2008年8月19日 星期二

"Liverpool from Seacombe Boat House" (1769)

"Liverpool from Seacombe Boat House" (1769)
“Wright in Liverpool” has a fascinating subplot. As one of Britain’s major port cities, Liverpool was a capital of the slave trade. Many of Wright’s patrons amassed their fortunes by shipping Africans across the Atlantic. The abolitionist movement was beginning to make inroads, however, and Wright made at least one painting that suggests that his views on slavery were not necessarily aligned with those of his subjects.


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