/span&gt;&lt;/a&gt;&lt;/sup&gt;&lt;/td&gt; &lt;/tr&gt; &lt;tr class=""&gt; &lt;th scope="row" style="text-align:left; white-space: nowrap"&gt;Language&lt;/th&gt; &lt;td class="" style=""&gt;English&lt;/td&gt; &lt;/tr&gt; &lt;tr class=""&gt; &lt;th scope="row" style="text-align:left; white-space: nowrap"&gt;Budget&lt;/th&gt; &lt;td class="" style=""&gt;£8 million ($15 million)&lt;sup id="cite_ref-guard_2-0" class="reference"&gt;&lt;a href="http://en.wikipedia.org/wiki/The_King%27s_Speech#cite_note-guard-2"&gt;&lt;span&gt;[&lt;/span&gt;3&lt;span&gt;]&lt;/span&gt;&lt;/a&gt;&lt;/sup&gt;&lt;/td&gt; &lt;/tr&gt; &lt;tr class=""&gt; &lt;th scope="row" style="text-align:left; white-space: nowrap"&gt;Box office&lt;/th&gt; &lt;td class="" style=""&gt;£250 million ($414,211,549)&lt;sup id="cite_ref-boxoffice_3-0" class="reference"&gt;&lt;a href="http://en.wikipedia.org/wiki/The_King%27s_Speech#cite_note-boxoffice-3"&gt;&lt;span&gt;[&lt;/span&gt;4&lt;span&gt;]&lt;/span&gt;&lt;/a&gt;&lt;/sup&gt;&lt;/td&gt; &lt;/tr&gt; &lt;/tbody&gt;&lt;/table&gt; &lt;p&gt;&lt;i&gt;&lt;b&gt;The King's Speech&lt;/b&gt;&lt;/i&gt; is a 2010 British &lt;a href="http://en.wikipedia.org/wiki/Historical_drama_film" title="Historical drama film" class="mw-redirect"&gt;historical drama film&lt;/a&gt; directed by &lt;a href="http://en.wikipedia.org/wiki/Tom_Hooper_%28director%29" title="Tom Hooper (director)"&gt;Tom Hooper&lt;/a&gt; and written by &lt;a href="http://en.wikipedia.org/wiki/David_Seidler" title="David Seidler"&gt;David Seidler&lt;/a&gt;. &lt;a href="http://en.wikipedia.org/wiki/Colin_Firth" title="Colin Firth"&gt;Colin Firth&lt;/a&gt; plays &lt;a href="http://en.wikipedia.org/wiki/George_VI" title="George VI"&gt;King George VI&lt;/a&gt; who, to cope with a &lt;a href="http://en.wikipedia.org/wiki/Stammering" title="Stammering" class="mw-redirect"&gt;stammer&lt;/a&gt;, sees &lt;a href="http://en.wikipedia.org/wiki/Lionel_Logue" title="Lionel Logue"&gt;Lionel Logue&lt;/a&gt;, an Australian &lt;a href="http://en.wikipedia.org/wiki/Speech_therapy" title="Speech therapy" class="mw-redirect"&gt;speech therapist&lt;/a&gt; played by &lt;a href="http://en.wikipedia.org/wiki/Geoffrey_Rush" title="Geoffrey Rush"&gt;Geoffrey Rush&lt;/a&gt;. The men become friends as they work together, and after &lt;a href="http://en.wikipedia.org/wiki/Edward_VIII_abdication_crisis" title="Edward VIII abdication crisis"&gt;his brother abdicates the throne&lt;/a&gt;, the new King relies on Logue to help him make a radio broadcast on &lt;a href="http://en.wikipedia.org/wiki/Military_history_of_the_United_Kingdom_during_World_War_II" title="Military history of the United Kingdom during World War II"&gt;Britain's declaration of war on Germany&lt;/a&gt; in 1939.&lt;/p&gt; &lt;p&gt;Seidler read about George VI's life after overcoming a stuttering  condition he endured during his youth. He started writing about the  men's relationship as early as the 1980s, but postponed work, at the &lt;a href="http://en.wikipedia.org/wiki/Queen_Elizabeth_The_Queen_Mother" title="Queen Elizabeth The Queen Mother"&gt;Queen Mother&lt;/a&gt;'s  wishes, until her death in 2002. He later rewrote his screenplay for  the stage to focus on the essential relationship between the two  protagonists. Nine weeks before filming began, Logue's notebooks were  discovered and quotations from them were incorporated into the script.&lt;/p&gt; &lt;p&gt;&lt;a href="http://en.wikipedia.org/wiki/Principal_photography" title="Principal photography"&gt;Principal photography&lt;/a&gt; took place in London and around Britain from November 2009 to January 2010. The opening scenes were filmed in &lt;a href="http://en.wikipedia.org/wiki/Elland_Road" title="Elland Road"&gt;Elland Road&lt;/a&gt;, Leeds (for the since-demolished &lt;a href="http://en.wikipedia.org/wiki/Wembley_Stadium_%281923%29" title="Wembley Stadium (1923)"&gt;Wembley Stadium&lt;/a&gt;), &lt;a href="http://en.wikipedia.org/wiki/Buckingham_Palace" title="Buckingham Palace"&gt;Buckingham Palace&lt;/a&gt; interiors in &lt;a href="http://en.wikipedia.org/wiki/Lancaster_House" title="Lancaster House"&gt;Lancaster House&lt;/a&gt;, and &lt;a href="http://en.wikipedia.org/wiki/Ely_Cathedral" title="Ely Cathedral"&gt;Ely Cathedral&lt;/a&gt; stood in for &lt;a href="http://en.wikipedia.org/wiki/Westminster_Abbey" title="Westminster Abbey"&gt;Westminster Abbey&lt;/a&gt;.  The cinematography differs from other historical dramas; hard light was  used to give the story a greater resonance and wider than normal lenses  were used to recreate the King's feelings of constriction. A third  technique Hooper employed was the off-centre framing of characters: in  his first consultation with Logue, George VI is captured hunched on the  side of a couch at the edge of the frame.&lt;/p&gt; &lt;p&gt;Released in the United Kingdom on 7 January 2011, &lt;i&gt;The King's Speech&lt;/i&gt; was a major &lt;a href="http://en.wikipedia.org/wiki/The_King%27s_Speech#Box_office"&gt;box office&lt;/a&gt; and &lt;a href="http://en.wikipedia.org/wiki/The_King%27s_Speech#Critical_response"&gt;critical success&lt;/a&gt;.  Censors initially gave it adult ratings due to profanity, though these  were later revised downwards after criticism by the makers and  distributors in the UK and some instances of swearing were muted in the  US. On a budget of GB£8 million, it earned over US$400 million  internationally (£250 million).&lt;sup id="cite_ref-4" class="reference"&gt;&lt;a href="http://en.wikipedia.org/wiki/The_King%27s_Speech#cite_note-4"&gt;&lt;span&gt;[&lt;/span&gt;5&lt;span&gt;]&lt;/span&gt;&lt;/a&gt;&lt;/sup&gt;  It was widely praised by film critics for its visual style, art  direction, and acting. Other commentators discussed the film's  representation of historical detail, especially the reversal of &lt;a href="http://en.wikipedia.org/wiki/Winston_Churchill" title="Winston Churchill"&gt;Winston Churchill&lt;/a&gt;'s opposition to abdication. The film received many awards and nominations, particularly for Colin Firth's performance; his &lt;a href="http://en.wikipedia.org/wiki/Golden_Globe_Award_for_Best_Actor_%E2%80%93_Motion_Picture_Drama" title="Golden Globe Award for Best Actor – Motion Picture Drama"&gt;Golden Globe Award for Best Actor&lt;/a&gt; was the sole win at that ceremony from seven nominations. &lt;i&gt;The King's Speech&lt;/i&gt; won seven &lt;a href="http://en.wikipedia.org/wiki/British_Academy_Film_Awards" title="British Academy Film Awards"&gt;British Academy Film Awards&lt;/a&gt;, including &lt;a href="http://en.wikipedia.org/wiki/BAFTA_Award_for_Best_Film" title="BAFTA Award for Best Film"&gt;Best Picture&lt;/a&gt;, &lt;a href="http://en.wikipedia.org/wiki/BAFTA_Award_for_Best_Actor_in_a_Leading_Role" title="BAFTA Award for Best Actor in a Leading Role"&gt;Best Actor&lt;/a&gt; (Firth), &lt;a href="http://en.wikipedia.org/wiki/BAFTA_Award_for_Best_Actor_in_a_Supporting_Role" title="BAFTA Award for Best Actor in a Supporting Role"&gt;Best Supporting Actor&lt;/a&gt; (Rush), and &lt;a href="http://en.wikipedia.org/wiki/BAFTA_Award_for_Best_Actress_in_a_Supporting_Role" title="BAFTA Award for Best Actress in a Supporting Role"&gt;Best Supporting Actress&lt;/a&gt; (Bonham Carter). The film also won four Academy Awards: &lt;a href="http://en.wikipedia.org/wiki/Academy_Award_for_Best_Picture" title="Academy Award for Best Picture"&gt;Best Picture&lt;/a&gt;, &lt;a href="http://en.wikipedia.org/wiki/Academy_Award_for_Best_Director" title="Academy Award for Best Director"&gt;Best Director&lt;/a&gt; (Hooper), &lt;a href="http://en.wikipedia.org/wiki/Academy_Award_for_Best_Actor" title="Academy Award for Best Actor"&gt;Best Actor&lt;/a&gt; (Firth), and &lt;a href="http://en.wikipedia.org/wiki/Academy_Award_for_Best_Writing_%28Original_Screenplay%29" title="Academy Award for Best Writing (Original Screenplay)"&gt;Best Original Screenplay&lt;/a&gt; (Seidler).&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;The film opens with &lt;a href="http://en.wikipedia.org/wiki/George_VI" title="George VI"&gt;Prince Albert, Duke of York&lt;/a&gt; (played by &lt;a href="http://en.wikipedia.org/wiki/Colin_Firth" title="Colin Firth"&gt;Colin Firth&lt;/a&gt;), the second son of &lt;a href="http://en.wikipedia.org/wiki/George_V" title="George V"&gt;King George V&lt;/a&gt;, stammering through his closing speech at the 1925 &lt;a href="http://en.wikipedia.org/wiki/British_Empire_Exhibition" title="British Empire Exhibition"&gt;British Empire Exhibition&lt;/a&gt; at &lt;a href="http://en.wikipedia.org/wiki/Wembley_Stadium_%281923%29" title="Wembley Stadium (1923)"&gt;Wembley Stadium&lt;/a&gt;, with his wife, &lt;a href="http://en.wikipedia.org/wiki/Queen_Elizabeth_The_Queen_Mother" title="Queen Elizabeth The Queen Mother"&gt;Elizabeth, Duchess of York&lt;/a&gt; (&lt;a href="http://en.wikipedia.org/wiki/Helena_Bonham_Carter" title="Helena Bonham Carter"&gt;Helena Bonham Carter&lt;/a&gt;), by his side. The Duke despairs after several unsuccessful treatments, until his wife persuades him to see &lt;a href="http://en.wikipedia.org/wiki/Lionel_Logue" title="Lionel Logue"&gt;Lionel Logue&lt;/a&gt; (&lt;a href="http://en.wikipedia.org/wiki/Geoffrey_Rush" title="Geoffrey Rush"&gt;Geoffrey Rush&lt;/a&gt;),  an Australian speech therapist in London. During their first session,  Logue requests that they address each other by their Christian names—a  breach of royal etiquette—and proceeds to call the prince "Bertie". To  persuade him to follow his treatment, Logue bets Prince Albert a &lt;a href="http://en.wikipedia.org/wiki/Shilling_%28British_coin%29" title="Shilling (British coin)"&gt;shilling&lt;/a&gt; that he can read perfectly at that very moment, and gives him &lt;a href="http://en.wikipedia.org/wiki/Hamlet" title="Hamlet"&gt;Hamlet&lt;/a&gt;'s "&lt;a href="http://en.wikipedia.org/wiki/To_be,_or_not_to_be" title="To be, or not to be"&gt;To be, or not to be&lt;/a&gt;" soliloquy to read aloud, which he does while listening to loud music on headphones. Logue records Bertie's reading on a &lt;a href="http://en.wikipedia.org/wiki/Gramophone_record" title="Gramophone record"&gt;gramophone record&lt;/a&gt;;  convinced he has stammered throughout, Bertie leaves in a huff,  declaring his condition "hopeless." Logue offers him the recording as a  keepsake.&lt;/p&gt; &lt;p&gt;After King George V (&lt;a href="http://en.wikipedia.org/wiki/Michael_Gambon" title="Michael Gambon"&gt;Michael Gambon&lt;/a&gt;) makes his 1934 &lt;a href="http://en.wikipedia.org/wiki/Royal_Christmas_Message" title="Royal Christmas Message"&gt;Christmas address&lt;/a&gt;, he explains to his son how important broadcasting is to the modern monarchy. He declares that "David" (&lt;a href="http://en.wikipedia.org/wiki/Edward_VIII" title="Edward VIII"&gt;Edward, Prince of Wales&lt;/a&gt;, played by &lt;a href="http://en.wikipedia.org/wiki/Guy_Pearce" title="Guy Pearce"&gt;Guy Pearce&lt;/a&gt;),  Prince Albert's older brother, will bring ruin to the family and the  country as king. King George demands that Albert train himself, starting  with a reading of his father's speech. After an agonising attempt to do  so, Prince Albert plays Logue's recording and hears himself making an  unbroken recitation of Shakespeare. He returns to Logue, and they work  together on muscle relaxation and breath control, while Logue gently  probes the psychological roots of his stuttering. The Duke soon reveals  some of the pressures of his childhood: his strict father, &lt;a href="http://en.wikipedia.org/wiki/Bias_against_left-handed_people" title="Bias against left-handed people"&gt;the repression of his natural left-handedness&lt;/a&gt;, a painful treatment for &lt;a href="http://en.wikipedia.org/wiki/Genu_valgum" title="Genu valgum"&gt;knock-knees&lt;/a&gt;, a nanny who favoured his elder brother, and the early death of his younger brother, &lt;a href="http://en.wikipedia.org/wiki/Prince_John_of_the_United_Kingdom" title="Prince John of the United Kingdom"&gt;Prince John&lt;/a&gt;. As the treatment progresses, the two men become friends and confidants.&lt;/p&gt; &lt;div class="thumb tright"&gt; &lt;div class="thumbinner" style="width:322px;"&gt;&lt;a href="http://en.wikipedia.org/wiki/File:Filming_Colin_and_Helena.jpg" class="image"&gt;&lt;img alt="A well dressed man and woman standing side by side in period dress" src="http://upload.wikimedia.org/wikipedia/commons/thumb/6/63/Filming_Colin_and_Helena.jpg/320px-Filming_Colin_and_Helena.jpg" class="thumbimage" width="320" height="213" /&gt;&lt;/a&gt; &lt;div class="thumbcaption"&gt; &lt;div class="magnify"&gt;&lt;a href="http://en.wikipedia.org/wiki/File:Filming_Colin_and_Helena.jpg" class="internal" title="Enlarge"&gt;&lt;img src="http://bits.wikimedia.org/skins-1.18/common/images/magnify-clip.png" alt="" width="15" height="11" /&gt;&lt;/a&gt;&lt;/div&gt; Firth and Bonham Carter as the Duke and Duchess of York&lt;/div&gt; &lt;/div&gt; &lt;/div&gt; &lt;p&gt;In January 1936, George V dies, and David accedes to the throne as King Edward VIII, still wanting to marry &lt;a href="http://en.wikipedia.org/wiki/Wallis,_Duchess_of_Windsor" title="Wallis, Duchess of Windsor" class="mw-redirect"&gt;Mrs Wallis Simpson&lt;/a&gt; (&lt;a href="http://en.wikipedia.org/wiki/Eve_Best" title="Eve Best"&gt;Eve Best&lt;/a&gt;), a socialite American divorcée. At Christmas in &lt;a href="http://en.wikipedia.org/wiki/Balmoral_Castle" title="Balmoral Castle"&gt;Balmoral Castle&lt;/a&gt;,  Prince Albert points out that Edward cannot marry a divorced woman and  retain the throne; Edward accuses his brother of a medieval-style plot  to usurp him, cites his speech lessons as an attempt to ready himself,  and resurrects his childhood taunt of "B-B-B-Bertie".&lt;/p&gt; &lt;p&gt;At his next session, the Duke has not forgotten the incident. He is  frustrated that his speech has improved while talking to most  people—except his own brother. Logue, observing that when he curses he  does not stutter, has him swear out loud. After doing so, Albert briefs  him on the extent of David's folly with Mrs Simpson, and Logue insists  that Albert could be king. Outraged, he accuses Logue of &lt;a href="http://en.wikipedia.org/wiki/High_treason_in_the_United_Kingdom" title="High treason in the United Kingdom"&gt;treason&lt;/a&gt; and, in his anger, mocks Logue's failed acting career and humble origins, causing a rift in their friendship. When &lt;a href="http://en.wikipedia.org/wiki/Edward_VIII_abdication_crisis" title="Edward VIII abdication crisis"&gt;King Edward VIII does abdicate to marry&lt;/a&gt;,  Prince Albert becomes King George VI. The new King realises that he  needs Logue's help; he and the Queen visit the Logues' home to  apologise. When the King insists that Logue be seated in the King's box  during his coronation in &lt;a href="http://en.wikipedia.org/wiki/Westminster_Abbey" title="Westminster Abbey"&gt;Westminster Abbey&lt;/a&gt;, the &lt;a href="http://en.wikipedia.org/wiki/Archbishop_of_Canterbury" title="Archbishop of Canterbury"&gt;Archbishop of Canterbury&lt;/a&gt; (&lt;a href="http://en.wikipedia.org/wiki/Derek_Jacobi" title="Derek Jacobi"&gt;Derek Jacobi&lt;/a&gt;)  questions Logue's qualifications. This prompts another confrontation  between George VI and Logue, who explains he began by treating &lt;a href="http://en.wikipedia.org/wiki/Combat_stress_reaction#Shell_shock_during_World_War_I" title="Combat stress reaction"&gt;shell-shocked soldiers during the war&lt;/a&gt;. When the King remains unsure of himself, Logue sits in &lt;a href="http://en.wikipedia.org/wiki/King_Edward%27s_Chair" title="King Edward's Chair"&gt;King Edward's Chair&lt;/a&gt; and dismisses the &lt;a href="http://en.wikipedia.org/wiki/Stone_of_Scone" title="Stone of Scone"&gt;Stone of Scone&lt;/a&gt; as a trifle. George VI remonstrates Logue for his disrespect, surprising himself with his own sudden eloquence.&lt;/p&gt; &lt;p&gt;Upon the September 1939 declaration of &lt;a href="http://en.wikipedia.org/wiki/World_War_II" title="World War II"&gt;war&lt;/a&gt; with &lt;a href="http://en.wikipedia.org/wiki/Nazi_Germany" title="Nazi Germany"&gt;Nazi Germany&lt;/a&gt;, George VI summons Logue to &lt;a href="http://en.wikipedia.org/wiki/Buckingham_Palace" title="Buckingham Palace"&gt;Buckingham Palace&lt;/a&gt; to assist him in preparing for his upcoming radio address to Britain and &lt;a href="http://en.wikipedia.org/wiki/British_Empire" title="British Empire"&gt;the Empire&lt;/a&gt;.  As millions of people listen to their radios, the King delivers his  speech as if to Logue, who guides him silently throughout. Afterwards,  the King steps onto the balcony of the palace with his family, where  thousands of Londoners have gathered to listen, cheer, and applaud.&lt;/p&gt; &lt;p&gt;A &lt;a href="http://en.wikipedia.org/wiki/Title_card" title="Title card" class="mw-redirect"&gt;title card&lt;/a&gt;  explains that Logue was always present at King George VI's speeches  during World War II. It notes that in 1944 Logue was made a Commander of  the &lt;a href="http://en.wikipedia.org/wiki/Royal_Victorian_Order" title="Royal Victorian Order"&gt;Royal Victorian Order&lt;/a&gt;,  in recognition of personal service to the Monarch. Also noted is the  continuation of their friendship for the remainder of their lives.&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4780133993864114166-621641315349002226?l=ukislandrace.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ukislandrace.blogspot.com/feeds/621641315349002226/comments/default' title='張貼意見'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4780133993864114166&amp;postID=621641315349002226' title='0 個意見'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/621641315349002226'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/621641315349002226'/><link rel='alternate' type='text/html' href='http://ukislandrace.blogspot.com/2011/12/kings-speech.html' title='The King&apos;s Speech/Sir John Milsom Rees'/><author><name>hanching chung</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4780133993864114166.post-4041547628295136934</id><published>2012-01-10T00:55:00.000-08:00</published><updated>2012-01-10T00:56:58.775-08:00</updated><title type='text'>Scandal of NHS 'production line' as readmissions soar</title><content type='html'>&lt;p class="MsoNormal" style="margin-bottom:0in;margin-bottom:.0001pt"&gt;&lt;span style="font-size:12.0pt;line-height:115%;font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;"&gt;Dave’s promise&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-bottom:0in;margin-bottom:.0001pt"&gt;&lt;span style="font-size:12.0pt;line-height:115%;font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;"&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-bottom:0in;margin-bottom:.0001pt"&gt;&lt;span style="font-size:12.0pt;line-height:115%;font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;"&gt;David Cameron, our Prime Minister, said in his New Year message:&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-bottom:0in;margin-bottom:.0001pt"&gt;&lt;span style="font-size:12.0pt;line-height:115%;font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;"&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-bottom:0in;margin-bottom:.0001pt"&gt;&lt;span style="font-size:12.0pt;line-height:115%;font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;"&gt;“I  am determined to do the bold things it will take to sort out public  services, too. Too often our schools aren't up to scratch, our hospitals  aren't always clean enough and our police don't catch criminals.  Brilliant and committed people work in public services - but somehow the  system stops them doing their job. So we'll change it.”&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-bottom:0in;margin-bottom:.0001pt"&gt;&lt;span style="font-size:12.0pt;line-height:115%;font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;"&gt; &lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-bottom:0in;margin-bottom:.0001pt"&gt;&lt;span style="font-size:12.0pt;line-height:115%;font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;"&gt;Nice words Dave, but do you know what to do? Do you know what you’ve done?&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0in;margin-bottom:.0001pt"&gt; &lt;/p&gt;&lt;p class="MsoNormal" style="margin-bottom:0in;margin-bottom:.0001pt"&gt;&lt;span style="font-size:12.0pt;line-height:115%;font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;"&gt;***&lt;/span&gt;&lt;/p&gt;&lt;p style="margin:0in;margin-bottom:.0001pt"&gt;NHS 'production line'&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style="margin:0in;margin-bottom:.0001pt"&gt;Perhaps,  Dave, you should consider the health service. Recent news reports tell  us that lots of people discharged from hospital are readmitted, within a  month, as emergencies; and the numbers are increasing. Oblivious to  their role in creating this shocking state of affairs, your ministers  blame the hospitals for treating patients “like parts on a production  line”.&lt;/p&gt;&lt;p style="margin:0in;margin-bottom:.0001pt"&gt;But who built the  system Dave? Who mandated ‘payment by results’, commissioning, protocols  and targets? Do you know, Dave, how these things create the churn of  patients?&lt;/p&gt;&lt;p style="margin:0in;margin-bottom:.0001pt"&gt; &lt;/p&gt;&lt;span style="font-size:12.0pt;line-height:115%;font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;"&gt;Read the news report here:&lt;br /&gt;&lt;/span&gt;&lt;a href="http://www.telegraph.co.uk/health/healthnews/8983505/Scandal-of-NHS-production-line.html" target="_blank"&gt;&lt;span style="font-size:12.0pt;line-height:115%;font-family:&amp;quot;Times New Roman&amp;quot;,&amp;quot;serif&amp;quot;;color:windowtext"&gt;http://www.telegraph.co.uk/&lt;wbr&gt;health/healthnews/8983505/&lt;wbr&gt;Scandal-of-NHS-production-&lt;wbr&gt;line.html&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="storyHead"&gt;   &lt;h1&gt;&lt;span style="font-size:100%;"&gt;Scandal of NHS 'production line' as readmissions soar&lt;/span&gt;&lt;/h1&gt;   &lt;h2&gt; &lt;span style="font-size:100%;"&gt;The number of NHS patients who have to undergo emergency readmission to    hospital within a month of being discharged has increased by more than three    quarters in the last decade, the Daily Telegraph can disclose.   &lt;/span&gt;&lt;/h2&gt;  &lt;div class="artIntro"&gt;      &lt;div id="storyEmbSlide"&gt;    &lt;div class="slideshow ssIntro"&gt;     &lt;div class="nextPrevLayer"&gt;        &lt;div style="display: block;" class="ssImg"&gt;          &lt;img src="http://i.telegraph.co.uk/multimedia/archive/02096/nhs_2096079b.jpg" alt="Scandal of NHS 'production line' " width="620" height="388" /&gt;          &lt;div class="artImageExtras"&gt;                     &lt;div class="ingCaptionCredit"&gt;            &lt;span class="caption"&gt;The Department of Health has released detailed information on the number of emergency readmissions in every area across Britain&lt;/span&gt; &lt;span class="credit"&gt;Photo: GETTY&lt;/span&gt;&lt;/div&gt;                &lt;/div&gt;         &lt;/div&gt;        &lt;/div&gt;         &lt;/div&gt;   &lt;/div&gt;     &lt;/div&gt;     &lt;/div&gt;            &lt;div class="cl"&gt; &lt;/div&gt;           &lt;div&gt;        &lt;div class="bylineImg"&gt;       &lt;a href="http://www.telegraph.co.uk/journalists/"&gt;&lt;img src="http://i.telegraph.co.uk/multimedia/archive/01770/Winnett_60_1770643j.jpg" alt="Robert Winnett" width="60" border="0" height="60" /&gt;&lt;/a&gt;      &lt;/div&gt;     &lt;p class="bylineBody"&gt;        By &lt;a rel="author" title="Robert Winnett" href="http://www.telegraph.co.uk/journalists/robert-winnett/"&gt;            Robert Winnett&lt;/a&gt;, &lt;span&gt;Political Editor&lt;/span&gt;&lt;/p&gt;            &lt;/div&gt;   &lt;p class="publishedDate"&gt;9:54PM GMT 29 Dec 2011&lt;/p&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="firstPar"&gt;&lt;p&gt; Hospitals have been accused by ministers of treating patients “like parts on a    production line” after official figures suggested that hundreds of thousands    of people every year are being sent home before they are well enough.  &lt;/p&gt;&lt;/div&gt;&lt;div class="secondPar"&gt; &lt;p&gt; More than 660,000 people were brought back to hospital last year within 28    days of leaving, statistics show, sparking allegations that patients are    being “hurried through the system” so the NHS can meet waiting-list targets.  &lt;/p&gt;&lt;/div&gt;&lt;div class="thirdPar"&gt; &lt;p&gt; The official figures show that some NHS trusts have seen their emergency    readmission rate rise more than threefold over the past decade – while some    hospitals have seen only a modest increase.  &lt;/p&gt;&lt;/div&gt;&lt;div class="fourthPar"&gt; &lt;p&gt; Last night, Andrew Lansley, the Health Secretary, said that the “hugely    distressing” trend must stop.  &lt;/p&gt;&lt;/div&gt;&lt;div class="fifthPar"&gt; &lt;p&gt; “Patients have a right to expect that when they go in for treatment that they    are looked after properly and that the treatment they are given helps them    to recover,” he said.  &lt;/p&gt;&lt;/div&gt;  &lt;div id="tmg-related-links" class="related_links_inline"&gt;    &lt;div class="headerOne styleNine"&gt;&lt;h2&gt;&lt;span&gt;Related Articles&lt;/span&gt;&lt;/h2&gt;&lt;/div&gt;      &lt;ul&gt;&lt;li class="bullet"&gt;              &lt;p&gt;     &lt;a href="http://www.telegraph.co.uk/health/elderhealth/8984011/Stealth-rise-puts-home-care-fees-at-7000-a-year.html"&gt;Stealth rise puts home care fees at £7,000&lt;/a&gt;   &lt;/p&gt;   &lt;span class="relContDate"&gt;30 Dec 2011&lt;/span&gt;              &lt;/li&gt;&lt;li class="bullet"&gt;              &lt;p&gt;     &lt;a href="http://www.telegraph.co.uk/health/healthnews/8931793/Anti-depressant-use-up-by-a-quarter-since-credit-crunch.html"&gt;Anti-depressant use up by a quarter since credit crunch&lt;/a&gt;   &lt;/p&gt;   &lt;span class="relContDate"&gt;30 Dec 2011&lt;/span&gt;              &lt;/li&gt;&lt;li class="bullet"&gt;              &lt;p&gt;     &lt;a href="http://www.telegraph.co.uk/health/healthnews/8982494/Patients-will-be-able-to-register-with-any-GP-ministers.html"&gt;Patients will be able to register with any GP: ministers&lt;/a&gt;   &lt;/p&gt;   &lt;span class="relContDate"&gt;30 Dec 2011&lt;/span&gt;              &lt;/li&gt;&lt;li class="bullet"&gt;              &lt;p&gt;     &lt;a href="http://www.telegraph.co.uk/health/healthnews/8896182/Thousands-left-for-a-year-on-hidden-NHS-waiting-lists.html"&gt;Thousands left for a year on 'hidden' NHS waiting lists&lt;/a&gt;   &lt;/p&gt;   &lt;span class="relContDate"&gt;17 Nov 2011&lt;/span&gt;              &lt;/li&gt;&lt;li class="bullet"&gt;              &lt;p&gt;     &lt;a href="http://www.telegraph.co.uk/technology/news/8893577/NHS-waiting-times-app-gets-PMs-approval.html"&gt;NHS queue app gets PM's approval&lt;/a&gt;   &lt;/p&gt;   &lt;span class="relContDate"&gt;16 Nov 2011&lt;/span&gt;              &lt;/li&gt;&lt;li class="bullet"&gt;              &lt;p&gt;     &lt;a href="http://www.telegraph.co.uk/health/healthnews/8765507/40-rise-in-NHS-patients-still-waiting-after-a-year.html"&gt;40% rise in NHS patients still waiting after a year&lt;/a&gt;   &lt;/p&gt;   &lt;span class="relContDate"&gt;16 Sep 2011&lt;/span&gt;              &lt;/li&gt;&lt;/ul&gt;   &lt;/div&gt;  &lt;div class="body"&gt; &lt;p&gt; “Having to be readmitted and treated all over again is hugely distressing.    These figures show how Labour’s obsession with waiting time targets meant    that patients were treated like parts on a production line to be hurried    through the system rather than like people who need to be properly cared    for.”  &lt;/p&gt; &lt;p&gt; The Department of Health has released detailed information on the number of    emergency readmissions in every area across Britain.  &lt;/p&gt; &lt;p&gt; The figures show that 620,054 patients had to be readmitted in 2009-10 –    compared to just 348,996 a decade before, a 78 per cent increase. Over the    past five years, there has been a 31 per cent rise and a five per cent    increase on the previous 12 months.  &lt;/p&gt; &lt;p&gt; The data also highlights the widespread regional variations. The rate of    readmission in the Kensington &amp;amp; Chelsea PCT area has risen by 287 per    cent over the past decade to 1,582 people.  &lt;/p&gt; &lt;p&gt; However, North Lincolnshire PCT has only experienced a 3.37 per cent rise over    the same period.  &lt;/p&gt; &lt;p&gt; Hospitals within the Hampshire PCT area readmitted 13,239 people last year.    The nearby area covered by the Isle of Wight PCT only had to readmit 1,098    people.  &lt;/p&gt; &lt;p&gt; The figures, do not include patients suffering from cancer or mental health    problems or maternity patients.  &lt;/p&gt; &lt;p&gt; Most of the areas with the highest increases in readmission numbers are in    London and the south east, where pressure is greatest on the NHS. The    Department of Health has analysed the social make-up of each area and    concludes that the so-called “thriving London periphery” – the relatively    wealthy commuter hinterland around the capital has suffered the biggest    recent deterioration.  &lt;/p&gt; &lt;p&gt; Some of the rise in readmissions may be due to the increase in population in    these areas or changes in the way that the data is collected.  &lt;/p&gt; &lt;p&gt; About 10 million people are admitted to hospital wards each year. Critics    claim that government targets, such as the demand that patients be admitted    to hospital for treatment within 18 weeks of seeing their GP, mean hospital    managers are pressured into releasing patients early to make beds available.  &lt;/p&gt; &lt;p&gt; Earlier this month, The Daily Telegraph disclosed that the Government is    moving from a system of targets for hospitals based on waiting and treatment    times – to a system of so-called “outcomes” which measures the success of    treatment.  &lt;/p&gt; &lt;p&gt; In a criticism of previous targets which he blames for the increase in    emergency readmissions, Mr Lansley said: “Instead of focusing on the results    which actually matter for patients, they focused on narrow processes to the    detriment of patient care. That is why we have taken action to address these    increases in emergency readmissions.  &lt;/p&gt; &lt;p&gt; “One of the new goals we are setting the NHS is reducing emergency    readmissions. In order to help achieve this we have created a re-ablement    fund of £300 million and we have taken action to stop hospitals being paid    when they readmit a patient after discharging them too early. These steps    will turn Labour’s poor performance around.”  &lt;/p&gt; &lt;p&gt; Under the Government scheme, hospitals will effectively be responsible for    people’s care in the weeks after they return home and will be financially    penalised for discharging patients too soon.  &lt;/p&gt; &lt;p&gt; Ministers have also increased funding for so-called “tele-health” where people    can “manage” their long-term conditions independently at home but are    remotely monitored by doctors.  &lt;/p&gt; &lt;p&gt; The official figures have been released as NHS managers claimed that one in    four people being treated in hospital should be at home – which could lead    to even more readmissions if the programme is not properly monitored.  &lt;/p&gt; &lt;p&gt; Mike Farrar, the head of the NHS Federation, said: “Hospitals play a vital    role, but we do rely on them for some services that could be provided    elsewhere. We should be concentrating on reducing hospital stays where this    is right for patients, shifting resources into community services, raising    standards of general practice, and promoting early intervention and self    care.”  &lt;/p&gt; &lt;p&gt; However, concerns are growing that GPs will be unable to cope with the demands    of more people being treated at home. Earlier this week, it emerged that    some GP practices now had up to 9,000 people registered.  &lt;/p&gt; &lt;p&gt; Yesterday, Jacqui Davis, head of the NHS Consultants’ Association, said: “Why    would you want to have people isolated in their homes? This is not going to    save money and it is unfortunately the wrong message.  &lt;/p&gt; &lt;p&gt; “GP’s are swamped, social services are having their budgets cut. While it may    be more appropriate for more people to be treated within the community we    simply can’t do it without making much better arrangements than we’ve got at    the moment.”  &lt;/p&gt; &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4780133993864114166-4041547628295136934?l=ukislandrace.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ukislandrace.blogspot.com/feeds/4041547628295136934/comments/default' title='張貼意見'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4780133993864114166&amp;postID=4041547628295136934' title='0 個意見'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/4041547628295136934'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/4041547628295136934'/><link rel='alternate' type='text/html' href='http://ukislandrace.blogspot.com/2012/01/scandal-of-nhs-production-line-as.html' title='Scandal of NHS &apos;production line&apos; as readmissions soar'/><author><name>hanching chung</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4780133993864114166.post-2041891520595595542</id><published>2012-01-09T18:51:00.000-08:00</published><updated>2012-01-09T18:53:10.394-08:00</updated><title type='text'>Save the City英國改善金融業的打壓手段.....</title><content type='html'>&lt;div class="mainHeaer"&gt;        &lt;h2&gt;&lt;span style="font-size:100%;"&gt;過猶不及！英國打壓手段改善金融業&lt;/span&gt;&lt;/h2&gt;&lt;br /&gt;&lt;div class="cpnote"&gt;        &lt;span class="date"&gt;2012-01&lt;/span&gt;        &lt;span class="source"&gt;                          Web only                &lt;/span&gt;        &lt;span class="reporter"&gt;作者：經濟學人&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="dpPic"&gt;             &lt;p&gt;佔領行動攻擊金融界，但對金融界懷有敵意的不只左派，連理應和金融同一陣線的人也是如此，例如英國首相卡麥隆就承諾要扼止倫敦那失去節制的金融產業。從許多方面來看，倫敦都是全球最大的金融中心，改善規範當然有其必要，但打壓倫敦對誰都沒有好處。&lt;/p&gt;       &lt;/div&gt;                                                 &lt;div id="cp" class="cp"&gt;        &lt;p&gt;金融會讓存款流入最有用的地方，也是非常關鍵的產業，而英國在這方面的表現非常好。從英國的貿易數字就能看出倫敦的競爭優 勢，2011年前三季，金融服務和保險的淨出口額為GDP的2.6%，若加上法律、會計等相關服務則會超過3%；這個數字連美國都完全比不上，而在國內經 濟衰退之際，出口對英國來說也非常重要。&lt;/p&gt;&lt;p&gt;不過，新房貸大減，金融產業雇員減少，富有世界經濟不佳，資產市場了無生氣，就算能有明智的政治人物，未來幾年倫敦的表現應該還是會下滑。亞洲仍舊有機會，中國和印度的金融市場發展不足，倫敦則是這方面的專家。&lt;/p&gt;&lt;p&gt;許多歐盟的規範提案會傷害倫敦，英國可以靠否認權阻擋部分提案，其他則得交由多數決，但卡麥隆與歐盟夥伴陷入僵局，卻給了競爭對手打壓倫敦的理由。&lt;/p&gt;&lt;p&gt;英 國政府本身的稅賦和移民政府也造成許多傷害；稅率極高可能會促使下一代金融界老闆移往他方，嚴格的移民政策則影響人才流入，進而傷害倫敦的前景。如果經濟 能反映國家固有的競爭優勢，表現也最好。英國應該保有相對大的金融部門，如果政治人物繼續傷害金融業，總有一天，英國人會突然發現自己失去了一項極為成功 的產業。（黃維德譯）&lt;/p&gt;&lt;p&gt;©The Economist Newspaper Limited 2012&lt;/p&gt;&lt;p&gt;&lt;a href="http://english.cw.com.tw/article.do?action=show&amp;amp;id=13376" target="_blank"&gt;經濟學人英文原文&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;div class="firstArticleContent" style="width:620px;"&gt;                 &lt;div class="articleTitle1" style="width:620px;"&gt;Save the City&lt;/div&gt;                 &lt;div class="articleSubTitle1" style="width: 620px; font-weight: bold;"&gt;Global finance&lt;/div&gt;                 &lt;div class="articleAuthor1" style="width:600px;"&gt;                     By The Economist&lt;br /&gt;                    From The Economist&lt;br /&gt;                    Published: January 09, 2012                                      &lt;/div&gt;                 &lt;div class="articleShortText1" style="width:620px;"&gt;                                          &lt;/div&gt;             &lt;/div&gt;              &lt;div class="bottom"&gt;                              &lt;/div&gt;                   &lt;div class="middleLeftBlock"&gt;                  &lt;p&gt;Britain is the home of the world's capital of capital but no longer prizes it. That is a mistake.&lt;br /&gt;&lt;br /&gt;ATTACKS on bankers by protesters from Occupy Wall Street, Occupy London  and Occupy any city where a financier might have the temerity to turn a  quick buck have spiced up the dreary economic news of the past year. Yet  hostility is not confined to the left. Even the bankers' supposed  allies are putting the boot in—and nowhere more so than in Britain. The  prime minister, David Cameron, has promised to "end excess" in the City  of London. His ministers boast about their efforts to "rebalance" the  economy away from dodgy finance to honest manufacturing. Sir Mervyn  King, the governor of the Bank of England, has made a habit of  lambasting the Square Mile's short-term "profits next week" culture. In  continental Europe the City is viewed with a mixture of loathing (on the  ground that it single-handedly caused the euro crisis) and covetousness  (on the ground that all those clever French and Italian financiers  should ply their trade in Paris and Rome instead).&lt;/p&gt; &lt;p&gt;The European leaders' attacks, at least, should have an upside: their  hypocrisy and self-interest should serve to remind Britons what is at  risk. London is by many measures the world's biggest financial centre,  and weakening it is in nobody's interest—least of all Britain's. Better  regulation of banks is certainly needed, especially to protect British  taxpayers. And so far the City-bashing has been mainly rhetorical. But  running down one of the world's most successful (and mobile) commercial  clusters is folly—and it is surely not the legacy Mr Cameron would wish  to leave his successors.&lt;/p&gt; &lt;p&gt;&lt;b&gt;Strangely, California doesn't talk down Silicon Valley&lt;/b&gt;&lt;/p&gt; &lt;p&gt;Finance—the funnelling of savings to their best use—is a vital  industry. Britain is very good at it, leading the world in various  financial markets, including foreign exchange and over-the-counter  derivatives. The City's comparative advantage is clear from Britain's  trade balance. The export surplus in financial services and insurance  was 2.6% of GDP in the first three quarters of 2011. Add in the exports  of related services, such as law, accountancy and consulting, and the  trade surplus rises above 3% of GDP. An industrial cluster that can  generate foreign earnings on such a scale is enviable. No other country,  not even America, comes close to matching Britain's trade balance in  finance. And with its domestic economy floundering, Britain needs all  the exporting power it can muster.&lt;/p&gt; &lt;p&gt;Yet the City is in danger (see article) from two sorts of  threats—ones that you can do nothing much about, and ones that you can.  Even with wiser politicians, the City would be likely to shrink over the  next few years. New mortgages are being approved at half their  pre-crisis rate, which means less business for retail banks. The number  of employees working in finance across Britain is 7% below its level  three years ago. The rich world's economic funk and mostly lifeless  asset markets mean the outlook for trading and the deals that bring in  fat fees is the worst for years—perhaps decades. Tighter regulation also  means thinner profits. And there is bound to be some drift in  dealmaking towards the emerging world, whose governments are trying to  develop their own financial centres.&lt;/p&gt; &lt;p&gt;Still, Asia also presents an opportunity. China and India have  underdeveloped financial markets; Britain has the expertise. If London  could become a global centre for dollar trading, why not for yuan  dealings, too? Continental Europe's underdeveloped personal-finance  market should be another target.&lt;/p&gt; &lt;p&gt;But the City can compete successfully with other financial centres  only if Britain has the right policies on regulation, tax and  immigration. On regulation, there is an understandable fear that an  outsized financial-services industry means an outsized risk for  taxpayers. The proposals from Britain's Vickers Commission go a long way  to deal with this, dividing a tightly regulated domestic banking system  (the bit that puts taxpayers at risk) from a more freewheeling  international market for global capital. By contrast, the thrust of many  of the proposals coming out of Brussels looks harmful. Some, such as  the financial-transactions tax, can be blocked by a British veto. The  rest are subject to majority vote, and Mr Cameron's stand-off with his  European partners last month—supposedly to protect the City, but really  to avoid having to sell a more integrated Europe to Tory  Eurosceptics—has now given London's rivals the excuse to hamstring the  City.&lt;/p&gt; &lt;p&gt;The British government's own policies on tax and immigration are also  doing a lot of damage. The 50% tax rate, introduced by the previous  Labour government in 2010, brings in little money and has made London  the most taxed out of ten financial centres for high net-worth  individuals. The present generation of financial bosses, who live in and  like London, may tolerate it for a while, but younger ones are feeling  the pull of Switzerland, Hong Kong or Dubai. As for immigration policy,  the best way to win Asian business is to lure the young Asian financiers  to London. Tight limits on talented immigrants damage the City's  prospects—and indeed the prospects of every bit of British business.&lt;/p&gt; &lt;p&gt;&lt;b&gt;Let stockbrokers make cars—and other mad dreams&lt;/b&gt;&lt;/p&gt; &lt;p&gt;The politicians and regulators have all sorts of excuses. Abolishing  the 50% tax rate is now politically dangerous. Immigrants are unpopular.  And, they maintain, the risks of attacking the City are small, for it  has formidable advantages that are hard to replicate quickly. London's  long business day bridges the close of Asia's markets with the opening  of New York's, making it a convenient location for global asset managers  and traders. Trading attracts liquidity and skills in a virtuous  circle. But even the strongest incumbent is vulnerable to competition.  Each decision to locate a new trading desk somewhere else compounds over  time to a loss of the critical mass that has sustained the City as a  leading financial centre.&lt;/p&gt; &lt;p&gt;Economies work best when they reflect a country's innate competitive  advantages. Britain should, therefore, host a relatively big financial  sector, and policymakers should celebrate it, rather than deride it. If  they continue their policy of malign neglect, Britain will one day wake  up to discover that it has lost one of the world's most successful  business clusters, and the best hope the next generation has of earning a  decent living.&lt;/p&gt; &lt;p&gt;from the print edition | Leaders&lt;/p&gt; &lt;p&gt;©The Economist Newspaper Limited 2012&lt;/p&gt;     &lt;/div&gt;       &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4780133993864114166-2041891520595595542?l=ukislandrace.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ukislandrace.blogspot.com/feeds/2041891520595595542/comments/default' title='張貼意見'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4780133993864114166&amp;postID=2041891520595595542' title='0 個意見'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/2041891520595595542'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/2041891520595595542'/><link rel='alternate' type='text/html' href='http://ukislandrace.blogspot.com/2012/01/save-city.html' title='Save the City英國改善金融業的打壓手段.....'/><author><name>hanching chung</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4780133993864114166.post-6021069036493390993</id><published>2012-01-09T18:17:00.000-08:00</published><updated>2012-01-09T18:20:07.895-08:00</updated><title type='text'>平民的先知：卡萊爾與英國維多利亞社會 (方志強)</title><content type='html'>&lt;div&gt;&lt;img src="http://im1.book.com.tw/exep/lib/image.php?image=http://addons.books.com.tw/G/001/9/0010531069.jpg&amp;amp;width=200&amp;amp;height=280&amp;amp;quality=80" id="main_img" alt="平民的先知：卡萊爾與英國維多利亞社會" width="200" height="280" /&gt;&lt;/div&gt;                       &lt;div class="prd001"&gt; &lt;h1&gt; &lt;span style="font-size:100%;"&gt;&lt;span&gt;平民的先知：卡萊爾與英國維多利亞社會&lt;/span&gt;&lt;/span&gt;  &lt;/h1&gt; &lt;/div&gt; &lt;ul class="prd002"&gt;&lt;li&gt;作者：&lt;a href="http://search.books.com.tw/exep/prod_search.php?key=%A4%E8%A7%D3%B1j&amp;amp;f=author"&gt;方志強&lt;/a&gt;&lt;/li&gt;&lt;li&gt;出版社：&lt;a href="http://www.books.com.tw/exep/pub_book.php?pubid=ntuprs"&gt;國立臺灣大學出版中心&lt;/a&gt;&lt;/li&gt;&lt;li&gt;出版日期：&lt;dfn&gt;2011年12月01日&lt;/dfn&gt;&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;&lt;br /&gt;　英國的維多利亞時代，通常是指西元1837年至1901年，英國維多利亞女王在位的時期，這是英國從農業社會轉變為工業社會的轉型時期。就在這個 年代，勃朗特（Charlotte Bronte）出版了她的《簡愛》（Jane Eyre）（1847），狄更斯完成《雙城記》（A Tale of  Two Cities）（1859），柯南．道爾創作出了福爾摩斯（Sherlock Holmes），彌爾寫下了《論自由》（On Liberty）。&lt;p&gt;　 　卡萊爾（Thomas Carlyle,  1795-1881）是此一時期敏銳的觀察者，對當時英國的社會輿論有無與倫比的影響力，是維多利亞時代重要的作家、歷史學家與知識分子。同時代的女性小 說家艾略特（George  Eliot）曾說過，「在我們這一代中，幾乎沒有一顆優越或活躍的心靈不曾被卡萊爾的著作改變過，如果沒有卡萊爾，過去十年或十二年中所寫成的英文書，每 一本都將不一樣。」&lt;/p&gt;&lt;p&gt;　　早年的卡萊爾宣稱  「歷史是無數傳記的精華」，強調無名大眾在歷史上的重要性，但到了晚年則主張「世界史是偉人的傳記」，轉而重視偉人在歷史上的影響力。古奇（G. P.  Gooch）在其《十九世紀的歷史與史家》（History and Historians in the Nineteenth  Century）（1913）書中已注意到卡萊爾兩種不同的歷史思想，他認為「當卡萊爾從事歷史寫作時，所寫的是偉人的傳記，而非無數的與無名的大眾的歷 史；而他在中晚年所致力的那種歷史寫作，正是他在1830年所批評的。」將卡萊爾的一生劃分為前後兩期並加以比較，是十九世紀與二十世紀研究卡萊爾所常用 的模式。&lt;/p&gt;&lt;p&gt;　　本書一反過去「兩個卡萊爾」的區分，以及對其「英雄史觀」的凸顯，而指出：「卡萊爾的平民思想為其早年、甚至是晚年的歷史思想 與社會評論的中心」；  除了「智識與道德」角度外，更以「疾病」角度，探討克服精神疾病、完成自我救贖的卡萊爾，以及他所置身的「有病的與失序的時代」。本書主張：疾病不只呈現 患者生理與心理的現象，並反映出患者當時的文化現象，當時英格蘭所盛行的神經疾病顯然具有「階級性」，流行於中、上階級和商業化、城市化的「生活方式」， 被視為是「文化的疾病」；卡萊爾深切體認到「平民的」、「鄉間的」、「勞動的」、「健康的」「蘇格蘭性格」的重要，而貶斥「英格蘭性格」，並且以其蘇格蘭 的「鄉野之眼」與「平民觀念」自豪。&lt;/p&gt;&lt;p&gt;　　◎ 本書以卡萊爾的一生與其思想轉折，作為透視英國維多利亞社會的稜鏡，是了解卡萊爾與現代英國形成的重要著作。&lt;/p&gt;&lt;p&gt;　　◎ 附有卡萊爾生平與英國維多利亞社會大事紀，以及卡萊爾著作年表。&lt;/p&gt;&lt;p&gt;　　◎ 附有中英與英中人名索引，便於翻查。&lt;/p&gt;&lt;p&gt;&lt;strong&gt;作者簡介&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;方志強&lt;/strong&gt;&lt;/p&gt;　 　英國Sussex大學歷史學博士，現任國立中正大學歷史學系教授兼系主任。研究領域為史學史、英國史與世界史。著有：〈時代與卡萊爾〉、〈卡萊爾的蘇格 蘭背景〉、〈西洋史學史的定義及其內涵的演變------兼論歷史與史學的定義〉、“Carlyle’s Sorrow and  Conversion-Myth and  Fact”、〈「進步」的理念：內涵與定義〉、〈「進步」的理念------二十世紀的挑戰〉、〈「歷史事實」------「事實」與「解釋」的互動〉、 〈時代中的史家------巴特費爾德與英國歷史的解釋〉、〈論卡萊爾雷絲路事件的年代------迷思與事實〉、〈煉獄與新生------卡萊爾的病 （1814-1823）與雷絲路事件〉等論文。&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4780133993864114166-6021069036493390993?l=ukislandrace.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ukislandrace.blogspot.com/feeds/6021069036493390993/comments/default' title='張貼意見'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4780133993864114166&amp;postID=6021069036493390993' title='0 個意見'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/6021069036493390993'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/6021069036493390993'/><link rel='alternate' type='text/html' href='http://ukislandrace.blogspot.com/2012/01/blog-post.html' title='平民的先知：卡萊爾與英國維多利亞社會 (方志強)'/><author><name>hanching chung</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4780133993864114166.post-4391919758834430137</id><published>2012-01-09T18:15:00.000-08:00</published><updated>2012-01-09T18:16:33.704-08:00</updated><title type='text'>Goldsmith, Oliver. The Deserted Village</title><content type='html'>這首&lt;a href="http://en.wikipedia.org/wiki/Oliver_Goldsmith" class="l"&gt;Oliver &lt;em&gt;Goldsmith&lt;/em&gt; - Wikipedia, the free encyclopedia&lt;/a&gt;名詩&lt;a href="http://hcshakespeare.blogspot.com/2012/01/goldsmith-oliver-deserted-village.html"&gt;Goldsmith, Oliver. The Deserted Village&lt;/a&gt;值得詳注&lt;br /&gt;譬如說&lt;br /&gt;&lt;i&gt;209: &lt;/i&gt; Lands he could measure, &lt;span style="font-weight: bold;"&gt;terms and tides&lt;/span&gt; presage,&lt;br /&gt;必須了解英國的民俗和曆法&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;term&lt;/span&gt;:&lt;br /&gt;&lt;div&gt;&lt;li&gt;&lt;ol type="a"&gt;&lt;li&gt; A point in time at which something ends; termination: &lt;i&gt;an apprenticeship nearing its term.&lt;/i&gt;&lt;/li&gt;&lt;li&gt; The end of a normal gestation period: &lt;i&gt;carried the fetus to term.&lt;/i&gt;&lt;/li&gt;&lt;li&gt; A deadline, as for making a payment.&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;div style="overflow: hidden; color: rgb(0, 0, 0); background-color: rgb(255, 255, 255); text-align: left; text-decoration: none; border: medium none;"&gt;&lt;span style="font-weight: bold;"&gt;tide&lt;/span&gt;:&lt;br /&gt;A time or season. Often used in combination: &lt;i&gt;eventide; Christmastide; Shrovetide.&lt;/i&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4780133993864114166-4391919758834430137?l=ukislandrace.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ukislandrace.blogspot.com/feeds/4391919758834430137/comments/default' title='張貼意見'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4780133993864114166&amp;postID=4391919758834430137' title='0 個意見'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/4391919758834430137'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/4391919758834430137'/><link rel='alternate' type='text/html' href='http://ukislandrace.blogspot.com/2012/01/goldsmith-oliver-deserted-village.html' title='Goldsmith, Oliver. The Deserted Village'/><author><name>hanching chung</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4780133993864114166.post-2285446414033406186</id><published>2012-01-09T03:32:00.000-08:00</published><updated>2012-01-09T18:49:08.701-08:00</updated><title type='text'>London to Birmingham/HS2: Phase one of high-speed rail line set for go-ahead</title><content type='html'>&lt;blockquote&gt;英國政府準備批准一項頗引爭議的工程，也就是在倫敦與伯明罕之間，興健一條高鐵。 預計這條斥資170億英鎊的高鐵將在2016到2026年之間興建，到時候可讓往返這兩座城市的交通只需49分鐘，之後再繼續向北延伸到曼徹斯特及里茲，完成一條Y字型的高鐵。預計總花費在320億英鎊。 ...&lt;br /&gt;&lt;br /&gt;&lt;h1 class="story-header"&gt;&lt;span style="font-size:100%;"&gt;HS2: Phase one of high-speed rail line set for go-ahead&lt;/span&gt;&lt;/h1&gt;                                                  &lt;div class="caption body-narrow-width"&gt;   &lt;img src="http://news.bbcimg.co.uk/media/images/57788000/jpg/_57788321_013642711-1.jpg" alt="Undated handout image issued by HS2 of the Birmingham and Fazeley viaduct, part of the new proposed route for the HS2 high speed rail scheme " width="304" height="171" /&gt;      &lt;span style="width:304px;"&gt;The 100-mile first-phase of HS2 would be built between 2016 and 2026&lt;/span&gt;   &lt;/div&gt;  &lt;div class="story-feature related narrow"&gt;   &lt;a class="hidden" href="http://www.bbc.co.uk/news/uk-16478954#story_continues_1"&gt;Continue reading the main story&lt;/a&gt;  &lt;h2&gt;Related Stories&lt;/h2&gt;   &lt;ul class="related-links-list"&gt;&lt;li&gt;&lt;a href="http://www.bbc.co.uk/news/uk-politics-16473554"&gt;Analysis: HS2 battle&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="http://www.bbc.co.uk/news/business-16467903"&gt;The economic benefit debate&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="http://www.bbc.co.uk/news/technology-14231420"&gt;Our high speed future &lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;  &lt;/div&gt;                       &lt;p class="introduction" id="story_continues_1"&gt;A  controversial new high-speed rail line between London and Birmingham is  expected to be given the go-ahead by the government later.&lt;/p&gt;         &lt;p&gt;Transport Secretary Justine Greening is set to back the  100-mile (160 km) link, which would be built by 2026 and is the first  phase of High Speed Two (HS2).&lt;/p&gt;         &lt;p&gt;The government says it is the only way to cope with  overcrowding but critics argue it will cut through some of England's  most picturesque countryside.&lt;/p&gt;         &lt;p&gt;The first phase will cost £17bn.&lt;/p&gt;         &lt;p&gt;The entire cost of the project - including a second phase  Y-shaped section extending to Manchester and Leeds, and possibly further  north, by 2033 - is expected to be £32bn.&lt;/p&gt;         &lt;p&gt;Supporters say the fleet of 220mph trains will cut the  journey time from London to Birmingham to 49 minutes and take pressure  of the busiest lines.&lt;/p&gt;         &lt;p&gt;The government also argues the project will generate £44bn of benefits to the economy over 60 years.&lt;/p&gt;   &lt;span class="cross-head"&gt;Legal action&lt;/span&gt;        &lt;p&gt;But the project - introduced by Labour in 2010 and continued by the coalition government - has proved highly controversial.  &lt;/p&gt;   &lt;div class="story-feature wide "&gt;  &lt;a class="hidden" href="http://www.bbc.co.uk/news/uk-16478954#story_continues_2"&gt;Continue reading the main story&lt;/a&gt;  &lt;h2&gt;Analysis&lt;/h2&gt;     &lt;div class="byline"&gt;   &lt;span class="byline-picture"&gt;&lt;img src="http://news.bbcimg.co.uk/media/images/53112000/jpg/_53112553_d9585d45-a435-41cd-8463-d91d917b7977.jpg" alt="image of Richard Black" /&gt;&lt;/span&gt;   &lt;span class="byline-name"&gt;Richard Black&lt;/span&gt;  &lt;span class="byline-title"&gt;Environment correspondent, BBC News&lt;/span&gt;   &lt;/div&gt;          &lt;p&gt;Big infrastructure projects often carry potential for both environmental benefit and harm; and HS2 is no exception.&lt;/p&gt;         &lt;p&gt;The big potential positive is reduced greenhouse gas  emissions, as people switch from flying and driving to letting the train  take the strain.&lt;/p&gt;         &lt;p&gt;But the government's own projections show there's no guarantee this will happen. HS2 might not reduce flights at all.&lt;/p&gt;         &lt;p&gt;In any case, the trains will only be a green transport option  if the electricity they use comes from low-carbon source - which hands  on continuing government support for renewables and nuclear.&lt;/p&gt;         &lt;p&gt;The project could damage important local habitats.&lt;/p&gt;         &lt;p&gt;County wildlife trusts estimate than more than 150 nature  sites could be affected, including 10 Sites of Special Scientific  Interest (SSSIs).&lt;/p&gt;         &lt;p&gt;The government argues that the toll will be far lower.&lt;/p&gt;        &lt;ul class="links-list"&gt;&lt;li&gt;&lt;a href="http://www.bbc.co.uk/news/uk-politics-16473554"&gt;Analysis: High-speed rail battle&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a href="http://www.bbc.co.uk/news/business-16467903"&gt;Cost and benefit debate&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;  &lt;/div&gt;      &lt;p id="story_continues_2"&gt;Residents in the Chilterns,  including some Conservative MPs, have opposed the project, and many  protest groups have formed to oppose the scheme. &lt;/p&gt;         &lt;p&gt;They say the planned route crosses an area of outstanding  natural beauty and it will damage the environment. They also claim it  will fail to bring the economic benefits promised by the government, and  the money would be better spent on improving existing lines.&lt;/p&gt;         &lt;p&gt;Opponents up and down the route are considering legal action, which could substantially delay the project.&lt;/p&gt;         &lt;p&gt;However, the latest review by Network Rail, released last  week, found that two main alternatives favoured by opponents could not  "generate the capacity" needed.&lt;/p&gt;         &lt;p&gt;Transport secretary Ms Greening is expected to announce more measures to mitigate the worst affects of the line.&lt;/p&gt;         &lt;p&gt;BBC transport correspondent Richard Westcott says the government's decision is unlikely to be the end of the journey. &lt;/p&gt;         &lt;p&gt;MPs will vote on a bill just before the next election, he  says, and it will be at least 14 years before anyone will be catching a  new high speed train.&lt;/p&gt;         &lt;p&gt;Shadow transport secretary Maria Eagle said the decision was  "an important milestone in the delivery of the HSR link first proposed  by Labour in government".&lt;/p&gt;         &lt;p&gt;Ms Eagle said analysis of alternatives had shown HS2 was the  best way to address worsening capacity issues on main rail lines while  cutting journey times.&lt;/p&gt;         &lt;p&gt;"HS2 will now be taken forward on a cross-party basis to give it the certainty a major project of this kind needs," she added.&lt;/p&gt;   &lt;span class="cross-head"&gt;'Empty promise'&lt;/span&gt;  &lt;div class="caption body-narrow-width"&gt;   &lt;img src="http://news.bbcimg.co.uk/media/images/57788000/gif/_57788473_uk_rail_highspeed_304.gif" alt="High-speed rail line" width="304" height="390" /&gt;    &lt;/div&gt;       &lt;p&gt;Ms Eagle said unless the coalition government sought  parliamentary approval for the entire line then any  commitment to build  the whole route would be seen as an "empty promise".&lt;/p&gt;         &lt;p&gt;Michael Roberts, chief executive of the Association of Train  Operating Companies, said: "HS2 is a vote of confidence in the railways  and recognition of the vital role the industry has to play in supporting  jobs and driving sustainable economic growth."&lt;/p&gt;         &lt;p&gt;But the Taxpayers' Alliance, a pressure group which lobbies  for lower taxes, said the project would leave "generations of ordinary  taxpayers paying for a train set that will mostly be used by the rich".&lt;/p&gt;         &lt;p&gt;"HSR is a white elephant that won't help the millions of  commuters stuck on overcrowded trains up and down Britain," said Emma  Boon, campaign director. &lt;/p&gt;         &lt;p&gt;Sarah Lee, head of policy for the Countryside Alliance, urged  the government to reconsider rather than approve a scheme "without full  consideration of the devastating impact HS2 will have on Britain's  countryside or the lives of the hundreds of thousands of people living  along the route".&lt;/p&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;h1&gt;&lt;span class="bold"&gt;London&lt;/span&gt; to                      &lt;span class="bold"&gt;Birmingham&lt;/span&gt;                 &lt;/h1&gt;                     &lt;span class="bold title-date"&gt;09 January 2012&lt;/span&gt;                                  &lt;h2 class="hideme"&gt;                     Train times result&lt;/h2&gt;                                             &lt;div id="london" class="deafulTrainTimes"&gt;       &lt;form action="/train-times/london-to-birmingham/fullday/09-Jan-2012" method="post"&gt;       &lt;/form&gt; &lt;div class="mainContainer"&gt; &lt;div class="earlier"&gt;     &lt;form action="/train-times/london-to-birmingham" method="post"&gt;                         &lt;input name="e7f454b4-d9fd-4098-884a-a1208570faca$EarlierTrains" id="e7f454b4-d9fd-4098-884a-a1208570faca_EarlierTrains" value="Earlier trains" type="submit"&gt;      &lt;/form&gt; &lt;/div&gt;   &lt;div style="clear:both;"&gt;        &lt;h4 class="leaving_time"&gt;Depart&lt;/h4&gt;        &lt;h4 class="arriaving_time"&gt;Arrive&lt;/h4&gt;        &lt;h4 class="journey_duration"&gt;Duration&lt;/h4&gt;        &lt;h4 class="journey_changes"&gt;Changes&lt;/h4&gt;          &lt;/div&gt; &lt;ul class="altColor"&gt;&lt;li class="getDetail"&gt;&lt;span class="tr_time"&gt;         11:37  &lt;/span&gt;&lt;span class="tr_stname"&gt;         London Marylebone     &lt;/span&gt;&lt;span class="tr_time"&gt;         13:19  &lt;/span&gt;&lt;span class="tr_stname"&gt;         Birmingham Moor Street     &lt;/span&gt;&lt;span class="tr_jr_time"&gt;   1h 42m  &lt;/span&gt;&lt;span class="tr_detail"&gt;         &lt;a class="ajax" href="http://www.thetrainline.com/train-times/london-to-birmingham#"&gt;0&lt;/a&gt;  &lt;/span&gt;&lt;span class="type-superOffPeak" title="Super off-peak train: off-peak and super off-peak tickets are valid on this train"&gt;         super off-peak  &lt;/span&gt;              &lt;/li&gt;&lt;li class="getDetail traintimes_results_alt_clr"&gt;&lt;span class="tr_time"&gt;         11:43  &lt;/span&gt;&lt;span class="tr_stname"&gt;         London Euston     &lt;/span&gt;&lt;span class="tr_time"&gt;         13:08  &lt;/span&gt;&lt;span class="tr_stname"&gt;         Birmingham New Street     &lt;/span&gt;&lt;span class="tr_jr_time"&gt;   1h 25m  &lt;/span&gt;&lt;span class="tr_detail"&gt;         &lt;a class="ajax" href="http://www.thetrainline.com/train-times/london-to-birmingham#"&gt;0&lt;/a&gt;  &lt;/span&gt;&lt;span class="type-offPeak" title="Off-peak train: off-peak tickets are valid on this train, but super off-peak tickets are NOT valid"&gt;         off-peak  &lt;/span&gt;              &lt;/li&gt;&lt;li class="getDetail"&gt;&lt;span class="tr_time"&gt;         11:46  &lt;/span&gt;&lt;span class="tr_stname"&gt;         London Euston     &lt;/span&gt;&lt;span class="tr_time"&gt;         14:01  &lt;/span&gt;&lt;span class="tr_stname"&gt;         Birmingham New Street     &lt;/span&gt;&lt;span class="tr_jr_time"&gt;   2h 15m  &lt;/span&gt;&lt;span class="tr_detail"&gt;         &lt;a class="ajax" href="http://www.thetrainline.com/train-times/london-to-birmingham#"&gt;0&lt;/a&gt;  &lt;/span&gt;&lt;span class="type-superOffPeak" title="Super off-peak train: off-peak and super off-peak tickets are valid on this train"&gt;         super off-peak  &lt;/span&gt;              &lt;/li&gt;&lt;li class="getDetail traintimes_results_alt_clr"&gt;&lt;span class="tr_time"&gt;         12:03  &lt;/span&gt;&lt;span class="tr_stname"&gt;         London Euston     &lt;/span&gt;&lt;span class="tr_time"&gt;         13:27  &lt;/span&gt;&lt;span class="tr_stname"&gt;         Birmingham New Street     &lt;/span&gt;&lt;span class="tr_jr_time"&gt;   1h 24m  &lt;/span&gt;&lt;span class="tr_detail"&gt;         &lt;a class="ajax" href="http://www.thetrainline.com/train-times/london-to-birmingham#"&gt;0&lt;/a&gt;  &lt;/span&gt;&lt;span class="type-offPeak" title="Off-peak train: off-peak tickets are valid on this train, but super off-peak tickets are NOT valid"&gt;         off-peak  &lt;/span&gt;              &lt;/li&gt;&lt;li class="getDetail"&gt;&lt;span class="tr_time"&gt;         12:07  &lt;/span&gt;&lt;span class="tr_stname"&gt;         London Marylebone     &lt;/span&gt;&lt;span class="tr_time"&gt;         14:04  &lt;/span&gt;&lt;span class="tr_stname"&gt;         Birmingham Snow Hill     &lt;/span&gt;&lt;span class="tr_jr_time"&gt;   1h 57m  &lt;/span&gt;&lt;span class="tr_detail"&gt;         &lt;a class="ajax" href="http://www.thetrainline.com/train-times/london-to-birmingham#"&gt;0&lt;/a&gt;  &lt;/span&gt;&lt;span class="type-superOffPeak" title="Super off-peak train: off-peak and super off-peak tickets are valid on this train"&gt;         super off-peak  &lt;/span&gt;              &lt;/li&gt;&lt;li class="getDetail traintimes_results_alt_clr"&gt;&lt;span class="tr_time"&gt;         12:13  &lt;/span&gt;&lt;span class="tr_stname"&gt;         London Euston     &lt;/span&gt;&lt;span class="tr_time"&gt;         14:16  &lt;/span&gt;&lt;span class="tr_stname"&gt;         Birmingham New Street     &lt;/span&gt;&lt;span class="tr_jr_time"&gt;   2h 3m  &lt;/span&gt;&lt;span class="tr_detail"&gt;         &lt;a class="ajax" href="http://www.thetrainline.com/train-times/london-to-birmingham#"&gt;0&lt;/a&gt;  &lt;/span&gt;&lt;span class="type-superOffPeak" title="Super off-peak train: off-peak and super off-peak tickets are valid on this train"&gt;         super off-peak  &lt;/span&gt;              &lt;/li&gt;&lt;li class="getDetail"&gt;&lt;span class="tr_time"&gt;         12:23  &lt;/span&gt;&lt;span class="tr_stname"&gt;         London Euston     &lt;/span&gt;&lt;span class="tr_time"&gt;         13:45  &lt;/span&gt;&lt;span class="tr_stname"&gt;         Birmingham New Street     &lt;/span&gt;&lt;span class="tr_jr_time"&gt;   1h 22m  &lt;/span&gt;&lt;span class="tr_detail"&gt;         &lt;a class="ajax" href="http://www.thetrainline.com/train-times/london-to-birmingham#"&gt;0&lt;/a&gt;  &lt;/span&gt;&lt;span class="type-offPeak" title="Off-peak train: off-peak tickets are valid on this train, but super off-peak tickets are NOT valid"&gt;         off-peak  &lt;/span&gt;              &lt;/li&gt;&lt;li class="getDetail traintimes_results_alt_clr"&gt;&lt;span class="tr_time"&gt;         12:37  &lt;/span&gt;&lt;span class="tr_stname"&gt;         London Marylebone     &lt;/span&gt;&lt;span class="tr_time"&gt;         14:18  &lt;/span&gt;&lt;span class="tr_stname"&gt;         Birmingham Moor Street     &lt;/span&gt;&lt;span class="tr_jr_time"&gt;   1h 41m  &lt;/span&gt;&lt;span class="tr_detail"&gt;         &lt;a class="ajax" href="http://www.thetrainline.com/train-times/london-to-birmingham#"&gt;0&lt;/a&gt;  &lt;/span&gt;&lt;span class="type-superOffPeak" title="Super off-peak train: off-peak and super off-peak tickets are valid on this train"&gt;         super off-peak  &lt;/span&gt;              &lt;/li&gt;&lt;li class="getDetail"&gt;&lt;span class="tr_time"&gt;         12:43  &lt;/span&gt;&lt;span class="tr_stname"&gt;         London Euston     &lt;/span&gt;&lt;span class="tr_time"&gt;         14:08  &lt;/span&gt;&lt;span class="tr_stname"&gt;         Birmingham New Street     &lt;/span&gt;&lt;span class="tr_jr_time"&gt;   1h 25m  &lt;/span&gt;&lt;span class="tr_detail"&gt;         &lt;a class="ajax" href="http://www.thetrainline.com/train-times/london-to-birmingham#"&gt;0&lt;/a&gt;  &lt;/span&gt;&lt;span class="type-offPeak" title="Off-peak train: off-peak tickets are valid on this train, but super off-peak tickets are NOT valid"&gt;         off-peak  &lt;/span&gt;              &lt;/li&gt;&lt;li class="getDetail traintimes_results_alt_clr"&gt;&lt;span class="tr_time"&gt;         12:46  &lt;/span&gt;&lt;span class="tr_stname"&gt;         London Euston     &lt;/span&gt;&lt;span class="tr_time"&gt;         15:01  &lt;/span&gt;&lt;span class="tr_stname"&gt;         Birmingham New Street     &lt;/span&gt;&lt;span class="tr_jr_time"&gt;   2h 15m  &lt;/span&gt;&lt;span class="tr_detail"&gt;         &lt;a class="ajax" href="http://www.thetrainline.com/train-times/london-to-birmingham#"&gt;0&lt;/a&gt;  &lt;/span&gt;&lt;span class="type-superOffPeak" title="Super off-peak train: off-peak and super off-peak tickets are valid on this train"&gt;         super off-peak  &lt;/span&gt;              &lt;/li&gt;&lt;/ul&gt;  &lt;div class="later"&gt;     &lt;form action="/train-times/london-to-birmingham" method="post"&gt;                         &lt;input name="e7f454b4-d9fd-4098-884a-a1208570faca$LaterTrains" id="e7f454b4-d9fd-4098-884a-a1208570faca_LaterTrains" value="Later trains" type="submit"&gt;      &lt;/form&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class="route_info"&gt;&lt;h3&gt;London to Birmingham train times information&lt;/h3&gt;&lt;p&gt;Trains  to Birmingham depart from London Euston or Marylebone every ten minutes  on average. The journey takes one and a half to two hours, although  some indirect routes do take longer. Trains terminate at either Snow  Hill or New Street station in Birmingham. Services are run by Virgin  Trains, Chiltern Railways and London Midland.&lt;/p&gt; &lt;p&gt;Virgin Trains offers frequent direct services between London and  Birmingham. While on board, travellers can access the internet through  Virgin’s wireless connection; this service is free for first class  ticket holders and available for a nominal fee to standard fare  passengers.&lt;/p&gt; &lt;p&gt;Chiltern Railways offers quiet zones and provides catering services on most trips between Banbury and Birmingham Moor Street.&lt;/p&gt; &lt;p&gt;London Midland provides an at-seat trolley service for passengers on daytime runs between London and Birmingham.&lt;/p&gt; &lt;span class="legend"&gt;*Information correct at time of writing (March 2011). May be subject to change&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;/blockquote&gt;&lt;span style="font-size:-1;"&gt;&lt;b&gt;&lt;/b&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4780133993864114166-2285446414033406186?l=ukislandrace.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ukislandrace.blogspot.com/feeds/2285446414033406186/comments/default' title='張貼意見'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4780133993864114166&amp;postID=2285446414033406186' title='0 個意見'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/2285446414033406186'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/2285446414033406186'/><link rel='alternate' type='text/html' href='http://ukislandrace.blogspot.com/2012/01/london-to-birmingham.html' title='London to Birmingham/HS2: Phase one of high-speed rail line set for go-ahead'/><author><name>hanching chung</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4780133993864114166.post-1927073241937426992</id><published>2012-01-06T01:01:00.000-08:00</published><updated>2012-01-06T01:10:47.555-08:00</updated><title type='text'>London 2012 Cultural Olympiad</title><content type='html'>&lt;h3 class="byline"&gt;By &lt;a href="http://online.wsj.com/search/term.html?KEYWORDS=ANDREW+MCKIE&amp;amp;bylinesearch=true"&gt;ANDREW MCKIE&lt;/a&gt;             &lt;/h3&gt;                 &lt;div class="insetContent embedType-image imageFormat-G"&gt;&lt;div class="insetTree"&gt;&lt;div class="insettipUnit"&gt;&lt;img src="http://si.wsj.net/public/resources/images/EW-AL994_cultol_G_20120105112920.jpg" alt="[cultolyvisual]" height="369" hspace="0" border="0" vspace="0" width="553" /&gt;                                                                                                       &lt;cite&gt;Max McClure / Courtesy Situations&lt;/cite&gt;                 &lt;p class="targetCaption"&gt;'Nowhereisland' in the High Arctic&lt;/p&gt;             &lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;p&gt;It may become harder and harder to  believe amid the increasing hype during the run-up to the Olympic Games,  but there will be people who don't have much interest in the five-ring  circus going on this summer. That group won't be confined to the  beleaguered residents of the United Kingdom—spare a thought, too, for  the poor husbands, wives, children and parents dragged to London by  sports-mad relatives.&lt;/p&gt; &lt;a name="U603360495311MAI"&gt;&lt;/a&gt;&lt;p&gt;There is, however, one fortunate side  effect of the fact that the Olympics have become an enormous commercial  operation that would have been unrecognizable to the Ancient Greeks. It  is that they are now surrounded by a huge range of diversions for those  who cannot stand sports, or who simply fancy a change from watching  people running about and throwing things. Music, dance, film, theater  and literature all feature in what is grandly called the Cultural  Olympiad (&lt;a class="" href="http://www.london2012.com/cultural-olympiad" target="_blank"&gt;london2012.com/cultural-olympiad&lt;/a&gt;), but one of the most interesting and notable components is in the field of visual arts.&lt;/p&gt; &lt;div class="insetContent insetCol3wide embedType-image imageFormat-D"&gt;&lt;div class="insetTree"&gt;                 &lt;div id="articleThumbnail_1" class="insettipUnit insetZoomTarget"&gt;&lt;div class="insetZoomTargetBox"&gt;&lt;div class="insettipBox"&gt;&lt;div class="insettip"&gt;&lt;p&gt;&lt;a&gt;Enlarge Image&lt;/a&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;a&gt;&lt;img src="http://si.wsj.net/public/resources/images/EW-AL997_cultol_D_20120105113920.jpg" alt="cultolyvisual" height="174" hspace="0" border="0" vspace="0" width="262" /&gt;&lt;/a&gt;&lt;div style="visibility: hidden;" id="articleImage_1" class="insetFullBracket"&gt;&lt;div class="insetFullBox"&gt;&lt;img src="http://si.wsj.net/public/resources/images/EW-AL997_cultol_G_20120105113920.jpg" alt="cultolyvisual" height="369" hspace="0" border="0" vspace="0" width="553" /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;                                                                                     &lt;cite&gt;Andy Moore&lt;/cite&gt;                 &lt;p class="targetCaption"&gt;Imagineer Director Jane Hytch steers 'Lady Godiva.'&lt;/p&gt;             &lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;p&gt;This reflects the fact that art is a  major draw, not only for visitors to Britain, and London in particular,  but for its citizens: more people visit museums and galleries each year  than attend league football matches, the nation's most popular sport. In  part, that is down to the strength of the great national and provincial  collections, and, in recent years, to the growth of blockbuster  exhibitions. But it is also evident in the popularity of British  contemporary art.&lt;/p&gt; &lt;a name="U603360495311OJG"&gt;&lt;/a&gt;&lt;p&gt;It is this—the kind of large,  specially commissioned installation work featured in biennales and  public spaces—which for the most part dominates the culmination of the  four-year Cultural Olympiad. Under the title "Artists Taking the Lead,"  and with a total budget of £5.4 million, each region or, in the case of  Scotland, Wales and Northern Ireland, nation, of the U.K. has selected a  project to commemorate the Games. The projects exhibit all the virtues  and vices, range and unpredictability of contemporary art—and, in some  cases, may provoke the public incomprehensibility that often greets it. &lt;/p&gt; &lt;div class="insetContent insetCol3wide embedType-image imageFormat-D"&gt;&lt;div class="insetTree"&gt;                 &lt;div id="articleThumbnail_2" class="insettipUnit insetZoomTarget"&gt;&lt;div class="insetZoomTargetBox"&gt;&lt;div class="insettipBox"&gt;&lt;div class="insettip"&gt;&lt;p&gt;&lt;a&gt;Enlarge Image&lt;/a&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;a&gt;&lt;img src="http://si.wsj.net/public/resources/images/EW-AL995_cultol_D_20120105113105.jpg" alt="cultolyvisual" height="174" hspace="0" border="0" vspace="0" width="262" /&gt;&lt;/a&gt;&lt;div style="visibility: hidden;" id="articleImage_2" class="insetFullBracket"&gt;&lt;div class="insetFullBox"&gt;&lt;img src="http://si.wsj.net/public/resources/images/EW-AL995_cultol_G_20120105113105.jpg" alt="cultolyvisual" height="369" hspace="0" border="0" vspace="0" width="553" /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;                                                                    &lt;cite&gt;Angela Catlin&lt;/cite&gt;                 &lt;p class="targetCaption"&gt;Craig Coulthard on the site of 'Forest Pitch.'&lt;/p&gt;             &lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="insetCol3wide"&gt;&lt;div class="insetContent"&gt;                 &lt;h3 class="first"&gt;More on Arts at the Olympics&lt;/h3&gt;                 &lt;ul&gt;&lt;li&gt;&lt;span&gt;                         &lt;strong&gt;                             &lt;a class="" href="http://online.wsj.com/article/SB10001424052970204720204577126492587037010.html"&gt;All of Britain Will Be a Stage&lt;/a&gt;                         &lt;/strong&gt;                     &lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span&gt;                         &lt;strong&gt;                             &lt;a class="" href="http://online.wsj.com/article/SB10001424052970203471004577140253310190114.html"&gt;Olympic Posters Make a Leap&lt;/a&gt;                         &lt;/strong&gt;                     &lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;             &lt;/div&gt;&lt;/div&gt;&lt;a name="U6033604953118UH"&gt;&lt;/a&gt;&lt;p&gt;Scotland's  selection is the one that has the closest connection with sports, but  also typifies the whimsy and playfulness prevalent in current work, as  well as an interest in environment and landscape shared with many of the  other projects. The artist Craig Coulthard plans to level an area of  forest in the Scottish Borders and turn it into a football pitch where,  on July 21, two matches will be played between teams made up of recent  British citizens and nationalized residents (&lt;a class="" href="http://forestpitch.org/index.html" target="_blank"&gt;forestpitch.org&lt;/a&gt;). Thereafter, the playing area will be allowed to revert to nature.&lt;/p&gt; &lt;a name="U603360495311EC"&gt;&lt;/a&gt;&lt;p&gt;Other exhibitions also concentrate on  the elements and the natural world. One of the most spectacular—if it  achieves its objectives—ought to be the gigantic column of steam that is  being created at Birkenhead, in northwest England, and is intended to  be visible from as far as 100 kilometers away. This is the work of  Anthony McCall, an Anglo-American artist who began as a filmmaker and  whose subsequent practice has concentrated on exploring fire and light. &lt;/p&gt; &lt;a name="U603360495311CFD"&gt;&lt;/a&gt;&lt;p&gt;Perhaps even more ambitious is "Nowhereisland" (&lt;a class="" href="http://nowhereisland.org/about/alex-hartley/" target="_blank"&gt;nowhereisland.org&lt;/a&gt;),  which has been created by Alex Hartley. A meditation on national  identity, climate change and the environment, it consists of a floating  island dragged from the Svalbard archipelago in the High Arctic to the  coast of southwest England. Mr. Hartley is inviting people to become  citizens of this imagined territory (so far, more than 4,000 people had  signed up) and has also created a program of videos, texts and other  work inspired by the project and presented by "Resident Thinkers," to  run throughout the year.&lt;/p&gt; &lt;div class="insetContent insetCol3wide embedType-image imageFormat-D"&gt;&lt;div class="insetTree"&gt;                 &lt;div id="articleThumbnail_3" class="insettipUnit insetZoomTarget"&gt;&lt;div class="insetZoomTargetBox"&gt;&lt;div class="insettipBox"&gt;&lt;div class="insettip"&gt;&lt;p&gt;&lt;a&gt;Enlarge Image&lt;/a&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;a&gt;&lt;img src="http://si.wsj.net/public/resources/images/EW-AL996_cultol_D_20120105113211.jpg" alt="cultolyvisual" height="174" hspace="0" border="0" vspace="0" width="262" /&gt;&lt;/a&gt;&lt;div style="visibility: hidden;" id="articleImage_3" class="insetFullBracket"&gt;&lt;div class="insetFullBox"&gt;&lt;img src="http://si.wsj.net/public/resources/images/EW-AL996_cultol_G_20120105113211.jpg" alt="cultolyvisual" height="369" hspace="0" border="0" vspace="0" width="553" /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;                                                                    &lt;cite&gt;Ian Conroy&lt;/cite&gt;                 &lt;p class="targetCaption"&gt;A hot water bottle with a  knitted cover, one of the thousands of donated objects that will form  part of Brian Irvine and John McIlduff's project Nest.&lt;/p&gt;             &lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;p&gt;Other work includes public  participation—including the construction of a boat in southeast England,  a walk in the Norfolk landscape and a warehouse of personal possessions  and a new musical work in Northern Ireland. Not all the plans for  public involvement have gone smoothly, though; Martin Creed's intention  to have as many bells as possible rung across the country for three  minutes at 8 a.m. on the opening day of the Games (&lt;a class="" href="http://www.allthebells.com/" target="_blank"&gt;www.allthebells.com&lt;/a&gt;)  has run into difficulties with church bell ringers, who point out that  it is impracticable to ring church bells "quickly and loudly," as his  specification for the work (which is officially called "Work No. 1197,"  since Mr. Creed numbers all his projects) demands.&lt;/p&gt; &lt;p&gt;Judging by the previous success of events such as "The Sultan's  Elephant," which was staged in London six years ago, I imagine that one  of the most popular works will be the contribution of the West Midlands,  a gigantic puppet of Lady Godiva (&lt;a class="" href="http://www.imagineerproductions.co.uk/" target="_blank"&gt;www.imagineerproductions.co.uk&lt;/a&gt;) that will eventually make its way to London.&lt;/p&gt; &lt;a name="U6033604953116IH"&gt;&lt;/a&gt;&lt;p&gt;For those who prefer a more  traditional setting for their contemporary arts, the Tate Modern is  staging a major retrospective of Damien Hirst's work (April 4- Sept. 9),  while Tracey Emin, another &lt;em&gt;enfant terrible&lt;/em&gt; from the "Young  British Artists"—though she is now in eminently respectable middle age  and professor of drawing at the Royal Academy—has a retrospective in her  hometown of Margate (May 26-Sept. 23). And the National Portrait  Gallery will be hosting a Lucian Freud retrospective (Feb. 9-May 27). &lt;/p&gt; &lt;p&gt;There ought to be plenty to divert those who find themselves in  Britain this summer, but are more devoted to the Muses than the athletic  inheritance that the Greeks handed down to the modern world. After all,  Niké, the goddess of victory whose name will surely be one of the most  prominent at the Games this summer, never managed to get a seat on  Olympus, while Athene, goddess of the arts, had a secure berth there.&lt;/p&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://online.wsj.com/article/SB10001424052970204720204577126500128619624.html?mod=djemITPE_h" target="_blank"&gt;Carrying the Olympic Torch&lt;br /&gt;&lt;/a&gt;  Music,  dance, film, theater and literature all feature in the London 2012  Cultural Olympiad, but one of the most interesting and notable  components of the program is in the field of visual arts. • &lt;span style="font-weight: bold;"&gt;All of Britain Will Be a Stage •&lt;/span&gt;&lt;br /&gt;&lt;h1&gt;All of Britain Will Be a Stage &lt;/h1&gt;&lt;div class="art_tabbed_nav"&gt;&lt;ul id="articleTabs" class="tab"&gt;&lt;li id="articleTabs_tab_article" class="selected"&gt;&lt;a href="http://online.wsj.com/article/SB10001424052970204720204577126492587037010.html#articleTabs=article" class="article"&gt;Article&lt;/a&gt; &lt;/li&gt;&lt;li class="deselected" id="articleTabs_tab_comments"&gt;&lt;a href="http://online.wsj.com/article/SB10001424052970204720204577126492587037010.html#articleTabs_comments" class="comments"&gt;Comments&lt;/a&gt; &lt;/li&gt;&lt;/ul&gt;  &lt;div class="more_in"&gt;more in &lt;a href="http://online.wsj.com/public/page/news-arts-movies-music.html"&gt;Arts &amp;amp; Entertainment&lt;/a&gt;  »&lt;/div&gt;&lt;/div&gt;&lt;div class="sTools sTools-t clearFix"&gt;                         &lt;ul class="stList stList-action"&gt;&lt;li class="stList-i stList-email"&gt;                &lt;a id="att.at.emailthis" class="stBtn stBtn-email" href="http://online.wsj.com/article/SB10001424052970204720204577126492587037010.html#"&gt;Email&lt;/a&gt;               &lt;/li&gt;&lt;li class="stList-i stList-print"&gt;                &lt;a id="att.at.print" class="stBtn stBtn-print" href="http://online.wsj.com/article/SB10001424052970204720204577126492587037010.html#"&gt;Print&lt;/a&gt;               &lt;/li&gt;&lt;li class="stList-i stI-save"&gt;                      &lt;div class="dropdownTree ddState-collapsed" id="att.mjsave_container"&gt;      &lt;div class="dropdown_container dropdownType-article collapsed IE6ddArticleCollapsed"&gt;       &lt;div class="dropdownTitlebar"&gt;        &lt;p class="tbType-saveThis"&gt;         &lt;span class="tbText"&gt;&lt;a class="mjQuickSave" href="http://online.wsj.com/article/SB10001424052970204720204577126492587037010.html#mjQuickSave"&gt;Save&lt;/a&gt;&lt;/span&gt;         &lt;span class="tbIndicator"&gt;&lt;a class="mjDropdown" href="http://online.wsj.com/article/SB10001424052970204720204577126492587037010.html#mjDropdown"&gt;↓ More&lt;/a&gt;&lt;/span&gt;        &lt;/p&gt;       &lt;/div&gt;      &lt;/div&gt;           &lt;/div&gt;                  &lt;/li&gt;&lt;/ul&gt;                                       &lt;ul class="stList stList-media"&gt;&lt;li id="fblike" class="stList-i stI-fb"&gt;                              &lt;br /&gt;&lt;/li&gt;&lt;li class="stList-i stI-g"&gt;                             &lt;br /&gt;&lt;/li&gt;&lt;li class="stList-i stI-tw"&gt;                               &lt;br /&gt;&lt;/li&gt;&lt;/ul&gt;                          &lt;ul class="stList stList-sq"&gt;&lt;li class="stList-i stI-smaller"&gt;                &lt;a id="att.at.tbs" class="stSq stLtr-smaller" href="http://online.wsj.com/article/SB10001424052970204720204577126492587037010.html#"&gt;smaller&lt;/a&gt;               &lt;/li&gt;&lt;li class="stList-i stI-larger"&gt;                &lt;a id="att.at.tbl" class="stSq stLtr-larger" href="http://online.wsj.com/article/SB10001424052970204720204577126492587037010.html#"&gt;Larger&lt;/a&gt;               &lt;/li&gt;&lt;/ul&gt;                                     &lt;/div&gt; &lt;div id="article_pagination_top" class="articlePagination"&gt;   &lt;/div&gt;&lt;h3 class="byline"&gt;By &lt;a href="http://online.wsj.com/search/term.html?KEYWORDS=PAUL+LEVY&amp;amp;bylinesearch=true"&gt;PAUL LEVY&lt;/a&gt;             &lt;/h3&gt;&lt;p&gt;Paradoxically, though this Olympic year is going to  be a bumper year for the performing arts in the U.K., the anticipated  huge crowds in London may well mean that the arts fans who profit the  most will be those who live outside the capital. &lt;/p&gt; &lt;p&gt;While dozens of plays, operas and other stagings will be linked to  the 2012 Games, the labels are tricky to untangle. The Cultural  Olympiad, in fact, refers mostly to community projects that will be  completed by the time the Olympics and Paralympics end. And the Danny  Boyle-directed Opening Ceremony, a production that will be seen by a  gigantic world-wide TV audience and recently had its budget doubled to  £80 million, weirdly doesn't come under the umbrella of "culture." &lt;/p&gt; &lt;div class="insetContent insetCol3wide embedType-image imageFormat-D"&gt;&lt;div class="insetTree"&gt;                 &lt;div id="articleThumbnail_1" class="insettipUnit insetZoomTarget"&gt;&lt;div class="insetZoomTargetBox"&gt;&lt;div class="insettipBox"&gt;&lt;div class="insettip"&gt;&lt;p&gt;&lt;a&gt;Enlarge Image&lt;/a&gt;&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;a&gt;&lt;img src="http://si.wsj.net/public/resources/images/EW-AL998_cultol_D_20120105115504.jpg" alt="cultolyperf" height="174" hspace="0" border="0" vspace="0" width="262" /&gt;&lt;/a&gt;&lt;div style="visibility: hidden;" id="articleImage_1" class="insetFullBracket"&gt;&lt;div class="insetFullBox"&gt;&lt;img src="http://si.wsj.net/public/resources/images/EW-AL998_cultol_G_20120105115504.jpg" alt="cultolyperf" height="369" hspace="0" border="0" vspace="0" width="553" /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;                                                                                                      &lt;cite&gt;Angelos Giotopoulos&lt;/cite&gt;                 &lt;p class="targetCaption"&gt;'Bamboo Blues' by Pina Bausch, part of World Cities 2012 season, is at Sadler's Wells and the Barbican.&lt;/p&gt;             &lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;a name="U603360495206GJE"&gt;&lt;/a&gt;&lt;p&gt;The  aspect of the Cultural Olympics (total budget: £97.6 million) we are  most interested in, however, is the London 2012 Festival (&lt;a class="" href="http://www.festival.london2012.com/" target="_blank"&gt;festival.london2012.com&lt;/a&gt;),  which will feature a program of mainly new works for the theater,  concert hall, opera house and dance stage, running from June 21 to Sept.  9. (Confusingly, not all the venues are in London—but the Games are  there, so the festival bears the capital's name.) Though many—perhaps  most—of the performance events are new commissions, some, like the  Globe's plays (except for a new "Henry V") and a good many of the  exhibitions, are a matter of re-christening already-scheduled events. &lt;/p&gt; &lt;a name="U603360495206BKI"&gt;&lt;/a&gt;&lt;p&gt;Shivers went through the London  cultural establishment last year when the Olympic Delivery Authority  urged the city's residents not to use the Underground during the Games,  to help reduce traffic on an already stressed transportation system. The  West End was identified as one of the hot spots. Although one or two  theaters in the area are "going dark" during the Olympics, or giving  their casts and crews their holidays then, Society of London Theatre  president Mark Rubinstein is optimistic. "We know things will be  different, and that we will have to work harder," he said, but added  that he is confident of pulling in a new audience of people who have  come for the Games but "know that you haven't seen London if you haven't  seen a West End show." The big event: Cast members from all of London's  musicals will perform in "West End Live" at Trafalgar Square June 23.&lt;/p&gt; &lt;div class="insetCol3wide"&gt;&lt;div class="insetContent"&gt;                 &lt;h3 class="first"&gt;More on Arts at the Olympics&lt;/h3&gt;                 &lt;ul&gt;&lt;li&gt;&lt;span&gt;                         &lt;strong&gt;                             &lt;a class="" href="http://online.wsj.com/article/SB10001424052970204720204577126500128619624.html"&gt;Carrying the Olympic Torch&lt;/a&gt;                         &lt;/strong&gt;                     &lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span&gt;                         &lt;strong&gt;                             &lt;a class="" href="http://online.wsj.com/article/SB10001424052970203471004577140253310190114.html"&gt;Olympic Posters Make a Leap&lt;/a&gt;                         &lt;/strong&gt;                     &lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;             &lt;/div&gt;&lt;/div&gt;&lt;a name="U603360495206B2G"&gt;&lt;/a&gt;&lt;p&gt;Ruth  Mackenzie, culture director of the Cultural Olympiad, offered a few of  the top items on her list, including Handspring Puppet Company's "Crow,"  in which the British outpost of the South African troupe bring Ted  Hughes's poetic masterpiece to a stage yet to be determined (June  21-Sept. 9). "Another hot tip," she says, "would be the commission for  [Scottish composer] James MacMillan at Coventry Cathedral" (June 23).&lt;/p&gt; &lt;a name="U60336049520627F"&gt;&lt;/a&gt;&lt;p&gt;Following Ms. Mackenzie's lead, here  are my recommendations. The Royal Shakespeare Company has specially  commissioned a stunning series of Shakespeare plays, adding to the  nomenclatural fun by incorporating it in a "World Shakespeare Festival  2012" (&lt;a class="" href="http://www.worldshakespearefestival.org.uk/" target="_blank"&gt;worldshakespearefestival.org.uk&lt;/a&gt;),  starting on the bard's April 23 birthday. "What Country Friends Is  This?" is the RSC's take on the shipwreck trilogy—"The Comedy of  Errors," "Twelfth Night" and "The Tempest." Other hot tickets will be  the Iraqi National Theatre's "Romeo and Juliet in Baghdad" at Swan  Theatre in Stratford-upon-Avon (April 26-May 5) and London's Riverside  Studios (June 28-30), Calixto Beito's "Forests" at Old Rep Theatre in  Birmingham (Aug. 31-Sept. 15) and the Wooster Group's "Troilus and  Cressida" in Stratford-upon-Avon (Aug. 3-18). Sam Mendes, Rupert Goold  and other luminaries will also mount special productions for BBC TV and  Radio. &lt;/p&gt; &lt;a name="U603360495206KI"&gt;&lt;/a&gt;&lt;p&gt;There's a Paralympic aspect to the  London Festival, too, including a dance theater piece, "Ménage à Trois,"  at Southbank Centre (Sept. 1-9), which explores performer Claire  Cunningham's 20-year relationship with her crutches. For children and  consenting grown-ups, there's Punchdrunk's on-stage "Dr. Who" adventure,  "The Crash of the Elysium," in Ipswich (June 15-July 8; &lt;a class="" href="http://www.ip-art.com/what%EF%BF%BD%EF%BF%BD%EF%BF%BDs-on/the-crash-of-the-elysium.aspx" target="_blank"&gt;ip-art.com&lt;/a&gt;). &lt;/p&gt; &lt;a name="U603360495206E7"&gt;&lt;/a&gt;&lt;p&gt;Lovers of contemporary opera will relish Damon Albarn's "Dr. Dee" at the English National Opera (June 25-July 7; &lt;a class="" href="http://www.eno.org/" target="_blank"&gt;eno.org&lt;/a&gt;).  Like the Punchdrunk production, this is a co-commission with—and  already seen at—the Manchester International Festival. "Dr. Dee"  consists of pop vocals plus "contemporary orchestral music played on  16th-century period instruments," in a staging by Rufus Norris. &lt;/p&gt; &lt;a name="U60336049520695B"&gt;&lt;/a&gt;&lt;p&gt;"We are passionate about offering  once-in-a-lifetime opportunities to see work and artists who have  changed the way we think about the world and/or about art," Ms.  Mackenzie says. "Pina Bausch and Robert Wilson being two obvious  examples. But the Beethoven/Boulez cycle at the Proms by [Daniel]  Barenboim's East/West Divan and the George Benjamin weekend at the  Southbank [May 12-13] also being good examples." &lt;/p&gt; &lt;a name="U603360495206D2B"&gt;&lt;/a&gt;&lt;p&gt;The tribute to Ms. Bausch, the late  German performer and choreographer, "Tanztheater Wuppertal Pina Bausch:  World Cities 2012," is at Sadler's Wells (&lt;a class="" href="http://www.sadlerswells.com/" target="_blank"&gt;sadlerswells.com)&lt;/a&gt;  June 6-July 9, while Mr. Wilson directs Philip Glass's four-act,  five-hour opera "Einstein on the Beach" at the Barbican, May 4-13  (ticket holders are encouraged to leave their seats when called to by  nature—or thirst or hunger). With choreography by Lucinda Childs, it  might well be true that this rarely performed piece is "one of the  greatest artistic achievements of the 20th century." Mr. Barenboim is  conducting his orchestra in the complete cycle of Beethoven Symphonies  at this summer's BBC Proms (&lt;a class="" href="http://www.bbc.co.uk/proms" target="_blank"&gt;bbc.co.uk/proms&lt;/a&gt;),  culminating in a performance of the 9th Symphony on July 27, the  Olympics' opening day. The concerts will also feature works by Pierre  Boulez. &lt;/p&gt; &lt;p&gt;The lion's share of festival funding for all this comes from the  Lottery, plus the Arts Council and co-funding organizations; many  programs are still to be announced. But this so-very-typical British way  of pulling last-minute rabbits out of mysteriously acquired hats will,  I've no doubt, result in some remarkable performances.&lt;/p&gt; &lt;p&gt;                 &lt;strong&gt;Write to &lt;/strong&gt;                Paul Levy at &lt;a class="" href="mailto:wsje.weekend@wsj.com"&gt;wsje.weekend@wsj.com&lt;/a&gt;             &lt;/p&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;h1&gt;Olympic Posters Make a Leap &lt;/h1&gt;&lt;div class="sTools sTools-t clearFix"&gt;&lt;a id="att.at.tbl" class="stSq stLtr-larger" href="http://online.wsj.com/article/SB10001424052970203471004577140253310190114.html?mod=djemITPE_h#"&gt;&lt;br /&gt;&lt;/a&gt;&lt;/div&gt; &lt;div id="article_pagination_top" class="articlePagination"&gt;   &lt;/div&gt;                 &lt;div class="insetContent embedType-image imageFormat-DV"&gt;&lt;div class="insetTree"&gt;&lt;div class="insettipUnit"&gt;&lt;img src="http://si.wsj.net/public/resources/images/EW-AL999_cultol_DV_20120105115851.jpg" alt="[cultolyside]" height="394" hspace="0" border="0" vspace="0" width="262" /&gt;                                                                                                                                                          &lt;cite&gt;London 2012&lt;/cite&gt;                 &lt;p class="targetCaption"&gt;Rachel Whiteread 'LOndOn 2O12.'&lt;/p&gt;             &lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="insetCol3wide"&gt;&lt;div class="insetContent"&gt;                 &lt;h3 class="first"&gt;More on Arts at the Olympics&lt;/h3&gt;                 &lt;ul&gt;&lt;li&gt;&lt;span&gt;                         &lt;strong&gt;                             &lt;a class="" href="http://online.wsj.com/article/SB10001424052970204720204577126500128619624.html"&gt;Carrying the Olympic Torch&lt;/a&gt;                         &lt;/strong&gt;                     &lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span&gt;                         &lt;strong&gt;                             &lt;a class="" href="http://online.wsj.com/article/SB10001424052970204720204577126492587037010.html"&gt;All of Britain Will Be a Stage&lt;/a&gt;                         &lt;/strong&gt;                     &lt;/span&gt;&lt;/li&gt;&lt;/ul&gt;             &lt;/div&gt;&lt;/div&gt;                 &lt;div class="insetContent embedType-image imageFormat-DV"&gt;&lt;div class="insetTree"&gt;&lt;div class="insettipUnit"&gt;&lt;img src="http://si.wsj.net/public/resources/images/EW-AM000_cultol_DV_20120105120007.jpg" alt="[cultolyside]" height="394" hspace="0" border="0" vspace="0" width="262" /&gt;                                                                                                                                                          &lt;cite&gt;London 2012&lt;/cite&gt;                 &lt;p class="targetCaption"&gt;Howard Hodgkin 'Swimming.'&lt;/p&gt;             &lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;p&gt;A dozen of Britain's leading artists  were invited to design official posters for the Olympics and  Paralympics, and some of these are so fine that art lovers with deep  pockets will want to invest in a boxed set of the complete, signed  limited editions from Counter Editions (&lt;a class="" href="http://www.countereditions.com/london2012" target="_blank"&gt;wwwcountereditions.com/london2012&lt;/a&gt;), at £11,805. The rest of us will have to make do with those available at £7 each from &lt;a class="" href="http://shop.london2012.com/" target="_blank"&gt;shop.london2012.com&lt;/a&gt;,  or a trip to the Tate Britain, where they're all on display in a free  exhibition that runs from now until the London 2012 Festival ends Sept.  9.&lt;/p&gt; &lt;p&gt;Some of the posters rise well above the level of something to tack on  a student's dormitory wall, which is a tribute to the taste of the  mystery commissioners (their identities are concealed somewhere in the  labyrinth of Olympics-related committees). &lt;/p&gt; &lt;p&gt;Chris Ofili's "For the Unknown Runner" has a classical urn containing  one of his generic African figures, whose gender is cleverly made  ambiguous by a thick black line. Rachel Whiteread's "LOndOn 2O12" plays  on the five Olympic circles in a random and colorful way.&lt;/p&gt; &lt;p&gt;Tracey Emin's "Birds 2012," depicting two small birds on a branch  kissing, looks too much like Mary Poppins hanging on to her open  umbrella, and bears the scrawled caption, "You inspire me with Your  determination And I Love You." It's the most expensive of the limited  editions at £1,800, and, I'd say, is the least interesting.&lt;/p&gt; &lt;p&gt;Michael Craig-Martin's wonderfully colored blue stopwatch, done with  his characteristic black-outlined precision, is simply called "GO."  Howard Hodgkin's "Swimming" is a masterclass in blue (disclosure: both  are good friends of mine). Most of the artists commissioned have  contributed images that are typical of their work. But Mr. Hodgkin has  done something remarkable, in that his picture appears to be abstract  swirls of blue laid on with a heavily loaded, very wide brush—but from  the lowest suggestion of a wave emerges the dark form of the heroic  swimmer.  &lt;/p&gt; &lt;cite class="tagline"&gt;—Paul Levy&lt;/cite&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4780133993864114166-1927073241937426992?l=ukislandrace.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ukislandrace.blogspot.com/feeds/1927073241937426992/comments/default' title='張貼意見'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4780133993864114166&amp;postID=1927073241937426992' title='0 個意見'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/1927073241937426992'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/1927073241937426992'/><link rel='alternate' type='text/html' href='http://ukislandrace.blogspot.com/2012/01/london-2012-cultural-olympiad.html' title='London 2012 Cultural Olympiad'/><author><name>hanching chung</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4780133993864114166.post-826833356227715096</id><published>2012-01-05T01:02:00.000-08:00</published><updated>2012-01-05T01:03:00.010-08:00</updated><title type='text'>America’s inequality need not determine the future of Britain</title><content type='html'>&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:worddocument&gt;   &lt;w:view&gt;Normal&lt;/w:View&gt;   &lt;w:zoom&gt;0&lt;/w:Zoom&gt;   &lt;w:punctuationkerning/&gt;   &lt;w:displayhorizontaldrawinggridevery&gt;0&lt;/w:DisplayHorizontalDrawingGridEvery&gt;   &lt;w:displayverticaldrawinggridevery&gt;2&lt;/w:DisplayVerticalDrawingGridEvery&gt;   &lt;w:compatibility&gt;    &lt;w:spaceforul/&gt;    &lt;w:balancesinglebytedoublebytewidth/&gt;    &lt;w:donotleavebackslashalone/&gt;    &lt;w:ultrailspace/&gt;    &lt;w:donotexpandshiftreturn/&gt;    &lt;w:adjustlineheightintable/&gt;    &lt;w:breakwrappedtables/&gt;    &lt;w:snaptogridincell/&gt;    &lt;w:wraptextwithpunct/&gt;    &lt;w:useasianbreakrules/&gt;    &lt;w:usefelayout/&gt;   &lt;/w:Compatibility&gt;   &lt;w:browserlevel&gt;MicrosoftInternetExplorer4&lt;/w:BrowserLevel&gt;  &lt;/w:WordDocument&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if !mso]&gt;&lt;object classid="clsid:38481807-CA0E-42D2-BF39-B33AF135CC4D" id="ieooui"&gt;&lt;/object&gt; &lt;style&gt; st1\:*{behavior:url(#ieooui) } &lt;/style&gt; &lt;![endif]--&gt;&lt;!--[if gte mso 10]&gt; &lt;style&gt;  /* Style Definitions */  table.MsoNormalTable  {mso-style-name:表格內文;  mso-tstyle-rowband-size:0;  mso-tstyle-colband-size:0;  mso-style-noshow:yes;  mso-style-parent:"";  mso-padding-alt:0cm 5.4pt 0cm 5.4pt;  mso-para-margin:0cm;  mso-para-margin-bottom:.0001pt;  mso-pagination:widow-orphan;  font-size:10.0pt;  font-family:"Times New Roman";  mso-fareast-font-family:"Times New Roman";} &lt;/style&gt; &lt;![endif]--&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family:&amp;quot;Times New Roman&amp;quot;"&gt;英國比美國更平等？&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="EN-US"&gt;America&lt;/span&gt;&lt;span lang="EN-US"&gt;’s inequality need not determine the future of &lt;/span&gt;&lt;span lang="EN-US"&gt;Britain&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family:&amp;quot;Times New Roman&amp;quot;"&gt;英國《金融時報》首席經濟評論員&lt;/span&gt; &lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;"&gt;馬丁·沃爾夫&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="EN-US"&gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="EN-US"&gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family:&amp;quot;Times New Roman&amp;quot;"&gt;“&lt;/span&gt;&lt;span lang="EN-US"&gt;The poor you will always have with you,” said Jesus. Despite vast rises in wealth, mainly over the last century, this remains true today because we define poverty relatively. Some object to this judgment: has destitution not disappeared from high-income countries and is it not diminishing in the developing world? The answer is: yes, although much poverty remains. But we are social animals. As stomachs fill, we wish to participate fully in our societies. But rising inequality is in the way.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="EN-US"&gt;&lt;span style="mso-tab-count:1"&gt;        &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="EN-US"&gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family:&amp;quot;Times New Roman&amp;quot;"&gt;耶穌說：“你們將永遠與窮人相伴。”儘管財富大幅增長（這主要體現在上個世紀），但由於我們對貧困的定義是相對的，所以耶穌的話在今天仍然適用。有些人反對這一觀點：高收入國家的貧困現象難道沒有銷聲匿跡？發展中國家的貧困難道沒有日益減少嗎？答案是：確實如此，不過仍存在很多貧困現象。但我們都是“社會動物”。填飽肚子之後，我們就希望參與到社會生活的方方面面。然而，但是，不平等狀況的加劇卻成為了攔路虎。&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="EN-US"&gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="EN-US"&gt;As the US Congressional Budget Office noted in a fascinating recent study, for the 1 per cent of the population with the highest income, average real after-tax household income grew by 275 per cent between 1979 and 2007, reaching 17 per cent of the total. For the others in the top quintile of the distribution, average real after-tax household income grew by 65 per cent. For the 60 per cent in the middle (the 21st to 80th percentiles), the growth in average real after-tax household income was a little less than 40 per cent. For the bottom quintile, average real after-tax household income rose about 18 per cent. The Organisation for Economic Co-operation and Development states that “the wealthiest Americans have collected the bulk of the past three decades’ income gains”. Moreover, it notes, most of these gains accrued to executives and finance professionals.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="EN-US"&gt;&lt;span style="mso-tab-count:1"&gt;        &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="EN-US"&gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family:&amp;quot;Times New Roman&amp;quot;"&gt;美國國會預算辦公室&lt;/span&gt;&lt;span lang="EN-US"&gt;(CBO)&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;"&gt;在近來一份有趣的調查中指出，收入最高的&lt;/span&gt;&lt;span lang="EN-US"&gt;1%&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;"&gt;人口——平均稅後實際家庭收入在&lt;/span&gt;&lt;span lang="EN-US"&gt;1979&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;"&gt;年至&lt;/span&gt;&lt;span lang="EN-US"&gt;2007&lt;/span&gt;&lt;span style="font-family: 新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family:&amp;quot;Times New Roman&amp;quot;"&gt;年間增長了&lt;/span&gt;&lt;span lang="EN-US"&gt;275%——&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family:&amp;quot;Times New Roman&amp;quot;"&gt;占總收入的比例已達到了&lt;/span&gt;&lt;span lang="EN-US"&gt;17%&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family:&amp;quot;Times New Roman&amp;quot;"&gt;。而對於收入最高&lt;/span&gt;&lt;span lang="EN-US"&gt;20%&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;"&gt;人群中的其他人而言，平均稅後實際家庭收入增幅為&lt;/span&gt;&lt;span lang="EN-US"&gt;65%&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;"&gt;。處於中間的&lt;/span&gt;&lt;span lang="EN-US"&gt;60%&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;"&gt;（&lt;/span&gt;&lt;span lang="EN-US"&gt;21%&lt;/span&gt;&lt;span style="font-family: 新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family:&amp;quot;Times New Roman&amp;quot;"&gt;至&lt;/span&gt;&lt;span lang="EN-US"&gt;80%&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family:&amp;quot;Times New Roman&amp;quot;"&gt;）人口，平均稅後實際家庭收入增長略低於&lt;/span&gt;&lt;span lang="EN-US"&gt;40%&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family:&amp;quot;Times New Roman&amp;quot;"&gt;。最貧困的&lt;/span&gt;&lt;span lang="EN-US"&gt;20%&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;"&gt;人口，平均稅後實際家庭收入增幅為&lt;/span&gt;&lt;span lang="EN-US"&gt;18%&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;"&gt;左右。經合組織&lt;/span&gt;&lt;span lang="EN-US"&gt;(ECOD)&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;"&gt;表示，“在過去&lt;/span&gt;&lt;span lang="EN-US"&gt;30&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;"&gt;年收入增長中，大部分落入了美國最富有人群的囊中。”此外，該機構還指出，這些收入增加的部分大多流向了企業高管和金融從業人員的腰包。&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="EN-US"&gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="EN-US"&gt;An important question is whether similar shifts are happening – or are likely to happen – in the &lt;/span&gt;&lt;span lang="EN-US"&gt;UK&lt;/span&gt;&lt;span lang="EN-US"&gt; and other high-income countries. This was the theme of a discussion sponsored by the UK’s Resolution Foundation in November.* The conclusion I drew was that, although the forces for greater inequality seen in the US were at work across the high-income countries – a point confirmed by the OECD’s recent analysis – outcomes differed in terms of levels and trends.**&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="EN-US"&gt;&lt;span style="mso-tab-count:1"&gt;        &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="EN-US"&gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family:&amp;quot;Times New Roman&amp;quot;"&gt;一個重要的問題是，在英國和其他高收入國家，是否正出現（或有可能將出現）類似的變化？這正是英國決議基金會&lt;/span&gt;&lt;span lang="EN-US"&gt;(Resolution Foundation)11&lt;/span&gt;&lt;span style="font-family:新細明體; mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family:&amp;quot;Times New Roman&amp;quot;"&gt;月份發起的一次研討會的主題。&lt;/span&gt;&lt;span lang="EN-US"&gt;*&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family:&amp;quot;Times New Roman&amp;quot;"&gt;我得出的結論是：儘管在所有高收入國家，導致類似美國那種不平等加劇的力量也在發揮作用——經合組織近來的分析證實了這一觀點——但在結果上體現出了程度和趨勢的不同。&lt;/span&gt;&lt;span lang="EN-US"&gt;**&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="EN-US"&gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="EN-US"&gt;The &lt;/span&gt;&lt;span lang="EN-US"&gt;UK&lt;/span&gt;&lt;span lang="EN-US"&gt; has been similar to the &lt;/span&gt;&lt;span lang="EN-US"&gt;US&lt;/span&gt;&lt;span lang="EN-US"&gt;, in both respects, over the past two decades. Inequality is far lower in, say, the &lt;/span&gt;&lt;span lang="EN-US"&gt;Netherlands&lt;/span&gt;&lt;span lang="EN-US"&gt; and &lt;/span&gt;&lt;span lang="EN-US"&gt;Germany&lt;/span&gt;&lt;span lang="EN-US"&gt; has hardly grown over the past two decades in, say, &lt;/span&gt;&lt;span lang="EN-US"&gt;France&lt;/span&gt;&lt;span lang="EN-US"&gt;. In 2005 the share of the top 1 per cent in pre-tax incomes varied from 5.6 per cent in the &lt;/span&gt;&lt;span lang="EN-US"&gt;Netherlands&lt;/span&gt;&lt;span lang="EN-US"&gt; and 6.3 per cent in &lt;/span&gt;&lt;span lang="EN-US"&gt;Denmark&lt;/span&gt;&lt;span lang="EN-US"&gt; and &lt;/span&gt;&lt;span lang="EN-US"&gt;Sweden&lt;/span&gt;&lt;span lang="EN-US"&gt; to 12.7 per cent in &lt;/span&gt;&lt;span lang="EN-US"&gt;Canada&lt;/span&gt;&lt;span lang="EN-US"&gt;, 14.3 per cent in the &lt;/span&gt;&lt;span lang="EN-US"&gt;UK&lt;/span&gt;&lt;span lang="EN-US"&gt; and 17.4 per cent in the &lt;/span&gt;&lt;span lang="EN-US"&gt;US&lt;/span&gt;&lt;span lang="EN-US"&gt;. Policies and social preferences – particularly the role of stock-driven rewards and of financial services, at the top – make a very big difference.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="EN-US"&gt;&lt;span style="mso-tab-count:1"&gt;        &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="EN-US"&gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family:&amp;quot;Times New Roman&amp;quot;"&gt;過去&lt;/span&gt;&lt;span lang="EN-US"&gt;20&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;"&gt;年中，英美兩國在上述兩方面表現得都十分相似。比如說，不平等狀況在荷蘭和德國要輕微得多，而法國則在過去&lt;/span&gt;&lt;span lang="EN-US"&gt;20&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family:&amp;quot;Times New Roman&amp;quot;"&gt;年裏基本上沒有加劇。&lt;/span&gt;&lt;span lang="EN-US"&gt;2005&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;"&gt;年，最頂端&lt;/span&gt;&lt;span lang="EN-US"&gt;1%&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;"&gt;人群占稅前收入的比例，荷蘭為&lt;/span&gt;&lt;span lang="EN-US"&gt;5.6%&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;"&gt;，丹麥和瑞典為&lt;/span&gt;&lt;span lang="EN-US"&gt;6.3%&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;"&gt;，加拿大為&lt;/span&gt;&lt;span lang="EN-US"&gt;12.7%&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;"&gt;，英國為&lt;/span&gt;&lt;span lang="EN-US"&gt;14.3%&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;"&gt;，而美國為&lt;/span&gt;&lt;span lang="EN-US"&gt;17.4%&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;"&gt;。政策和社會偏好——尤其是頂層人群在股票相關回報和金融服務業所扮演的角色方面——造成了非常大的差異。&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="EN-US"&gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="EN-US"&gt;It is also important to distinguish what is happening among the bulk of the population from trends at the top. It is as important to distinguish levels from changes: the &lt;/span&gt;&lt;span lang="EN-US"&gt;US&lt;/span&gt;&lt;span lang="EN-US"&gt; has always been relatively unequal. But much of the rise in inequality dates to the last century. Stephen Machin of the London School of Economics noted at Resolution’s seminar that the ratio of earnings at the middle of the distribution to that at the bottom has stabilised over the past decade. Again, the share of the top 1 per cent in the &lt;/span&gt;&lt;span lang="EN-US"&gt;US&lt;/span&gt;&lt;span lang="EN-US"&gt; was already 16.5 per cent in 2000, close to the 17.7 per cent reached in 2008. In the &lt;/span&gt;&lt;span lang="EN-US"&gt;UK&lt;/span&gt;&lt;span lang="EN-US"&gt; it was already 12.7 per cent in 2000.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="EN-US"&gt;&lt;span style="mso-tab-count:1"&gt;        &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="EN-US"&gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family:&amp;quot;Times New Roman&amp;quot;"&gt;另外，區分一下大多數人和頂端人群在趨勢上的不同也十分重要。而區分變化的幅度也是同樣重要：美國相對而言一直不太平等。但不平等加劇在很大程度上可以追溯到上個世紀。倫敦經濟學院&lt;/span&gt;&lt;span lang="EN-US"&gt;(LSE)&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family:&amp;quot;Times New Roman&amp;quot;"&gt;的史蒂芬•梅欽&lt;/span&gt;&lt;span lang="EN-US"&gt;(Stephen Machin)&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family:&amp;quot;Times New Roman&amp;quot;"&gt;在參加決議基金會主辦的研討會時指出，過去&lt;/span&gt;&lt;span lang="EN-US"&gt;10&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family:&amp;quot;Times New Roman&amp;quot;"&gt;年間，中等收入階層與底層的收入比例保持穩定。再看一下美國，其最富有的&lt;/span&gt;&lt;span lang="EN-US"&gt;1%&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family:&amp;quot;Times New Roman&amp;quot;"&gt;人群的收入占比到&lt;/span&gt;&lt;span lang="EN-US"&gt;2000&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;"&gt;年已達&lt;/span&gt;&lt;span lang="EN-US"&gt;16.5%&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;"&gt;，到&lt;/span&gt;&lt;span lang="EN-US"&gt;2008&lt;/span&gt;&lt;span style="font-family: 新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family:&amp;quot;Times New Roman&amp;quot;"&gt;年則接近&lt;/span&gt;&lt;span lang="EN-US"&gt;17.7%&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family:&amp;quot;Times New Roman&amp;quot;"&gt;。&lt;/span&gt;&lt;span lang="EN-US"&gt;2000&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family:&amp;quot;Times New Roman&amp;quot;"&gt;年時，英國的這一比例已達到&lt;/span&gt;&lt;span lang="EN-US"&gt;12.7%&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;"&gt;。&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="EN-US"&gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="EN-US"&gt;What is driving developments? The OECD concludes, surprisingly perhaps, that “neither rising trade integration nor financial openness had a significant impact on either wage inequality or employment trends”. Technological changes are almost certainly more important, though the two forces are hard to distinguish. There are also more single-headed households and a greater tendency for high-earning men and women to form couples. But the higher dispersion of male earnings is even more important.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="EN-US"&gt;&lt;span style="mso-tab-count:1"&gt;        &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="EN-US"&gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family:&amp;quot;Times New Roman&amp;quot;"&gt;這些變化背後的推動力是什麼？經合組織得出的結論是（或許令人吃驚），“無論是日益緊密的貿易融合，還是金融開放，都沒有對薪酬不公或就業趨勢產生重大影響。”幾乎可以確定的是，技術變革更為重要，儘管兩種力量很難區分開來。單身家庭數量增多，高收入男女結婚的可能性增大。但男性收入分散度的上升則更為緊要。&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="EN-US"&gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="EN-US"&gt;People will disagree over why rising inequality matters and what should be done about it. I suggest it matters most, at least in the high-income countries because it both undermines hopes for any reasonable degree of equality of opportunity and cements the inequalities in power that have, in turn, allowed the preservation of a wide range of privileges, particularly in taxation.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="EN-US"&gt;&lt;span style="mso-tab-count:1"&gt;        &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="EN-US"&gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family:&amp;quot;Times New Roman&amp;quot;"&gt;對於不平等現象加劇之所以事關重大、以及本應採取何種對策，人們會有不同的看法。我認為，至少在高收入國家，不平等現象加劇最為緊要，因為它既摧毀了人們對於實現任何合理程度的機會均等的希望，也加固了權力上的不平等，進而使大範圍的特權得以保留，尤其在稅收方面。&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="EN-US"&gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="EN-US"&gt;These outcomes should matter even to those who have no concern for equality of outcome. I would add that some – perhaps a great deal – of the ultra-high incomes at the top are almost certainly the fruit of rent extraction facilitated by a breakdown in the control exercised by principals – outside investors – over their agents – corporate executives and financiers. Huge rewards then are both unjust and inefficient.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="EN-US"&gt;&lt;span style="mso-tab-count:1"&gt;        &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="EN-US"&gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family:&amp;quot;Times New Roman&amp;quot;"&gt;這種結果甚至對於那些不關心結果公平的人都具有重要意義。我想補充一點，有些人（或許非常多的人）能夠獲取處於頂層的超高收入，原因就在於委託人（外部投資者）對於其代理人（公司高管和金融家）的管理失控造成了抽租現象。一次巨額回報不但有失公平，同時也是無效的。&lt;/span&gt;&lt;span style="mso-fareast-language:ZH-CN" lang="EN-US"&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="mso-fareast-language:ZH-CN" lang="EN-US"&gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="EN-US"&gt;What is to be done? That demands a huge agenda. It must cover employment, education, corporate governance and financial reform and, however difficult, also elements of redistribution. It will be unavoidably divisive. So be it. This debate cannot be avoided if western democracies are to stay legitimate in the eyes of their peoples. That may not be true in the &lt;/span&gt;&lt;span lang="EN-US"&gt;US&lt;/span&gt;&lt;span lang="EN-US"&gt;. It is surely true in the &lt;/span&gt;&lt;span lang="EN-US"&gt;UK&lt;/span&gt;&lt;span lang="EN-US"&gt;. Warren Buffett has argued that “there’s been class warfare going on for the last 20 years and my class has won.” The remark has not made him popular with his peers. But he was surely right.&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="EN-US"&gt;&lt;span style="mso-tab-count:1"&gt;        &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="EN-US"&gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family:&amp;quot;Times New Roman&amp;quot;"&gt;我們應當怎麼辦？我們需要一個宏大的議程。它必須涵蓋就業、教育、公司治理和金融改革，而且無論有多大困難，還應包括再分配的內容。這個議程將不可避免地導致分裂。那就由它去吧。如果西方民主國家想在本國民眾的眼中保持合法性，這場論爭不可避免。美國的情況或許並非如此。但在英國，情況就是這樣。沃倫•巴菲特&lt;/span&gt;&lt;span lang="EN-US"&gt;(Warren Buffett)&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family:&amp;quot;Times New Roman&amp;quot;"&gt;曾辯稱，“過去&lt;/span&gt;&lt;span lang="EN-US"&gt;20&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family:&amp;quot;Times New Roman&amp;quot;"&gt;年發生了一場階級鬥爭，我所屬的階級已在鬥爭中勝出。”此番言論沒有讓他受到同一階層的人的追捧。但巴菲特說得肯定沒錯。&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="EN-US"&gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="EN-US"&gt;&lt;span style="mso-tab-count:1"&gt;        &lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="EN-US"&gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family:&amp;quot;Times New Roman&amp;quot;"&gt;譯者&lt;/span&gt;&lt;span lang="EN-US"&gt;/&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;"&gt;邢嵬&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4780133993864114166-826833356227715096?l=ukislandrace.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ukislandrace.blogspot.com/feeds/826833356227715096/comments/default' title='張貼意見'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4780133993864114166&amp;postID=826833356227715096' title='0 個意見'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/826833356227715096'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/826833356227715096'/><link rel='alternate' type='text/html' href='http://ukislandrace.blogspot.com/2012/01/americas-inequality-need-not-determine.html' title='America’s inequality need not determine the future of Britain'/><author><name>hanching chung</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4780133993864114166.post-3882926728338500395</id><published>2012-01-02T19:42:00.001-08:00</published><updated>2012-01-02T19:42:34.542-08:00</updated><title type='text'>Apple Lead Designer Knighted</title><content type='html'>&lt;a href="http://online.wsj.com/article/SB10001424052970204720204577131500962836294.html?mod=djemTECH_h" target="_blank"&gt;Apple Lead Designer Knighted&lt;/a&gt;  &lt;div&gt;&lt;div&gt;Apple  Senior Vice President Jonathan Ive has received a knighthood from Queen  Elizabeth II for his work in leading the design of some of the  company's most innovative products.&lt;br /&gt; &lt;br /&gt;  &lt;p&gt; SAN FRANCISCO—Apple Inc. Senior Vice President Jonathan Ive has  received a knighthood for his work in leading the design of some of the  company's most innovative products, British officials here said late  Friday.&lt;/p&gt;     &lt;p&gt; Queen Elizabeth II named the London-born Ive, who goes by Jony, a Knight Commander of the ...&lt;/p&gt;  &lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4780133993864114166-3882926728338500395?l=ukislandrace.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ukislandrace.blogspot.com/feeds/3882926728338500395/comments/default' title='張貼意見'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4780133993864114166&amp;postID=3882926728338500395' title='0 個意見'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/3882926728338500395'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/3882926728338500395'/><link rel='alternate' type='text/html' href='http://ukislandrace.blogspot.com/2012/01/apple-lead-designer-knighted.html' title='Apple Lead Designer Knighted'/><author><name>hanching chung</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4780133993864114166.post-8363849348799195084</id><published>2011-12-31T19:51:00.000-08:00</published><updated>2011-12-31T19:52:09.327-08:00</updated><title type='text'>dropping incendiary bombs on London</title><content type='html'>On Dec. 29, 1940, during World War II, Germany began dropping incendiary bombs on London.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://chinese-watch.blogspot.com/2011/12/blog-post_31.html"&gt;燒夷彈&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4780133993864114166-8363849348799195084?l=ukislandrace.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ukislandrace.blogspot.com/feeds/8363849348799195084/comments/default' title='張貼意見'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4780133993864114166&amp;postID=8363849348799195084' title='0 個意見'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/8363849348799195084'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/8363849348799195084'/><link rel='alternate' type='text/html' href='http://ukislandrace.blogspot.com/2011/12/dropping-incendiary-bombs-on-london.html' title='dropping incendiary bombs on London'/><author><name>hanching chung</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4780133993864114166.post-7067032689302835883</id><published>2011-12-29T17:33:00.000-08:00</published><updated>2011-12-29T17:36:27.440-08:00</updated><title type='text'>感謝有您 邁向2012</title><content type='html'>&lt;!--[if !mso]&gt; &lt;style&gt; v\:* {behavior:url(#default#VML);} o\:* {behavior:url(#default#VML);} w\:* {behavior:url(#default#VML);} .shape {behavior:url(#default#VML);} &lt;/style&gt; &lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;  &lt;w:worddocument&gt;   &lt;w:view&gt;Normal&lt;/w:View&gt;   &lt;w:zoom&gt;0&lt;/w:Zoom&gt;   &lt;w:punctuationkerning/&gt;   &lt;w:displayhorizontaldrawinggridevery&gt;0&lt;/w:DisplayHorizontalDrawingGridEvery&gt;   &lt;w:displayverticaldrawinggridevery&gt;2&lt;/w:DisplayVerticalDrawingGridEvery&gt;   &lt;w:compatibility&gt;    &lt;w:spaceforul/&gt;    &lt;w:balancesinglebytedoublebytewidth/&gt;    &lt;w:donotleavebackslashalone/&gt;    &lt;w:ultrailspace/&gt;    &lt;w:donotexpandshiftreturn/&gt;    &lt;w:adjustlineheightintable/&gt;    &lt;w:breakwrappedtables/&gt;    &lt;w:snaptogridincell/&gt;    &lt;w:wraptextwithpunct/&gt;    &lt;w:useasianbreakrules/&gt;    &lt;w:usefelayout/&gt;   &lt;/w:Compatibility&gt;   &lt;w:browserlevel&gt;MicrosoftInternetExplorer4&lt;/w:BrowserLevel&gt;  &lt;/w:WordDocument&gt; &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 10]&gt; &lt;style&gt;  /* Style Definitions */  table.MsoNormalTable  {mso-style-name:表格內文;  mso-tstyle-rowband-size:0;  mso-tstyle-colband-size:0;  mso-style-noshow:yes;  mso-style-parent:"";  mso-padding-alt:0cm 5.4pt 0cm 5.4pt;  mso-para-margin:0cm;  mso-para-margin-bottom:.0001pt;  mso-pagination:widow-orphan;  font-size:10.0pt;  font-family:"Times New Roman";} &lt;/style&gt; &lt;![endif]--&gt;  &lt;p class="MsoNormal"&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;"&gt;感謝有您&lt;/span&gt; &lt;/b&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;"&gt;邁向&lt;/span&gt;&lt;span lang="EN-US"&gt;2012&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span lang="EN-US"&gt; &lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span lang="EN-US"&gt;hc&lt;/span&gt;&lt;/b&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family:&amp;quot;Times New Roman&amp;quot;"&gt;的&lt;/span&gt;&lt;span lang="EN-US"&gt;”&lt;/span&gt;&lt;/b&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;"&gt;剪貼簿&lt;/span&gt;&lt;span lang="EN-US"&gt;”&lt;/span&gt;&lt;/b&gt;&lt;b style="mso-bidi-font-weight: normal"&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family:&amp;quot;Times New Roman&amp;quot;"&gt;在&lt;/span&gt;&lt;span lang="EN-US"&gt;2011&lt;/span&gt;&lt;/b&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family:&amp;quot;Times New Roman&amp;quot;"&gt;年約有&lt;/span&gt;&lt;span lang="EN-US"&gt;25&lt;/span&gt;&lt;/b&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;"&gt;萬人次造訪&lt;/span&gt;&lt;span lang="EN-US"&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span lang="EN-US"&gt; &lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="color:#3366FF" lang="EN-US"&gt;&lt;a href="http://demingcircle.blogspot.com/" target="new"&gt;&lt;span style="font-family: 新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family:&amp;quot;Times New Roman&amp;quot;; color:#3366FF"&gt;戴明圈&lt;/span&gt;&lt;span style="color:#3366FF"&gt;: A Taiwanese Deming Circle&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;img src="file:///C:/DOCUME%7E1/deming/LOCALS%7E1/Temp/msohtml1/01/clip_image001.gif" height="6" border="0" width="300" /&gt;&lt;br /&gt;&lt;a href="http://hcmemory.blogspot.com/" target="new"&gt;&lt;span style="color:#3366FF; text-decoration:none;text-underline:none"&gt;&lt;span style="mso-ignore:vglayout"&gt;&lt;img src="file:///C:/DOCUME%7E1/deming/LOCALS%7E1/Temp/msohtml1/01/clip_image002.gif" height="14" border="0" width="14" /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#3366FF"&gt;"&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;color:#3366FF"&gt;交情千千&lt;/span&gt;&lt;span style="color:#3366FF"&gt;" &lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;color:#3366FF"&gt;電子連絡簿&lt;/span&gt;&lt;span style="color:#3366FF"&gt;(&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;color:#3366FF"&gt;日報&lt;/span&gt;&lt;span style="color:#3366FF"&gt;)&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;img src="file:///C:/DOCUME%7E1/deming/LOCALS%7E1/Temp/msohtml1/01/clip_image001.gif" height="6" border="0" width="293" /&gt;&lt;br /&gt;&lt;a href="http://hushihhc.blogspot.com/" target="new"&gt;&lt;span style="color:#3366FF; text-decoration:none;text-underline:none"&gt;&lt;span style="mso-ignore:vglayout"&gt;&lt;img src="file:///C:/DOCUME%7E1/deming/LOCALS%7E1/Temp/msohtml1/01/clip_image002.gif" height="6" border="0" width="6" /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:新細明體; mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family:&amp;quot;Times New Roman&amp;quot;; color:#3366FF"&gt;胡適的世界&lt;/span&gt;&lt;span style="color:#3366FF"&gt; The World of Hu Shih&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;img src="file:///C:/DOCUME%7E1/deming/LOCALS%7E1/Temp/msohtml1/01/clip_image001.gif" height="6" border="0" width="280" /&gt;&lt;br /&gt;&lt;a href="http://hcnew.blogspot.com/" target="new"&gt;&lt;span style="color:#3366FF; text-decoration:none;text-underline:none"&gt;&lt;span style="mso-ignore:vglayout"&gt;&lt;img src="file:///C:/DOCUME%7E1/deming/LOCALS%7E1/Temp/msohtml1/01/clip_image002.gif" height="6" border="0" width="6" /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:新細明體; mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family:&amp;quot;Times New Roman&amp;quot;; color:#3366FF"&gt;管理學新生&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;img src="file:///C:/DOCUME%7E1/deming/LOCALS%7E1/Temp/msohtml1/01/clip_image003.jpg" height="6" border="0" width="120" /&gt;&lt;br /&gt;&lt;a href="http://hcbooks.blogspot.com/" target="new"&gt;&lt;span style="color:#3366FF; text-decoration:none;text-underline:none"&gt;&lt;span style="mso-ignore:vglayout"&gt;&lt;img src="file:///C:/DOCUME%7E1/deming/LOCALS%7E1/Temp/msohtml1/01/clip_image002.gif" height="6" border="0" width="6" /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#3366FF"&gt;Books Birdviews &lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family:&amp;quot;Times New Roman&amp;quot;;color:#3366FF"&gt;書海&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;img src="file:///C:/DOCUME%7E1/deming/LOCALS%7E1/Temp/msohtml1/01/clip_image004.jpg" height="6" border="0" width="200" /&gt;&lt;br /&gt;&lt;a href="http://hcpeople.blogspot.com/" target="new"&gt;&lt;span style="color:#3366FF; text-decoration:none;text-underline:none"&gt;&lt;span style="mso-ignore:vglayout"&gt;&lt;img src="file:///C:/DOCUME%7E1/deming/LOCALS%7E1/Temp/msohtml1/01/clip_image002.gif" height="6" border="0" width="6" /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#3366FF"&gt;People &lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family:&amp;quot;Times New Roman&amp;quot;;color:#3366FF"&gt;人物&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;img src="file:///C:/DOCUME%7E1/deming/LOCALS%7E1/Temp/msohtml1/01/clip_image005.jpg" height="6" border="0" width="140" /&gt;&lt;br /&gt;&lt;a href="http://hcdeming.blogspot.com/" target="new"&gt;&lt;span style="color:#3366FF; text-decoration:none;text-underline:none"&gt;&lt;span style="mso-ignore:vglayout"&gt;&lt;img src="file:///C:/DOCUME%7E1/deming/LOCALS%7E1/Temp/msohtml1/01/clip_image002.gif" height="6" border="0" width="6" /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:新細明體; mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family:&amp;quot;Times New Roman&amp;quot;; color:#3366FF"&gt;品質世界&lt;/span&gt;&lt;span style="color:#3366FF"&gt; quality world&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;img src="file:///C:/DOCUME%7E1/deming/LOCALS%7E1/Temp/msohtml1/01/clip_image004.jpg" height="6" border="0" width="200" /&gt;&lt;br /&gt;&lt;a href="http://hceducation.blogspot.com/" target="new"&gt;&lt;span style="color:#3366FF; text-decoration:none;text-underline:none"&gt;&lt;span style="mso-ignore:vglayout"&gt;&lt;img src="file:///C:/DOCUME%7E1/deming/LOCALS%7E1/Temp/msohtml1/01/clip_image002.gif" height="6" border="0" width="6" /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:新細明體; mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family:&amp;quot;Times New Roman&amp;quot;; color:#3366FF"&gt;教育人&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;img src="file:///C:/DOCUME%7E1/deming/LOCALS%7E1/Temp/msohtml1/01/clip_image006.jpg" height="6" border="0" width="130" /&gt;&lt;br /&gt;&lt;a href="http://word-watcher.blogspot.com/" target="new"&gt;&lt;span style="color:#3366FF; 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mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family:&amp;quot;Times New Roman&amp;quot;; color:#3366FF"&gt;漢語人行道：演變風貌&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;img src="file:///C:/DOCUME%7E1/deming/LOCALS%7E1/Temp/msohtml1/01/clip_image007.jpg" height="6" border="0" width="240" /&gt;&lt;br /&gt;&lt;a href="http://hctranslations.blogspot.com/" target="new"&gt;&lt;span style="color:#3366FF;text-decoration:none;text-underline:none"&gt;&lt;span style="mso-ignore:vglayout"&gt;&lt;img src="file:///C:/DOCUME%7E1/deming/LOCALS%7E1/Temp/msohtml1/01/clip_image002.gif" height="6" border="0" width="6" /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:新細明體; mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family:&amp;quot;Times New Roman&amp;quot;; color:#3366FF"&gt;譯藝&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;img src="file:///C:/DOCUME%7E1/deming/LOCALS%7E1/Temp/msohtml1/01/clip_image003.jpg" height="6" border="0" width="120" /&gt;&lt;br /&gt;&lt;a href="http://ukislandrace.blogspot.com/" target="new"&gt;&lt;span style="color:#3366FF; text-decoration:none;text-underline:none"&gt;&lt;span style="mso-ignore:vglayout"&gt;&lt;img src="file:///C:/DOCUME%7E1/deming/LOCALS%7E1/Temp/msohtml1/01/clip_image002.gif" height="6" border="0" width="6" /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:新細明體; mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family:&amp;quot;Times New Roman&amp;quot;; color:#3366FF"&gt;英國風&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;img src="file:///C:/DOCUME%7E1/deming/LOCALS%7E1/Temp/msohtml1/01/clip_image006.jpg" height="6" border="0" width="130" /&gt;&lt;br /&gt;&lt;a href="http://hcjapan.blogspot.com/" target="new"&gt;&lt;span style="color:#3366FF; text-decoration:none;text-underline:none"&gt;&lt;span style="mso-ignore:vglayout"&gt;&lt;img src="file:///C:/DOCUME%7E1/deming/LOCALS%7E1/Temp/msohtml1/01/clip_image002.gif" height="6" border="0" width="6" /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:新細明體; mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family:&amp;quot;Times New Roman&amp;quot;; color:#3366FF"&gt;日本&lt;/span&gt;&lt;span style="color:#3366FF"&gt; &lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;color:#3366FF"&gt;心得帖&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;img src="file:///C:/DOCUME%7E1/deming/LOCALS%7E1/Temp/msohtml1/01/clip_image008.jpg" height="6" border="0" width="180" /&gt;&lt;br /&gt;&lt;a href="http://hcasia.blogspot.com/" target="new"&gt;&lt;span style="color:#3366FF; text-decoration:none;text-underline:none"&gt;&lt;span style="mso-ignore:vglayout"&gt;&lt;img src="file:///C:/DOCUME%7E1/deming/LOCALS%7E1/Temp/msohtml1/01/clip_image002.gif" height="6" border="0" width="6" /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:新細明體; mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family:&amp;quot;Times New Roman&amp;quot;; color:#3366FF"&gt;亞洲&lt;/span&gt;&lt;span style="color:#3366FF"&gt; &lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;img src="file:///C:/DOCUME%7E1/deming/LOCALS%7E1/Temp/msohtml1/01/clip_image009.jpg" height="6" border="0" width="110" /&gt;&lt;br /&gt;&lt;a href="http://hchealth.blogspot.com/" target="new"&gt;&lt;span style="color:#3366FF; text-decoration:none;text-underline:none"&gt;&lt;span style="mso-ignore:vglayout"&gt;&lt;img src="file:///C:/DOCUME%7E1/deming/LOCALS%7E1/Temp/msohtml1/01/clip_image002.gif" height="6" border="0" width="6" /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#3366FF"&gt;SHE&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;color:#3366FF"&gt;健康一生&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;&lt;img src="file:///C:/DOCUME%7E1/deming/LOCALS%7E1/Temp/msohtml1/01/clip_image010.jpg" height="6" border="0" width="150" /&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span lang="EN-US"&gt; &lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span lang="EN-US"&gt; &lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4780133993864114166-7067032689302835883?l=ukislandrace.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ukislandrace.blogspot.com/feeds/7067032689302835883/comments/default' title='張貼意見'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4780133993864114166&amp;postID=7067032689302835883' title='0 個意見'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/7067032689302835883'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/7067032689302835883'/><link rel='alternate' type='text/html' href='http://ukislandrace.blogspot.com/2011/12/2012_29.html' title='感謝有您 邁向2012'/><author><name>hanching chung</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4780133993864114166.post-1097322514443367818</id><published>2011-12-27T04:27:00.000-08:00</published><updated>2011-12-27T04:28:52.836-08:00</updated><title type='text'>The Design Museum</title><content type='html'>http://designmuseum.org/exhibitions/2011/terence-conran&lt;br /&gt;&lt;br /&gt;&lt;p&gt;&lt;b&gt;16 November – 04 March 2012&lt;/b&gt;&lt;/p&gt;  &lt;p&gt;The Design Museum marks Sir Terence Conran’s 80th birthday with  a major exhibition that explores his unique impact on contemporary life  in Britain. Through his own design work, and also through his  entrepreneurial flair, Conran has transformed the British way of life.  The Way We Live Now explores Conran’s impact and legacy, whilst also  showing his design approach and inspirations. The exhibition traces his  career from post-war austerity through to the new sensibility of the  Festival of Britain in the 1950s, the birth of the Independent Group and  the Pop Culture of the 1960s, to the design boom of the 1980s and on to  the present day. &lt;/p&gt;  &lt;p&gt;The exhibition is curated by Stafford Cliff and Deyan Sudjic. &lt;/p&gt;  &lt;p&gt;&lt;strong&gt;For Families&lt;/strong&gt;&lt;br /&gt;Mini-worlds Kids workshops&lt;br /&gt;Details and booking on the &lt;a href="http://designmuseum.org/families/workshops" rel="external"&gt;workshops page&lt;/a&gt;&lt;/p&gt;  &lt;p&gt;&lt;strong&gt;Late Opening&lt;/strong&gt;&lt;br /&gt;Resident Steady Go&lt;br /&gt;Friday 20 January, 6 - 10pm&lt;br /&gt;Details and booking on the &lt;a href="http://designmuseum.org/design-overtime" rel="external"&gt;overtime page&lt;/a&gt;&lt;/p&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;section class="ec-news-package "&gt;&lt;h1 class="fly-title"&gt;The Q&amp;amp;A: Terence Conran&lt;/h1&gt;&lt;article&gt;&lt;h2&gt;&lt;a href="http://www.economist.com/blogs/prospero/2011/12/qa-terence-conran"&gt;Make things with your hands&lt;/a&gt;&lt;/h2&gt;&lt;p&gt;A conversation with a pioneer of contemporary user-friendly design&lt;a href="http://www.economist.com/blogs/prospero/2011/12/qa-terence-conran#comments" title="Comments" class="comment-icon"&gt;&lt;span&gt;(7)&lt;/span&gt;&lt;/a&gt;&lt;/p&gt;&lt;/article&gt;&lt;ul class="package-item"&gt;&lt;li&gt;&lt;div&gt;&lt;a href="http://www.economist.com/blogs/prospero/2011/11/qa-michael-pawlyn" class="package-link"&gt;Lessons of design learned from nature (Nov 2011)&lt;/a&gt;&lt;a href="http://www.economist.com/blogs/prospero/2011/11/qa-michael-pawlyn#comments" title="Comments" class="comment-icon"&gt;&lt;span&gt;(24)&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;/li&gt;&lt;li&gt;&lt;div&gt;&lt;a href="http://www.economist.com/node/174229" class="package-link"&gt;Terence Conran: A man for all seasons (Oct 1998)&lt;/a&gt;&lt;/div&gt;&lt;/li&gt;&lt;li&gt;&lt;div&gt;&lt;a href="http://www.economist.com/topics/design" class="package-link"&gt;Topic page: Design&lt;/a&gt;&lt;/div&gt;&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;&lt;br /&gt;&lt;/section&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4780133993864114166-1097322514443367818?l=ukislandrace.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ukislandrace.blogspot.com/feeds/1097322514443367818/comments/default' title='張貼意見'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4780133993864114166&amp;postID=1097322514443367818' title='0 個意見'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/1097322514443367818'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/1097322514443367818'/><link rel='alternate' type='text/html' href='http://ukislandrace.blogspot.com/2011/12/design-museum.html' title='The Design Museum'/><author><name>hanching chung</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4780133993864114166.post-1079082760197558222</id><published>2011-12-27T02:01:00.000-08:00</published><updated>2011-12-27T02:03:58.343-08:00</updated><title type='text'>三本英國建築史</title><content type='html'>&lt;h3 class="post-title entry-title"&gt; 英國(時代-生活)/ Edwardian Architecture /Victorian Architecture  這兩本中國可能已翻譯.....&lt;br /&gt;&lt;/h3&gt; &lt;div class="post-header"&gt;  &lt;/div&gt;  國家文庫:英國/生活叢書編輯.--二版 .--紐約：時代, 民77 1988&lt;br /&gt;&lt;br /&gt;&lt;div class="column  x37 rt-x4"&gt;  &lt;div name="product-image" class="wgt-product-image"&gt;  &lt;a role="ui:popup" itemprop="url" href="http://www.barnesandnoble.com/w/edwardian-architecture-alastair-service/1000531867"&gt;&lt;img src="http://img2.imagesbn.com/images/79060000/79064765.JPG" alt="Edwardian Architecture by Alastair Service: Book Cover" itemprop="photo" height="259" width="185" /&gt;&lt;/a&gt;  &lt;/div&gt;          &lt;div class="w-box wgt-product-pod-anchors"&gt;&lt;a href="http://www.barnesandnoble.com/w/edwardian-architecture-alastair-service/1000531867#Details"&gt;&lt;br /&gt;&lt;/a&gt;    &lt;/div&gt; &lt;div class="w-box wgt-product-ad-box-vertical"&gt;  &lt;/div&gt; &lt;/div&gt;    &lt;span style="font-style: italic;"&gt;Edwardian Architecture        :&lt;/span&gt;&lt;span class="st"&gt;&lt;span style="font-style: italic;"&gt;: Handbook to Building Design in Britain, 1890-1914&lt;/span&gt; &lt;/span&gt;by      Alastair Service ,   Service&lt;br /&gt;&lt;br /&gt;&lt;table class="productImageGrid" align="left" border="0" cellpadding="0" cellspacing="0" width="240"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td valign="top" width="100%"&gt;&lt;table style="text-align: center;" border="0" cellpadding="0" cellspacing="0" width="300"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td id="prodImageCell" height="300" width="300"&gt;&lt;a href="http://www.amazon.co.uk/gp/product/images/0500201609/ref=dp_image_0?ie=UTF8&amp;amp;n=266239&amp;amp;s=books" target="AmazonHelp"&gt;&lt;img src="http://ecx.images-amazon.com/images/I/51C195GM5DL._SL500_AA300_.jpg" id="prodImage" alt="Victorian Architecture (World of Art)" height="300" border="0" width="300" /&gt;&lt;/a&gt;&lt;/td&gt;      &lt;/tr&gt;       &lt;tr&gt;         &lt;td class="tiny"&gt; &lt;span id="prodImageCaption"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td valign="top" width="100%"&gt;          &lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td valign="top" width="100%"&gt;         &lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td valign="top" width="100%"&gt;  &lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td valign="top" width="100%"&gt;             &lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;                   &lt;h1 class="parseasinTitle"&gt;     &lt;span id="btAsinTitle"&gt;Victorian Architecture (World of Art) &lt;span style="text-transform: capitalize; font-size: 16px;"&gt;[Paperback]&lt;/span&gt;&lt;/span&gt;    &lt;/h1&gt;               &lt;span class="contributorNameTrigger"&gt;&lt;a id="contributorNameTriggerB001H6PSI00500201609" href="http://www.amazon.co.uk/Roger-Dixon/e/B001H6PSI0/ref=ntt_athr_dp_pel_1"&gt;Roger Dixon&lt;/a&gt;&lt;a href="http://www.amazon.co.uk/Victorian-Architecture-World-Roger-Dixon/dp/0500201609#"&gt;&lt;span class="contributorChevron" style="margin-left: 5px;"&gt;&lt;span class="swSprite s_chevron"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;                &lt;span class="byLinePipe"&gt;(Author)&lt;/span&gt;,      &lt;span class="contributorNameTrigger"&gt;&lt;a id="contributorNameTriggerB0028B3LF00500201609" href="http://www.amazon.co.uk/Stefan-Muthesius/e/B0028B3LF0/ref=ntt_athr_dp_pel_2"&gt;Stefan Muthesius&lt;/a&gt;&lt;a href="http://www.amazon.co.uk/Victorian-Architecture-World-Roger-Dixon/dp/0500201609#"&gt;&lt;span class="contributorChevron" style="margin-left: 5px;"&gt;&lt;span class="swSprite s_chevron"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;                &lt;span class="byLinePipe"&gt;(Author)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;ol&gt;&lt;li class="g"&gt;&lt;h3 class="r"&gt;&lt;a href="http://books.google.com.tw/books?id=697mAAAAIAAJ&amp;amp;printsec=frontcover&amp;amp;dq=architecture+without+kings&amp;amp;source=bl&amp;amp;ots=zSMKjtqBEe&amp;amp;sig=p8pXd921CDnIvtzY0HZymt1Rwd8&amp;amp;hl=zh-TW&amp;amp;ei=f6UbTdDAF4W8vQPq7vz0DQ&amp;amp;sa=X&amp;amp;oi=book_result&amp;amp;ct=result&amp;amp;resnum=1&amp;amp;ved=0CBgQ6AEwAA"&gt;&lt;em&gt;Architecture without kings&lt;/em&gt;: the rise of Puritan classicism under ... - Google 圖書結果&lt;/a&gt;&lt;/h3&gt;&lt;div class="s"&gt;&lt;span class="gl" style="white-space: normal;"&gt;&lt;a href="http://www.google.com.tw/search?hl=zh-TW&amp;amp;client=firefox-a&amp;amp;hs=erO&amp;amp;rls=org.mozilla:zh-TW:official&amp;amp;channel=s&amp;amp;q=inauthor:%22Tim+Mowl%22&amp;amp;sa=X&amp;amp;ei=f6UbTdDAF4W8vQPq7vz0DQ&amp;amp;ved=0CBkQ9Ag"&gt;Tim Mowl&lt;/a&gt;&lt;span class="hpn"&gt;,&lt;/span&gt; &lt;a href="http://www.google.com.tw/search?hl=zh-TW&amp;amp;client=firefox-a&amp;amp;hs=erO&amp;amp;rls=org.mozilla:zh-TW:official&amp;amp;channel=s&amp;amp;q=inauthor:%22Brian+Earnshaw%22&amp;amp;sa=X&amp;amp;ei=f6UbTdDAF4W8vQPq7vz0DQ&amp;amp;ved=0CBoQ9Ag"&gt;Brian Earnshaw&lt;/a&gt; - 1995 - Architecture - 240 頁&lt;/span&gt;&lt;br /&gt;&lt;cite&gt;books.google.com.tw/books?isbn=0719046793&lt;b&gt;...&lt;/b&gt;&lt;/cite&gt;&lt;/div&gt;&lt;/li&gt;&lt;li class="g w0"&gt;&lt;div class="vsc"&gt;&lt;span class="tl"&gt;&lt;h3 class="r"&gt;&lt;a href="http://www.amazon.com/Architecture-Without-Kings-Classicism-Cromwell/dp/0719046793" class="l"&gt;Amazon.com: &lt;em&gt;Architecture Without Kings&lt;/em&gt;: The Rise of Puritan &lt;b&gt;...&lt;/b&gt;&lt;/a&gt;&lt;/h3&gt;&lt;span class="std nobr"&gt; &lt;span class="gl"&gt;-&lt;/span&gt; [ &lt;a href="http://translate.google.com.tw/translate?hl=zh-TW&amp;amp;sl=en&amp;amp;u=http://www.amazon.com/Architecture-Without-Kings-Classicism-Cromwell/dp/0719046793&amp;amp;ei=f6UbTdDAF4W8vQPq7vz0DQ&amp;amp;sa=X&amp;amp;oi=translate&amp;amp;ct=result&amp;amp;resnum=2&amp;amp;ved=0CCYQ7gEwAQ&amp;amp;prev=/search%3Fq%3Darchitecture%2Bwithout%2Bkings%26hl%3Dzh-TW%26client%3Dfirefox-a%26hs%3DerO%26rls%3Dorg.mozilla:zh-TW:official%26channel%3Ds%26prmd%3Divns" class="fl"&gt;翻譯此頁&lt;/a&gt; ]&lt;/span&gt;&lt;/span&gt;&lt;div class="s"&gt;Amazon.com: &lt;em&gt;Architecture Without Kings&lt;/em&gt;: The Rise of Puritan Classicism Under Cromwell (9780719046797): Timothy Mowl, Brian Earnshaw: Books.&lt;/div&gt;&lt;/div&gt;&lt;/li&gt;&lt;/ol&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4780133993864114166-1079082760197558222?l=ukislandrace.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ukislandrace.blogspot.com/feeds/1079082760197558222/comments/default' title='張貼意見'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4780133993864114166&amp;postID=1079082760197558222' title='0 個意見'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/1079082760197558222'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/1079082760197558222'/><link rel='alternate' type='text/html' href='http://ukislandrace.blogspot.com/2011/12/blog-post_27.html' title='三本英國建築史'/><author><name>hanching chung</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4780133993864114166.post-7151058474504998006</id><published>2011-12-26T17:43:00.001-08:00</published><updated>2011-12-26T21:19:21.861-08:00</updated><title type='text'>Holbein and England /小漢斯·霍爾拜因</title><content type='html'>&lt;a href="http://yalepress.yale.edu/BookJacket.asp?isbn=9780300102802"&gt;   &lt;img src="http://yalepress.yale.edu/images/full13/9780300102802.jpg" border="0" width="183" /&gt;  &lt;/a&gt;     &lt;ul id="details"&gt;&lt;li&gt;  May 2005 &lt;br /&gt;320 p., 9 3/4 x 11 1/4 &lt;br /&gt;180 b/w + 40 color illus.&lt;br /&gt;ISBN: 9780300102802&lt;br /&gt; Cloth: &lt;strong&gt;$65.00&lt;/strong&gt; sc  &lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;&lt;h1&gt;Holbein and England&lt;/h1&gt;       &lt;ul id="credit_notes"&gt;&lt;li&gt;    Susan Foister     &lt;/li&gt;&lt;/ul&gt;      &lt;table style="width:330px;"&gt; &lt;tbody&gt;&lt;tr&gt;        &lt;td style="display:inline;border-right:1px solid white;height:15px;background-color:#75A7B9;color:white" align="center"&gt;     &lt;a href="http://yalepress.yale.edu/reviews.asp?isbn=9780300102802"&gt;&lt;span style="font-size:78%;color:white;"&gt;      REVIEWS      &lt;/span&gt;&lt;/a&gt;    &lt;/td&gt;         &lt;td style="display:inline;border-right:1px solid white;height:15px;background-color:#75A7B9;color:white" align="center"&gt;     &lt;a href="http://books.google.com/books/yup?vid=ISBN9780300102802"&gt;&lt;span style="font-size:78%;color:white;"&gt;      PREVIEW      &lt;/span&gt;&lt;/a&gt;    &lt;/td&gt;                &lt;td style="display:inline;border-right:1px solid white;height:15px;background-color:#75A7B9;color:white" align="center"&gt;      &lt;a href="http://yalepress.yale.edu/contents.asp?isbn=9780300102802"&gt;&lt;span style="font-size:78%;color:white;"&gt;      CONTENTS      &lt;/span&gt;&lt;/a&gt;     &lt;/td&gt;         &lt;td  style="display:inline;border-right:1px solid white;height:15px;background-color:#B2B2B2;color:white;" align="center"&gt;      &lt;span style="font-size:78%;color:white;"&gt;      EXCERPTS      &lt;/span&gt;     &lt;/td&gt;          &lt;/tr&gt;&lt;tr&gt;&lt;/tr&gt;&lt;/tbody&gt; &lt;/table&gt;    &lt;br /&gt;&lt;a href="http://yalepress.yale.edu/images/interior13/9780300102802/105.jpg"&gt;&lt;img src="http://yalepress.yale.edu/images/interior13/9780300102802/105_thm.jpg" /&gt;&lt;/a&gt;    &lt;a href="http://yalepress.yale.edu/images/interior13/9780300102802/153.jpg"&gt;&lt;img src="http://yalepress.yale.edu/images/interior13/9780300102802/153_thm.jpg" /&gt;&lt;/a&gt;    &lt;a href="http://yalepress.yale.edu/images/interior13/9780300102802/35.jpg"&gt;&lt;img src="http://yalepress.yale.edu/images/interior13/9780300102802/35_thm.jpg" /&gt;&lt;/a&gt;    &lt;a href="http://yalepress.yale.edu/images/interior13/9780300102802/53.jpg"&gt;&lt;img src="http://yalepress.yale.edu/images/interior13/9780300102802/53_thm.jpg" /&gt;&lt;/a&gt;    &lt;a href="http://yalepress.yale.edu/images/interior13/9780300102802/91.jpg"&gt;&lt;img src="http://yalepress.yale.edu/images/interior13/9780300102802/91_thm.jpg" /&gt;&lt;/a&gt;    &lt;a href="http://yalepress.yale.edu/images/interior13/9780300102802/spread.jpg"&gt;&lt;img src="http://yalepress.yale.edu/images/interior13/9780300102802/spread_thm.jpg" /&gt;&lt;/a&gt;  &lt;br /&gt;     &lt;p&gt;Shortlisted in 2005 for the William Berger Prize for British  Art History, awarded by the Berger Collection Educational Trust and the  British Art Journal.&lt;/p&gt; &lt;p&gt;Included in &lt;i&gt;Choice&lt;/i&gt;'s Outstanding Academic Titles list, January 2006&lt;/p&gt;              &lt;p&gt;    One of the greatest artists of sixteenth-century Europe, Hans Holbein  the younger earned high acclaim for his work both in the city of Basel  and in England for Henry VIII and other patrons. This book is the first  to explore the full range of the artist’s English body of work as well  as the relation of this work to the visual and material culture of Tudor  England. Providing a detailed account of the paintings, drawings, and  woodcuts that Holbein produced in England, the book demonstrates  convincingly that that country was not as remote from a common European  culture as is often assumed. Rather, it was an unmistakable part of that  culture.&lt;br /&gt;&lt;br /&gt;Susan Foister discusses not only Holbein's well-known  portraits but also his decorative paintings and murals, now lost, his  designs for goldsmiths, and the works that can be associated with the  English Reformation. In addition, she considers Holbein's religious and  secular images, his techniques and practices, his status as an official  court painter, and a variety of other intriguing topics.  &lt;/p&gt;      &lt;p&gt;&lt;b&gt;Susan Foister&lt;/b&gt; is curator of Early Netherlandish, German and British painting and Director of Collections, National Gallery London.&lt;/p&gt; &lt;p&gt;&lt;br /&gt;&lt;/p&gt; &lt;p&gt;&lt;br /&gt;&lt;/p&gt; &lt;p&gt;&lt;b&gt;Table of Contents&lt;/b&gt;  &lt;/p&gt; &lt;b&gt;Preface and Acknowledgements&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Introduction&lt;/b&gt;&lt;br /&gt;&lt;b&gt;1   Holbein&lt;br /&gt;&lt;/b&gt;            Holbein in England&lt;br /&gt;           Holbein’s English Patrons&lt;br /&gt;           Holbein at Work&lt;br /&gt;           A Holbein Workshop?&lt;br /&gt;&lt;b&gt;2   England&lt;/b&gt;&lt;br /&gt;           Paintings in Early Sixteenth-century England&lt;br /&gt;           Valuing Paintings&lt;br /&gt;           Acquiring Paintings&lt;br /&gt;&lt;b&gt;3   Decoration and Design&lt;br /&gt;&lt;/b&gt;            The Greenwich Revels of 1527&lt;br /&gt;           The Hanseatic Commissions&lt;br /&gt;           Designs for Goldsmiths&lt;br /&gt;&lt;b&gt;4   Holbein and the English Reformation&lt;br /&gt;&lt;/b&gt;            Holbein and the Imagery of the English Reformation&lt;br /&gt;           The Coverdale Bible&lt;br /&gt;           Holbein’s Radical Reformation Woodcuts&lt;br /&gt;&lt;b&gt;5   Holbein the Portraitist&lt;/b&gt;&lt;br /&gt;           From Basel to England&lt;br /&gt;           Princely Portraits&lt;br /&gt;           Portraits of Foreigners&lt;br /&gt;           Portraits for the English&lt;br /&gt;&lt;b&gt;Conclusion: Holbein and England after 1543&lt;br /&gt;Abbreviations&lt;br /&gt;Notes&lt;br /&gt;Bibliography&lt;br /&gt;Appendix&lt;br /&gt;Photograph Credits&lt;br /&gt;Index&lt;/b&gt;&lt;br /&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;a href="http://en.wikipedia.org/wiki/Hans_Holbein_the_Younger"&gt;English&lt;/a&gt;&lt;div id="siteSub"&gt;维基百科，自由的百科全书&lt;/div&gt;                                                                 &lt;div class="thumb tright"&gt; &lt;div class="thumbinner" style="width:215px;"&gt;&lt;a href="http://zh.wikipedia.org/wiki/File:HolbeindJ.jpg" class="image"&gt;&lt;img alt="" src="http://upload.wikimedia.org/wikipedia/commons/0/08/HolbeindJ.jpg" class="thumbimage" height="213" width="213" /&gt;&lt;/a&gt; &lt;div class="thumbcaption"&gt; &lt;div class="magnify"&gt;&lt;a href="http://zh.wikipedia.org/wiki/File:HolbeindJ.jpg" class="internal" title="放大"&gt;&lt;img src="http://bits.wikimedia.org/skins-1.18/common/images/magnify-clip.png" alt="" height="11" width="15" /&gt;&lt;/a&gt;&lt;/div&gt; 盧卡斯為霍爾拜因畫的微型畫像，&lt;a href="http://zh.wikipedia.org/wiki/1543%E5%B9%B4" title="1543年"&gt;1543年&lt;/a&gt;&lt;/div&gt; &lt;/div&gt; &lt;/div&gt; &lt;div class="thumb tright"&gt; &lt;div class="thumbinner" style="width:252px;"&gt;&lt;a href="http://zh.wikipedia.org/wiki/File:Hans_Holbein_the_Younger_-_The_Ambassadors_-_Google_Art_Project.jpg" class="image"&gt;&lt;img alt="" src="http://upload.wikimedia.org/wikipedia/commons/thumb/8/88/Hans_Holbein_the_Younger_-_The_Ambassadors_-_Google_Art_Project.jpg/250px-Hans_Holbein_the_Younger_-_The_Ambassadors_-_Google_Art_Project.jpg" class="thumbimage" height="246" width="250" /&gt;&lt;/a&gt; &lt;div class="thumbcaption"&gt; &lt;div class="magnify"&gt;&lt;a href="http://zh.wikipedia.org/wiki/File:Hans_Holbein_the_Younger_-_The_Ambassadors_-_Google_Art_Project.jpg" class="internal" title="放大"&gt;&lt;img src="http://bits.wikimedia.org/skins-1.18/common/images/magnify-clip.png" alt="" height="11" width="15" /&gt;&lt;/a&gt;&lt;/div&gt; 《大使們》，&lt;a href="http://zh.wikipedia.org/wiki/1533%E5%B9%B4" title="1533年"&gt;1533年&lt;/a&gt;&lt;/div&gt; &lt;/div&gt; &lt;/div&gt; &lt;p&gt;&lt;b&gt;小漢斯·霍爾拜因&lt;/b&gt; （&lt;a href="http://zh.wikipedia.org/wiki/%E5%BE%B7%E8%AF%AD" title="德語"&gt;德語&lt;/a&gt;：&lt;span lang="de"&gt;Hans Holbein der Jüngere&lt;/span&gt;，約1497年－1543年11月29日以前） 是&lt;a href="http://zh.wikipedia.org/wiki/%E5%BE%B7%E5%9B%BD" title="德國"&gt;德國&lt;/a&gt;&lt;a href="http://zh.wikipedia.org/wiki/%E7%94%BB%E5%AE%B6" title="畫家" class="mw-redirect"&gt;畫家&lt;/a&gt;，最擅長&lt;a href="http://zh.wikipedia.org/wiki/%E6%B2%B9%E7%94%BB" title="油畫"&gt;油畫&lt;/a&gt;和&lt;a href="http://zh.wikipedia.org/wiki/%E7%89%88%E7%94%BB" title="版畫"&gt;版畫&lt;/a&gt;，屬於&lt;a href="http://zh.wikipedia.org/wiki/%E6%AC%A7%E6%B4%B2" title="歐洲"&gt;歐洲&lt;/a&gt;北方&lt;a href="http://zh.wikipedia.org/wiki/%E6%96%87%E8%89%BA%E5%A4%8D%E5%85%B4" title="文藝復興"&gt;文藝復興&lt;/a&gt;時代的&lt;a href="http://zh.wikipedia.org/wiki/%E8%89%BA%E6%9C%AF" title="藝術"&gt;藝術&lt;/a&gt;家，他最著名的作品是許多肖像畫和系列木&lt;a href="http://zh.wikipedia.org/wiki/%E7%89%88%E7%94%BB" title="版畫"&gt;版畫&lt;/a&gt;《死神之舞》。&lt;/p&gt; &lt;table id="toc" class="toc"&gt; &lt;tbody&gt;&lt;tr&gt; &lt;td&gt; &lt;div id="toctitle"&gt; &lt;h2&gt;目錄&lt;/h2&gt; &lt;span class="toctoggle"&gt; [&lt;a href="http://zh.wikipedia.org/wiki/%E5%B0%8F%E6%B1%89%E6%96%AF%C2%B7%E9%9C%8D%E5%B0%94%E6%8B%9C%E5%9B%A0#" class="internal" id="togglelink"&gt;隐藏&lt;/a&gt;] &lt;/span&gt;&lt;/div&gt; &lt;ul&gt;&lt;li class="toclevel-1 tocsection-1"&gt;&lt;a href="http://zh.wikipedia.org/wiki/%E5%B0%8F%E6%B1%89%E6%96%AF%C2%B7%E9%9C%8D%E5%B0%94%E6%8B%9C%E5%9B%A0#.E6.97.A9.E6.9C.9F.E7.94.9F.E5.B9.B3"&gt;&lt;span class="tocnumber"&gt;1&lt;/span&gt; &lt;span class="toctext"&gt;早期生平&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="toclevel-1 tocsection-2"&gt;&lt;a href="http://zh.wikipedia.org/wiki/%E5%B0%8F%E6%B1%89%E6%96%AF%C2%B7%E9%9C%8D%E5%B0%94%E6%8B%9C%E5%9B%A0#.E5.9C.A8.E8.8B.B1.E5.9B.BD"&gt;&lt;span class="tocnumber"&gt;2&lt;/span&gt; &lt;span class="toctext"&gt;在英國&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="toclevel-1 tocsection-3"&gt;&lt;a href="http://zh.wikipedia.org/wiki/%E5%B0%8F%E6%B1%89%E6%96%AF%C2%B7%E9%9C%8D%E5%B0%94%E6%8B%9C%E5%9B%A0#.E9.A3.8E.E6.A0.BC"&gt;&lt;span class="tocnumber"&gt;3&lt;/span&gt; &lt;span class="toctext"&gt;風格&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="toclevel-1 tocsection-4"&gt;&lt;a href="http://zh.wikipedia.org/wiki/%E5%B0%8F%E6%B1%89%E6%96%AF%C2%B7%E9%9C%8D%E5%B0%94%E6%8B%9C%E5%9B%A0#.E6.B3.A8.E9.87.8A"&gt;&lt;span class="tocnumber"&gt;4&lt;/span&gt; &lt;span class="toctext"&gt;注釋&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="toclevel-1 tocsection-5"&gt;&lt;a href="http://zh.wikipedia.org/wiki/%E5%B0%8F%E6%B1%89%E6%96%AF%C2%B7%E9%9C%8D%E5%B0%94%E6%8B%9C%E5%9B%A0#.E5.A4.96.E9.83.A8.E9.93.BE.E6.8E.A5.E5.92.8C.E5.8F.82.E8.80.83.E6.96.87.E7.8C.AE"&gt;&lt;span class="tocnumber"&gt;5&lt;/span&gt; &lt;span class="toctext"&gt;外部連結和參考文獻&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt; &lt;/td&gt; &lt;/tr&gt; &lt;/tbody&gt;&lt;/table&gt; &lt;h2&gt;&lt;span class="editsection"&gt;[&lt;a href="http://zh.wikipedia.org/w/index.php?title=%E5%B0%8F%E6%B1%89%E6%96%AF%C2%B7%E9%9C%8D%E5%B0%94%E6%8B%9C%E5%9B%A0&amp;amp;action=edit&amp;amp;section=1" title="编辑段落：早期生平"&gt;编辑&lt;/a&gt;]&lt;/span&gt; &lt;span class="mw-headline" id=".E6.97.A9.E6.9C.9F.E7.94.9F.E5.B9.B3"&gt;早期生平&lt;/span&gt;&lt;/h2&gt; &lt;p&gt;霍爾拜因出生於&lt;a href="http://zh.wikipedia.org/wiki/%E5%B7%B4%E4%BC%90%E5%88%A9%E4%BA%9A" title="巴伐利亞"&gt;巴伐利亞&lt;/a&gt;的&lt;a href="http://zh.wikipedia.org/wiki/%E5%A5%A5%E6%A0%BC%E6%96%AF%E5%A0%A1" title="奧格斯堡"&gt;奧格斯堡&lt;/a&gt;，是 &lt;a href="http://zh.wikipedia.org/wiki/%E6%AC%A7%E6%B4%B2" title="歐洲"&gt;歐洲&lt;/a&gt;最大的礦冶工業和金融業的中心。&lt;sup id="cite_ref-0" class="reference"&gt;&lt;a href="http://zh.wikipedia.org/wiki/%E5%B0%8F%E6%B1%89%E6%96%AF%C2%B7%E9%9C%8D%E5%B0%94%E6%8B%9C%E5%9B%A0#cite_note-0"&gt;[1]&lt;/a&gt;&lt;/sup&gt;他主要是向他的父親&lt;a href="http://zh.wikipedia.org/w/index.php?title=%E8%80%81%E6%B1%89%E6%96%AF%C2%B7%E9%9C%8D%E5%B0%94%E6%8B%9C%E5%9B%A0&amp;amp;action=edit&amp;amp;redlink=1" class="new" title="老漢斯·霍爾拜因"&gt;老漢斯·霍爾拜因&lt;/a&gt;學習&lt;a href="http://zh.wikipedia.org/wiki/%E7%BB%98%E7%94%BB" title="繪畫"&gt;繪畫&lt;/a&gt;，後來他和哥哥一起去了&lt;a href="http://zh.wikipedia.org/wiki/%E7%91%9E%E5%A3%AB" title="瑞士"&gt;瑞士&lt;/a&gt;的&lt;a href="http://zh.wikipedia.org/wiki/%E5%B7%B4%E5%A1%9E%E5%B0%94" title="巴塞爾"&gt;巴塞爾&lt;/a&gt;，在那裡他遇見&lt;a href="http://zh.wikipedia.org/wiki/%E4%BA%BA%E6%96%87%E4%B8%BB%E4%B9%89" title="人文主義"&gt;人文主義&lt;/a&gt;者&lt;a href="http://zh.wikipedia.org/wiki/%E4%BC%8A%E6%8B%89%E6%96%AF%E8%B0%9F" title="伊拉斯謨" class="mw-redirect"&gt;伊拉斯謨&lt;/a&gt;，伊拉斯謨委託他為自己的諷刺作品《愚人頌》繪製插圖，他同時還為&lt;a href="http://zh.wikipedia.org/wiki/%E9%A9%AC%E4%B8%81%C2%B7%E8%B7%AF%E5%BE%B7" title="馬丁·路德" class="mw-redirect"&gt;馬丁·路德&lt;/a&gt;翻譯的&lt;a href="http://zh.wikipedia.org/wiki/%E5%BE%B7%E8%AF%AD" title="德語"&gt;德語&lt;/a&gt;《&lt;a href="http://zh.wikipedia.org/wiki/%E5%9C%A3%E7%BB%8F" title="聖經" class="mw-redirect"&gt;聖經&lt;/a&gt;》繪製了插圖，他也為巴塞爾市政廳繪製壁畫，為教堂和私人住宅設計&lt;a href="http://zh.wikipedia.org/wiki/%E8%8A%B1%E7%AA%97%E7%8E%BB%E7%92%83" title="花窗玻璃"&gt;玻璃鑲嵌畫&lt;/a&gt;和裝飾畫。&lt;a href="http://zh.wikipedia.org/wiki/1517%E5%B9%B4" title="1517年"&gt;1517年&lt;/a&gt;應邀到瑞士中部作畫，順道到過&lt;a href="http://zh.wikipedia.org/wiki/%E6%84%8F%E5%A4%A7%E5%88%A9" title="義大利"&gt;義大利&lt;/a&gt;，學習義大利的「新藝術」。回來後被接納為巴塞爾畫家同業公會會員，和一位皮革商的寡婦結婚，並開了自己的畫店。&lt;a href="http://zh.wikipedia.org/wiki/1524%E5%B9%B4" title="1524年"&gt;1524年&lt;/a&gt;，曾到&lt;a href="http://zh.wikipedia.org/wiki/%E6%B3%95%E5%9B%BD" title="法國"&gt;法國&lt;/a&gt;旅行。&lt;sup id="cite_ref-ZHU_1-0" class="reference"&gt;&lt;a href="http://zh.wikipedia.org/wiki/%E5%B0%8F%E6%B1%89%E6%96%AF%C2%B7%E9%9C%8D%E5%B0%94%E6%8B%9C%E5%9B%A0#cite_note-ZHU-1"&gt;[2]&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt; &lt;p&gt;&lt;br /&gt;&lt;/p&gt; &lt;h2&gt;&lt;span class="editsection"&gt;[&lt;a href="http://zh.wikipedia.org/w/index.php?title=%E5%B0%8F%E6%B1%89%E6%96%AF%C2%B7%E9%9C%8D%E5%B0%94%E6%8B%9C%E5%9B%A0&amp;amp;action=edit&amp;amp;section=2" title="编辑段落：在英國"&gt;编辑&lt;/a&gt;]&lt;/span&gt; &lt;span class="mw-headline" id=".E5.9C.A8.E8.8B.B1.E5.9B.BD"&gt;在英國&lt;/span&gt;&lt;/h2&gt; &lt;p&gt;當時發生在瑞士的&lt;a href="http://zh.wikipedia.org/wiki/%E5%AE%97%E6%95%99%E6%94%B9%E9%9D%A9" title="宗教改革"&gt;宗教改革&lt;/a&gt;反對教堂懸掛繪畫等偶像，因此作為一位藝術家霍爾拜因的處境比較艱難，&lt;a href="http://zh.wikipedia.org/wiki/1526%E5%B9%B4" title="1526年"&gt;1526年&lt;/a&gt;他轉道尼德蘭去了&lt;a href="http://zh.wikipedia.org/wiki/%E4%BC%A6%E6%95%A6" title="倫敦"&gt;倫敦&lt;/a&gt;，伊拉斯謨為他向&lt;a href="http://zh.wikipedia.org/wiki/%E6%89%98%E9%A9%AC%E6%96%AF%C2%B7%E8%8E%AB%E5%B0%94" title="托馬斯·莫爾"&gt;托馬斯·莫爾&lt;/a&gt;寫了一封推薦信，所以霍爾拜因在英國站住了腳，他為&lt;a href="http://zh.wikipedia.org/wiki/%E4%BA%A8%E5%88%A9%E5%85%AB%E4%B8%96" title="亨利八世"&gt;亨利八世&lt;/a&gt;和他的朝臣們繪製了許多肖像，還曾經為亨利八世設計朝服，並為其第二個妻子&lt;a href="http://zh.wikipedia.org/wiki/%E5%AE%89%E5%A6%AE%C2%B7%E5%8D%9A%E6%9E%97" title="安妮·博林"&gt;安妮·博林&lt;/a&gt;設計墓碑和墓前裝飾，不過他為博林畫的畫像可能在博林被處死後已經被銷毀了。他還曾經為亨利八世後來的其他幾位妻子畫過肖像。亨利八世曾經批評他的肖像畫過於美化他的妻子們。&lt;a href="http://zh.wikipedia.org/wiki/1528%E5%B9%B4" title="1528年"&gt;1528年&lt;/a&gt;，他回到巴塞爾處理一些事務，並承接了幾項繪畫，第二年繼續拋妻離子回到倫敦，再也沒有回家。&lt;/p&gt; &lt;div class="thumb tleft"&gt; &lt;div class="thumbinner" style="width:252px;"&gt;&lt;a href="http://zh.wikipedia.org/wiki/File:Hans_Holbein_d._J._065.jpg" class="image"&gt;&lt;img alt="" src="http://upload.wikimedia.org/wikipedia/commons/thumb/f/f0/Hans_Holbein_d._J._065.jpg/250px-Hans_Holbein_d._J._065.jpg" class="thumbimage" height="315" width="250" /&gt;&lt;/a&gt; &lt;div class="thumbcaption"&gt; &lt;div class="magnify"&gt;&lt;a href="http://zh.wikipedia.org/wiki/File:Hans_Holbein_d._J._065.jpg" class="internal" title="放大"&gt;&lt;img src="http://bits.wikimedia.org/skins-1.18/common/images/magnify-clip.png" alt="" height="11" width="15" /&gt;&lt;/a&gt;&lt;/div&gt; 《托馬斯·莫爾像》，&lt;a href="http://zh.wikipedia.org/wiki/1527%E5%B9%B4" title="1527年"&gt;1527年&lt;/a&gt;&lt;/div&gt; &lt;/div&gt; &lt;/div&gt; &lt;p&gt;&lt;br /&gt;&lt;a href="http://zh.wikipedia.org/wiki/1543%E5%B9%B4" title="1543年"&gt;1543年&lt;/a&gt;，他正在為亨利八世畫另一幅肖像時，由於感染瘟疫在倫敦去世，年僅48歲，他是在 &lt;a href="http://zh.wikipedia.org/wiki/10%E6%9C%887%E6%97%A5" title="10月7日"&gt;10月7日&lt;/a&gt;寫下的遺囑，在遺囑的&lt;a href="http://zh.wikipedia.org/wiki/11%E6%9C%8829%E6%97%A5" title="11月29日"&gt;11月29日&lt;/a&gt;附件上註明他「最近已經逝世」。&lt;sup id="cite_ref-2" class="reference"&gt;&lt;a href="http://zh.wikipedia.org/wiki/%E5%B0%8F%E6%B1%89%E6%96%AF%C2%B7%E9%9C%8D%E5%B0%94%E6%8B%9C%E5%9B%A0#cite_note-2"&gt;[3]&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt; &lt;h2&gt;&lt;span class="editsection"&gt;[&lt;a href="http://zh.wikipedia.org/w/index.php?title=%E5%B0%8F%E6%B1%89%E6%96%AF%C2%B7%E9%9C%8D%E5%B0%94%E6%8B%9C%E5%9B%A0&amp;amp;action=edit&amp;amp;section=3" title="编辑段落：風格"&gt;编辑&lt;/a&gt;]&lt;/span&gt; &lt;span class="mw-headline" id=".E9.A3.8E.E6.A0.BC"&gt;風格&lt;/span&gt;&lt;/h2&gt; &lt;div class="thumb tright"&gt; &lt;div class="thumbinner" style="width:222px;"&gt;&lt;a href="http://zh.wikipedia.org/wiki/File:O_abade.JPG" class="image"&gt;&lt;img alt="" src="http://upload.wikimedia.org/wikipedia/commons/thumb/0/0e/O_abade.JPG/220px-O_abade.JPG" class="thumbimage" height="290" width="220" /&gt;&lt;/a&gt; &lt;div class="thumbcaption"&gt; &lt;div class="magnify"&gt;&lt;a href="http://zh.wikipedia.org/wiki/File:O_abade.JPG" class="internal" title="放大"&gt;&lt;img src="http://bits.wikimedia.org/skins-1.18/common/images/magnify-clip.png" alt="" height="11" width="15" /&gt;&lt;/a&gt;&lt;/div&gt; 《死神之舞》中的「死神和修道院長」&lt;/div&gt; &lt;/div&gt; &lt;/div&gt; &lt;div class="thumb tleft"&gt; &lt;div class="thumbinner" style="width:222px;"&gt;&lt;a href="http://zh.wikipedia.org/wiki/File:Wiki004.jpg" class="image"&gt;&lt;img alt="Wiki004.jpg" src="http://upload.wikimedia.org/wikipedia/commons/thumb/7/72/Wiki004.jpg/220px-Wiki004.jpg" class="thumbimage" height="303" width="220" /&gt;&lt;/a&gt; &lt;div class="thumbcaption"&gt; &lt;div class="magnify"&gt;&lt;a href="http://zh.wikipedia.org/wiki/File:Wiki004.jpg" class="internal" title="放大"&gt;&lt;img src="http://bits.wikimedia.org/skins-1.18/common/images/magnify-clip.png" alt="" height="11" width="15" /&gt;&lt;/a&gt;&lt;/div&gt; &lt;/div&gt; &lt;/div&gt; &lt;/div&gt; &lt;p&gt;霍爾拜因在創作一幅肖像畫以前，經常用鉛筆描繪衣物、裝飾品等細節，有時也用鋼筆或堊筆，然後在紙上沿輪廓紮上小孔，鋪在畫布上，用炭粉將其轉移到 畫布上。在晚年也使用複寫紙。他的畫作對細節描繪非常詳細、真實，甚至於儀器上的刻度、信箋上的文字、桌布上的花紋都描繪的一絲不苟，但整體風格仍然非常 統一，人文主義風格非常明顯，&lt;a href="http://zh.wikipedia.org/wiki/%E4%BF%84%E7%BD%97%E6%96%AF" title="俄羅斯"&gt;俄羅斯&lt;/a&gt;作家&lt;a href="http://zh.wikipedia.org/wiki/%E9%99%80%E6%96%AF%E5%A6%A5%E8%80%B6%E5%A4%AB%E6%96%AF%E5%9F%BA" title="陀斯妥耶夫斯基" class="mw-redirect"&gt;陀斯妥耶夫斯基&lt;/a&gt;曾經評價他的作品《墓中的&lt;a href="http://zh.wikipedia.org/wiki/%E5%9F%BA%E7%9D%A3" title="基督"&gt;基督&lt;/a&gt;》：「可以把許多人的信仰奪去。」 &lt;sup id="cite_ref-ZHU_1-1" class="reference"&gt;&lt;a href="http://zh.wikipedia.org/wiki/%E5%B0%8F%E6%B1%89%E6%96%AF%C2%B7%E9%9C%8D%E5%B0%94%E6%8B%9C%E5%9B%A0#cite_note-ZHU-1"&gt;[2]&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt; &lt;p&gt;&lt;br /&gt;他曾經從同為英國王室&lt;a href="http://zh.wikipedia.org/wiki/%E7%94%BB%E5%AE%B6" title="畫家" class="mw-redirect"&gt;畫家&lt;/a&gt;的弗拉芒畫家盧卡斯·霍亨布特那裡學習畫微型畫，盧卡斯曾為他畫了一幅微型畫像，他自己從沒有畫過自畫像。&lt;/p&gt; &lt;h2&gt;&lt;span class="editsection"&gt;[&lt;a href="http://zh.wikipedia.org/w/index.php?title=%E5%B0%8F%E6%B1%89%E6%96%AF%C2%B7%E9%9C%8D%E5%B0%94%E6%8B%9C%E5%9B%A0&amp;amp;action=edit&amp;amp;section=4" title="编辑段落：注釋"&gt;编辑&lt;/a&gt;]&lt;/span&gt; &lt;span class="mw-headline" id=".E6.B3.A8.E9.87.8A"&gt;注釋&lt;/span&gt;&lt;/h2&gt; &lt;div class="references-small"&gt; &lt;ol class="references"&gt;&lt;li id="cite_note-0"&gt;&lt;b&gt;&lt;a href="http://zh.wikipedia.org/wiki/%E5%B0%8F%E6%B1%89%E6%96%AF%C2%B7%E9%9C%8D%E5%B0%94%E6%8B%9C%E5%9B%A0#cite_ref-0"&gt;^&lt;/a&gt;&lt;/b&gt; &lt;a rel="nofollow" class="external text" href="http://www.kunstmuseumbasel.ch/en/exhibitions/archives/holbein.html"&gt;Biography at Kunstmuseum&lt;/a&gt;&lt;/li&gt;&lt;li id="cite_note-ZHU-1"&gt;^ &lt;a href="http://zh.wikipedia.org/wiki/%E5%B0%8F%E6%B1%89%E6%96%AF%C2%B7%E9%9C%8D%E5%B0%94%E6%8B%9C%E5%9B%A0#cite_ref-ZHU_1-0"&gt;&lt;sup&gt;&lt;b&gt;2.0&lt;/b&gt;&lt;/sup&gt;&lt;/a&gt; &lt;a href="http://zh.wikipedia.org/wiki/%E5%B0%8F%E6%B1%89%E6%96%AF%C2%B7%E9%9C%8D%E5%B0%94%E6%8B%9C%E5%9B%A0#cite_ref-ZHU_1-1"&gt;&lt;sup&gt;&lt;b&gt;2.1&lt;/b&gt;&lt;/sup&gt;&lt;/a&gt; 朱龍華編著 《荷爾拜因》 上海人民美術出版社， &lt;a href="http://zh.wikipedia.org/wiki/1964%E5%B9%B4" title="1964年"&gt;1964年&lt;/a&gt;6月，上海&lt;/li&gt;&lt;li id="cite_note-2"&gt;&lt;b&gt;&lt;a href="http://zh.wikipedia.org/wiki/%E5%B0%8F%E6%B1%89%E6%96%AF%C2%B7%E9%9C%8D%E5%B0%94%E6%8B%9C%E5%9B%A0#cite_ref-2"&gt;^&lt;/a&gt;&lt;/b&gt; Michael Levey, &lt;i&gt;The German School; National Gallery Catalogues&lt;/i&gt;, 1959, National Gallery, London&lt;/li&gt;&lt;/ol&gt; &lt;/div&gt; &lt;h2&gt;&lt;span class="editsection"&gt;[&lt;a href="http://zh.wikipedia.org/w/index.php?title=%E5%B0%8F%E6%B1%89%E6%96%AF%C2%B7%E9%9C%8D%E5%B0%94%E6%8B%9C%E5%9B%A0&amp;amp;action=edit&amp;amp;section=5" title="编辑段落：外部連結和參考文獻"&gt;编辑&lt;/a&gt;]&lt;/span&gt; &lt;span class="mw-headline" id=".E5.A4.96.E9.83.A8.E9.93.BE.E6.8E.A5.E5.92.8C.E5.8F.82.E8.80.83.E6.96.87.E7.8C.AE"&gt;外部連結和參考文獻&lt;/span&gt;&lt;/h2&gt; &lt;div class="infobox sisterproject"&gt; &lt;div class="floatleft"&gt;&lt;a href="http://zh.wikipedia.org/wiki/File:Commons-logo.svg" class="image"&gt;&lt;img alt="Commons-logo.svg" src="http://upload.wikimedia.org/wikipedia/commons/thumb/4/4a/Commons-logo.svg/30px-Commons-logo.svg.png" height="40" width="30" /&gt;&lt;/a&gt;&lt;/div&gt; &lt;div style="margin-left: 40px;"&gt;&lt;a href="http://zh.wikipedia.org/wiki/%E7%BB%B4%E5%9F%BA%E5%85%B1%E4%BA%AB%E8%B5%84%E6%BA%90" title="維基共享資源"&gt;維基共享資源&lt;/a&gt;中相關的多媒體資源： &lt;div class="plainlinks" style="margin-left: 10px;"&gt;&lt;b&gt;&lt;a class="external text" href="http://commons.wikimedia.org/wiki/Hans_Holbein_der_J%C3%BCngere?uselang=zh"&gt;小漢斯·霍爾拜因&lt;/a&gt;&lt;/b&gt;&lt;/div&gt; &lt;/div&gt; &lt;/div&gt; &lt;ul&gt;&lt;li&gt;&lt;a rel="nofollow" class="external text" href="http://www.artcyclopedia.com/artists/holbein_the_younger_hans.html"&gt;保存霍爾拜因作品的博物館名單&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a rel="nofollow" class="external text" href="http://www.ibiblio.org/wm/paint/auth/holbein/"&gt;早期作品&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a rel="nofollow" class="external text" href="http://www.tate.org.uk/britain/exhibitions/holbein/"&gt;英國泰德博物館2006年霍爾拜因畫作展&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a rel="nofollow" class="external text" href="http://smarthistory.org/blog/22/holbein-vodcast/"&gt;作品《大使們》&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a rel="nofollow" class="external text" href="http://www.museumsyndicate.com/artist.php?artist=410"&gt;MuseumSyndicate網站中的霍爾拜因&lt;/a&gt;&lt;/li&gt;&lt;li&gt;&lt;a rel="nofollow" class="external text" href="http://book-lover.com/danceofdeath/"&gt;《死神之舞》&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;             &lt;span style="font-family:georgia;font-size:78%;color:gray;"&gt;&lt;b&gt;OTHER TITLES BY THIS AUTHOR&lt;/b&gt;&lt;/span&gt; &lt;hr style="height:1px;color:lightgrey"&gt;&lt;a href="http://yalepress.yale.edu/book.asp?isbn=9780300050820"&gt;&lt;img src="http://yalepress.yale.edu/images/THUMB13/9780300050820.jpg" /&gt;&lt;/a&gt;      &lt;a href="http://yalepress.yale.edu/book.asp?isbn=9780300073263"&gt;&lt;img src="http://yalepress.yale.edu/images/THUMB13/9780300073263.jpg" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4780133993864114166-7151058474504998006?l=ukislandrace.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ukislandrace.blogspot.com/feeds/7151058474504998006/comments/default' title='張貼意見'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4780133993864114166&amp;postID=7151058474504998006' title='0 個意見'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/7151058474504998006'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/7151058474504998006'/><link rel='alternate' type='text/html' href='http://ukislandrace.blogspot.com/2011/12/holbein-and-england.html' title='Holbein and England /小漢斯·霍爾拜因'/><author><name>hanching chung</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4780133993864114166.post-1591749392567834899</id><published>2011-12-24T03:44:00.000-08:00</published><updated>2011-12-24T03:45:23.566-08:00</updated><title type='text'>A trip along the Dales Way shows how Britain balances walkers’ rights with property rights</title><content type='html'>&lt;h2 class="fly-title"&gt;The joy of walking&lt;/h2&gt;           &lt;h3 class="headline"&gt;A path through time immemorial&lt;/h3&gt;       &lt;h1 class="rubric"&gt;&lt;span style="font-size:100%;"&gt;A trip along the Dales Way shows how Britain balances walkers’ rights with property rights&lt;/span&gt;&lt;/h1&gt;          &lt;p class="ec-article-info"&gt;       Dec 17th 2011              | &lt;em&gt;ILKLEY &lt;/em&gt;                     | from the print edition          &lt;/p&gt;     &lt;div id="block-ec_components-share_inline_header" class="block block-ec_components"&gt;     &lt;div class="content clearfix"&gt;     &lt;div class="share_inline_header"&gt;&lt;ul class="clearfix"&gt;&lt;li class="share-inline-header-facebook first omniture-tagged" frame="top_fb"&gt;&lt;span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/li&gt;&lt;li class="share-inline-header-twitter even last omniture-tagged" frame="top_twitter"&gt;&lt;br /&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;  &lt;/div&gt; &lt;/div&gt;     &lt;div class="ec-article-content clear"&gt;       &lt;p&gt;  &lt;/p&gt;&lt;div class="content-image-float clearfix"&gt;     &lt;img src="http://media.economist.com/sites/default/files/imagecache/290-width/images/print-edition/20111217_WAP002_0.jpg" alt="" title="" class="imagecache imagecache-290-width" height="584" width="290" /&gt;             &lt;/div&gt; &lt;p&gt;PACKHORSES first crossed the Old Bridge in Ilkley in 1675, probably  bringing wool to market from the sheep farms that still dot the  Yorkshire Dales. The modern traveller will approach the bridge across  the river Wharfe with a different purpose. A sign at its foot heralds  the start of the Dales Way, a 76-mile (122-kilometre) trek through some  of the prettiest parts of England.&lt;/p&gt; &lt;p&gt;The intrepid hiker who makes the full trip will walk on every kind of  surface: main roads, narrow rocky paths that are slippery when wet (as  this correspondent can painfully attest), alleys overgrown with weeds,  and fields where mud has merged with sheep and cow dung to form a brown  ooze the colour of oxtail soup. He will pass through tiny villages with  quintessential Yorkshire names like Hubberholme and Yockenthwaite and  cross (via an overhead walkway) the six lanes of the M6 motorway that  threads from Birmingham to Carlisle. And he will observe the English at  play in all kinds of weather—teenage boys enjoying a refreshing swim,  trout fishermen standing thigh-high in the current, elderly couples  accompanied by their dogs and even one man taking his falcon for a walk.&lt;/p&gt;       &lt;div class="related-items"&gt;       &lt;strong&gt;In this section&lt;/strong&gt;&lt;ul class="related-item-list special-report"&gt;&lt;li class="0 first"&gt;&lt;a href="http://www.economist.com/node/21541753"&gt;The Company that ruled the waves&lt;/a&gt;&lt;/li&gt;&lt;li class="1"&gt;&lt;a href="http://www.economist.com/node/21541722"&gt;Frog-hunters of the Western Ghats&lt;/a&gt;&lt;/li&gt;&lt;li class="2"&gt;&lt;a href="http://www.economist.com/node/21541721"&gt;The game&lt;/a&gt;&lt;/li&gt;&lt;li class="3"&gt;&lt;span class="current-article "&gt;&lt;span class="related-current-indicator"&gt;»&lt;/span&gt;A path through time immemorial&lt;/span&gt;&lt;/li&gt;&lt;li class="4"&gt;&lt;a href="http://www.economist.com/node/21541719"&gt;How Luther went viral&lt;/a&gt;&lt;/li&gt;&lt;li class="5"&gt;&lt;a href="http://www.economist.com/node/21541718"&gt;The faith (and doubts) of our fathers&lt;/a&gt;&lt;/li&gt;&lt;li class="6"&gt;&lt;a href="http://www.economist.com/node/21541717"&gt;The servant problem&lt;/a&gt;&lt;/li&gt;&lt;li class="7"&gt;&lt;a href="http://www.economist.com/node/21541712"&gt;Why have servants?&lt;/a&gt;&lt;/li&gt;&lt;li class="8"&gt;&lt;a href="http://www.economist.com/node/21541711"&gt;Pirate, colonist, slave&lt;/a&gt;&lt;/li&gt;&lt;li class="9"&gt;&lt;a href="http://www.economist.com/node/21541715"&gt;A Riche history&lt;/a&gt;&lt;/li&gt;&lt;li class="10"&gt;&lt;a href="http://www.economist.com/node/21541716"&gt;Little red card&lt;/a&gt;&lt;/li&gt;&lt;li class="11"&gt;&lt;a href="http://www.economist.com/node/21541714"&gt;Sun Tzu and the art of soft power&lt;/a&gt;&lt;/li&gt;&lt;li class="12"&gt;&lt;a href="http://www.economist.com/node/21541713"&gt;The one-shot society&lt;/a&gt;&lt;/li&gt;&lt;li class="13"&gt;&lt;a href="http://www.economist.com/node/21541706"&gt;Retail therapy&lt;/a&gt;&lt;/li&gt;&lt;li class="14"&gt;&lt;a href="http://www.economist.com/node/21541708"&gt;Brewed force&lt;/a&gt;&lt;/li&gt;&lt;li class="15"&gt;&lt;a href="http://www.economist.com/node/21541709"&gt;The wisdom of crowds&lt;/a&gt;&lt;/li&gt;&lt;li class="16"&gt;&lt;a href="http://www.economist.com/node/21541710"&gt;Portrait of the artist as an entrepreneur&lt;/a&gt;&lt;/li&gt;&lt;li class="17 last"&gt;&lt;a href="http://www.economist.com/node/21541707"&gt;Seven seconds of fire&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;&lt;/div&gt;   &lt;p&gt;The joys of walking have long inspired poets and writers. Some have  spoken of the sense of freedom that comes from leaving the city behind;  the delicious choices offered by forked paths that lead through deep  woods or over hilltops. In the “Song of the Open Road”, Walt Whitman  wrote:&lt;/p&gt; &lt;p&gt; &lt;/p&gt; &lt;ul&gt;&lt;li&gt;Afoot and lighthearted I take to the open road, &lt;/li&gt;&lt;li&gt;Healthy, free, the world before me, &lt;/li&gt;&lt;li&gt;The long brown path before me leading wherever I choose.&lt;/li&gt;&lt;/ul&gt; &lt;p&gt; &lt;/p&gt; &lt;p&gt;Walking seems to set the mind free for contemplation. The philosopher  Friedrich Nietzsche said that “All truly great thoughts are conceived  by walking.” The Welsh writer Lloyd Jones, who was inspired to produce  his first novel by a 1,000-mile trek round his homeland, said that “The  moving landscape provides an absorbing diversion which frees the mind  and gives us a fresh viewpoint, and we’re most at ease with the world  when we walk because everything is happening at a manageable pace.”&lt;/p&gt; &lt;p&gt;Some politicians like the ability to ponder the great issues of state  as they plod. William Gladstone, a Victorian prime minister and  moralist, was an enthusiastic daily walker, opening a route up Mount  Snowdon at the age of 83. While mired in the euro zone’s financial woes  this year, Angela Merkel, the German chancellor, chose to spend her  summer holiday walking in the south Tyrol  (although the trip didn’t  inspire any immediate solutions to the problem).&lt;/p&gt; &lt;p&gt;  &lt;/p&gt;&lt;div class="content-image-float clearfix"&gt;     &lt;img src="http://media.economist.com/sites/default/files/imagecache/290-width/images/print-edition/20111217_WAM989.gif" alt="" title="" class="imagecache imagecache-290-width" height="227" width="290" /&gt;             &lt;/div&gt; &lt;p&gt;In Europe, now that national borders have withered away, the open  road is longer. Paths criss-cross the continent from the Black Sea to  the Atlantic. Lis Nielsen of the European Ramblers’ Association recounts  how she met a young Slovenian while walking in her native Denmark. He  had grown up in a village marked by a sign for the E6 hiking trail that  runs from Finland to the Aegean. He dreamed of following the route to  Denmark and saved up all his annual holiday entitlement so he could do  so.&lt;/p&gt; &lt;p&gt;America has a huge number of hiking routes, nearly all on public  land. The Appalachian Trail, which follows the eponymous mountains from  Georgia to Maine, is almost 2,200 miles long (some hikers claim that  there is little to see but trees). Yosemite national park in California  includes over 800 miles of trails.&lt;/p&gt; &lt;p&gt;Some 56m Americans went hiking in 2010, according to a survey by the  Outdoor Industry Foundation. The number of people who went backpacking  overnight rose by 18% between 2006 and 2010. It is a cheap activity,  well-suited to an era of economic malaise. A survey of hikers in  America’s Washington state found that, on average, they each spent just  $409 a year on their hobby.&lt;/p&gt; &lt;p&gt;Broadly speaking, the countries that offer the most liberal rights to  walkers are those with the most free space. In Norway and Sweden, where  the national character is steeped in stoicism and fresh air, there is a  general assumption in favour of access. But the pattern does not always  hold. In the thinly populated American West, hikers sometimes find it  necessary to cross private land in order to link between national and  state parks. They can do so only if landowners are friendly: the idea of  a “right to roam”—enacted in Britain in 2000—would strike most  Americans as very strange.&lt;/p&gt; &lt;p&gt;Recreational walking is by far the most popular leisure activity in  Britain: 16% of Britons do it each week, according to the government,  compared with 11% who go to the gym. Perhaps this derives from the old  connection between rural pursuits and breeding:  Victorian businessmen  who made good hastened to buy a country estate. Perhaps the  claustrophobia caused by living in the most densely populated large  country in Europe drives Britons to seek out open spaces at the  weekends. Or perhaps it is down to the British love of dogs, who trot  behind many an occasional walker.&lt;/p&gt; &lt;p&gt;But while Britons have itchy feet, they are also very attached to the  notion that their homes are their castles. So there is a  struggle—albeit a generally well-mannered one—between walkers’ rights  and property rights.&lt;/p&gt; &lt;p&gt;&lt;strong&gt;Walking since time immemorial&lt;/strong&gt;&lt;/p&gt; &lt;p&gt;The 4,000 or so people who annually complete the Dales Way are  tackling just one of the 720 long-distance trails that traverse the  British Isles. The longest, the South West Coast path, is 630 miles  long, taking in the coast of Devon and Cornwall; it is also one of the  easiest to navigate as long as travellers follow a simple rule (start in  Minehead and keep the sea on your right). New long-distance paths are  added every year, largely by linking existing paths together; there were  just 150 national trails back in 1980. The total British network covers  close to 150,000 miles; a lot for a small group of islands.&lt;/p&gt; &lt;p&gt;These treks are part of a grand British tradition; the right to walk  over private land. This right is not unlimited. The route has to have  been established by custom. Some of the paths were built by the Romans;  others date back to “time immemorial”, a date established by legal  convention to be the reign of Richard the Lionheart (1189-1199).&lt;/p&gt; &lt;p&gt;Paths were originally designed for practical, rather than leisure,  use. In Scotland broad paths were built after the Jacobite rebellions of  the 18th century, as a way of allowing English soldiers to move quickly  round the rugged landscape. Medieval peasants needed to cross feudal  estates to get to market. Some paths disappeared when common land was  enclosed in the 18th century but walkers fought back: in 1826, the  Manchester Association for the Preservation of Ancient Footpaths was  formed with the aim of taking a local landowner to court.&lt;/p&gt; &lt;p&gt;A legal principle dubbed “once a highway, always a highway” means  that a right of way, once established, is hard to abolish. That is why  English hikers can find themselves wandering through a cornfield, or  facing the suspicious gaze of a sheep; activities that in America might  attract the attention of an angry landowner with a shotgun. The Dales  Way takes the hiker past the kitchen windows of several farms and down  private driveways; on this correspondent’s trek, an enterprising  schoolboy had set up a stall, complete with honesty box, to sell drinks  to parched walkers.&lt;/p&gt; &lt;p&gt;A rough code binds both parties. Landowners are not supposed to block  footpaths, or leave hikers at the mercy of an angry bull; walkers are  supposed to shut gates, leave no litter and keep their dogs under  control. The designated highway authority (usually the local council) is  responsible for maintaining the route and, as a result, owns the  physical ground of the path, “to the depth of two spades” according to  legal custom.&lt;/p&gt; &lt;p&gt;These hiking rights were established through classic English  compromise. In 1932, 400-500 ramblers walked across a stretch of grouse  moor in Derbyshire in the face of robust opposition. Gamekeepers sought  to repel the invasion, lest the hikers scare away the birds that their  employers sought to shoot. Some of the trespassers were sent to jail. In  those days, hiking was a cheap way for factory workers to escape from  their satanic mills at weekends, so the pastime was imbued with  proletarian virtue. Ministers in the post-war Labour government of  1945-51 held an annual ramble in the Pennines. That government duly  passed the National Parks and Access to Countryside Act, enacting  walkers’ rights and creating much-loved parks in, for instance, the Lake  District and Snowdonia. Another Labour government passed the  Countryside and Rights of Way Act in 2000 that gave walkers Nordic-style  rights to roam across open land like moors and mountains.&lt;/p&gt; &lt;div class="pullquote"&gt;Hiking was a cheap way for factory hands to escape from satanic mills at weekends&lt;/div&gt; &lt;p&gt;Such acts have a difficult balance to strike. Even those who guard  the right to roam most jealously would object if passers-by wandered  through their back gardens. Some celebrities, such as Madonna, have  argued that walkers represent a threat to their personal security and  demanded restrictions on access rights. One landowner, Nicholas van  Hoogstraten, blocked a path through his land with barbed wire and even a  padlocked gate. The Ramblers’ Association took him to court and won.&lt;/p&gt; &lt;p&gt;But such cases are rare. The most alarming hazard this correspondent  came across was a sign implying the presence of a bull in the next  field; fortunately, it turned out to be a pictorial, rather than actual,  deterrent.&lt;/p&gt; &lt;p&gt;To the annoyance of landowners, ramblers tend to resist permanent  alterations to ancient paths, even when a diversion would make the walk  no less pleasant; but landowners are often able to get courts to agree  to temporary diversions past their land (as the model Claudia Schiffer  did when she married in the Suffolk village of Shimpling in 2002). The  Ramblers’ Association, which fights doggedly for walkers’ rights, says  it is notified of such diversions, the vast majority of which are  unopposed, 70-80 times a week.&lt;/p&gt; &lt;p&gt;In America, the hiker’s biggest problem is generally isolation. It  can be a week between towns on the Appalachian Trail, so travellers need  a week’s worth of food as well as extra water. On long stretches of the  trail, the accommodation is a wooden hut with one side exposed to the  elements.&lt;/p&gt; &lt;p&gt;The British hiker, by contrast, is rarely far from a  bed-and-breakfast where sweaty clothes can be shed, showers taken, and a  full English breakfast provided, complete with such nutritionally  dubious items as fatty bacon and fried bread. At the communal dining  table, doughty old women rub shoulders with rugby-playing students.  While the landlady slaves away in the kitchen, the landlord may well  give the guests the benefits of his views on the finer points of  politics and economics. But even if his company is uncongenial, the  boarding house will soon be left far behind. On the Dales Way, only the  sheep can hear you scream.&lt;/p&gt;     &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4780133993864114166-1591749392567834899?l=ukislandrace.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ukislandrace.blogspot.com/feeds/1591749392567834899/comments/default' title='張貼意見'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4780133993864114166&amp;postID=1591749392567834899' title='0 個意見'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/1591749392567834899'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/1591749392567834899'/><link rel='alternate' type='text/html' href='http://ukislandrace.blogspot.com/2011/12/trip-along-dales-way-shows-how-britain.html' title='A trip along the Dales Way shows how Britain balances walkers’ rights with property rights'/><author><name>hanching chung</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4780133993864114166.post-7208335487348584452</id><published>2011-12-24T00:47:00.000-08:00</published><updated>2011-12-23T18:21:42.376-08:00</updated><title type='text'>Eton College/Harrow School, birch</title><content type='html'>&lt;a href="http://word-watcher.blogspot.com/2011/12/birch-eton-college-harrow-school.html"&gt;birch, Eton College , Harrow School&lt;/a&gt;&lt;h3 class="post-title entry-title"&gt;&lt;br /&gt;&lt;/h3&gt;現在我假設本文的推論是對的 而且胡先生在英國的著名"貴族"中學 (我知道的至少有3所)中只訪問過Eton College&lt;br /&gt;他老人家過了30來年 在台北的徵信新聞的一篇談體罰的文之章說 (各校當時體罰細節可能類似)&lt;br /&gt;這所也是邱吉爾先生上過的&lt;br /&gt;我想這是胡先生記錯了&lt;br /&gt;邱吉爾上的是&lt;a href="http://en.wikipedia.org/wiki/Harrow_School" target="_blank"&gt;&lt;em&gt;Harrow School&lt;/em&gt; - Wikipedia, the free encyclopedia&lt;/a&gt;&lt;br /&gt;&lt;span dir="ltr"&gt;&lt;/span&gt; &lt;ul&gt;&lt;li&gt;&lt;a href="http://hushihhc.blogspot.com/2011/12/eton-college-new-literary-movement-in.html" target="_blank"&gt;記憶之誤/Eton College 演講" The New Literary Movement in..&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;h3 class="post-title entry-title"&gt;&lt;br /&gt;&lt;/h3&gt;&lt;h3 class="post-title entry-title"&gt;Eton College 演講" The New Literary Movement in China" &lt;/h3&gt; &lt;div class="post-header"&gt;  &lt;/div&gt;  胡適1926年10月16日 (周六) 的日記   前半部遺失&lt;br /&gt;從前幾天和剩下的當日後半可知他是到英國著名的Eton College去演講" The New Literary Movement in China" (此講稿他很慎重其事 約花3晚 可能7-10鐘頭)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;胡適提到的該校校有以紅色標出  其中缺 Shelley 他是該校Syon 學院畢 (現在找不到它)  他還提到BALFOUR:&lt;a href="http://books.google.com/books/about/Balfour.html?id=lFd_PAAACAAJ" class="l"&gt;&lt;em&gt;Balfour&lt;/em&gt;: A Political Biography - &lt;em&gt;Sydney&lt;/em&gt; H. &lt;em&gt;Zebel&lt;/em&gt; - Google Books&lt;/a&gt;&lt;span class="st"&gt;This biography analyses the long political career of Arthur  James &lt;em&gt;Balfour&lt;/em&gt; (1848-&lt;wbr&gt;1930), the Conservative politician who became the first Earl of &lt;em&gt;Balfour&lt;/em&gt;.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Past pupils of Eton College are known as &lt;b&gt;Old Etonians&lt;/b&gt;. In recent years, the school has become popular with the &lt;a href="http://en.wikipedia.org/wiki/British_Royal_Family" title="British Royal Family"&gt;British Royal Family&lt;/a&gt;; Princes &lt;a href="http://en.wikipedia.org/wiki/Prince_William,_Duke_of_Cambridge" title="Prince William, Duke of Cambridge"&gt;William&lt;/a&gt; and &lt;a style="color: rgb(255, 0, 0);" href="http://en.wikipedia.org/wiki/Prince_Henry_of_Wales" title="Prince Henry of Wales" class="mw-redirect"&gt;Harry&lt;/a&gt;&lt;span style="color: rgb(255, 0, 0);"&gt; &lt;/span&gt;are Old Etonians. Eton has also produced nineteen British &lt;a href="http://en.wikipedia.org/wiki/Prime_Minister_of_the_United_Kingdom" title="Prime Minister of the United Kingdom"&gt;Prime Ministers&lt;/a&gt;, including &lt;a style="color: rgb(255, 0, 0);" href="http://en.wikipedia.org/wiki/William_Ewart_Gladstone" title="William Ewart Gladstone"&gt;William Ewart Gladstone&lt;/a&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;,&lt;/span&gt; &lt;a href="http://en.wikipedia.org/wiki/Robert_Walpole" title="Robert Walpole"&gt;Sir Robert Walpole&lt;/a&gt;, &lt;a href="http://en.wikipedia.org/wiki/Arthur_Wellesley,_1st_Duke_of_Wellington" title="Arthur Wellesley, 1st Duke of Wellington"&gt;the first Duke of Wellington&lt;/a&gt;, and the current Prime Minister, &lt;a href="http://en.wikipedia.org/wiki/David_Cameron" title="David Cameron"&gt;David Cameron&lt;/a&gt;. A rising number of pupils come to Eton from overseas, including members of &lt;a href="http://en.wikipedia.org/wiki/Royal_family" title="Royal family"&gt;royal families&lt;/a&gt; from Africa and Asia, some of whom have been sending their sons to Eton for generations. One of them, King &lt;a style="color: rgb(255, 0, 0);" href="http://en.wikipedia.org/wiki/Prajadhipok" title="Prajadhipok"&gt;Prajadhipok&lt;/a&gt;&lt;span style="color: rgb(255, 0, 0);"&gt; or &lt;/span&gt;&lt;a style="color: rgb(255, 0, 0);" href="http://en.wikipedia.org/wiki/Rama" title="Rama"&gt;Rama&lt;/a&gt;&lt;span style="color: rgb(255, 0, 0);"&gt; VII (1893–1941) of &lt;/span&gt;&lt;a style="color: rgb(255, 0, 0);" href="http://en.wikipedia.org/wiki/Thailand" title="Thailand"&gt;Siam&lt;/a&gt;, donated a garden to Eton.&lt;sup id="cite_ref-82" class="reference"&gt;&lt;a href="http://en.wikipedia.org/wiki/Eton_College#cite_note-82"&gt;&lt;span&gt;[&lt;/span&gt;83&lt;span&gt;]&lt;/span&gt;&lt;/a&gt;&lt;/sup&gt; The mediaevalist and ghost story writer &lt;a href="http://en.wikipedia.org/wiki/M._R._James" title="M. R. James"&gt;M. R. James&lt;/a&gt; was provost of Eton from 1918 until his death in 1936. The English Antarctic explorer &lt;a href="http://en.wikipedia.org/wiki/Lawrence_Oates" title="Lawrence Oates"&gt;Lawrence Oates&lt;/a&gt; attended the school. The jazz trumpeter and radio broadcaster &lt;a href="http://en.wikipedia.org/wiki/Humphrey_Lyttelton" title="Humphrey Lyttelton"&gt;Humphrey Lyttelton&lt;/a&gt; attended Eton. Actors educated at Eton include &lt;a href="http://en.wikipedia.org/wiki/Max_Pirkis" title="Max Pirkis"&gt;Max Pirkis&lt;/a&gt;, &lt;a href="http://en.wikipedia.org/wiki/Eddie_Redmayne" title="Eddie Redmayne"&gt;Eddie Redmayne&lt;/a&gt;, &lt;a href="http://en.wikipedia.org/wiki/Simon_Woods" title="Simon Woods"&gt;Simon Woods&lt;/a&gt;, &lt;a href="http://en.wikipedia.org/wiki/Damian_Lewis" title="Damian Lewis"&gt;Damian Lewis&lt;/a&gt;, &lt;a href="http://en.wikipedia.org/wiki/Dominic_West" title="Dominic West"&gt;Dominic West&lt;/a&gt;, &lt;a href="http://en.wikipedia.org/wiki/Jeremy_Brett" title="Jeremy Brett"&gt;Jeremy Brett&lt;/a&gt;, &lt;a href="http://en.wikipedia.org/wiki/Hugh_Laurie" title="Hugh Laurie"&gt;Hugh Laurie&lt;/a&gt;, &lt;a href="http://en.wikipedia.org/wiki/Tom_Hiddleston" title="Tom Hiddleston"&gt;Tom Hiddleston&lt;/a&gt; and &lt;a href="http://en.wikipedia.org/wiki/Patrick_Macnee" title="Patrick Macnee"&gt;Patrick Macnee&lt;/a&gt;. Musician &lt;a href="http://en.wikipedia.org/wiki/Frank_Turner" title="Frank Turner"&gt;Frank Turner&lt;/a&gt; also was at Eton. Other Old Etonians include &lt;a href="http://en.wikipedia.org/wiki/Henry_Fielding" title="Henry Fielding"&gt;Henry Fielding&lt;/a&gt;, &lt;a href="http://en.wikipedia.org/wiki/Guy_Burgess" title="Guy Burgess"&gt;Guy Burgess&lt;/a&gt;, &lt;a href="http://en.wikipedia.org/wiki/George_Orwell" title="George Orwell"&gt;George Orwell&lt;/a&gt;, &lt;a href="http://en.wikipedia.org/wiki/Aldous_Huxley" title="Aldous Huxley"&gt;Aldous Huxley&lt;/a&gt;, &lt;a href="http://en.wikipedia.org/wiki/John_Maynard_Keynes" title="John Maynard Keynes"&gt;John Maynard Keynes&lt;/a&gt; and &lt;a href="http://en.wikipedia.org/wiki/Henry_More" title="Henry More"&gt;Henry More&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;學校網頁&lt;br /&gt;http://www.etoncollege.com/&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;h3 class="r"&gt;&lt;a href="http://en.wikipedia.org/wiki/Eton_College" class="l"&gt;&lt;em&gt;Eton&lt;/em&gt; College - Wikipedia, the free encyclopedia&lt;/a&gt;&lt;/h3&gt;&lt;br /&gt;&lt;p&gt;&lt;b&gt;Eton College&lt;/b&gt;, often referred to simply as &lt;b&gt;Eton&lt;/b&gt;, is a British &lt;a href="http://www.answers.com/topic/independent-school-uk" class="ilnk" target="_top"&gt;independent school&lt;/a&gt; for boys aged 13 to 18. It was founded in 1440 by &lt;a href="http://www.answers.com/topic/henry-vi-of-england" class="ilnk" target="_top"&gt;King Henry VI&lt;/a&gt; as "The King's College of Our Lady of Eton besides Wyndsor".&lt;sup id="cite_ref-0" class="reference"&gt;&lt;a href="http://www.answers.com/topic/eton-college#cite_note-0"&gt;&lt;span&gt;[&lt;/span&gt;1&lt;span&gt;]&lt;/span&gt;&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt; &lt;p&gt;It is located in &lt;a href="http://www.answers.com/topic/eton-berkshire" class="ilnk" target="_top"&gt;Eton&lt;/a&gt;, near &lt;a href="http://www.answers.com/topic/windsor-berkshire" class="ilnk" target="_top"&gt;Windsor&lt;/a&gt; in England, north of &lt;a href="http://www.answers.com/topic/windsor-castle-1" class="ilnk" target="_top"&gt;Windsor Castle&lt;/a&gt;, and is one of the original nine English &lt;a href="http://www.answers.com/topic/independent-school-uk" class="ilnk" target="_top"&gt;public schools&lt;/a&gt; as defined by the &lt;a href="http://www.answers.com/topic/public-schools-act-1868" class="ilnk" target="_top"&gt;Public Schools Act 1868&lt;/a&gt;.&lt;/p&gt; &lt;p&gt;Eton has a long list of distinguished former pupils. &lt;a href="http://www.answers.com/topic/david-cameron" class="ilnk" target="_top"&gt;David Cameron&lt;/a&gt; is the nineteenth &lt;a href="http://www.answers.com/topic/prime-minister-of-the-united-kingdom" class="ilnk" target="_top"&gt;British Prime Minister&lt;/a&gt; to have attended Eton.&lt;sup id="cite_ref-bbcnews_1-0" class="reference"&gt;&lt;a href="http://www.answers.com/topic/eton-college#cite_note-bbcnews-1"&gt;&lt;span&gt;[&lt;/span&gt;2&lt;span&gt;]&lt;/span&gt;&lt;/a&gt;&lt;/sup&gt;&lt;sup id="cite_ref-2" class="reference"&gt;&lt;a href="http://www.answers.com/topic/eton-college#cite_note-2"&gt;&lt;span&gt;[&lt;/span&gt;3&lt;span&gt;]&lt;/span&gt;&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt; &lt;p&gt;Eton has traditionally been referred to as "the chief nurse of England's statesmen",&lt;sup id="cite_ref-3" class="reference"&gt;&lt;a href="http://www.answers.com/topic/eton-college#cite_note-3"&gt;&lt;span&gt;[&lt;/span&gt;4&lt;span&gt;]&lt;/span&gt;&lt;/a&gt;&lt;/sup&gt; and has been described as the most famous public school in the world.&lt;sup id="cite_ref-4" class="reference"&gt;&lt;a href="http://www.answers.com/topic/eton-college#cite_note-4"&gt;&lt;span&gt;[&lt;/span&gt;5&lt;span&gt;]&lt;/span&gt;&lt;/a&gt;&lt;/sup&gt;   Early in the 20th century, a historian of Eton wrote, "No other school   can claim to have sent forth such a cohort of distinguished figures to   make their mark on the world".&lt;sup id="cite_ref-5" class="reference"&gt;&lt;a href="http://www.answers.com/topic/eton-college#cite_note-5"&gt;&lt;span&gt;[&lt;/span&gt;6&lt;span&gt;]&lt;/span&gt;&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt; &lt;p&gt;The &lt;i&gt;&lt;a href="http://www.answers.com/topic/the-good-schools-guide" class="ilnk" target="_top"&gt;Good Schools Guide&lt;/a&gt;&lt;/i&gt; called the school "the number one boys' public school," adding, "The teaching and facilities are second to none."&lt;sup id="cite_ref-6" class="reference"&gt;&lt;a href="http://www.answers.com/topic/eton-college#cite_note-6"&gt;&lt;span&gt;[&lt;/span&gt;7&lt;span&gt;]&lt;/span&gt;&lt;/a&gt;&lt;/sup&gt; The school is a member of the &lt;a href="http://www.answers.com/topic/g20-schools" class="ilnk" target="_top"&gt;G20 Schools&lt;/a&gt; Group.&lt;/p&gt;    &lt;div id="toctitle"&gt; &lt;span class="h2"&gt;Contents&lt;/span&gt; &lt;/div&gt; &lt;ul&gt;&lt;li class="toclevel-1 tocsection-1"&gt;&lt;a href="http://www.answers.com/topic/eton-college#Overview"&gt;&lt;span class="tocnumber"&gt;1&lt;/span&gt; &lt;span class="toctext"&gt;Overview&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="toclevel-1 tocsection-2"&gt;&lt;a href="http://www.answers.com/topic/eton-college#History"&gt;&lt;span class="tocnumber"&gt;2&lt;/span&gt; &lt;span class="toctext"&gt;History&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="toclevel-1 tocsection-3"&gt;&lt;a href="http://www.answers.com/topic/eton-college#School_terms"&gt;&lt;span class="tocnumber"&gt;3&lt;/span&gt; &lt;span class="toctext"&gt;School terms&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="toclevel-1 tocsection-4"&gt;&lt;a href="http://www.answers.com/topic/eton-college#Boys.27_houses"&gt;&lt;span class="tocnumber"&gt;4&lt;/span&gt; &lt;span class="toctext"&gt;Boys' houses&lt;/span&gt;&lt;/a&gt; &lt;ul&gt;&lt;li class="toclevel-2 tocsection-5"&gt;&lt;a href="http://www.answers.com/topic/eton-college#King.27s_Scholars"&gt;&lt;span class="tocnumber"&gt;4.1&lt;/span&gt; &lt;span class="toctext"&gt;King's Scholars&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="toclevel-2 tocsection-6"&gt;&lt;a href="http://www.answers.com/topic/eton-college#Oppidans"&gt;&lt;span class="tocnumber"&gt;4.2&lt;/span&gt; &lt;span class="toctext"&gt;Oppidans&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="toclevel-2 tocsection-7"&gt;&lt;a href="http://www.answers.com/topic/eton-college#House_structure"&gt;&lt;span class="tocnumber"&gt;4.3&lt;/span&gt; &lt;span class="toctext"&gt;House structure&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt; &lt;/li&gt;&lt;li class="toclevel-1 tocsection-8"&gt;&lt;a href="http://www.answers.com/topic/eton-college#Head_Masters_of_Eton_College_.281442_-_Present_day.29"&gt;&lt;span class="tocnumber"&gt;5&lt;/span&gt; &lt;span class="toctext"&gt;Head Masters of Eton College (1442 - Present day)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="toclevel-1 tocsection-9"&gt;&lt;a href="http://www.answers.com/topic/eton-college#Uniform"&gt;&lt;span class="tocnumber"&gt;6&lt;/span&gt; &lt;span class="toctext"&gt;Uniform&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="toclevel-1 tocsection-10"&gt;&lt;a href="http://www.answers.com/topic/eton-college#Tutors_and_teaching"&gt;&lt;span class="tocnumber"&gt;7&lt;/span&gt; &lt;span class="toctext"&gt;Tutors and teaching&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="toclevel-1 tocsection-11"&gt;&lt;a href="http://www.answers.com/topic/eton-college#Societies"&gt;&lt;span class="tocnumber"&gt;8&lt;/span&gt; &lt;span class="toctext"&gt;Societies&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="toclevel-1 tocsection-12"&gt;&lt;a href="http://www.answers.com/topic/eton-college#Incentives_and_sanctions"&gt;&lt;span class="tocnumber"&gt;9&lt;/span&gt; &lt;span class="toctext"&gt;Incentives and sanctions&lt;/span&gt;&lt;/a&gt; &lt;ul&gt;&lt;li class="toclevel-2 tocsection-13"&gt;&lt;a href="http://www.answers.com/topic/eton-college#Corporal_punishment"&gt;&lt;span class="tocnumber"&gt;9.1&lt;/span&gt; &lt;span class="toctext"&gt;Corporal punishment&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt; &lt;/li&gt;&lt;li class="toclevel-1 tocsection-14"&gt;&lt;a href="http://www.answers.com/topic/eton-college#Prefects"&gt;&lt;span class="tocnumber"&gt;10&lt;/span&gt; &lt;span class="toctext"&gt;Prefects&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="toclevel-1 tocsection-15"&gt;&lt;a href="http://www.answers.com/topic/eton-college#Sports"&gt;&lt;span class="tocnumber"&gt;11&lt;/span&gt; &lt;span class="toctext"&gt;Sports&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="toclevel-1 tocsection-16"&gt;&lt;a href="http://www.answers.com/topic/eton-college#Music_and_drama"&gt;&lt;span class="tocnumber"&gt;12&lt;/span&gt; &lt;span class="toctext"&gt;Music and drama&lt;/span&gt;&lt;/a&gt; &lt;ul&gt;&lt;li class="toclevel-2 tocsection-17"&gt;&lt;a href="http://www.answers.com/topic/eton-college#Music"&gt;&lt;span class="tocnumber"&gt;12.1&lt;/span&gt; &lt;span class="toctext"&gt;Music&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="toclevel-2 tocsection-18"&gt;&lt;a href="http://www.answers.com/topic/eton-college#Drama"&gt;&lt;span class="tocnumber"&gt;12.2&lt;/span&gt; &lt;span class="toctext"&gt;Drama&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt; &lt;/li&gt;&lt;li class="toclevel-1 tocsection-19"&gt;&lt;a href="http://www.answers.com/topic/eton-college#Celebrations"&gt;&lt;span class="tocnumber"&gt;13&lt;/span&gt; &lt;span class="toctext"&gt;Celebrations&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="toclevel-1 tocsection-20"&gt;&lt;a href="http://www.answers.com/topic/eton-college#School_magazines"&gt;&lt;span class="tocnumber"&gt;14&lt;/span&gt; &lt;span class="toctext"&gt;School magazines&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="toclevel-1 tocsection-21"&gt;&lt;a href="http://www.answers.com/topic/eton-college#Charitable_status_and_fees"&gt;&lt;span class="tocnumber"&gt;15&lt;/span&gt; &lt;span class="toctext"&gt;Charitable status and fees&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="toclevel-1 tocsection-22"&gt;&lt;a href="http://www.answers.com/topic/eton-college#Controversy"&gt;&lt;span class="tocnumber"&gt;16&lt;/span&gt; &lt;span class="toctext"&gt;Controversy&lt;/span&gt;&lt;/a&gt; &lt;ul&gt;&lt;li class="toclevel-2 tocsection-23"&gt;&lt;a href="http://www.answers.com/topic/eton-college#Lottery_grant_.281995.29"&gt;&lt;span class="tocnumber"&gt;16.1&lt;/span&gt; &lt;span class="toctext"&gt;Lottery grant (1995)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="toclevel-2 tocsection-24"&gt;&lt;a href="http://www.answers.com/topic/eton-college#Unfair_dismissal_of_an_art_teacher_.282004.29"&gt;&lt;span class="tocnumber"&gt;16.2&lt;/span&gt; &lt;span class="toctext"&gt;Unfair dismissal of an art teacher (2004)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="toclevel-2 tocsection-25"&gt;&lt;a href="http://www.answers.com/topic/eton-college#School_fees_cartel_.282005.29"&gt;&lt;span class="tocnumber"&gt;16.3&lt;/span&gt; &lt;span class="toctext"&gt;School fees cartel (2005)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="toclevel-2 tocsection-26"&gt;&lt;a href="http://www.answers.com/topic/eton-college#Unproven_allegations_of_an_assault_of_a_girl_on_the_playing_fields_.282008.29"&gt;&lt;span class="tocnumber"&gt;16.4&lt;/span&gt; &lt;span class="toctext"&gt;Unproven allegations of an assault of a girl on the playing fields (2008)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="toclevel-2 tocsection-27"&gt;&lt;a href="http://www.answers.com/topic/eton-college#University_admissions_.282010.2C_2011.29"&gt;&lt;span class="tocnumber"&gt;16.5&lt;/span&gt; &lt;span class="toctext"&gt;University admissions (2010, 2011)&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt; &lt;/li&gt;&lt;li class="toclevel-1 tocsection-28"&gt;&lt;a href="http://www.answers.com/topic/eton-college#Historical_relations_with_other_schools"&gt;&lt;span class="tocnumber"&gt;17&lt;/span&gt; &lt;span class="toctext"&gt;Historical relations with other schools&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="toclevel-1 tocsection-29"&gt;&lt;a href="http://www.answers.com/topic/eton-college#Old_Etonians"&gt;&lt;span class="tocnumber"&gt;18&lt;/span&gt; &lt;span class="toctext"&gt;Old Etonians&lt;/span&gt;&lt;/a&gt; &lt;ul&gt;&lt;li class="toclevel-2 tocsection-30"&gt;&lt;a href="http://www.answers.com/topic/eton-college#Fictional_old_Etonians"&gt;&lt;span class="tocnumber"&gt;18.1&lt;/span&gt; &lt;span class="toctext"&gt;Fictional old Etonians&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt; &lt;/li&gt;&lt;li class="toclevel-1 tocsection-31"&gt;&lt;a href="http://www.answers.com/topic/eton-college#Partially_filmed_at_Eton"&gt;&lt;span class="tocnumber"&gt;19&lt;/span&gt; &lt;span class="toctext"&gt;Partially filmed at Eton&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="toclevel-1 tocsection-32"&gt;&lt;a href="http://www.answers.com/topic/eton-college#In_popular_culture"&gt;&lt;span class="tocnumber"&gt;20&lt;/span&gt; &lt;span class="toctext"&gt;In popular culture&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="toclevel-1 tocsection-33"&gt;&lt;a href="http://www.answers.com/topic/eton-college#Bibliography"&gt;&lt;span class="tocnumber"&gt;21&lt;/span&gt; &lt;span class="toctext"&gt;Bibliography&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="toclevel-1 tocsection-34"&gt;&lt;a href="http://www.answers.com/topic/eton-college#See_also"&gt;&lt;span class="tocnumber"&gt;22&lt;/span&gt; &lt;span class="toctext"&gt;See also&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="toclevel-1 tocsection-35"&gt;&lt;a href="http://www.answers.com/topic/eton-college#Notes"&gt;&lt;span class="tocnumber"&gt;23&lt;/span&gt; &lt;span class="toctext"&gt;Notes&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="toclevel-1 tocsection-36"&gt;&lt;a href="http://www.answers.com/topic/eton-college#References"&gt;&lt;span class="tocnumber"&gt;24&lt;/span&gt; &lt;span class="toctext"&gt;References&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="toclevel-1 tocsection-37"&gt;&lt;a href="http://www.answers.com/topic/eton-college#External_links"&gt;&lt;span class="tocnumber"&gt;25&lt;/span&gt; &lt;span class="toctext"&gt;External links&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4780133993864114166-7208335487348584452?l=ukislandrace.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ukislandrace.blogspot.com/feeds/7208335487348584452/comments/default' title='張貼意見'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4780133993864114166&amp;postID=7208335487348584452' title='0 個意見'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/7208335487348584452'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/7208335487348584452'/><link rel='alternate' type='text/html' href='http://ukislandrace.blogspot.com/2011/12/eton-college.html' title='Eton College/Harrow School, birch'/><author><name>hanching chung</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4780133993864114166.post-6173226064800979062</id><published>2011-12-23T04:16:00.001-08:00</published><updated>2011-12-23T04:16:18.708-08:00</updated><title type='text'>Christopher Logue</title><content type='html'>&lt;h3 class="post-title entry-title"&gt; &lt;a href="http://hcpeople.blogspot.com/2011/12/christopher-logue.html"&gt;Christopher Logue&lt;/a&gt; &lt;/h3&gt; &lt;div class="post-header"&gt;  &lt;/div&gt;  &lt;h3 class="headline"&gt;&lt;br /&gt;&lt;/h3&gt;       &lt;h1 class="rubric"&gt;Christopher Logue, poet, died on December 2nd, aged 85&lt;/h1&gt;          &lt;p class="ec-article-info"&gt;       Dec 17th 2011                    | from the print edition          &lt;/p&gt;     &lt;div id="block-ec_components-share_inline_header" class="block block-ec_components"&gt;     &lt;div class="content clearfix"&gt;     &lt;div class="share_inline_header"&gt;&lt;ul class="clearfix"&gt;&lt;li class="share-inline-header-facebook first omniture-tagged" frame="top_fb"&gt;&lt;span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/li&gt;&lt;li class="share-inline-header-twitter even last omniture-tagged" frame="top_twitter"&gt;&lt;br /&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;  &lt;/div&gt; &lt;/div&gt;     &lt;div class="ec-article-content clear"&gt;       &lt;p&gt;  &lt;/p&gt;&lt;div class="content-image-full"&gt;     &lt;img src="http://media.economist.com/sites/default/files/imagecache/full-width/images/print-edition/20111217_OBP001_0.jpg" alt="" title="" class="imagecache imagecache-full-width" height="335" width="595" /&gt;             &lt;/div&gt; &lt;p&gt;PACIFISM  was Christopher Logue’s creed. He marched to Aldermaston  against  Britain’s bomb in 1958, armed only with sandwiches. Three years  later  he served time in prison for inciting anti-nuclear demonstrations.  By  then, Homer’s “Iliad” had started to lodge in his head.&lt;/p&gt; &lt;ol&gt;                                                    ...a gleam&lt;br /&gt;(As when Bikini flashlit the Pacific)&lt;br /&gt;Staggered the Ilian sky, and by its white&lt;br /&gt;Each army saw the other’s china face, and cried:&lt;br /&gt;“&lt;em class="Italic"&gt;O please!”&lt;/em&gt;&lt;/ol&gt; &lt;p&gt;As  a prisoner he was sent to demolish a munitions factory. The irony  of  that pleased him. All war was criminal behaviour in his eyes.  Fighting  was something he couldn’t do. He had joined the army briefly at  17,  diminutive and shying from physical contact, mostly to avoid work.  But  when they did a bayonet charge in training, aiming their steel  points  at bags of straw, hideously roaring, his trousers fell down.&lt;/p&gt; &lt;ol&gt;Screaming, kicking, slicing, hacking, ripping&lt;br /&gt;Thumping their chests:&lt;br /&gt;‘I am full of the god!’&lt;br /&gt;Blubbering with terror as they beg for their lives:&lt;br /&gt;‘Laid his trunk open from shoulder to hip—&lt;br /&gt;Like a beauty-queen’s sash.’&lt;/ol&gt;&lt;br /&gt;&lt;p&gt;Violence,  no. Impatience, yes. Jamming the scissors into a vacuum  pack of  salmon. Crashing his palms on the typewriter keys when he  couldn’t  change the ribbon. Panting to bring in the Marxist paradise at  once in  drab postwar Britain, though he hadn’t even got through the  “Communist  Manifesto”. Reading his poems aloud in the 1960s (a chorus of   “Antigone” for the bicycle-makers of Nottingham) in the hope he could   immediately culturise the workers. Fuming at his own timidity,   political, intellectual, social, sexual. Especially sexual. That lonely   twice-daily wank over &lt;em class="Italic"&gt;Men Only&lt;/em&gt;.&lt;/p&gt; &lt;ol&gt;                                             …in oyster silk,&lt;br /&gt;Running her tongue around her strawberry lips&lt;br /&gt;While repositioning a spaghetti shoulder-strap,&lt;br /&gt;The Queen of Love, Our Lady Aphrodite…&lt;/ol&gt; &lt;p&gt;&lt;strong&gt;Trojans with Uzis&lt;/strong&gt;&lt;/p&gt; &lt;p&gt;Loafing  around, he lived for poetry. He longed to write like  T.S.Eliot, the  best, but couldn’t. Nor like Keats (he wept over that). A  sojourn in  Paris in the 1950s produced a slim volume to hawk around the  cafés, and  a trio of dirty books. He wrote satirical left-wing ballads  for the  Establishment Club, mixed with Ken Tynan and Lindsay Anderson on  the  edge of London’s shocking 1960s theatre scene, set his poems to  jazz,  uncovered pseuds and bizarre news stories for &lt;em class="Italic"&gt;Private Eye&lt;/em&gt;. All this put him among the Oxford boys at last. But, not having been to any university, he was never “in”.&lt;/p&gt; &lt;p&gt;Doris  Lessing suggested he should look at the “Iliad”, Homer’s  15,000-line,  2,800-year-old epic of the Trojan war. Donald Carne-Ross  then asked him  to adapt a sliver for BBC radio. With no Greek, he worked  from  multiple translations and Carne-Ross’s word-for-word cribs. Soon,   though, he knew it for himself. He could run each sequence backwards and   forwards, take it from the top, add, subtract. Put in stuff from   hoardings and headlines. Assured that there was no original text, he   took his own careering way. “All Day Permanent Red”, an ad for Revlon   lipstick, became his title for the first battle scene. And&lt;/p&gt; &lt;ol&gt;Blood? Blood like a car-wash…&lt;/ol&gt; &lt;p&gt;He  knew the music—“War Music”, as he called the work when it grew.  More  rhythmical and more alive than any version of the “Iliad” up till  then.  He sang it out himself: roughly the iambic pentameter, stopped  dead  for shouts of “Kah!” and “Yes!” and “Apollo!”. Redcurrant-haired   Achilles, creamy-armed Hera, “Dribbler” Priam and Hector, eight feet   tall, peopled his brain for 50 years. He lived on bits and bobs;   sponsors, including Paul Getty, kept him going. And as Homer’s rewrite   man, for the first time his poetry soared away:&lt;/p&gt; &lt;ol&gt;As sudden gusts&lt;br /&gt;Darken the surface of a lake; or passing clouds,&lt;br /&gt;A hill; or both, a field of standing corn,&lt;/ol&gt; &lt;ol&gt;We flowed&lt;br /&gt;Back through the ships, and lifted them;&lt;br /&gt;Our dust, our tide; and lifted them; our tide;&lt;br /&gt;Hulls dipping left; now right; our backs, our sea;&lt;br /&gt;Our masts like flickering indicators now…&lt;/ol&gt; &lt;p&gt;His  opposing Greek and Trojan armies had Uzis and whumphing  helicopters,  rose as one to their feet like the retracting slats of a  Venetian  blind, inflicted “high-reliability fast-forward pain”. Yet  above them  were the immortal gods, ambrosia-slurping, irresponsible,  their faces  set “like NO ENTRY signs” against any truce. Beside them the  fighters  faded, “a match flame struck in full sunlight”. As a “Catholic   atheist”, beaten into line by the Christian Brothers, naturally an   unbeliever but unimpressed with his own atheism, he heard the relentless   music of that Heaven:&lt;/p&gt; &lt;ol&gt;“In the beginning there was no Beginning,&lt;br /&gt;And in the end, no End…”&lt;/ol&gt; &lt;p&gt;No  end to war, that also meant. All day permanent violence, because  human  males craved it and the powers-that-be decreed it. Now as then.  But  through the cinematic, strobe-lit lines of his “Iliad” came the  great  galvanising shout he had tried to raise all his life. Against war.  For  peace.&lt;/p&gt;     &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4780133993864114166-6173226064800979062?l=ukislandrace.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ukislandrace.blogspot.com/feeds/6173226064800979062/comments/default' title='張貼意見'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4780133993864114166&amp;postID=6173226064800979062' title='0 個意見'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/6173226064800979062'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/6173226064800979062'/><link rel='alternate' type='text/html' href='http://ukislandrace.blogspot.com/2011/12/christopher-logue.html' title='Christopher Logue'/><author><name>hanching chung</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4780133993864114166.post-4820451271499708367</id><published>2011-12-23T03:56:00.000-08:00</published><updated>2011-12-23T03:57:23.048-08:00</updated><title type='text'>The Phrases and Sayings of Tudor England / "15世紀的英國私人生活"</title><content type='html'>&lt;span&gt;昨夜讀"15世紀的英國私人生活" (英文本)&lt;br /&gt;沒想到&lt;/span&gt;&lt;span&gt;&lt;span lang="EN-US"&gt;movable feasts&lt;/span&gt;&lt;/span&gt;&lt;span lang="EN-US"&gt; &lt;/span&gt;&lt;span&gt;(：可移動慶節；非固定慶節：日期每年變換、不固定的慶節（&lt;wbr&gt;瞻禮），如復活節、耶穌升天、聖神降臨、天主聖三等。)&lt;wbr&gt;比固定假期日多一天&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;****&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;span style="font-family:Verdana;font-size:85%;"&gt;This week its the annual Christmas quiz - &lt;a href="http://www.phrases.org.uk/christmas-quiz" target="_blank"&gt;www.phrases.org.uk/christmas-&lt;wbr&gt;quiz&lt;/a&gt;&lt;/span&gt;&lt;/div&gt; &lt;div&gt; &lt;/div&gt; &lt;div&gt;&lt;span style="font-family:Verdana;font-size:85%;"&gt;Merry Christmas to all Phrase A Week readers and  thanks for all the nice feedback during the past year.&lt;/span&gt;&lt;/div&gt; &lt;div&gt; &lt;/div&gt; &lt;div&gt;&lt;span style="font-family:Verdana;font-size:85%;"&gt;Gary Martin&lt;/span&gt;&lt;/div&gt; &lt;div&gt;&lt;span style="font-family:Verdana;font-size:85%;"&gt; &lt;/span&gt;&lt;/div&gt; &lt;div&gt; &lt;hr /&gt; &lt;/div&gt; &lt;div&gt;&lt;a href="http://www.phrases.org.uk/meanings/tudor-phrases-and-sayings.html" target="_blank"&gt;&lt;span style="font-family:Verdana;font-size:85%;"&gt;&lt;img src="https://mail.google.com/mail/?ui=2&amp;amp;ik=86ac3a8a18&amp;amp;view=att&amp;amp;th=134657908c79c813&amp;amp;attid=0.1&amp;amp;disp=emb&amp;amp;zw" hspace="8" align="left" /&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family:Verdana;font-size:85%;"&gt;My book on &lt;/span&gt;&lt;a href="http://www.phrases.org.uk/meanings/tudor-phrases-and-sayings.html" target="_blank"&gt;&lt;span style="font-family:Verdana;font-size:85%;"&gt;The Phrases and Sayings of Tudor England&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family:Verdana;font-size:85%;"&gt; (Kindle format) might make a good stocking-filler for  anyone who is interested in word and phrase origins. &lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4780133993864114166-4820451271499708367?l=ukislandrace.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ukislandrace.blogspot.com/feeds/4820451271499708367/comments/default' title='張貼意見'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4780133993864114166&amp;postID=4820451271499708367' title='0 個意見'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/4820451271499708367'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/4820451271499708367'/><link rel='alternate' type='text/html' href='http://ukislandrace.blogspot.com/2011/12/phrases-and-sayings-of-tudor-england-15.html' title='The Phrases and Sayings of Tudor England / &quot;15世紀的英國私人生活&quot;'/><author><name>hanching chung</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4780133993864114166.post-6433836996945891846</id><published>2011-12-22T19:01:00.000-08:00</published><updated>2011-12-22T19:03:07.506-08:00</updated><title type='text'>movable feasts</title><content type='html'>&lt;span&gt;昨夜讀"15世紀的英國私人生活" (英文本)&lt;br /&gt;沒想到&lt;/span&gt;&lt;span&gt;&lt;span lang="EN-US"&gt;movable feasts&lt;/span&gt;&lt;/span&gt;&lt;span lang="EN-US"&gt; &lt;/span&gt;&lt;span&gt;(：可移動慶節；非固定慶節：日期每年變換、不固定的慶節（&lt;wbr&gt;瞻禮），如復活節、耶穌升天、聖神降臨、天主聖三等。)&lt;wbr&gt;比固定假期日多一天&lt;br /&gt;&lt;/span&gt;&lt;p&gt;In &lt;a href="http://www.answers.com/topic/christianity" class="ilnk" target="_top"&gt;Christianity&lt;/a&gt;, a &lt;b&gt;moveable feast&lt;/b&gt; or &lt;b&gt;movable feast&lt;/b&gt; is a holy day – a &lt;a href="http://www.answers.com/topic/religious-festival-1" class="ilnk" target="_top"&gt;feast day&lt;/a&gt; or a &lt;a href="http://www.answers.com/topic/fast-day-2" class="ilnk" target="_top"&gt;fast day&lt;/a&gt; – whose date is not fixed to a particular day of the calendar year but moves in response to the date of &lt;a href="http://www.answers.com/topic/easter" class="ilnk" target="_top"&gt;Easter&lt;/a&gt;, the date of which varies according to a &lt;a href="http://www.answers.com/topic/computus" class="ilnk" target="_top"&gt;complex formula&lt;/a&gt;. Easter is itself a "moveable feast".&lt;sup class="Template-Fact" style="white-space:nowrap;"&gt;[&lt;i&gt;&lt;a rel="nofollow" href="http://en.wikipedia.org/wiki/Wikipedia:Citation_needed" target="AnswersQueryWindow" title="Wikipedia:Citation needed"&gt;&lt;span title="This claim needs references to reliable sources from March 2008"&gt;citation needed&lt;/span&gt;&lt;/a&gt;&lt;/i&gt;]&lt;/sup&gt;&lt;/p&gt; &lt;p&gt;By extension, other religions' feasts are occasionally described by  the same term. In addition many countries have secular holidays that are  moveable, for instance to make holidays more consecutive; the term  "moveable feast" is not used in this case however.&lt;/p&gt; &lt;p&gt;By &lt;a href="http://www.answers.com/topic/metaphor" class="ilnk" target="_top"&gt;metaphoric&lt;/a&gt; extension, a movable feast was used by &lt;a href="http://www.answers.com/topic/ernest-hemingway" class="ilnk" target="_top"&gt;Ernest Hemingway&lt;/a&gt;  to mean the memory of a splendid place that continues to go with the  moving traveler for the rest of life, after he has had the experience of  it and gone away. The author used the term &lt;i&gt;&lt;a href="http://www.answers.com/topic/a-moveable-feast" class="ilnk" target="_top"&gt;A Moveable Feast&lt;/a&gt;&lt;/i&gt; for the title of his late-life &lt;a href="http://www.answers.com/topic/memoir" class="ilnk" target="_top"&gt;memoirs&lt;/a&gt; of his early life as a struggling writer in &lt;a href="http://www.answers.com/topic/paris-1" class="ilnk" target="_top"&gt;Paris&lt;/a&gt;  in the 1920s. He said to a friend: "If you are lucky enough to have  lived in Paris as a young man, then wherever you go for the rest of your  life, it stays with you, for Paris is a moveable feast."&lt;sup id="cite_ref-0" class="reference"&gt;&lt;a href="http://www.answers.com/topic/moveable-feast-1#cite_note-0"&gt;&lt;span&gt;[&lt;/span&gt;1&lt;span&gt;]&lt;/span&gt;&lt;/a&gt;&lt;/sup&gt;&lt;/p&gt; &lt;table id="toc" class="toc"&gt; &lt;tbody&gt;&lt;tr&gt; &lt;td&gt; &lt;div id="toctitle"&gt; &lt;span class="h2"&gt;Contents&lt;/span&gt; &lt;/div&gt; &lt;ul&gt;&lt;li class="toclevel-1 tocsection-1"&gt;&lt;a href="http://www.answers.com/topic/moveable-feast-1#Moveable_feasts_in_Christianity"&gt;&lt;span class="tocnumber"&gt;1&lt;/span&gt; &lt;span class="toctext"&gt;Moveable feasts in Christianity&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="toclevel-1 tocsection-2"&gt;&lt;a href="http://www.answers.com/topic/moveable-feast-1#Some_of_the_fixed_feasts_in_Christianity"&gt;&lt;span class="tocnumber"&gt;2&lt;/span&gt; &lt;span class="toctext"&gt;Some of the fixed feasts in Christianity&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="toclevel-1 tocsection-3"&gt;&lt;a href="http://www.answers.com/topic/moveable-feast-1#References"&gt;&lt;span class="tocnumber"&gt;3&lt;/span&gt; &lt;span class="toctext"&gt;References&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;li class="toclevel-1 tocsection-4"&gt;&lt;a href="http://www.answers.com/topic/moveable-feast-1#External_links"&gt;&lt;span class="tocnumber"&gt;4&lt;/span&gt; &lt;span class="toctext"&gt;External links&lt;/span&gt;&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt; &lt;/td&gt; &lt;/tr&gt; &lt;/tbody&gt;&lt;/table&gt; &lt;h2&gt; &lt;span class="mw-headline" id="Moveable_feasts_in_Christianity"&gt;Moveable feasts in Christianity&lt;/span&gt;&lt;/h2&gt; &lt;ul&gt;&lt;li&gt;&lt;a href="http://www.answers.com/topic/triodion" class="ilnk" target="_top"&gt;Triodion&lt;/a&gt; – the period of 70 days before Easter (&lt;a href="http://www.answers.com/topic/eastern-orthodox-church" class="ilnk" target="_top"&gt;Eastern&lt;/a&gt; and &lt;a href="http://www.answers.com/topic/oriental-orthodoxy" class="ilnk" target="_top"&gt;Oriental Orthodox&lt;/a&gt;, Greek-Catholic)&lt;/li&gt;&lt;li&gt;&lt;a href="http://www.answers.com/topic/septuagesima" class="ilnk" target="_top"&gt;Septuagesima&lt;/a&gt; – 63 days (ninth Sunday) before Easter (Pre–&lt;a href="http://www.answers.com/topic/second-vatican-council" class="ilnk" target="_top"&gt;Vatican II&lt;/a&gt; Calendar)&lt;/li&gt;&lt;li&gt;&lt;a href="http://www.answers.com/topic/saturday-of-souls" class="ilnk" target="_top"&gt;Saturday of Souls&lt;/a&gt; – 57 days before Easter (Eastern and Oriental Orthodox, Greek-Catholic)&lt;/li&gt;&lt;li&gt;&lt;a href="http://www.answers.com/topic/sexagesima" class="ilnk" target="_top"&gt;Sexagesima&lt;/a&gt; – 56 days (eighth Sunday) before Easter (Pre–Vatican II Calendar)&lt;/li&gt;&lt;li&gt;&lt;a href="http://www.answers.com/topic/quinquagesima" class="ilnk" target="_top"&gt;Quinquagesima Sunday&lt;/a&gt; – 49 days (seventh Sunday) before Easter (Pre–Vatican II Calendar)&lt;/li&gt;&lt;li&gt;&lt;a href="http://www.answers.com/topic/shrove-monday-1" class="ilnk" target="_top"&gt;Shrove Monday&lt;/a&gt; – 48 days before Easter. (Western Christianity)&lt;/li&gt;&lt;li&gt;&lt;a href="http://www.answers.com/topic/shrove-tuesday" class="ilnk" target="_top"&gt;Shrove Tuesday&lt;/a&gt;/&lt;a href="http://www.answers.com/topic/mardi-gras" class="ilnk" target="_top"&gt;Mardi Gras&lt;/a&gt;  – 47 days before Easter. (Western Christianity; not technically a  moveable feast, because it is not a holiday on any church calendar)&lt;/li&gt;&lt;li&gt;&lt;a href="http://www.answers.com/topic/ash-wednesday" class="ilnk" target="_top"&gt;Ash Wednesday&lt;/a&gt;  – 46 days before Easter. (Western Christianity; strictly speaking, not a  feast but a fast, characterised by solemnity and acts of self-denial)&lt;/li&gt;&lt;li&gt;&lt;a href="http://www.answers.com/topic/feast-of-orthodoxy" class="ilnk" target="_top"&gt;Triumph of Orthodoxy&lt;/a&gt; – 42 days before Easter (Eastern and Oriental Orthodox, Greek-Catholic)&lt;/li&gt;&lt;li&gt;&lt;a href="http://www.answers.com/topic/people-s-sunday" class="ilnk" target="_top"&gt;People's Sunday&lt;/a&gt; – 41 days before Easter (in &lt;a href="http://www.answers.com/topic/malta" class="ilnk" target="_top"&gt;Malta&lt;/a&gt;)&lt;/li&gt;&lt;li&gt;&lt;a href="http://www.answers.com/topic/mothering-sunday" class="ilnk" target="_top"&gt;Mothering Sunday&lt;/a&gt; – 21 days before Easter (&lt;a href="http://www.answers.com/topic/anglicanism" class="ilnk" target="_top"&gt;Anglicanism&lt;/a&gt;)&lt;/li&gt;&lt;li&gt;&lt;a href="http://www.answers.com/topic/passion-sunday" class="ilnk" target="_top"&gt;Passion Sunday&lt;/a&gt; – 14 days before Easter (Anglicanism)&lt;/li&gt;&lt;li&gt;&lt;a href="http://www.answers.com/topic/lazarus-saturday" class="ilnk" target="_top"&gt;Lazarus Saturday&lt;/a&gt; – 8 days before Easter (Eastern and Oriental Orthodox, Greek-Catholic)&lt;/li&gt;&lt;li&gt;&lt;a href="http://www.answers.com/topic/palm-sunday" class="ilnk" target="_top"&gt;Palm Sunday&lt;/a&gt; – 7 days before Easter&lt;/li&gt;&lt;li&gt;&lt;a href="http://www.answers.com/topic/maundy-thursday" class="ilnk" target="_top"&gt;Maundy Thursday&lt;/a&gt; – 3 days before Easter&lt;/li&gt;&lt;li&gt;&lt;a href="http://www.answers.com/topic/good-friday" class="ilnk" target="_top"&gt;Good Friday&lt;/a&gt; – 2 days before Easter (Good Friday is actually a fast rather than a feast. See Ash Wednesday above.)&lt;/li&gt;&lt;li&gt;&lt;a href="http://www.answers.com/topic/holy-saturday" class="ilnk" target="_top"&gt;Holy Saturday&lt;/a&gt; - 1 day before Easter&lt;/li&gt;&lt;li&gt;&lt;b&gt;&lt;a href="http://www.answers.com/topic/easter" class="ilnk" target="_top"&gt;Easter&lt;/a&gt;&lt;/b&gt; – the date around which the others are placed&lt;/li&gt;&lt;li&gt;&lt;a href="http://www.answers.com/topic/gregory-i" class="ilnk" target="_top"&gt;Saint Gregory's Day&lt;/a&gt; – 3 days after Easter (in &lt;a href="http://www.answers.com/topic/malta" class="ilnk" target="_top"&gt;Malta&lt;/a&gt;)&lt;/li&gt;&lt;li&gt;&lt;i&gt;&lt;a href="http://www.answers.com/topic/octave-of-easter" class="ilnk" target="_top"&gt;The Octave of Easter&lt;/a&gt;&lt;/i&gt; or &lt;a href="http://www.answers.com/topic/mythings" class="ilnk" target="_top"&gt;Divine Mercy Sunday&lt;/a&gt;, also known as &lt;i&gt;Low Sunday&lt;/i&gt; or &lt;i&gt;Quasimodo Sunday&lt;/i&gt; – the Sunday after Easter.&lt;/li&gt;&lt;li&gt;&lt;a href="http://www.answers.com/topic/radonitsa" class="ilnk" target="_top"&gt;Radonitsa&lt;/a&gt; – 8 or 9 days after Easter (Eastern Orthodox)&lt;/li&gt;&lt;li&gt;&lt;a href="http://www.answers.com/topic/the-ascension-1" class="ilnk" target="_top"&gt;Ascension&lt;/a&gt; Day – 39 days after Easter&lt;/li&gt;&lt;li&gt;&lt;a href="http://www.answers.com/topic/pentecost" class="ilnk" target="_top"&gt;Pentecost&lt;/a&gt; – 49 days after Easter (50th day &lt;i&gt;of&lt;/i&gt; Easter)&lt;/li&gt;&lt;li&gt;&lt;a href="http://www.answers.com/topic/whit-monday" class="ilnk" target="_top"&gt;Whit Monday&lt;/a&gt; or Pentecost Monday – the day after Pentecost&lt;/li&gt;&lt;li&gt;&lt;a href="http://www.answers.com/topic/trinity-sunday" class="ilnk" target="_top"&gt;Trinity Sunday&lt;/a&gt; – 56 days after Easter (Western Christianity)&lt;/li&gt;&lt;li&gt;&lt;a href="http://www.answers.com/topic/all-saints" class="ilnk" target="_top"&gt;All Saints&lt;/a&gt; – 56 days after Easter (Eastern and Oriental Orthodox, Greek-Catholic), but in the West this feast is fixed on November 1&lt;/li&gt;&lt;li&gt;&lt;a href="http://www.answers.com/topic/corpus-christi-feast" class="ilnk" target="_top"&gt;Corpus Christi&lt;/a&gt; – 60 days after Easter (Western Christianity)&lt;/li&gt;&lt;li&gt;feast days of some significant &lt;a href="http://www.answers.com/topic/saint" class="ilnk" target="_top"&gt;saints&lt;/a&gt;' days, if a moveable feast falls too close to their usual date.&lt;/li&gt;&lt;/ul&gt; &lt;h2&gt; &lt;span class="mw-headline" id="Some_of_the_fixed_feasts_in_Christianity"&gt;Some of the fixed feasts in Christianity&lt;/span&gt;&lt;/h2&gt; &lt;ul&gt;&lt;li&gt;&lt;a href="http://www.answers.com/topic/christmas" class="ilnk" target="_top"&gt;Christmas&lt;/a&gt; – December 25&lt;/li&gt;&lt;li&gt;&lt;a href="http://www.answers.com/topic/octave-of-the-nativity" class="ilnk" target="_top"&gt;Octave of the Nativity&lt;/a&gt; – January 1&lt;/li&gt;&lt;li&gt;&lt;a href="http://www.answers.com/topic/presentation-of-jesus-at-the-temple" class="ilnk" target="_top"&gt;Presentation of Christ in the Temple&lt;/a&gt; – February 2&lt;/li&gt;&lt;li&gt;&lt;a href="http://www.answers.com/topic/transfiguration-of-jesus" class="ilnk" target="_top"&gt;Transfiguration&lt;/a&gt; – August 6&lt;/li&gt;&lt;li&gt;&lt;a href="http://www.answers.com/topic/dormition-of-the-theotokos" class="ilnk" target="_top"&gt;Dormition of the Theotokos&lt;/a&gt;/&lt;a href="http://www.answers.com/topic/assumption-of-mary-1" class="ilnk" target="_top"&gt;Assumption of Mary&lt;/a&gt; – August 15&lt;/li&gt;&lt;li&gt;&lt;a href="http://www.answers.com/topic/feast-of-the-cross" class="ilnk" target="_top"&gt;Exaltation of the Cross&lt;/a&gt; – September 14&lt;/li&gt;&lt;li&gt;feast days of most individual &lt;a href="http://www.answers.com/topic/list-of-saints" class="ilnk" target="_top"&gt;saints&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt; &lt;h2&gt; &lt;span class="mw-headline" id="References"&gt;References&lt;/span&gt;&lt;/h2&gt; &lt;div class="reflist" style="list-style-type: decimal;"&gt; &lt;ol class="references"&gt;&lt;li id="cite_note-0"&gt;&lt;b&gt;&lt;a href="http://www.answers.com/topic/moveable-feast-1#cite_ref-0"&gt;^&lt;/a&gt;&lt;/b&gt; Hotchner, A.E., &lt;i&gt;Papa Hemingway&lt;/i&gt;, New York: De Capo Press, 2005, p.?&lt;/li&gt;&lt;/ol&gt; &lt;/div&gt; &lt;h2&gt; &lt;span class="mw-headline" id="External_links"&gt;External links&lt;/span&gt;&lt;/h2&gt; &lt;ul&gt;&lt;li&gt;&lt;a rel="nofollow" href="http://www.slate.com/articles/news_and_politics/explainer/2005/02/why_some_feasts_are_movable.html" class="external text" target="AnswersQueryWindow"&gt;"Why Some Feasts Are Moveable"&lt;/a&gt;, a &lt;i&gt;&lt;a href="http://www.answers.com/topic/slate-magazine" class="ilnk" target="_top"&gt;Slate&lt;/a&gt;&lt;/i&gt; article&lt;/li&gt;&lt;li&gt;&lt;a rel="nofollow" href="http://victorcauchi.fortunecity.com/lauds.htm" class="external text" target="AnswersQueryWindow"&gt;Advent, Christmastide, Lent, Eastertide&lt;/a&gt;&lt;br /&gt;&lt;/li&gt;&lt;/ul&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4780133993864114166-6433836996945891846?l=ukislandrace.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ukislandrace.blogspot.com/feeds/6433836996945891846/comments/default' title='張貼意見'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4780133993864114166&amp;postID=6433836996945891846' title='0 個意見'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/6433836996945891846'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/6433836996945891846'/><link rel='alternate' type='text/html' href='http://ukislandrace.blogspot.com/2011/12/movable-feasts.html' title='movable feasts'/><author><name>hanching chung</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4780133993864114166.post-2236956007435510049</id><published>2011-12-22T03:28:00.000-08:00</published><updated>2011-12-22T03:30:39.660-08:00</updated><title type='text'>No Feast Lasts Forever第2次世界大戰期間3年的倫敦生活</title><content type='html'>這本回憶錄有2章談第2次世界大戰期間3年的英國/倫敦生活&lt;br /&gt;是一特例  不過可參考&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;h3 class="post-title entry-title"&gt; No Feast Lasts Forever《沒有不散的筵席》 &lt;/h3&gt; &lt;div class="post-header"&gt;  &lt;/div&gt;  &lt;span style="font-family: 新細明體;font-family:&amp;quot;;"&gt;&lt;/span&gt;&lt;p class="MsoNormal"&gt;&lt;br /&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;; mso-hansi-Times New Roman&amp;quot;font-family:&amp;quot;;"&gt;黃蕙蘭（&lt;/span&gt;&lt;span lang="EN-US"&gt;1893&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-Times New Roman&amp;quot;font-family:&amp;quot;;"&gt;年－&lt;/span&gt;&lt;span lang="EN-US"&gt;1993&lt;/span&gt;&lt;span style="font-family: 新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-Times New Roman&amp;quot;font-family:&amp;quot;;"&gt;年），外交家顧維鈞第二任妻子，南洋富商「糖王」黃仲涵之女。&lt;/span&gt;&lt;span lang="EN-US"&gt;1904&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;; mso-hansi-Times New Roman&amp;quot;font-family:&amp;quot;;"&gt;年負笈美國，後在倫敦與顧維鈞相識，&lt;/span&gt;&lt;span lang="EN-US"&gt;1920&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;; mso-hansi-Times New Roman&amp;quot;font-family:&amp;quot;;"&gt;年結為連理，生子裕昌、福昌。黃蕙蘭本人善於交際，且娘家鉅富，故蔣宋美齡曾指出，黃蕙蘭在顧維鈞的外交生涯中起了重要作用。&lt;/span&gt;&lt;span lang="EN-US"&gt;1956&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;; mso-hansi-Times New Roman&amp;quot;font-family:&amp;quot;;"&gt;年離婚。病逝於百歲壽辰當日。&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="EN-US"&gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-family: 新細明體;font-family:&amp;quot;;"&gt;黃蕙蘭是胡適同輩人。她的回憶錄《沒有不散的筵席》(&lt;/span&gt;&lt;span class="st"&gt;&lt;span style="font-style: italic;"&gt;No Feast Lasts Forever : Madame Wellington Koo&lt;/span&gt;, &lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;; mso-hansi-Times New Roman&amp;quot;font-family:&amp;quot;;"&gt;1975)由天津編譯所翻譯出版&lt;/span&gt;&lt;span lang="EN-US"&gt; 1988 &lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;;mso-hansi-Times New Roman&amp;quot;font-family:&amp;quot;;"&gt;網路上有&lt;/span&gt;&lt;span lang="EN-US"&gt;PDF&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;; mso-hansi-Times New Roman&amp;quot;font-family:&amp;quot;;"&gt;檔&lt;/span&gt; &lt;span style="font-family: 新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-Times New Roman&amp;quot;font-family:&amp;quot;;"&gt;不過該書譯序說書成於&lt;/span&gt;&lt;span lang="EN-US"&gt;1970&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;; mso-hansi-Times New Roman&amp;quot;font-family:&amp;quot;;"&gt;年代&lt;/span&gt; &lt;span style="font-family: 新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-Times New Roman&amp;quot;font-family:&amp;quot;;"&gt;。由&lt;/span&gt;&lt;span lang="EN-US"&gt; Isabella Taves&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;;mso-hansi-Times New Roman&amp;quot;font-family:&amp;quot;;"&gt;幫助完成。胡適在&lt;/span&gt;&lt;span lang="EN-US"&gt;1943&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;; mso-hansi-Times New Roman&amp;quot;font-family:&amp;quot;;"&gt;年&lt;/span&gt;&lt;span lang="EN-US"&gt;1&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-Times New Roman&amp;quot;font-family:&amp;quot;;"&gt;月&lt;/span&gt;&lt;span lang="EN-US"&gt;22&lt;/span&gt;&lt;span style="font-family: 新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-Times New Roman&amp;quot;font-family:&amp;quot;;"&gt;日起讀到的英文本&lt;/span&gt;&lt;span lang="EN-US"&gt;(&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;; mso-hansi-Times New Roman&amp;quot;font-family:&amp;quot;;"&gt;作者贈的&lt;/span&gt;&lt;span lang="EN-US"&gt;)&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-Times New Roman&amp;quot;font-family:&amp;quot;;"&gt;，可能是初稿。胡適的評價是&lt;/span&gt;&lt;span lang="EN-US"&gt;”&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-Times New Roman&amp;quot;font-family:&amp;quot;;"&gt;寫得出我意外的細密親切，文字也很好。&lt;/span&gt;&lt;span lang="EN-US"&gt;……..”&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;br /&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;br /&gt;&lt;/p&gt;&lt;div class="buying"&gt;   &lt;h1 class="parseasinTitle "&gt;  &lt;span id="btAsinTitle"&gt;No Feast Lasts Forever &lt;span style="text-transform: capitalize; font-size: 16px;"&gt;[Hardcover]&lt;/span&gt;&lt;/span&gt;   &lt;/h1&gt;          &lt;span&gt;  &lt;a href="http://www.amazon.com/s/ref=ntt_athr_dp_sr_1?_encoding=UTF8&amp;amp;sort=relevancerank&amp;amp;search-alias=books&amp;amp;ie=UTF8&amp;amp;field-author=Madame%20Wellington%20Koo"&gt;Madame Wellington Koo&lt;/a&gt; (Author),      &lt;span class="contributorNameTrigger"&gt;&lt;a id="contributorNameTriggerB0028EUBTQ" href="http://www.amazon.com/Isabella-Taves/e/B0028EUBTQ/ref=ntt_athr_dp_pel_2"&gt;Isabella Taves&lt;/a&gt;&lt;a href="http://www.amazon.com/Feast-Lasts-Forever-Madame-Wellington/dp/0812905733#"&gt;&lt;span class="contributorChevron" style="margin-left:5px;"&gt;&lt;span class="swSprite s_chevron"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;                (Author)&lt;br /&gt;&lt;/span&gt;&lt;table class="productImageGrid" align="left" border="0" cellpadding="0" cellspacing="0" width="240"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td valign="top" width="100%"&gt;&lt;table style="text-align: center;" border="0" cellpadding="0" cellspacing="0" width="300"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td id="prodImageCell" height="300" width="300"&gt;&lt;a href="http://www.amazon.com/gp/customer-media/product-gallery/0812905733/ref=cm_ciu_pdp_images_3?ie=UTF8&amp;amp;index=3"&gt;&lt;img src="http://ecx.images-amazon.com/images/I/31WYEEd-LiL._AA300_.jpg" id="dpmo2JC1XCT1JGZ5A" title="" alt="No Feast Lasts Forever" height="300" border="0" width="300" /&gt;&lt;/a&gt;&lt;/td&gt;      &lt;/tr&gt;       &lt;tr&gt;         &lt;td class="tiny"&gt; &lt;span id="prodImageCaption"&gt;&lt;br /&gt;&lt;img src="http://g-ecx.images-amazon.com/images/G/01/x-locale/common/transparent-pixel._V192234675_.gif" height="16" align="middle" border="0" /&gt;&lt;br /&gt;&lt;b&gt;Customer image from &lt;/b&gt;&lt;a href="http://www.amazon.com/gp/customer-media/customer-gallery/A2G3YTL6UWYIVM"&gt;Jay Tiger&lt;/a&gt;&lt;/span&gt; &lt;/td&gt;       &lt;/tr&gt;      &lt;/tbody&gt;&lt;/table&gt;                                         &lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td valign="top" width="100%"&gt;&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr&gt;&lt;td valign="top" width="100%"&gt;                                                                                                                                                                        &lt;div id="PIAltImagesDiv" style="height: 36px;  text-align: center;"&gt;  &lt;table align="center" border="0" cellpadding="0" cellspacing="2"&gt;   &lt;tbody&gt;&lt;tr&gt;                 &lt;td class="productThumbnail" style="border: 1px solid rgb(153, 153, 153);" id="original_image"&gt;                      &lt;table border="0" cellpadding="1px" cellspacing="0"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td class="tiny"&gt;&lt;a href="http://www.amazon.com/gp/product/images/0812905733/ref=dp_otherviews_z_0?ie=UTF8&amp;amp;s=books&amp;amp;img=0" target="AmazonHelp"&gt;&lt;img src="http://ecx.images-amazon.com/images/I/51-K9FSho3L._SL75_AA30_.jpg" height="30" border="0" width="30" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;       &lt;/td&gt;                 &lt;td class="productThumbnail" style="border: 1px solid rgb(153, 153, 153);" id="alt_image_1"&gt;                      &lt;table border="0" cellpadding="1px" cellspacing="0"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td class="tiny"&gt;&lt;a href="http://www.amazon.com/gp/product/images/0812905733/ref=dp_otherviews_z_1?ie=UTF8&amp;amp;s=books&amp;amp;img=1" target="AmazonHelp"&gt;&lt;img src="http://ecx.images-amazon.com/images/I/61sfmXaIlgL._SL75_AA30_.jpg" height="30" border="0" width="30" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;       &lt;/td&gt;                 &lt;td class="productThumbnail" style="border: 1px solid rgb(153, 153, 153);" id="cust_image_0"&gt;                      &lt;table border="0" cellpadding="1px" cellspacing="0"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td class="tiny"&gt;&lt;a href="http://www.amazon.com/gp/customer-media/product-gallery/0812905733/ref=cm_ciu_pdp_images_0?ie=UTF8&amp;amp;index=0"&gt;&lt;img src="http://g-ecx.images-amazon.com/images/G/01/ciu/a9/62/c676d250fca0cc0b9bb98010.L._AA30_.jpg" height="30" border="0" width="30" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;       &lt;/td&gt;                 &lt;td class="productThumbnail" style="border: 1px solid rgb(153, 153, 153);" id="cust_image_1"&gt;                      &lt;table border="0" cellpadding="1px" cellspacing="0"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td class="tiny"&gt;&lt;a href="http://www.amazon.com/gp/customer-media/product-gallery/0812905733/ref=cm_ciu_pdp_images_1?ie=UTF8&amp;amp;index=1"&gt;&lt;img src="http://ecx.images-amazon.com/images/I/71Cwm0Hl8IL._AA30_.jpg" height="30" border="0" width="30" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;       &lt;/td&gt;                 &lt;td class="productThumbnail" style="border: 1px solid rgb(153, 153, 153);" id="cust_image_2"&gt;                      &lt;table border="0" cellpadding="1px" cellspacing="0"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td class="tiny"&gt;&lt;a href="http://www.amazon.com/gp/customer-media/product-gallery/0812905733/ref=cm_ciu_pdp_images_2?ie=UTF8&amp;amp;index=2"&gt;&lt;img src="http://g-ecx.images-amazon.com/images/G/01/ciu/16/eb/421ad250fca0dc0b9bb98010.L._AA30_.jpg" height="30" border="0" width="30" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;       &lt;/td&gt;                 &lt;td class="productThumbnail" style="border: 1px solid rgb(153, 0, 0);" id="cust_image_3"&gt;                      &lt;table border="0" cellpadding="1px" cellspacing="0"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td class="tiny"&gt;&lt;a href="http://www.amazon.com/gp/customer-media/product-gallery/0812905733/ref=cm_ciu_pdp_images_3?ie=UTF8&amp;amp;index=3"&gt;&lt;img src="http://ecx.images-amazon.com/images/I/31WYEEd-LiL._AA30_.jpg" height="30" border="0" width="30" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;  &lt;/div&gt;&lt;h2&gt;Product Details&lt;/h2&gt;          &lt;ul&gt;&lt;li&gt;&lt;b&gt;Hardcover:&lt;/b&gt; 313 pages&lt;/li&gt;&lt;li&gt;&lt;b&gt;Publisher:&lt;/b&gt; Quadrangle/New York Times Book Co (1975)&lt;/li&gt;&lt;li&gt;&lt;b&gt;Lang&lt;/b&gt;&lt;/li&gt;&lt;/ul&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4780133993864114166-2236956007435510049?l=ukislandrace.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ukislandrace.blogspot.com/feeds/2236956007435510049/comments/default' title='張貼意見'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4780133993864114166&amp;postID=2236956007435510049' title='0 個意見'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/2236956007435510049'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/2236956007435510049'/><link rel='alternate' type='text/html' href='http://ukislandrace.blogspot.com/2011/12/no-feast-lasts-forever23.html' title='No Feast Lasts Forever第2次世界大戰期間3年的倫敦生活'/><author><name>hanching chung</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4780133993864114166.post-476640768371353014</id><published>2011-12-21T19:43:00.000-08:00</published><updated>2011-12-21T19:45:07.903-08:00</updated><title type='text'>Luxury shoppers travel to UK for bargains</title><content type='html'>&lt;span id="result_box" class="" lang="zh-TW"&gt;&lt;span style="" title="2011年12月22日 07:19 AM"&gt;2011年12月22日 07:19 AM&lt;br /&gt;&lt;/span&gt;&lt;span style="" title="Luxury shoppers travel to UK for bargains"&gt;Luxury shoppers travel to UK for bargains&lt;br /&gt;&lt;/span&gt;&lt;span style="" title="By Claer Barrett Retail Correspondent"&gt;By Claer Barrett Retail Correspondent&lt;/span&gt;&lt;span style="" title="中文评论[2条] 打印电邮收藏腾讯微博新浪微博"&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="" title="On a chilly Friday in December, one might expect that designer outlet centre Bicester Village in Oxfordshire would be full of Christmas shoppers. However, the dominant group of customers snapping up discounted Burberry, Gucci and Prada products are Chinese university students – often accompanied by their"&gt;On  a chilly Friday in December, one might expect that designer outlet  centre Bicester Village in Oxfordshire would be full of Christmas  shoppers. However, the dominant group of customers snapping up  discounted Burberry, Gucci and Prada products are Chinese university  students – often accompanied by their &lt;/span&gt;&lt;span title="parents – splurging on gifts to take home for the lunar new year."&gt;parents – splurging on gifts to take home for the lunar new year.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="" title="“The price is what we like,” says Zhing Xingzi, 33, from Beijing who is studying international relations at Nottingham University. Here with three female Chinese friends, who are trying on shoes in the Gucci outlet, he stands watch over their day's haul"&gt;“The  price is what we like,” says Zhing Xingzi, 33, from Beijing who is  studying international relations at Nottingham University. Here with  three female Chinese friends, who are trying on shoes in the Gucci  outlet, he stands watch over their day's haul &lt;/span&gt;&lt;span title="– 20 bags bearing the brands of Burberry, Prada, Ugg and Juicy Couture. “In China, just a few people can do this, not everyone,” he says, referring to the country's high sales taxes on luxury goods. “But the desire"&gt;–  20 bags bearing the brands of Burberry, Prada, Ugg and Juicy Couture.  “In China, just a few people can do this, not everyone,” he says,  referring to the country's high sales taxes on luxury goods. “But the  desire &lt;/span&gt;&lt;span title="for brands is there, and we would buy more in China if it was at this price.”"&gt;for brands is there, and we would buy more in China if it was at this price.”&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="" title="The changing appetites of Asian shoppers have driven share prices of luxury groups up and down during the course of 2011. Concern that the devastating earthquake that hit Japan – one of the most important markets for luxury goods – in March would stall demand for top brands was"&gt;The  changing appetites of Asian shoppers have driven share prices of luxury  groups up and down during the course of 2011. Concern that the  devastating earthquake that hit Japan – one of the most important  markets for luxury goods – in M​​arch would stall demand for top brands  was &lt;/span&gt;&lt;span title="cushioned by burgeoning demand from newly affluent Chinese consumers. However, over the summer, fears of a slowdown in China's economy wiped as much as 25 per cent off the share prices of luxury groups, including Burberry, which is expanding on the mainland."&gt;cushioned  by burgeoning demand from newly affluent Chinese consumers. However,  over the summer, fears of a slowdown in China's economy wiped as much as  25 per cent off the share prices of luxury groups, including Burberry,  which is expanding on the mainland.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span title="Angela Ahrendts, Burberry's chief executive, has coined the term “Travelling Luxury Consumer” or TLC to describe its key customer group, arguing this is a more powerful force than the Chinese market alone, which now accounts for over 10 per cent of Burberry's sales."&gt;Angela  Ahrendts, Burberry's chief executive, has coined the term “Travelling  Luxury Consumer” or TLC to describe its key customer group, arguing this  is a more powerful force than the Chinese market alone, which now  accounts for over 10 per cent of Burberry's sales.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="" title="“When Chinese consumers travel, they spend six times more than when they stay at home,” she explains. “Saying 'I bought this in London' adds further cachet.” For this reason, Burberry has sunk £20m into upgrading its London flagship"&gt;“When  Chinese consumers travel, they spend six times more than when they stay  at home,” she explains. “Saying 'I bought this in London' adds further  cachet.” For this reason, Burberry has sunk £20m into upgrading its  London flagship &lt;/span&gt;&lt;span title="stores, with Regent Street on target to complete “just in time for the Olympics” next year."&gt;stores, with Regent Street on target to complete “just in time for the Olympics” next year.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="" title="Other London purveyors of luxury are also feeling flush. High spending foreign tourists have powered a 32 per cent boost in post-tax annual profits at upmarket London department store Harvey Nichols, which rose to £7.25m in the year to April, according to documents"&gt;Other  London purveyors of luxury are also feeling flush. High spending  foreign tourists have powered a 32 per cent boost in post-tax annual  profits at upmarket London department store Harvey Nichols, which rose  to £7.25m in the year to April, according to documents &lt;/span&gt;&lt;span title="filed in Companies House on Friday."&gt;filed in Companies House on Friday.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span title="Harrods, its larger Knightsbridge neighbour, broke through the £1bn sales barrier in 2011, posting a 39 per cent rise in pre-tax profits to £108m and reporting that the Chinese were its top-spending international visitors, blowing an average of £3,500"&gt;Harrods,  its larger Knightsbridge neighbour, broke through the £1bn sales  barrier in 2011, posting a 39 per cent rise in pre-tax profits to £108m  and reporting that the Chinese were its top-spending international  visitors, blowing an average of £3,500 &lt;/span&gt;&lt;span title="a visit."&gt;a visit.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span title="The Chinese connoisseur who spends £25,000 on vintage wine might grab the headlines, but the majority of shoppers are of much smaller means. This helps explains the draw of Bicester, which boasts the only train station in the UK to have signs translated into Mandarin and"&gt;The  Chinese connoisseur who spends £25,000 on vintage wine might grab the  headlines, but the majority of shoppers are of much smaller means. This  helps explains the draw of Bicester, which boasts the only train station  in the UK to have signs translated into Mandarin and &lt;/span&gt;&lt;span title="Arabic, and is now the UK's third-biggest tourist shopping destination after Harrods and Selfridges."&gt;Arabic, and is now the UK's third-biggest tourist shopping destination after Harrods and Selfridges.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="" title="Its owner, the outlet specialist Value Retail Group, says visitor numbers will top 5.5m this year, with two-thirds of shoppers coming from outside the UK, and 40 per cent from outside of the EU."&gt;Its  owner, the outlet specialist Value Retail Group, says visitor numbers  will top 5.5m this year, with two-thirds of shoppers coming from outside  the UK, and 40 per cent from outside of the EU.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span title="Crystal Zhang, a 23-year-old from Shanxi Province, is studying cross-cultural communication at Newcastle University, and has brought her mother and aunt on a shopping trip. “It's their first time in the UK,” she says, as they"&gt;Crystal  Zhang, a 23-year-old from Shanxi Province, is studying cross-cultural  communication at Newcastle University, and has brought her mother and  aunt on a shopping trip. “It's their first time in the UK,” she says, as  they &lt;/span&gt;&lt;span style="" title="excitedly search through rails of discounted Burberry trenchcoats, clutching flasks of tea. “We haven't bought anything yet, we will have a good look first. We don't have unlimited money.”"&gt;excitedly  search through rails of discounted Burberry trenchcoats, clutching  flasks of tea. “We haven't bought anything yet, we will have a good look  first. We don't have unlimited money.”&lt;br /&gt;&lt;/span&gt;&lt;span title="Korean national Yung Kyoo Kim, 34, has just graduated from London Metropolitan University. “My parents came over for my graduation, but really, I think they wanted to go shopping,” he says, nodding to his mother, who is proudly carrying two"&gt;Korean  national Yung Kyoo Kim, 34, has just graduated from London Metropolitan  University. “My parents came over for my graduation, but really, I  think they wanted to go shopping,” he says, nodding to his mother, who  is proudly carrying two &lt;/span&gt;&lt;span title="bags of Salvatore Ferragamo shoes."&gt;bags of Salvatore Ferragamo shoes.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="" title="“Tourists want the authentic product, but importantly, the authentic luxury experience,” says Scott Malkin, chairman of Value Retail, referring to Bicester's well-ordered stores, armies of shop assistants and the “little touches”, which include cushions on outdoor seating"&gt;“Tourists  want the authentic product, but importantly, the authentic luxury  experience,” says Scott Malkin, chairman of Value Retail, referring to  Bicester's well-ordered stores, armies of shop assistants and the  “little touches”, which include cushions on outdoor seating &lt;/span&gt;&lt;span title="."&gt;.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="" title="Stating that levels of tourist shoppers are “consistent” across Value Retail's nine European outlet villages, he recalls that Japanese shoppers were “pouring into” outlet villages in the US in the 1980s and 1990s, arguing a “similar logic” applies to China, where"&gt;Stating  that levels of tourist shoppers are “consistent” across Value Retail's  nine European outlet villages, he recalls that Japanese shoppers were  “pouring into” outlet villages in the US in the 1980s and 1990s, arguing  a “similar logic” applies to China, where &lt;/span&gt;&lt;span title="it plans to open an outlet village in Suzhou in 2013."&gt;it plans to open an outlet village in Suzhou in 2013.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span title="“We see 4m Chinese visitors a year in our European centres, but estimate there are up to 200m aspirational shoppers in China, and many of those could never visit us otherwise,” he says."&gt;“We  see 4m Chinese visitors a year in our European centres, but estimate  there are up to 200m aspirational shoppers in China, and many of those  could never visit us otherwise,” he says.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="" title="As the village will be entirely stocked by surplus luxury products from the region's growing numbers of stores, one might question the Chinese expansion plans of luxury groups. “Our experience is that it drives more footfall into our international stores,” says Godfrey Davis, chairman"&gt;As  the village will be entirely stocked by surplus luxury products from  the region's growing numbers of stores, one might question the Chinese  expansion plans of luxury groups. “Our experience is that it drives more  footfall into our international stores,” says Godfrey Davis, chairman &lt;/span&gt;&lt;span title="of Mulberry, the luxury English retailer, which is in the process of doubling its Asian store portfolio. “The travelling luxury consumer has always existed, and is a very important part of the market. But familiarity and desire for the brand is what breeds consumption"&gt;of  Mulberry, the luxury English retailer, which is in the process of  doubling its Asian store portfolio. “The travelling luxury consumer has  always existed, and is a very important part of the market. But  familiarity and desire for the brand is what breeds consumption &lt;/span&gt;&lt;span title=".”"&gt;.”&lt;br /&gt;&lt;/span&gt;&lt;span title="中国人撑起英国名牌村"&gt;中國人撐起英國名牌村&lt;br /&gt;&lt;/span&gt;&lt;span title="英国《金融时报》零售业记者克拉尔•巴雷特"&gt;英國《金融時報》零售業記者克拉爾•巴雷特&lt;/span&gt;&lt;span title="英文对照评论[3条] 打印电邮收藏腾讯微博新浪微博"&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="" title="在12月份一个寒冷的周五，你可能会以为，名牌折扣店云集的牛津郡比斯特购物村(Bicester Village)会充斥着前来购买圣诞礼物的消费者。"&gt;在12月份一個寒冷的周五，你可能會以為，名牌折扣店雲集的牛津郡比斯特購物村(Bicester Village)會充斥著前來購買聖誕禮物的消費者。&lt;/span&gt;&lt;span title="然而，在这里抢购博柏利(Burberry)、古驰(Gucci)和普拉达(Prada)等各色名牌折扣商品的消费者却以中国留学生为主——他们很多是在父母的陪伴下，"&gt;然而，在這裡搶購博柏利(Burberry)、古馳(Gucci)和普拉達(Prada)等各色名牌折扣商品的消費者卻以中國留學生為主——他們很多是在父母的陪伴下，&lt;/span&gt;&lt;span title="大把地花钱，为春节回家选购礼物。"&gt;大把地花錢，為春節回家選購禮物。&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span title="“我们中意的是这里的价格。”今年33岁的章行自（音译）表示，他来自北京，目前在诺丁汉大学(Nottingham University)攻读国际关系。"&gt;“我們中意的是這裡的價格。”今年33歲的章行自（音譯）表示，他來自北京，目前在諾丁漢大學(Nottingham University)攻讀國際關係。&lt;/span&gt;&lt;span style="" title="与他同行的三位女性朋友也是中国人，她们在古驰折扣店里试鞋子，他则在一边看着她们这一天的战果：20大包的博柏利、普拉达、Ugg和橘滋"&gt;與他同行的三位女性朋友也是中國人，她們在古馳折扣店裡試鞋子，他則在一邊看著她們這一天的戰果：20大包的博柏利、普拉達、Ugg和橘滋&lt;/span&gt;&lt;span title="(Juicy Couture)。"&gt;(Juicy Couture)。 &lt;/span&gt;&lt;span title="“在中国，只有少数人会这么购物，不是所有人。”他指的是中国对奢侈品征收高额消费税这件事。"&gt;“在中國，只有少數人會這麼購物，不是所有人。”他指的是中國對奢侈品徵收高額消費稅這件事。 &lt;/span&gt;&lt;span title="“但人们都渴望拥有名牌，如果在中国也是这样的价钱，我们会多买一些。”"&gt;“但人們都渴望擁有名牌，如果在中國也是這樣的價錢，我們會多買一些。”&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span title="今年以来，亚洲消费者对奢侈品的兴趣变幻莫测，导致奢侈品集团的股价也忽起忽落。"&gt;今年以來，亞洲消費者對奢侈品的興趣變幻莫測，導致奢侈品集團的股價也忽起忽落。 &lt;/span&gt;&lt;span style="" title="3月份日本发生重大地震后，业内原本担心消费者对顶极品牌的需求将陷入停滞，因为日本是全球最重要的奢侈品市场之一。"&gt;3月份日本發生重大地震後，業內原本擔心消費者對頂極品牌的需求將陷入停滯，因為日本是全球最重要的奢侈品市場之一。&lt;/span&gt;&lt;span title="然而，中国新富消费者对奢侈品的需求迅速增长，冲淡了这种担忧。"&gt;然而，中國新富消費者對奢侈品的需求迅速增長，沖淡了這種擔憂。&lt;/span&gt;&lt;span title="然而，到了夏季，由于消费者担心中国经济将会放缓，奢侈品集团的股价一度下跌25%，其中包括正在中国内地扩张的博柏利。"&gt;然而，到了夏季，由於消費者擔心中國經濟將會放緩，奢侈品集團的股價一度下跌25%，其中包括正在中國內地擴張的博柏利。&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span title="博柏利首席执行官安吉拉•阿伦茨(Angela Ahrendts)首创“奢侈品旅游消费者”(Travelling Luxury Consumer)这个概念，用于形容该集团的关键消费者群体。"&gt;博柏利首席執行官安吉拉•阿倫茨(Angela Ahrendts)首創“奢侈品旅遊消費者”(Travelling Luxury Consumer)這個概念，用於形容該集團的關鍵消費者群體。&lt;/span&gt;&lt;span title="她认为，这个群体的力量比中国市场更可观，后者如今在博柏利总销售额中占到10%以上。"&gt;她認為，這個群體的力量比中國市場更可觀，後者如今在博柏利總銷售額中占到10%以上。&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span title="阿伦茨表示：“中国消费者在外旅游时，花的钱比在家里多6倍。说'这件东西是在伦敦买的'，会让人平添一种优越感。”为此，博柏"&gt;阿倫茨表示：“中國消費者在外旅遊時，花的錢比在家裡多6倍。說'這件東西是在倫敦買的'，會讓人平添一種優越感。”為此，博柏&lt;/span&gt;&lt;span title="利已投入2000万英镑，准备将伦敦各旗舰店修葺一新，在摄政街(Regent Street)的那家店将赶在明年“奥运前及时”完工。"&gt;利已投入2000萬英鎊，準備將倫敦各旗艦店修葺一新，在攝政街(Regent Street)的那家店將趕在明年“奧運前及時”完工。&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="" title="伦敦其他奢侈品商家也备感欢欣。"&gt;倫敦其他奢侈品商家也備感歡欣。&lt;/span&gt;&lt;span title="根据上周五提交英国公司注册处(Companies House)的材料，拜大手大脚花钱的外国旅游者所赐，在截至4月的一年里，伦敦高档百货公司哈维•尼克斯(Harvey Nichols)的"&gt;根據上週五提交英國公司註冊處(Companies House)的材料，拜大手大腳花錢的外國旅遊者所賜，在截至4月的一年裡，倫敦高檔百貨公司哈維•尼克斯(Harvey Nichols)的&lt;/span&gt;&lt;span title="税前利润大幅增长32%，达725万英镑。"&gt;稅前利潤大幅增長32%，達725萬英鎊。&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span title="在骑士桥(Knightsbridge)与哈维•尼克斯比邻、规模比之更大的哈罗斯(Harrods)，2011年销售额突破了10亿英镑，税前利润比上年增长39%，达1.08亿英镑"&gt;在騎士橋(Knightsbridge)與哈維•尼克斯比鄰、規模比之更大的哈羅斯(Harrods)，2011年銷售額突破了10億英鎊，稅前利潤比上年增長39%，達1.08億英鎊&lt;/span&gt;&lt;span title="。"&gt;。&lt;/span&gt;&lt;span style="" title="该公司表示，在国际购物者中，中国人的消费能力首屈一指，他们平均一次购物的花销为3500英镑。"&gt;該公司表示，在國際購物者中，中國人的消費能力首屈一指，他們平均一次購物的花銷為3500英鎊。&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span title="中国鉴赏家以2.5万英镑购买一瓶葡萄酒的消息，或许能登上媒体的头条，但大多数购物者的身家要少得多。"&gt;中國鑑賞家以2.5萬英鎊購買一瓶葡萄酒的消息，或許能登上媒體的頭條，但大多數購物者的身家要少得多。&lt;/span&gt;&lt;span title="这有助于解释比斯特购物村的吸引力所在。"&gt;這有助於解釋比斯特購物村的吸引力所在。&lt;/span&gt;&lt;span title="在全英国所有火车站中，只有这个购物村的火车站配有以中文和阿拉伯语书写的标语牌。"&gt;在全英國所有火車站中，只有這個購物村的火車站配有以中文和阿拉伯語書寫的標語牌。&lt;/span&gt;&lt;span style="" title="比斯特购物村也是英国第三大旅游购物目的地，仅次于哈罗斯和赛弗里奇(Selfridges)。"&gt;比斯特購物村也是英國第三大旅遊購物目的地，僅次於哈羅斯和賽弗里奇(Selfridges)。&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span title="比斯特购物村是Value Retail集团旗下的产业，这家专门从事名牌折扣店业务的集团表示，今年比斯特购物村的消费者人次将突破550万，其中三分之二来自英国以外地区"&gt;比斯特購物村是Value Retail集團旗下的產業，這家專門從事名牌折扣店業務的集團表示，今年比斯特購物村的消費者人次將突破550萬，其中三分之二來自英國以外地區&lt;/span&gt;&lt;span title="，40%来自欧盟以外。"&gt;，40%來自歐盟以外。&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span title="来自山西的克里斯特尔•张(Crystal Zhang)今年23岁，在纽卡斯尔大学(Newcastle University)攻读跨文化交流专业。"&gt;來自山西的克里斯特爾•張(Crystal Zhang)今年23歲，在紐卡斯爾大學(Newcastle University)攻讀跨文化交流專業。&lt;/span&gt;&lt;span title="她让她母亲和姨妈一起来英国购物旅游。"&gt;她讓她母親和姨媽一起來英國購物旅遊。 &lt;/span&gt;&lt;span style="" title="“她们第一次来英国。”克里斯特尔表示，这时她们正兴奋地穿梭在博柏利折扣风衣的柜台前，手里紧抓着水壶。"&gt;“她們第一次來英國。”克里斯特爾表示，這時她們正興奮地穿梭在博柏利折扣風衣的櫃檯前，手裡緊抓著水壺。 &lt;/span&gt;&lt;span title="“我们还什么都没买呢，我们要先好好看一下，我们的钱有限。”"&gt;“我們還什麼都沒買呢，我們要先好好看一下，我們的錢有限。”&lt;br /&gt;&lt;/span&gt;&lt;span title="韩国人金英奎（音译）今年34岁，刚从伦敦城市大学(London Metropolitan University)毕业。"&gt;韓國人金英奎（音譯）今年34歲，剛從倫敦城市大學(London Metropolitan University)畢業。 &lt;/span&gt;&lt;span style="" title="“我父母来参加我的毕业典礼，但我想他们其实是想来购物。”他冲他妈妈点了点头，他妈妈正得意地提着两袋菲拉格慕(Salvatore Ferragamo)的鞋子。"&gt;“我父母來參加我的畢業典禮，但我想他們其實是想來購物。”他沖他媽媽點了點頭，他媽媽正得意地提著兩袋菲拉格慕(Salvatore Ferragamo)的鞋子。&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="" title="“旅游者想买到正品，但更想获得真正的奢侈体验。”Value Retail董事长斯科特•马尔金(Scott Malkin)表示，他提到了购物村里秩序井然的商店、成群的店员，以及"&gt;“旅遊者想買到正品，但更想獲得真正的奢侈體驗。”Value Retail董事長斯科特•馬爾金(Scott Malkin)表示，他提到了購物村里秩序井然的商店、成群的店員，以及&lt;/span&gt;&lt;span title="各种“细致体贴”的服务，比如店门外座椅上还铺着垫子。"&gt;各種“細緻體貼”的服務，比如店門外座椅上還鋪著墊子。&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="" title="马尔金表示，通观Value Retail在欧洲的9个名牌折扣店购物村，所有旅游购物者的水平都是“一致的”。"&gt;馬爾金表示，通觀Value Retail在歐洲的9個名牌折扣店購物村，所有旅遊購物者的水平都是“一致的”。&lt;/span&gt;&lt;span title="他回忆到，在上世纪八、九十年代，日本消费者“蜂拥进入”美国的名牌折扣店购物中心。"&gt;他回憶到，在上世紀八、九十年代，日本消費者“蜂擁進入”美國的名牌折扣店購物中心。&lt;/span&gt;&lt;span style="" title="在他看来，中国也会出现“类似情形”。"&gt;在他看來，中國也會出現“類似情形”。 &lt;/span&gt;&lt;span style="" title="Value Retail计划2013年在苏州开一家名牌折扣店购物中心。"&gt;Value Retail計劃2013年在蘇州開一家名牌折扣店購物中心。&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="" title="“我们在欧洲的折扣店中心每年迎来400万中国消费者，而在中国，渴望拥有奢侈品的消费者估计多达2亿人，如果我们不在那里开店的话，其中许多人可能永远不会"&gt;“我們在歐洲的折扣店中心每年迎來400萬中國消費者，而在中國，渴望擁有奢侈品的消費者估計多達2億人，如果我們不在那裡開店的話，其中許多人可能永遠不會&lt;/span&gt;&lt;span title="光顾我们。”"&gt;光顧我們。”&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="" title="由于新购物中心的商品将全部来自该地区越来越多的名牌商店，全部是积压的商品，人们可能会怀疑奢侈品集团在中国的扩张计划。"&gt;由於新購物中心的商品將全部來自該地區越來越多的名牌商店，全部是積壓的商品，人們可能會懷疑奢侈品集團在中國的擴張計劃。 &lt;/span&gt;&lt;span style="" title="“根据我们的经验，这么做会促使更多人走进我们的国际商店。”英国奢侈品零售商玛百莉(Mulberry)董事长戈弗雷•戴维斯(Godfrey Davis)表示。"&gt;“根據我們的經驗，這麼做會促使更多人走進我們的國際商店。”英國奢侈品零售商瑪百莉(Mulberry)董事長戈弗雷•戴維斯(Godfrey Davis)表示。&lt;/span&gt;&lt;span title="玛百莉正计划将亚洲门店数量增加一倍。"&gt;瑪百莉正計劃將亞洲門店數量增加一倍。 &lt;/span&gt;&lt;span style="" title="“奢侈品旅游消费者从来都有，也是这个市场的重要组成部分。但是，对品牌的熟悉感和渴望才能促成消费。”"&gt;“奢侈品旅遊消費者從來都有，也是這個市場的重要組成部分。但是，對品牌的熟悉感和渴望才能促成消費。”&lt;/span&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4780133993864114166-476640768371353014?l=ukislandrace.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ukislandrace.blogspot.com/feeds/476640768371353014/comments/default' title='張貼意見'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4780133993864114166&amp;postID=476640768371353014' title='0 個意見'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/476640768371353014'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/476640768371353014'/><link rel='alternate' type='text/html' href='http://ukislandrace.blogspot.com/2011/12/luxury-shoppers-travel-to-uk-for.html' title='Luxury shoppers travel to UK for bargains'/><author><name>hanching chung</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4780133993864114166.post-4170033331679169626</id><published>2011-12-20T18:11:00.000-08:00</published><updated>2011-12-20T18:13:39.354-08:00</updated><title type='text'>中國留英美同學博士論文</title><content type='html'>據袁同禮先生比較&lt;span style="font-weight: bold;"&gt;中國留英美同學博士論文 1905-60&lt;/span&gt;  可知20世紀美國對中國的影響力遠遠大於英國&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="post-header"&gt;  &lt;/div&gt;  &lt;a href="http://hcbooks.blogspot.com/2011/04/blog-post_04.html"&gt;《吳宓自編年譜》  &lt;/a&gt;&lt;br /&gt;對袁同禮先生有基本的介紹 (頁255)&lt;br /&gt;Wikipedia 袁同禮項中少了許多著作  請查臺灣大學圖書館&lt;br /&gt;不過上述的藏書中少了一本最有意思的作品&lt;br /&gt;&lt;span style="font-style: italic;"&gt;A Guide to Doctorial Dissertations by Chinese Students in America, 1905-1960 &lt;/span&gt;&lt;br /&gt;華盛頓:中美文化協會 1961&lt;br /&gt;&lt;br /&gt;周法高先生:&lt;br /&gt;中國留英美同學博士論文目錄之分析&lt;br /&gt;書名&lt;span style="font-weight: bold;"&gt;漢學論集&lt;/span&gt;  出版者精華印書館印, 1964/台北:正中  1965/1991  頁89-108&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;據唐德剛《胡適雜憶》  袁同禮 將胡適獲得博士的年份 分別記在 1917和1927兩年中&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4780133993864114166-4170033331679169626?l=ukislandrace.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ukislandrace.blogspot.com/feeds/4170033331679169626/comments/default' title='張貼意見'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4780133993864114166&amp;postID=4170033331679169626' title='0 個意見'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/4170033331679169626'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/4170033331679169626'/><link rel='alternate' type='text/html' href='http://ukislandrace.blogspot.com/2011/12/blog-post_20.html' title='中國留英美同學博士論文'/><author><name>hanching chung</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4780133993864114166.post-1637379935634874501</id><published>2011-12-20T17:22:00.000-08:00</published><updated>2011-12-20T17:30:05.105-08:00</updated><title type='text'>Entente cordiale?</title><content type='html'>&lt;div class="storyHead"&gt;   &lt;h1&gt;EU crisis: The Frogs do love us – they’re just hopping mad with Germany&lt;/h1&gt;   &lt;h2&gt; Our entente with the French is still cordiale, but they badly need someone to    shout at, writes Boris Johnson.   &lt;/h2&gt;  &lt;div class="artIntro"&gt;      &lt;div id="storyEmbSlide"&gt;    &lt;div class="slideshow ssIntro"&gt;     &lt;div class="nextPrevLayer"&gt;        &lt;div style="display: block;" class="ssImg"&gt;          &lt;img src="http://i.telegraph.co.uk/multimedia/archive/02088/cameron-sarkozy-62_2088498b.jpg" alt="EU crisis: The Frogs do love us – they’re just hopping mad with Germany; David Cameron and Nicolas Sarkozy greet each other in Paris; EPA" height="388" width="620" /&gt;          &lt;div class="artImageExtras"&gt;                     &lt;div class="ingCaptionCredit"&gt;            &lt;span class="caption"&gt;David Cameron and Nicolas Sarkozy greet each other in Paris&lt;/span&gt; &lt;span class="credit"&gt;Photo: EPA&lt;/span&gt;&lt;/div&gt;                &lt;/div&gt;         &lt;/div&gt;        &lt;/div&gt;         &lt;/div&gt;   &lt;/div&gt;     &lt;/div&gt;     &lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;The return of the Entente cordiale?&lt;br /&gt;&lt;br /&gt;The UK and France have signed a treaty which will see them setting up a&lt;br /&gt;joint military force and sharing equipment and nuclear missile research&lt;br /&gt;centres.&lt;br /&gt;&lt;br /&gt;The &lt;a href="http://dw-world.de/" target="_blank"&gt;DW-WORLD.DE&lt;/a&gt; Article&lt;br /&gt;&lt;a href="http://newsletter.dw-world.de/re?l=ew6i1bI44va89pI1#6191182" target="_blank"&gt;http://newsletter.dw-world.de/&lt;wbr&gt;re?l=ew6i1bI44va89pI1#6191182&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Entente cordiale&lt;br /&gt;&lt;span class="prog_meaning"&gt;（政府間の）友好的取り決め；((the E- C-))英仏協商（1904）.&lt;/span&gt;&lt;br /&gt; &lt;div&gt;(April  8, 1904)  Anglo-French agreement that settled  numerous colonial  disputes and ended antagonisms between Britain and  France. It granted  freedom of action to Britain in Egypt and to France  in Morocco and  resolved several other imperial disputes. The agreement  reduced the  virtual isolation of each country and was consequently  upsetting to  Germany, which had benefited from their antagonism. The  Entente paved  the way for Anglo-French diplomatic cooperation against  Germany before  World War I and for later military alliances.&lt;/div&gt;&lt;br /&gt;&lt;p&gt;The &lt;i&gt;noun&lt;/i&gt; has 2 meanings:&lt;/p&gt; &lt;p&gt; &lt;span class="shw"&gt;&lt;a href="http://www.answers.com/topic/entente-entente-cordiale-1" class="ilnk" target="_top"&gt;Meaning #1&lt;/a&gt;:&lt;/span&gt;  an informal alliance between countries&lt;br /&gt; Synonym: &lt;a href="http://www.answers.com/topic/entente" class="ilnk" target="_top"&gt;entente&lt;/a&gt;&lt;/p&gt;&lt;dl class="enditMean"&gt;&lt;dt class="title"&gt;&lt;ul&gt;&lt;li class="text"&gt;〔&lt;img src="http://dictionary.goo.ne.jp/img/progressive/ej/gaiji/D30.gif" class="prog_gaiji" /&gt;&lt;img src="http://dictionary.goo.ne.jp/img/progressive/ej/gaiji/_817C.gif" class="prog_gaiji" /&gt;nt&lt;img src="http://dictionary.goo.ne.jp/img/progressive/ej/gaiji/D32.gif" class="prog_gaiji" /&gt;&lt;img src="http://dictionary.goo.ne.jp/img/progressive/ej/gaiji/_817C.gif" class="prog_gaiji" /&gt;nt〕&lt;br /&gt;   &lt;/li&gt;&lt;/ul&gt;&lt;/dt&gt;&lt;/dl&gt;&lt;br /&gt;&lt;div class="prog_block"&gt; &lt;span class="prog_meaning"&gt;[名]&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="prog_block"&gt; &lt;span class="prog_meaning"&gt;&lt;b&gt;1&lt;/b&gt; [C][U]（国家間の）協約((between, with ...)).&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="prog_block"&gt; &lt;span class="prog_meaning"&gt;&lt;b&gt;2&lt;/b&gt; ((集合的))協商国.&lt;/span&gt;&lt;br /&gt;&lt;/div&gt; &lt;span class="prog_meaning"&gt;［フランス語］&lt;/span&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;  &lt;span class="shw"&gt;&lt;a href="http://www.answers.com/topic/entente-entente-cordiale" class="ilnk" target="_top"&gt;Meaning #2&lt;/a&gt;:&lt;/span&gt;  a friendly understanding between political powers&lt;br /&gt; Synonym: &lt;a href="http://www.answers.com/topic/entente" class="ilnk" target="_top"&gt;entente&lt;/a&gt;&lt;br /&gt;&lt;div class="firstPar"&gt;&lt;p&gt; There is a scene in Monty Python and the Holy Grail that captures the current    dialogue between Paris and London. One evening King Arthur arrives with his    knights at a darkened castle. He tells the figure on the battlements that he    has come to recruit noble knights in his quest for the grail. For some    reason the guard turns out to have a heavy French accent. &lt;/p&gt;&lt;/div&gt;&lt;div class="secondPar"&gt; &lt;p&gt; In fact, the whole castle is occupied by French knights, and they treat the    English king with disgraceful rudeness.  &lt;/p&gt;&lt;/div&gt;&lt;div class="thirdPar"&gt; &lt;p&gt; First, the guard tells Arthur that he has no interest in obtaining a Holy    Grail, since they already have one in the castle. When Arthur says he would    like to have a look at this marvel, the French knight refuses, and    concludes: “I don’t want to talk to you no more, you empty-headed animal    food trough whopper. I fart in your general direction. Your mother was a    hamster and your father smelt of elderberries.” The French then cry “fetchez    la vache”, and use a trebuchet to bombard the Knights of the Round    Table with a dead cow.  &lt;/p&gt;&lt;/div&gt;&lt;div class="fourthPar"&gt; &lt;p&gt; If you cut out some of the raspberry blowing and bottom-flashing, that is    just about the level of the current diplomatic broadsides from Paris. David    Cameron goes to the dark castle in Brussels in his quest for common sense,    and ever since they have been peppering us with dead cows. Various French    ministers have queued up to say rude things about Britain and the British    economy. In an amazing breach of diplomatic convention, the French prime    minister has called for Britain’s credit rating to be downgraded and    announced that he would much rather be French than these so silly British.  &lt;/p&gt;&lt;/div&gt;&lt;div class="fifthPar"&gt; &lt;p&gt; In a bid to calm things down, Nick Clegg has been forced to ring the French up    and ask them to stop being so jolly insulting. &lt;/p&gt;&lt;/div&gt;  &lt;div id="tmg-related-links" class="related_links_inline"&gt;    &lt;div class="headerOne styleTwo"&gt;&lt;h2&gt;&lt;span&gt;Related Articles&lt;/span&gt;&lt;/h2&gt;&lt;/div&gt;      &lt;ul&gt;&lt;li class="bullet"&gt;              &lt;p&gt;     &lt;a href="http://www.telegraph.co.uk/comment/columnists/borisjohnson/8934835/The-gospel-of-Clarkson-puts-bread-on-the-tables-of-Britain.html"&gt;The gospel of Clarkson puts bread on the tables of Britain&lt;/a&gt;   &lt;/p&gt;   &lt;span class="relContDate"&gt;05 Dec 2011&lt;/span&gt;              &lt;/li&gt;&lt;li class="bullet"&gt;              &lt;p&gt;     &lt;a href="http://www.telegraph.co.uk/comment/columnists/borisjohnson/8919641/A-day-off-school-but-the-lesson-on-pensions-hasnt-been-learnt.html"&gt;A day off school, but the lesson on pensions hasn’t been learnt&lt;/a&gt;   &lt;/p&gt;   &lt;span class="relContDate"&gt;28 Nov 2011&lt;/span&gt;              &lt;/li&gt;&lt;li class="bullet"&gt;              &lt;p&gt;     &lt;a href="http://www.telegraph.co.uk/finance/newsbysector/transport/8903527/Thames-Estuary-Boris-Island-airport-would-bring-Brazil-billions-to-UK.html"&gt;Boris Island airport 'would bring Brazil billions to UK'&lt;/a&gt;   &lt;/p&gt;   &lt;span class="relContDate"&gt;21 Nov 2011&lt;/span&gt;              &lt;/li&gt;&lt;li class="bullet"&gt;              &lt;p&gt;     &lt;a href="http://www.telegraph.co.uk/comment/columnists/borisjohnson/8903308/A-golden-chance-to-put-down-the-Xbox-and-take-up-sport.html"&gt;A golden chance to put down the Xbox and take up sport&lt;/a&gt;   &lt;/p&gt;   &lt;span class="relContDate"&gt;21 Nov 2011&lt;/span&gt;              &lt;/li&gt;&lt;/ul&gt;   &lt;/div&gt;&lt;br /&gt;&lt;h1 class="highlight"&gt;倫敦市長：歐元一年內瓦解&lt;/h1&gt;    &lt;div class="bar-align-left"&gt;               &lt;ul class="inline-list"&gt;&lt;li class="ui"&gt;2011-12-20 01:34&lt;/li&gt;&lt;li class="ui"&gt;中國時報&lt;/li&gt;&lt;li class="ui last"&gt;【江靜玲／倫敦十九日電】&lt;/li&gt;&lt;/ul&gt;             &lt;/div&gt;     &lt;span name="iclickAdBody_Start" id="iclickAdBody_Start"&gt;&lt;/span&gt;&lt;div id="ctkeywordcontent"&gt;&lt;p&gt;    　倫敦市長強森（Boris Johnson）預言，歐元將在一年內瓦解。強森形容，歐盟領袖企圖拯救歐元，宛若是吹「泡泡糖」，遲早會爆掉。 &lt;/p&gt; &lt;p&gt;    　歐元區財長於十九日召開緊急視訊會議，就十二月八日和九日歐盟高峰會議後的情勢變化，進行意見交換。英國是歐盟廿七會員國中，唯一拒絕簽署歐盟新財政條約的國家，但英國財相奧斯本仍參與十九日的視訊會議。 &lt;/p&gt; &lt;p&gt;    　根據英國媒體報導，英國準備透過國際貨幣基金提供一百億英鎊的貸款，協助紓解歐元區危機。英國首相卡麥隆和財相奧斯本對此均保持低調立場。 &lt;/p&gt; &lt;p&gt;    　但英國保守黨重量級政客、倫敦市長強森卻在此刻跳出來放話，指稱歐盟各國領袖「歇斯底里」的企圖拯救歐元，根本就像是一場「吹泡泡糖」遊戲，警告歐元將在十二個月內瓦解。 &lt;/p&gt; &lt;p&gt;    　強森表示，明年此時，如果歐元不會發生任何變化，「我將會感到萬分驚訝。」強森預言，歐元區國家中，定有一些國家將在未來一年內離開歐元區，歐盟各國領袖極力企圖把經濟差距不一的國家湊在一起，其結果是歐元區經濟將難以成長，經濟信心也將難以恢復。 &lt;/p&gt; &lt;p&gt;    　針對強森的警告，英國前保守黨財相拉孟特（Lord Lamont）也表示，歐元區瓦解的代價將「巨大無比」，但歐元區瓦解已是不可避免的趨勢，勉強企圖扭轉這個趨勢，付出的代價，勢將更慘重。&lt;/p&gt;   &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4780133993864114166-1637379935634874501?l=ukislandrace.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ukislandrace.blogspot.com/feeds/1637379935634874501/comments/default' title='張貼意見'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4780133993864114166&amp;postID=1637379935634874501' title='0 個意見'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/1637379935634874501'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/1637379935634874501'/><link rel='alternate' type='text/html' href='http://ukislandrace.blogspot.com/2011/12/entente-cordiale.html' title='Entente cordiale?'/><author><name>hanching chung</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4780133993864114166.post-614648428343840154</id><published>2011-12-15T04:51:00.001-08:00</published><updated>2011-12-15T04:51:31.190-08:00</updated><title type='text'>英國個人主義的起源he Origins of English Individualism:The F...</title><content type='html'>&lt;a href="http://hcbooks.blogspot.com/2011/12/he-origins-of-english-individualismthe.html"&gt;英國個人主義的起源he Origins of English Individualism:The F...&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4780133993864114166-614648428343840154?l=ukislandrace.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ukislandrace.blogspot.com/feeds/614648428343840154/comments/default' title='張貼意見'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4780133993864114166&amp;postID=614648428343840154' title='0 個意見'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/614648428343840154'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/614648428343840154'/><link rel='alternate' type='text/html' href='http://ukislandrace.blogspot.com/2011/12/he-origins-of-english-individualismthe.html' title='英國個人主義的起源he Origins of English Individualism:The F...'/><author><name>hanching chung</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4780133993864114166.post-871023519665693339</id><published>2011-12-13T19:49:00.000-08:00</published><updated>2011-12-12T18:51:35.066-08:00</updated><title type='text'>否決歐洲聯盟（EU）條約修訂案New Eurozone Deal Won't Include UK: Europe's great divorce</title><content type='html'>&lt;h1 class="ec-blog-fly-title"&gt;&lt;span id="result_box" class="" lang="zh-TW"&gt;&lt;span style="" title="白金汉大学教授不排除英国退出欧盟可能性"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h1&gt;白金漢大學教授不排除英國退出歐盟可能性&lt;br /&gt;柏林隨著卡梅倫首相拒絕歐盟協議改革，英國白金漢大學政治學家格利斯（Anthony Glees）稱，英國完全可能有一天退出歐盟。格雷斯教授週一（12月12日）在接受德意志電台的採訪時指出，英國與歐盟的關係恰似婚姻關係，"雙方都應幸福，若有一方不再願意，婚姻便也完結"。格利斯教授指出，卡梅倫首相對歐盟所持懷疑立場獲得多數英國人的認可，"這對歐洲、對卡梅倫，以及對英國本身都是一個巨大的危險"。&lt;h1 class="ec-blog-fly-title"&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/h1&gt;&lt;h1 class="ec-blog-fly-title"&gt;&lt;span style="font-size:100%;"&gt;Britain and the EU summit&lt;/span&gt;&lt;/h1&gt;     &lt;h3 class="ec-blog-headline"&gt;     Europe's great divorce  &lt;/h3&gt;   &lt;p class="ec-blog-info"&gt;     Dec 9th 2011, 8:03 by Charlemagne | BRUSSELS  &lt;/p&gt;   &lt;div id="block-ec_components-share_inline_header" class="block block-ec_components"&gt;     &lt;div class="content clearfix"&gt;     &lt;div class="share_inline_header"&gt;&lt;ul class="clearfix"&gt;&lt;li class="share-inline-header-facebook first omniture-tagged" frame="top_fb"&gt;&lt;span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/li&gt;&lt;li class="share-inline-header-twitter even last omniture-tagged" frame="top_twitter"&gt;&lt;br /&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;  &lt;/div&gt; &lt;/div&gt;   &lt;div class="ec-blog-body"&gt;     &lt;p&gt;&lt;span&gt;&lt;img class="imagecache-original-size" src="http://media.economist.com/sites/default/files/imagecache/original-size/Cameron%20000_DV1089328,%20595.jpg" alt="" /&gt;WE  JOURNALISTS are probably too bleary-eyed after a sleepless night to  understand the full significance of what has just happened in Brussels.  What is clear is that after a long, hard and rancorous negotiation, &lt;/span&gt;&lt;span&gt;at about 5am this morning &lt;/span&gt;&lt;span&gt;the European Union split in a fundamental way.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span&gt;In  an effort to stabilise the euro zone, France, Germany and 21 other  countries have decided to draft their own treaty to impose more central  control over national budgets. Britain and three others have decided to  stay out. In the coming weeks, Britain may find itself even more  isolated. Sweden, the Czech Republic and Hungary want time to consult  their parliaments and political parties before deciding on whether to  join the new union-within-the-union.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span&gt;So two decades  to the day after the Maastricht Treaty was concluded, launching the  process towards the single European currency, the EU's tectonic plates  have slipped momentously along same the fault line that has always  divided it&lt;span lang="EN-GB"&gt;—&lt;/span&gt;the English Channel. &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span&gt;Confronted  by the financial crisis, the euro zone is having to integrate more  deeply, with a consequent loss of national sovereignty to the EU (or  some other central co-ordinating body); Britain, which had secured a  formal opt-out from the euro, has decided to let them go their way.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span&gt;Whether  the agreement does anything to stabilise the euro is moot.  The  agreement is heavily tilted towards budget discipline and austerity. It  does little to generate money in the short term to arrest the run on  sovereigns, nor does it provide a longer-term perspective of  jointly-issued bonds. Much will depend on how the European Central Bank  responds in the coming days and weeks. &lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span&gt;Some doubt remains over whether and how the "euro-plus" zone will have access to EU institutions&lt;span lang="EN-GB"&gt;—&lt;/span&gt;such  as the European Commission, which conducts economic assessments and  recommends action, and the European Court of Justice, which Germany  hopes will ensure countries adopt proper balanced-budget rules&lt;span lang="EN-GB"&gt;—&lt;/span&gt;over Britain's objections.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span&gt;But  especially for France, on the brink of losing its AAA credit rating and  now the junior partner to Germany, this is a famous political victory.  President Nicolas Sarkozy had long favoured the creation of a smaller,  "core" euro zone, without the awkward British, Scandinavians and eastern  Europeans that generally pursue more liberal, market-oriented policies.  And he has wanted the core run on an inter-governmental basis, ie by  leaders rather than by supranational European institutions. This would  allow France, and Mr Sarkozy in particular, to maximise its impact.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span&gt;Mr  Sarkozy made substantial progress on both fronts. The president tried  not to gloat when he emerged at 5am to explain that an agreement  endorsed by all 27 members of the EU had proved impossible because of  British obstruction. “You cannot have an opt-out and then ask to  participate in all the discussion about the euro that you did not want  to have, and which you also criticised,” declared the French president. &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span&gt;With  the entry next year of Croatia, which will sign its accession treaty  today, the EU is still growing, said Mr Sarkozy. “The bigger Europe is,  the less integrated it can be. That is an obvious truth.”&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span&gt;For  Britain the benefit of the bargain in Brussels is far from clear. It  took a good half-hour after the end of Mr Sarkozy's appearance for Mr  Cameron to emerge and explain his action. The prime minister claimed he  had taken a “tough decision but the right one” for British interests&lt;span lang="EN-GB"&gt;—&lt;/span&gt;particularly  for its financial-services industry. In return for his agreement to  change the EU treaties, Mr Cameron had wanted a number of safeguards for  Britain. When he did not get them, he used his veto.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span&gt;After  much studied vagueness on his part about Britain's objectives, Mr  Cameron's demand came down to a protocol that would ensure Britain would  be given a veto on financial-services regulation (see PDF copy &lt;a href="http://dl.dropbox.com/u/46265023/Uk%20-%2009%20Dec%202011%2001-01.pdf"&gt;here&lt;/a&gt;).  The British government has become convinced that the European  Commission, usually a bastion of liberalism in Europe, has been issuing  regulations hostile to the City of London under the influence of its  French single-market commissioner, Michel Barnier. And yet strangely,  given the accusation that Brussels was taking aim at the heart of the  British economy, almost all of the new rules issued so far have been  passed with British approval (albeit after much bitter backroom  fighting). Tactically, too, it seemed odd to make a stand in defence of  the financiers that politicians, both in Britain and across the rest of  European, prefer to denounce.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span&gt;Mr Cameron said he is  “relaxed” about the separation. The EU has always been about multiple  speeds; he was glad Britain had stayed out of the euro and out of the &lt;/span&gt;&lt;span&gt;passport-free &lt;/span&gt;&lt;span&gt;Schengen  area. He said that life in the EU, particularly the single market, will  continue as normal. “We wish them well as we want the euro zone to sort  out its problems, to achieve stability and growth that all of Europe  needs.” The drawn faces of senior officials seemed to say otherwise.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span&gt;The  23 members of the new pact, if they act as a block, can outvote  Britain. They are divided among themselves, of course. But their habit  of working together and cutting deals will, inevitably, begin to weigh  against Britain over time.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span&gt;Mr Sarkozy and Angela  Merkel, the German chancellor, have given notice of their desire for the  euro zone to act in all the domains that would normally be the remit of  all 27 members&lt;span lang="EN-GB"&gt;—&lt;/span&gt;for example, labour-market regulations and the corporate-tax base. &lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span&gt;Britain  may assume it will benefit from extra business for the City, should the  euro zone ever pass a financial-transaction tax. But what if the new  club starts imposing financial regulations among the 17 euro-zone  members, or the 23 members of the euro-plus pact? That could begin to  force euro-denominated transactions into the euro zone, say Paris or  Frankfurt. Britain would, surely, have had more influence had the  countries of the euro zone remained under an EU-wide system.&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span&gt;It  says much about the dire state of the debate on Europe within Britain's  Conservative party that, as Mr Cameron set out to Brussels, another  Tory MP portentously invoked the memory of Neville Chamberlain, who  infamously came back from Munich with empty assurances from Adolf  Hitler. Mr Cameron may have made a grievous mistake with regard to  Britain's long-term interest. But at least nobody can accuse him of  returning from Brussels with a piece of paper in his hand.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span&gt;(Picture credit: AFP)&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span&gt;&lt;strong&gt;Read more:&lt;/strong&gt; &lt;a href="http://www.economist.com/blogs/bagehot/2011/12/britain-and-eu-0"&gt;Bagehot's take on Britain falling out of the EU&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;  &lt;/div&gt;&lt;h1 class="slst-article-hed"&gt;&lt;span style="font-size:100%;"&gt;New Eurozone Deal Won't Include UK&lt;/span&gt;&lt;/h1&gt;&lt;span style="font-size:100%;"&gt;        &lt;/span&gt;&lt;h2 class="slst-article-dek"&gt;&lt;span style="font-size:100%;"&gt;David Cameron vetoed a series of financial regulations at EU talks, leaving the 17 eurozone countries to move forward on t&lt;/span&gt;&lt;/h2&gt;&lt;br /&gt;&lt;br /&gt;&lt;div class="body parsys"&gt;&lt;div class="parbase image slate_image section"&gt;    &lt;span class="sl-art-illo-cntr" style="width:274px;float:left;width:274px;"&gt; &lt;img title="135342461" alt="135342461" class="cq-dd-image sl-art-illo" src="http://slatest.slate.com/content/dam/slatest/posts/2011/12/09/david_cameron_no_to_eurozone_deal_for_britan/135342461.jpg.CROP.thumbnail-small.jpg" /&gt; &lt;div class="sl-art-illo-cap"&gt;European leaders hammered out the new deal outside of the EU framework &lt;span class="sl-art-illo-cred"&gt;&lt;p&gt;Photo illustration by Sean Gallup/Getty Images.&lt;/p&gt; &lt;/span&gt; &lt;/div&gt;  &lt;/span&gt;   &lt;/div&gt; &lt;div class="text parbase section"&gt;   &lt;div class="text"&gt; &lt;p&gt;After nearly 10 hours of talks in Brussels, European leaders agreed  Friday to an intergovernmental pact aimed at enforcing more disciplined  budgets in the wake of a debt crisis that has threatened the euro.&lt;/p&gt;  &lt;/div&gt;  &lt;/div&gt; &lt;div class="text parbase section"&gt;   &lt;div class="text"&gt; &lt;p&gt;But the big news from the agreement, brokered by all 17 countries who  use the euro as their currency (the eurozone), is that it will be done  outside of the framework of the European Union after British Prime  Minister David Cameron refused to sign on.&lt;/p&gt;  &lt;/div&gt;  &lt;/div&gt; &lt;div class="text parbase section"&gt;   &lt;div class="text"&gt; &lt;p&gt;Cameron balked at joining the deal after a series of exceptions he  demanded to safeguard British interests were blocked by France, the &lt;em&gt;&lt;a target="_blank" href="http://www.guardian.co.uk/business/2011/dec/09/eurozone-countries-treaty-exclude-britain"&gt;Guardian&lt;/a&gt;&lt;/em&gt; explains. Cameron defended his decision, saying, "What is on offer isn't in Britain's interests so I didn't agree to it."&lt;/p&gt;  &lt;/div&gt;  &lt;/div&gt; &lt;div class="text parbase section"&gt;   &lt;div class="text"&gt; &lt;p&gt;The agreement and new rules are seen as necessary and urgent as the  eurozone economy teeters on the brink of collapse. The crisis started in  Greece two years ago, prompting huge bailouts, but with Italy and Spain  in a troubled economic state, the crisis has worsened recently and the  entire eurozone is now stagnant, if not already in a recession, &lt;a target="_blank" href="http://www.cbsnews.com/8301-201_162-57339959/u.k-to-eurozone-nations-were-out-good-luck/"&gt;CBS News&lt;/a&gt; and the &lt;em&gt;&lt;a target="_blank" href="http://www.nytimes.com/2011/12/10/business/global/european-leaders-agree-on-fiscal-treaty.html?pagewanted=1&amp;amp;hp"&gt;New York Times&lt;/a&gt;&lt;/em&gt; explain.&lt;/p&gt;  &lt;/div&gt;  &lt;/div&gt; &lt;div class="text parbase section"&gt;   &lt;div class="text"&gt; &lt;p&gt;Without some sort of stabilizing plan in place, the commitment of  institutions like the European Central Bank to continue to purchase  bonds from heavily indebted countries is questionable. ECB’s head Mario  Draghi gave a promising response to the new agreement, saying: "It is a  very good outcome for euro area members."&lt;/p&gt;  &lt;/div&gt;  &lt;/div&gt; &lt;div class="text parbase section"&gt;   &lt;div class="text"&gt; &lt;p&gt;To attempt to stabilize the euro by forcing more fiscal and financial  discipline, the 17 eurozone countries will hammer out a deal that  includes penalties for those countries breaking the new rules.  (Overspending countries will face sanctions, for example.)  A handful of  countries who hope to use the euro as their currency in the future will  probably also sign, the &lt;a target="_blank" href="http://www.bbc.co.uk/news/world-europe-16106979"&gt;BBC&lt;/a&gt; reports. The leaders are aiming to have the pact in effect by March of next year.&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;沈子涵/整理&lt;br /&gt;&lt;br /&gt;　法新社倫敦10日報導，根據10日新出爐的民調，大多數英國人認為首相卡麥隆（David Cameron）本週在布魯塞爾高峰會上否決歐洲聯盟（EU）條約修訂案，是正確的抉擇。&lt;br /&gt;&lt;br /&gt;　根據英國「週日郵報」（Mail on Sunday）調查，卡麥隆做法不但獲得疑歐派（eurosceptic）英國媒體讚賞，也贏得62%民眾支持，僅19%受訪者認為他做錯了。&lt;br /&gt;&lt;br /&gt;　多達66%民眾希望公投表決英國是否退出歐盟，而認為倫敦當局應與布魯塞爾重新磋商雙邊關係的受訪者也占66%。卡麥隆所屬的保守黨（Conservative party）中早有許多人要求付諸公投決定去留歐盟。&lt;br /&gt;&lt;br /&gt;　 真正希望英國退出歐盟的受訪者較少，只有48%，33%希望留在歐盟。&lt;br /&gt;&lt;br /&gt;　不過有48%民眾認為歐盟會因債務危機解散，29%認為不會；約65%民眾相信歐元會消失，僅19%認為歐元能度過危機。&lt;br /&gt;&lt;br /&gt;　儘管歐盟廣泛認為卡麥隆動用否決權誤事，但51%英國受訪者覺得卡麥隆在歐盟峰會表現得宜，44%認為德國總理梅克爾（Angela Merkel）表現優異，35%讚賞法國總統沙柯吉（Nicolas Sarkozy）作為。&lt;br /&gt;&lt;br /&gt;　這項Survation網路民調昨晚和今天進行，受訪者共1020人。 &lt;/div&gt;  &lt;/div&gt; &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4780133993864114166-871023519665693339?l=ukislandrace.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ukislandrace.blogspot.com/feeds/871023519665693339/comments/default' title='張貼意見'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4780133993864114166&amp;postID=871023519665693339' title='0 個意見'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/871023519665693339'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/871023519665693339'/><link rel='alternate' type='text/html' href='http://ukislandrace.blogspot.com/2011/12/new-eurozone-deal-wont-include-uk.html' title='否決歐洲聯盟（EU）條約修訂案New Eurozone Deal Won&apos;t Include UK: Europe&apos;s great divorce'/><author><name>hanching chung</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4780133993864114166.post-4759253613647016664</id><published>2011-12-10T17:59:00.000-08:00</published><updated>2011-12-10T18:01:41.831-08:00</updated><title type='text'>伊麗莎白二世時期白金漢宮的生活</title><content type='html'>書名伊丽莎白二世时期白金汉宮的生活&lt;br /&gt;&lt;br /&gt;出版者山东画报出版社, 2005&lt;br /&gt;出版社：上海人民出版社：2007年&lt;br /&gt;&lt;div class="prd001"&gt; &lt;h1&gt; &lt;span&gt;伊麗莎白二世時期白金漢宮的生活&lt;/span&gt;  &lt;/h1&gt; &lt;/div&gt; &lt;ul class="prd002"&gt;&lt;li&gt;&lt;br /&gt;&lt;/li&gt;作者：[法]貝特朗‧梅耶-斯塔布萊譯者：朱石花 王天星&lt;li&gt;&lt;dfn&gt;&lt;/dfn&gt;&lt;/li&gt;&lt;/ul&gt;自從伊麗莎白1952年登基以來，全世界都參與了王室精心上演的劇目︰婚禮、登基大典、喪葬、降生和受洗。華衣美食，豪宅名車，王室成員的衣食住行無不受到民眾的熱切關注。&lt;br /&gt;&lt;br /&gt;    作者以白金漢宮的日常生活為主線，娓娓道來，如同和讀者聊家常一般，從白金漢宮的歷史到它的建築、裝飾，從普通僕人到上等貴族，從一日三餐到國家儀式，涵 蓋了溫莎家族的各個主要方面。本書作者從多角度詳細敘述了英王室生活的衣、食、住、行等主要方面，也深刻剖析了家族主要成員的背景及人物性格，如冷峻嚴肅 的菲利浦親王，郁郁寡歡的查爾斯王儲，和藹可親的王太後和風流倜儻的威廉王子等。此時，一幅幅生動的生活畫卷、一個個栩栩如生的人物呈現在讀者的眼前。           &lt;a name="detail"&gt;&lt;/a&gt; &lt;div class="reg_sec"&gt; &lt;div class="ttl"&gt; &lt;h2&gt;&lt;span&gt;詳細資料&lt;/span&gt;&lt;/h2&gt;  &lt;/div&gt; &lt;ul class="sli01"&gt;&lt;li&gt;叢書系列：&lt;dfn&gt;&lt;a href="http://www.books.com.tw/exep/prod/books/editorial/publisher_booklist.php?pubid=0000000302&amp;amp;qseries=0000000119"&gt;日常生活譯叢&lt;/a&gt;&lt;/dfn&gt;&lt;/li&gt;&lt;li&gt;規格：&lt;dfn&gt;平裝 / 288頁 / 15cmX23cm / 普級 / 單色 / 初版&lt;/dfn&gt;&lt;/li&gt;&lt;li&gt;出版地：&lt;dfn&gt;大陸&lt;/dfn&gt;&lt;/li&gt;&lt;/ul&gt; &lt;/div&gt;     &lt;a name="catalog"&gt;&lt;/a&gt; &lt;div class="reg_sec"&gt; &lt;div class="ttl"&gt; &lt;h2&gt;&lt;span&gt;目錄&lt;/span&gt;&lt;/h2&gt;  &lt;/div&gt; &lt;div class="spr01"&gt;  引子&lt;br /&gt;第一章 導游&lt;br /&gt;紅地毯&lt;br /&gt;豪華、寧靜、休閑&lt;br /&gt;王室套房&lt;br /&gt;第二章 女王的一天&lt;br /&gt;女王生活的24小時&lt;br /&gt;王室早餐&lt;br /&gt;開始工作&lt;br /&gt;王室的心腹&lt;br /&gt;“管家”&lt;br /&gt;來訪者&lt;br /&gt;微笑！&lt;br /&gt;建議、鼓勵、提醒&lt;br /&gt;從溫斯頓‧邱吉爾到托尼‧布萊爾&lt;br /&gt;王宮晚會&lt;br /&gt;第三章 請入席&lt;br /&gt;王室宮殿&lt;br /&gt;廚房&lt;br /&gt;女王的飯菜&lt;br /&gt;女王的午餐&lt;br /&gt;盛宴&lt;br /&gt;白金漢宮李子布丁&lt;br /&gt;第四章 為女王服務&lt;br /&gt;“蜂箱”&lt;br /&gt;身份&lt;br /&gt;權勢集團&lt;br /&gt;王太後之家&lt;br /&gt;第五章 過節&lt;br /&gt;榮譽&lt;br /&gt;舞會&lt;br /&gt;聖誕快樂&lt;br /&gt;活動日程&lt;br /&gt;王室周年紀念&lt;br /&gt;第六章 王室的馬和狗&lt;br /&gt;白金漢宮的女冠軍&lt;br /&gt;賽馬&lt;br /&gt;皇家馬廄&lt;br /&gt;蘇珊、糖果、蜂蜜以及其他&lt;br /&gt;第七章 旅游&lt;br /&gt;官方訪問&lt;br /&gt;準確無誤的安排&lt;br /&gt;馬拉松女人&lt;br /&gt;不同尋常的交通方式&lt;br /&gt;乘車！&lt;br /&gt;第八章 王室財富&lt;br /&gt;例外的納稅人&lt;br /&gt;絕倫的藝術品收藏&lt;br /&gt;王室的寶石&lt;br /&gt;溫莎堡的財富&lt;br /&gt;&lt;br /&gt;白金漢宮股份有限公司&lt;br /&gt;第九章 王室儀式&lt;br /&gt;皇家葬禮&lt;br /&gt;歡樂的儀式&lt;br /&gt;加冕禮&lt;br /&gt;禮儀問題&lt;br /&gt;第十章 王室供應商&lt;br /&gt;陛下的尊容&lt;br /&gt;禮物？&lt;br /&gt;第十一章 王室安全&lt;br /&gt;白金漢宮，還是鍍金鐵籠？&lt;br /&gt;闖進女王寢宮的人&lt;br /&gt;第十二章 王室肖像&lt;br /&gt;宮廷肖像畫家&lt;br /&gt;理想主義與現實主義之間&lt;br /&gt;攝影師之王&lt;br /&gt;王室攝影師&lt;br /&gt;“帕帕拉奇”&lt;br /&gt;第十四章 王太後與女王丈夫&lt;br /&gt;女王媽媽&lt;br /&gt;叛逆的親王&lt;br /&gt;第十五章 威爾士親王&lt;br /&gt;王位繼承人&lt;br /&gt;生態壬儲&lt;br /&gt;王儲怎樣使自己的徽章重放異彩？&lt;br /&gt;父親與兒子&lt;br /&gt;第十六章 戴安娜&lt;br /&gt;純潔的化身&lt;br /&gt;征服&lt;br /&gt;世紀婚禮&lt;br /&gt;威爾士囚犯&lt;br /&gt;第十七章 卡米拉&lt;br /&gt;卡米拉其人&lt;br /&gt;一個秘密的愛情故事&lt;br /&gt;卡米拉行動&lt;br /&gt;第十八章 威廉與哈里&lt;br /&gt;現代教育&lt;br /&gt;爸爸查爾斯&lt;br /&gt;超級明星威廉&lt;br /&gt;第十九章 威信與人氣&lt;br /&gt;家族秘密&lt;br /&gt;白金漢宮的歷史變遷&lt;br /&gt;白金漢宮指南&lt;br /&gt;譯後記 &lt;/div&gt; &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4780133993864114166-4759253613647016664?l=ukislandrace.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ukislandrace.blogspot.com/feeds/4759253613647016664/comments/default' title='張貼意見'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4780133993864114166&amp;postID=4759253613647016664' title='0 個意見'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/4759253613647016664'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/4759253613647016664'/><link rel='alternate' type='text/html' href='http://ukislandrace.blogspot.com/2011/12/blog-post_10.html' title='伊麗莎白二世時期白金漢宮的生活'/><author><name>hanching chung</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4780133993864114166.post-3186940239878853929</id><published>2011-12-10T16:37:00.000-08:00</published><updated>2011-12-10T17:57:53.838-08:00</updated><title type='text'>Victoria and Albert Museum</title><content type='html'>&lt;ol id="rso"&gt;&lt;li class="g"&gt;&lt;div class="vsc"&gt;&lt;h3 class="r"&gt;&lt;a href="http://www.vam.ac.uk/" class="l"&gt;V&amp;amp;A Home Page - &lt;em&gt;Victoria and Albert Museum&lt;/em&gt;&lt;/a&gt;&lt;/h3&gt;&lt;div class="s"&gt;&lt;div class="f kv"&gt;&lt;cite&gt;www.vam.ac.uk/&lt;/cite&gt;&lt;span class="gl"&gt; - &lt;a href="http://webcache.googleusercontent.com/search?q=cache:auhUID_f6JYJ:www.vam.ac.uk/+Victoria+and+Albert+Museum&amp;amp;cd=1&amp;amp;hl=en&amp;amp;ct=clnk&amp;amp;gl=tw"&gt;Cached&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;span class="st"&gt;The &lt;em&gt;Victoria and Albert Museum&lt;/em&gt; is the world's greatest museum of art and design&lt;wbr&gt;.&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="intrlu" id="lclbox"&gt;&lt;a href="http://maps.google.com.tw/maps/place?hl=en&amp;amp;gs_upl=2436l2436l0l4538l1l1l0l0l0l0l179l179l0.1l1l0&amp;amp;bav=on.2,or.r_gc.r_pw.,cf.osb&amp;amp;biw=1280&amp;amp;bih=862&amp;amp;um=1&amp;amp;ie=UTF-8&amp;amp;q=Victoria+and+Albert+Museum&amp;amp;fb=1&amp;amp;gl=tw&amp;amp;hq=Victoria+and+Albert+Museum&amp;amp;cid=11436620009305892127&amp;amp;sa=X&amp;amp;ei=hvvjToybBqbDmQXskLWEBQ&amp;amp;ved=0CDwQ3Q4"&gt;&lt;span class="csb" style="background-position:-100px -260px;display:-moz-inline-box;display:inline-block;height:13px;width:65px;text-align:left;vertical-align:baseline;position:relative;top:1px"&gt;&lt;span class="csb" style="background-position:-100px -275px;height:13px;width:39px;overflow:hidden;text-align:left"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt; &lt;a class="fl" href="http://maps.google.com.tw/maps/place?hl=en&amp;amp;gs_upl=2436l2436l0l4538l1l1l0l0l0l0l179l179l0.1l1l0&amp;amp;bav=on.2,or.r_gc.r_pw.,cf.osb&amp;amp;biw=1280&amp;amp;bih=862&amp;amp;um=1&amp;amp;ie=UTF-8&amp;amp;q=Victoria+and+Albert+Museum&amp;amp;fb=1&amp;amp;gl=tw&amp;amp;hq=Victoria+and+Albert+Museum&amp;amp;cid=11436620009305892127&amp;amp;ei=hvvjToybBqbDmQXskLWEBQ&amp;amp;sa=X&amp;amp;oi=local_result&amp;amp;ct=placepage-link&amp;amp;resnum=1&amp;amp;ved=0CDsQ4gkwAA"&gt;&lt;span style="white-space:nowrap"&gt;195 Google reviews&lt;/span&gt;&lt;/a&gt; - &lt;a class="fl" href="http://maps.google.com.tw/maps/place?hl=en&amp;amp;gs_upl=2436l2436l0l4538l1l1l0l0l0l0l179l179l0.1l1l0&amp;amp;bav=on.2,or.r_gc.r_pw.,cf.osb&amp;amp;biw=1280&amp;amp;bih=862&amp;amp;um=1&amp;amp;ie=UTF-8&amp;amp;q=Victoria+and+Albert+Museum&amp;amp;fb=1&amp;amp;gl=tw&amp;amp;hq=Victoria+and+Albert+Museum&amp;amp;cid=11436620009305892127&amp;amp;dtab=2&amp;amp;action=openratings&amp;amp;ei=hvvjToybBqbDmQXskLWEBQ&amp;amp;sa=X&amp;amp;oi=local_result&amp;amp;ct=write-review&amp;amp;resnum=1&amp;amp;ved=0CDoQtwQwAA"&gt;Write a review&lt;/a&gt;&lt;div style="margin-top:16px"&gt;&lt;table class="ts intrlu" width="100%"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td style="width:28px;paddding-top:1px" valign="top"&gt;&lt;br /&gt;&lt;/td&gt;&lt;td style="color:#222;line-height:1.24" valign="top"&gt;Cromwell Road  London SW7 2RL, United Kingdom&lt;br /&gt;&lt;nobr&gt;020 7942 2000&lt;/nobr&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;table class="nrgt" cellpadding="0" cellspacing="0"&gt;&lt;tbody&gt;&lt;tr class="mslg"&gt;&lt;td style="vertical-align:top"&gt;&lt;div class="sld vsc"&gt;&lt;span class="tl"&gt;&lt;h3 class="r"&gt;&lt;a href="http://www.vam.ac.uk/page/c/current-exhibitions/" class="l"&gt;Current exhibitions&lt;/a&gt;&lt;/h3&gt;&lt;/span&gt;&lt;div class="s"&gt;&lt;div class="st" style="width:220px;overflow:hidden"&gt;The current programme of major exhibitions in the &lt;b&gt;V&amp;amp;A&lt;/b&gt; &lt;b&gt;...&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;td style="vertical-align:top"&gt;&lt;div class="sld vsc"&gt;&lt;span class="tl"&gt;&lt;h3 class="r"&gt;&lt;a href="http://collections.vam.ac.uk/" class="l"&gt;Search the Collections&lt;/a&gt;&lt;/h3&gt;&lt;/span&gt;&lt;div class="s"&gt;&lt;div class="st" style="width:220px;overflow:hidden"&gt;Search over one million objects from the &lt;b&gt;V&amp;amp;A&lt;/b&gt; Collections &lt;b&gt;...&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr class="mslg"&gt;&lt;td style="vertical-align:top"&gt;&lt;div class="sld vsc"&gt;&lt;span class="tl"&gt;&lt;h3 class="r"&gt;&lt;a href="http://www.vam.ac.uk/page/f/fashion/" class="l"&gt;Fashion&lt;/a&gt;&lt;/h3&gt;&lt;/span&gt;&lt;div class="s"&gt;&lt;div class="st" style="width:220px;overflow:hidden"&gt;&lt;b&gt;Victoria and Albert Museum&lt;/b&gt;. The world's greatest museum of art &lt;b&gt;...&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;td style="vertical-align:top"&gt;&lt;div class="sld vsc"&gt;&lt;span class="tl"&gt;&lt;h3 class="r"&gt;&lt;a href="http://www.vam.ac.uk/content/visit-us/getting-here/" class="l"&gt;Getting here&lt;/a&gt;&lt;/h3&gt;&lt;/span&gt;&lt;div class="s"&gt;&lt;div class="st" style="width:220px;overflow:hidden"&gt;Information about travelling to the &lt;b&gt;V&amp;amp;A&lt;/b&gt; by public transport, car &lt;b&gt;...&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr class="mslg"&gt;&lt;td style="vertical-align:top"&gt;&lt;div class="sld vsc"&gt;&lt;span class="tl"&gt;&lt;h3 class="r"&gt;&lt;a href="http://www.vam.ac.uk/content/visit-us/opening-times/" class="l"&gt;Opening times&lt;/a&gt;&lt;/h3&gt;&lt;/span&gt;&lt;div class="s"&gt;&lt;div class="st" style="width:220px;overflow:hidden"&gt;The &lt;b&gt;Victoria and Albert Museum&lt;/b&gt; is open from 10.00 to 17.45 daily &lt;b&gt;...&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;td style="vertical-align:top"&gt;&lt;div class="sld vsc"&gt;&lt;span class="tl"&gt;&lt;h3 class="r"&gt;&lt;a href="http://www.vam.ac.uk/page/c/contact-us/" class="l"&gt;Contact Us&lt;/a&gt;&lt;/h3&gt;&lt;/span&gt;&lt;div class="s"&gt;&lt;div class="st" style="width:220px;overflow:hidden"&gt;&lt;b&gt;Victoria and Albert Museum&lt;/b&gt;. The world's greatest museum of art &lt;b&gt;...&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;tr class="mslg"&gt;&lt;td colspan="2" style="padding-left:6px;padding-top:10px;vertical-align:top"&gt;&lt;form name="nqgs" method="GET" action="/search" style="display:block;margin:0"&gt;&lt;input id="nqsbq" size="30" maxlength="2048" style="margin:0 4px 0 0" title="Search vam.ac.uk" name="q" class="kib" type="text"&gt;&lt;/form&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;/li&gt;&lt;li class="g"&gt;&lt;div class="vsc"&gt;&lt;h3 class="r"&gt;&lt;a href="http://en.wikipedia.org/wiki/Victoria_and_Albert_Museum" class="l"&gt;&lt;em&gt;Victoria and Albert Museum&lt;/em&gt; - Wikipedia, the free encyclopedia&lt;/a&gt;&lt;/h3&gt;&lt;div class="s"&gt;&lt;div class="f kv"&gt;&lt;cite&gt;en.wikipedia.org/wiki/&lt;b&gt;Victoria_and_Albert&lt;/b&gt;_&lt;b&gt;Museum&lt;/b&gt;&lt;/cite&gt;&lt;span class="gl"&gt; - &lt;a href="http://webcache.googleusercontent.com/search?q=cache:1pgJilcPNQ4J:en.wikipedia.org/wiki/Victoria_and_Albert_Museum+Victoria+and+Albert+Museum&amp;amp;cd=8&amp;amp;hl=en&amp;amp;ct=clnk&amp;amp;gl=tw"&gt;Cached&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;span class="st"&gt;The &lt;em&gt;Victoria and Albert Museum&lt;/em&gt;  (often abbreviated as the V&amp;amp;A), set in the Brompton district of The  Royal Borough of Kensington and Chelsea, London, England, &lt;b&gt;...&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/li&gt;&lt;/ol&gt;&lt;br /&gt;&lt;h3 class="newsSubtitle"&gt;V&amp;amp;A博物館續推新展館&lt;/h3&gt;&lt;p&gt;【明報專訊】「當一個人厭倦倫敦，他 其實已經嫌棄生命。（When a man is tired of London, he is tired of life.）Samuel  Johnson在1777年寫下的話，被重複引述無數次。大英帝國在18世紀邁進工業革命，海軍強盛，在世界各地擴張殖民地，國勢隆隆日上，倫敦自然充滿 了新鮮事物與樂趣。來到21世紀，世界的balance of power雖然換了局面，可是，倫敦還是倫敦，不會讓人（尤其旅客）厭倦。&lt;/p&gt;&lt;p&gt;明 年倫敦將舉辦奧運，改變與發展在所難免，運動場館所在地東倫敦區變化便特別大。其實，近年倫敦的發展，多集中在東面，因為倫敦中心的West  End（所謂的西邊，是以中世紀倫敦的規模為標準，因西邊位處上風位，空氣較清新，所以是皇宮貴族的聚居地），古蹟與受保護建築特別多，限制了新發展。&lt;/p&gt;&lt;p&gt;東倫敦的蛻變，像Canary  Wharf一帶的商業區，拔地而起的摩登高樓大廈群，無疑讓人眼前一亮，但其實倫敦「傳統」區域也在變化，只是它們的變化比較低調，外觀變動不大，不容易 讓人察覺，但只要細加留意，變化還是悅目可觀的。像南肯辛頓（South  Kensington），那是倫敦數一數二的高尚住宅區。因為1851年世博（Great  Exhibition）空前成功，帶來可觀收入，原本杳無人居的大片土地被當局購入，發展教育及展覽館。所以如今，我們能找到Victoria and  Albert Museum（簡稱V&amp;amp;A博物館）、科學館及自然歷史博物館，毗鄰左右而且高度集中此區。&lt;/p&gt;&lt;h3 class="newsSubtitle"&gt;衣服收藏豐富 「西太后」研裁剪術&lt;/h3&gt;&lt;p&gt;其 中的V&amp;amp;A博物館，成立於1857年，歷史長逾150年。最初命名為South Kensington  Museum，在1899年改名為Victoria and  Albert博物館。V&amp;amp;A的藏品多樣化，除了油畫、雕塑等傳統藝術品外，還開創多項先河，包括世界第一家提供公共餐廳的博物館、藏有全世界第一 張商業聖誕卡、首家博物館收藏相片等。當然，許多人更知道它的衣服收藏豐富，Vivienne  Westwood當年便常常流連V&amp;amp;A，研習宮廷服的裁剪術。在2001年，博物館進行名為FuturePlan發展大計，並定位為世界最大的藝 術及設計博物館（the world's greatest museum of art and  design）。展館陸續登場，記者近幾年到訪，果然次次有新意，例如2008年開設了The William and Judith  Bollinger Jewellery Gallery ，展出逾3000件珍貴珠寶。剛在今年10月24日，則新設了攝影廊（Photographs  Gallery），展出了歷史上舉足輕重的攝影大師作品，包括Henri Cartier-Bresson、Man Ray、Irving  Penn等等。據網站透露，明年博物館除了特展外，還繼續有新意，如加建家具館、時裝館等，總之，它讓你每次來參觀，都能帶來新面貌新啟發。&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;h6 class="kicker"&gt;Heads Up&lt;/h6&gt; &lt;h1 class="articleHeadline"&gt;A Home for Hidden Treasures in London&lt;/h1&gt;  &lt;div class="articleSpanImage"&gt;&lt;img src="http://graphics8.nytimes.com/images/2010/01/24/travel/24headsup-span/articleLarge.jpg" alt="" height="330" border="0" width="600" /&gt; &lt;div class="credit"&gt;Jonathan Player for The New York Times&lt;/div&gt; &lt;p class="caption"&gt;An area of the “Renaissance City” gallery at the Victoria and Albert. &lt;/p&gt; &lt;/div&gt;       &lt;h6 class="byline"&gt;By PAM KENT&lt;/h6&gt;  &lt;h6 class="dateline"&gt;Published: January 22, 2010    &lt;/h6&gt;  &lt;div id="articleToolsTop" class="articleTools"&gt; &lt;div class="box"&gt; &lt;div class="inset"&gt;&lt;br /&gt;        &lt;/div&gt; &lt;/div&gt; &lt;/div&gt; &lt;div class="articleBody"&gt;             &lt;p&gt; WHEN it first opened in 1852, the stated mission of the Victoria and Albert Museum in &lt;a href="http://travel.nytimes.com/travel/guides/europe/britain/england/london/overview.html?inline=nyt-geo" title="Go to the London Travel Guide." class="meta-loc"&gt;London&lt;/a&gt;  was to inspire designers, manufacturers and artists of the day. Now,  with a brand-new set of galleries, the museum is hoping to inspire  visitors by luring them back through the centuries.        &lt;/p&gt;  &lt;/div&gt; &lt;div class="articleInline runaroundLeft"&gt; &lt;div class="columnGroup"&gt; &lt;h6 class="sectionHeader"&gt;&lt;a href="http://travel.nytimes.com/travel/guides/europe/britain/england/london/overview.html"&gt;London Travel Guide&lt;/a&gt;&lt;/h6&gt; &lt;ul class="guideList"&gt;&lt;li class="travelIcon hotel"&gt;&lt;a href="http://travel.nytimes.com/travel/guides/europe/britain/england/london/hotels.html"&gt;Where to Stay&lt;/a&gt;&lt;/li&gt;&lt;li class="travelIcon restaurant"&gt;&lt;a href="http://travel.nytimes.com/travel/guides/europe/britain/england/london/restaurants.html"&gt;Where to Eat&lt;/a&gt;&lt;/li&gt;&lt;li class="travelIcon attraction"&gt;&lt;a href="http://travel.nytimes.com/travel/guides/europe/britain/england/london/attractions.html"&gt;What to Do&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt; &lt;p class="refer"&gt;&lt;a href="http://travel.nytimes.com/travel/guides/europe/britain/england/london/overview.html"&gt;Go to the London Travel Guide »&lt;/a&gt;&lt;/p&gt; &lt;/div&gt; &lt;div class="columnGroup singleRule"&gt; &lt;h6 class="sectionHeader"&gt;&lt;a href="http://travel.nytimes.com/travel/guides/art/overview.html"&gt;Art Interest Guide&lt;/a&gt;&lt;/h6&gt; &lt;p class="refer"&gt;&lt;a href="http://travel.nytimes.com/travel/guides/art/overview.html"&gt;Go to the Art Interest Guide »&lt;/a&gt;&lt;/p&gt; &lt;/div&gt;            &lt;/div&gt;   &lt;p&gt; Leonardo da Vinci’s notebooks, Gothic altarpieces and a room devoted to  the Italian master Donatello are among a feast of treasures on show at  the 10 new Medieval and Renaissance galleries at the museum, known  locally as the V &amp;amp; A. In all, more than 1,000 years of history —  from the fall of the Roman Empire to the end of the Renaissance — are  surveyed in the galleries, which span three floors and more than 35,000  square feet in the east wing of the museum.        &lt;/p&gt;&lt;p&gt; Built at a cost of £31.75 million (about $50 million) over seven years,  the galleries feature 1,800 pieces, shown both thematically and  chronologically. The opening represents the completion of the first  phase of the museum’s £120 million 10-year plan to refurbish and  redisplay its entire collection.        &lt;/p&gt;&lt;p&gt; The new galleries, which opened Dec. 2, include hundreds of previously  unseen pieces, necessitating a great deal of conservation work and  research. “Many of the pieces have not been on display for 25 or 30  years, either because they needed work or we didn’t have the space,”  said Moira Gemmill, the museum’s director of projects.        &lt;/p&gt;&lt;p&gt; For example, the museum’s 12th-century Romanesque Trie-Château stone  window arches had been in storage since 1983 because “there wasn’t a  location for it,” she said. Now the museum can take the extremely rare  arcade and “weave it into the overall chronology.”        &lt;/p&gt;&lt;p&gt; Explanatory labeling, which has purposely been kept to a minimum, is  complemented by computer displays at which the visitor can interact with  the collection (you can flip through those da Vinci notebooks, for  example; at other screens visitors can find out more about the exhibits  through text and images). “We wanted the objects to be the heroes,” Ms.  Gemmill said. “We didn’t want them to be crowded with graphic,  contextual interpretation.”        &lt;/p&gt;&lt;p&gt; Other objects are partnered with audio. At the “Boar and Bear Hunt”  tapestry, circa 1425-30, visitors can listen to the poet Simon Armitage  reading a hunt-themed passage from the 14th-century narrative poem “Sir  Gawain and the Green Knight.” Elsewhere, the pairings are visual. At the  heart of “The Renaissance City” gallery, a courtyard is evoked with a  working fountain surrounded by dramatic sculptures.        &lt;/p&gt;&lt;p&gt; In other presentations, the scale is decidedly smaller. In an area  devoted to Renaissance style and living, a cabinet contains an array of  drinking glasses. But only on close inspection can the viewer note the  interesting quirks. A glass, circa 1570, features a windmill apparatus  for a stem; the windmill is actually a whistle that, when blown, moves  the hands of a clock at the back of the stem. The trick, apparently, was  to drink while the clock spun. Failure to complete that task meant the  drinker had to finish as many additional glasses as the remaining number  on the clock.        &lt;/p&gt;&lt;p&gt; Victoria and Albert Museum, Cromwell Road, London SW7 2RL; 44-20-7942-2000; &lt;a target="_" href="http://www.vam.ac.uk/"&gt;www.vam.ac.uk&lt;/a&gt;. Open Saturday to Thursday, 10 a.m. to 5:45 p.m.; Friday, 10 a.m. to 10 p.m. Free admission.        &lt;/p&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4780133993864114166-3186940239878853929?l=ukislandrace.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ukislandrace.blogspot.com/feeds/3186940239878853929/comments/default' title='張貼意見'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4780133993864114166&amp;postID=3186940239878853929' title='0 個意見'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/3186940239878853929'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/3186940239878853929'/><link rel='alternate' type='text/html' href='http://ukislandrace.blogspot.com/2011/12/victoria-and-albert-museum.html' title='Victoria and Albert Museum'/><author><name>hanching chung</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4780133993864114166.post-9054976407664583724</id><published>2011-12-09T17:24:00.001-08:00</published><updated>2011-12-09T17:24:37.038-08:00</updated><title type='text'>《十八世紀英國紳士的大旅遊》</title><content type='html'>&lt;span lang="EN-US"&gt;&lt;/span&gt;&lt;span style="font-family:新細明體;mso-bidi-font-family:新細明體;mso-font-kerning:0pt" lang="EN-US"&gt;&lt;/span&gt;  &lt;h3&gt;&lt;span style="font-weight:normal;mso-bidi-font-weight:bold"&gt;&lt;br /&gt;&lt;span lang="EN-US"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/h3&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-family:新細明體;mso-bidi-font-family: 新細明體;mso-font-kerning:0pt" lang="EN-US"&gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;b style="mso-bidi-font-weight:normal"&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;"&gt;黃郁珺《十八世紀英國紳士的大旅遊》&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family:新細明體; mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family:&amp;quot;Times New Roman&amp;quot;"&gt;台北：唐山&lt;/span&gt;&lt;span style="font-family:新細明體;mso-bidi-font-family:新細明體;mso-font-kerning:0pt"&gt;，&lt;span lang="EN-US"&gt;2008&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-family:新細明體;mso-bidi-font-family:新細明體; mso-font-kerning:0pt"&gt;這本是輔仁大學的歷史所碩士論文的出版&lt;span lang="EN-US"&gt; (西洋史叢書的第二本)&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;"&gt;。還有很認真的學生在撰寫論文&lt;/span&gt;&lt;span style="font-family:新細明體; mso-bidi-font-family:新細明體;mso-font-kerning:0pt"&gt;，並且有機會出版，是很可喜&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;"&gt;、&lt;/span&gt;&lt;span style="font-family:新細明體;mso-bidi-font-family: 新細明體;mso-font-kerning:0pt"&gt;可賀的事。論文處理的主題很重要和有趣，寫得也很用心。&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;"&gt;大旅遊的目的是教育&lt;/span&gt;&lt;span style="font-family:新細明體;mso-bidi-font-family: 新細明體;mso-font-kerning:0pt"&gt;，&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family:&amp;quot;Times New Roman&amp;quot;"&gt;其實可能含蓋歐洲各名城和地方&lt;/span&gt;&lt;span style="font-family:新細明體;mso-bidi-font-family:新細明體;mso-font-kerning:0pt"&gt;，所以我弄不清楚是否該包括希臘。無論如何，本書以義大利為主&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;"&gt;。&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span lang="EN-US"&gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family:&amp;quot;Times New Roman&amp;quot;"&gt;基本上&lt;/span&gt;&lt;span style="font-family: 新細明體;mso-bidi-font-family:新細明體;mso-font-kerning:0pt"&gt;，重要的英文和漢文文獻都提到了，似乎只有一夲書的書名前後不一&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;"&gt;：&lt;/span&gt;&lt;i style="mso-bidi-font-style:normal"&gt;&lt;span lang="EN-US"&gt;The Compleat Gentlemen &lt;/span&gt;&lt;/i&gt;&lt;span lang="EN-US"&gt;(p.33) vs. &lt;i style="mso-bidi-font-style:normal"&gt;The Complete Gentlemen&lt;/i&gt; (p.46) &lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;"&gt;；容易令人誤解的&lt;/span&gt;&lt;span lang="EN-US"&gt;”public school” (&lt;/span&gt;&lt;span style="font-family:新細明體;mso-bidi-font-family:新細明體;mso-font-kerning:0pt"&gt;現在多改稱為&lt;span lang="EN-US"&gt;independent school&lt;/span&gt;&lt;/span&gt;&lt;span lang="EN-US"&gt;)&lt;/span&gt;&lt;span style="font-family:新細明體;mso-bidi-font-family:新細明體;mso-font-kerning:0pt"&gt;，&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;"&gt;作者用&lt;/span&gt;&lt;span style="font-family:新細明體;mso-bidi-font-family: 新細明體;mso-font-kerning:0pt"&gt;「公學」，而引張漢裕翻譯的&lt;/span&gt;&lt;span style="font-family:新細明體; mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family:&amp;quot;Times New Roman&amp;quot;"&gt;《國富論》則採用錯誤的&lt;/span&gt;&lt;span style="font-family:新細明體;mso-bidi-font-family:新細明體;mso-font-kerning:0pt"&gt;「公立學校」&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;"&gt;。不過這些是微不足道的小毛病。如果有索引&lt;/span&gt;&lt;span style="font-family:新細明體; mso-bidi-font-family:新細明體;mso-font-kerning:0pt"&gt;，那就相當好了。&lt;span lang="EN-US"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-family:新細明體;mso-bidi-font-family: 新細明體;mso-font-kerning:0pt" lang="EN-US"&gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-family:新細明體;mso-bidi-font-family:新細明體; mso-font-kerning:0pt"&gt;我只舉一小例說明作者的細心&lt;/span&gt;&lt;span style="font-family:新細明體; mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family:&amp;quot;Times New Roman&amp;quot;"&gt;。&lt;/span&gt;&lt;span lang="EN-US"&gt;118&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family:&amp;quot;Times New Roman&amp;quot;"&gt;頁的注&lt;/span&gt;&lt;span lang="EN-US"&gt;94&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;"&gt;中指出：&lt;/span&gt;&lt;span style="font-family:新細明體;mso-bidi-font-family: 新細明體;mso-font-kerning:0pt"&gt;「&lt;span lang="EN-US"&gt;…..此處趙乾龍所譯&lt;b style="mso-bidi-font-weight: normal"&gt;歌德&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family:&amp;quot;Times New Roman&amp;quot;"&gt;《意大利遊記》將&lt;/span&gt;&lt;span lang="EN-US"&gt;privy &lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family:&amp;quot;Times New Roman&amp;quot;"&gt;譯為&lt;/span&gt;&lt;span style="font-family:新細明體;mso-bidi-font-family:新細明體;mso-font-kerning:0pt"&gt;「&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;"&gt;客房&lt;/span&gt;&lt;span style="font-family:新細明體;mso-bidi-font-family: 新細明體;mso-font-kerning:0pt"&gt;」，疑為「廁所」之誤植。&lt;span lang="EN-US"&gt;…..」我們看哥德的上下文，知道英譯的屋外簡易廁所的privy ，比較合脈絡&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family:&amp;quot;Times New Roman&amp;quot;"&gt;。妙的是&lt;/span&gt;&lt;span style="font-family: 新細明體;mso-bidi-font-family:新細明體;mso-font-kerning:0pt"&gt;，我查另外一本湖南文藝出版社&lt;span lang="EN-US"&gt;(2006)的翻譯，也用「&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family:&amp;quot;Times New Roman&amp;quot;"&gt;客房&lt;/span&gt;&lt;span style="font-family:新細明體;mso-bidi-font-family:新細明體;mso-font-kerning:0pt"&gt;」。&lt;span lang="EN-US"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-family:新細明體;mso-bidi-font-family: 新細明體;mso-font-kerning:0pt" lang="EN-US"&gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class="MsoNormal"&gt;&lt;span style="font-family:新細明體;mso-bidi-font-family:新細明體; mso-font-kerning:0pt"&gt;這讓我想起吉川幸次郎的&lt;/span&gt;&lt;span style="font-family:新細明體; mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family:&amp;quot;Times New Roman&amp;quot;"&gt;《漢武帝》中&lt;/span&gt;&lt;span style="font-family:新細明體;mso-bidi-font-family:新細明體;mso-font-kerning:0pt"&gt;，&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;"&gt;引《漢書‧外戚傳》中說：衛子夫&lt;/span&gt;&lt;span style="font-family:新細明體; mso-bidi-font-family:新細明體;mso-font-kerning:0pt"&gt;「於軒中得幸」&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;"&gt;。吉川先生引高木正一先生指出漢末的《釋名》說：&lt;/span&gt;&lt;span style="font-family:新細明體; mso-bidi-font-family:新細明體;mso-font-kerning:0pt"&gt;「廁或曰軒」&lt;/span&gt;&lt;span style="font-family:新細明體;mso-ascii-font-family:&amp;quot;Times New Roman&amp;quot;;mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;"&gt;。&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4780133993864114166-9054976407664583724?l=ukislandrace.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://ukislandrace.blogspot.com/feeds/9054976407664583724/comments/default' title='張貼意見'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=4780133993864114166&amp;postID=9054976407664583724' title='0 個意見'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/9054976407664583724'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/4780133993864114166/posts/default/9054976407664583724'/><link rel='alternate' type='text/html' href='http://ukislandrace.blogspot.com/2011/12/blog-post.html' title='《十八世紀英國紳士的大旅遊》'/><author><name>hanching chung</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-4780133993864114166.post-5580179600312778539</id><published>2011-12-08T21:01:00.000-08:00</published><updated>2011-12-08T21:13:36.857-08:00</updated><title type='text'>The Woolsack</title><content type='html'>&lt;h3&gt;&lt;a href="http://books.google.com.tw/books?id=vvMga-FpnjkC&amp;amp;pg=PA512&amp;amp;lpg=PA512&amp;amp;dq=%E8%83%A1%E9%81%A9+gladstone&amp;amp;source=bl&amp;amp;ots=X5KphPNwk4&amp;amp;sig=WsrRN8YnP5iO8D2gbLDaQh6g35Y&amp;amp;hl=en&amp;amp;ei=ncPeTt7JN7DwmAWUoYyLBQ&amp;amp;sa=X&amp;amp;oi=book_result&amp;amp;ct=result&amp;amp;resnum=2&amp;amp;ved=0CBwQ6AEwAQ" target="_blank"&gt;胡適日記全集: 1923-27  Google Books Result  :&lt;/a&gt; 參觀過 不過不知道其歷史&lt;br /&gt;&lt;/h3&gt;&lt;br /&gt;&lt;br /&gt;&lt;h2 class="enh2"&gt;                     &lt;span class="hw"&gt;wool·sack&lt;/span&gt;&lt;/h2&gt;     &lt;div id="h_ads0" class="hidden"&gt; &lt;span id="sPron" style="position:absolute;"&gt;&lt;/span&gt;  &lt;span class="pronAll"&gt;(&lt;span style="color:blue;" class="pointer"&gt;&lt;span class="pron"&gt;wʊl&lt;span style="font-size:15px;"&gt;'&lt;/span&gt;săk&lt;span style="font-weight:normal"&gt;'&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;) &lt;span style="cursor:pointer"&gt;&lt;img src="http://content.answcdn.com/main/content/img/pron.gif" alt="pronunciation" align="middle" border="0" /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;  &lt;i&gt;n.&lt;/i&gt; &lt;ol style="margin-top:0px;"&gt;&lt;li&gt; A sack for wool.&lt;/li&gt;&lt;li&gt; The official seat of the Lord Chancellor in the House of Lords.&lt;/li&gt;&lt;/ol&gt;&lt;br /&gt;&lt;div id="progressive_ej"&gt;    &lt;ul class="enditMean"&gt;&lt;div&gt;  &lt;div class="prog_block"&gt; &lt;span class="prog_meaning"&gt;[名]&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="prog_block"&gt; &lt;span class="prog_meaning"&gt;&lt;b&gt;1&lt;/b&gt; 羊毛袋.&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="prog_block"&gt; &lt;span class="prog_meaning"&gt;&lt;b&gt;2&lt;/b&gt; ((the〜))((英))（羊毛の詰めてある）大上院議長(Lord Chancellor)の席；上院議長の職&lt;/span&gt;&lt;br /&gt; &lt;div class="prog_example"&gt;&lt;span class="ex"&gt;reach the woolsack&lt;/span&gt;&lt;br /&gt;上院議長になる.&lt;/div&gt; &lt;/div&gt;  &lt;/div&gt;&lt;/ul&gt;&lt;/div&gt;                                                                  &lt;div dir="ltr" class="mw-content-ltr" lang="en"&gt;&lt;div class="thumb tright"&gt; &lt;div class="thumbinner" style="width:202px;"&gt;&lt;a href="http://en.wikipedia.org/wiki/File:House_of_Lords,_throne.jpg" class="image"&gt;&lt;img alt="" src="http://upload.wikimedia.org/wikipedia/commons/thumb/4/44/House_of_Lords%2C_throne.jpg/200px-House_of_Lords%2C_throne.jpg" class="thumbimage" height="254" width="200" /&gt;&lt;/a&gt; &lt;div class="thumbcaption"&gt; &lt;div class="magnify"&gt;&lt;a href="http://en.wikipedia.org/wiki/File:House_of_Lords,_throne.jpg" class="internal" title="Enlarge"&gt;&lt;img src="http://bits.wikimedia.org/skins-1.18/common/images/magnify-clip.png" alt="" height="11" width="15" /&gt;&lt;/a&gt;&lt;/div&gt; House of Lords, Westminster, c.1870-1885. The &lt;b&gt;Woolsack&lt;/b&gt; (with back-rest) can be seen facing the &lt;a href="http://en.wikipedia.org/wiki/Throne" title="Throne"&gt;throne&lt;/a&gt; in the upper foreground, in front of t
